Yamaha S90 Manual download pdf (Page 110)

110

Basics Section Quick Guide Reference Appendix

*28

Element control according to the

note position on the keyboard

(ex. PEG Time : Speed of PEG change)

*29

When user arpeggio is selected, you can clear

the selected arpeggio data by using the [SF5]

button.

*30

You can also turn Arpeggio on/off from the

front panel with the [ARPEGGIO ON/OFF]

button (Voice Edit). Arpeggio Switch is not

available for the Multi Plug-in Parts 17-32.

*31

sync-off

The ﬁrst time you press a key, the ﬁrst note of

the arpeggiator pattern is played. From the

second and subsequent key presses, the

arpeggiator note that is played back depends

on the arpeggiator tempo and the timing of

the arpeggio pattern. For example, in the case

of a 1-bar arpeggio pattern, if the second key

press falls on the third beat of the bar, the

arpeggio pattern plays back from the third

beat onward. In other words, the ﬁrst key

press is used to start the arpeggio pattern and

thereafter you can use the key to “mute” or

“un-mute” the pattern by, respectively,

holding it down or releasing it. This is

particularly useful when the arpeggiator is

being used to generate drum patterns.

*32

sort

Plays back notes in ascending order from the

lowest key pressed to the highest.

thru

Plays back notes in the order in which the

keys are pressed.

direct

Plays back the notes exactly as you play them.

If changes to Voice parameters (such as Pan or

Cutoff frequency) are included in the

Arpeggio sequence data,they will be applied

and reproduced whenever the Arpeggio plays

back.

*33

With the “sort” and “thru” settings, the order

in which notes are played back will depend on

the Arpeggio sequence data.

*34

If the Arpeggio Category is set to Ct, you will

not hear any sounds unless you select “direct”

here.

*35

original

The Arpeggio plays back at the preset

velocities.

thru

The Arpeggio plays back according to the

velocity of your playing. For example, if you

play the notes strongly, the playback volume

of the Arpeggio increases.

*36

You can also create a lower and an upper

trigger range for the Arpeggio, with a “hole”

in the middle, by specifying the highest note

ﬁrst. For example, setting a Note Limit of “C5-

C4” lets you trigger the Arpeggio by playing

notes in the two ranges of C -2 to C4 and C5

to G8; notes played between C4 and C5 have

no effect on the Arpeggio.

*37

The Velocity/Gate Time cannot be decreased

beyond its normal minimum of 1; any values

outside that range will automatically be

limited to the minimum.

*38

The Velocity cannot be decreased or increased

beyond its normal range of 1 to 127; any

values outside that range will automatically

be limited to the minimum or maximum.

*39

You can set the parameters related Voice only

when entering the Utility mode ([F3]→

[SF2]) from the Voice mode.

*40

You can set the parameters related Voice only

when entering the Utility mode ([F3]→[SF3])

from the Voice mode.

*41

This parameter’s function varies according to

the selected Filter Type. If the selected ﬁlter is

an LPF, HPF, BPF (excluding the BPFw), or

BEF, this parameter is used to set the

Resonance. For the BPFw, it is used to adjust

the Width of the band.

*42

This parameter is available for the LPF when

the ﬁlter used by the part is a combination

type of LPF and HPF (Performance/Mixing

Part Edit).

Basic pitch (center Key)

Positive value

Higher range

Lower range

Slower speed

Faster speed

+63

+30

-40

Negative value

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