Yamaha S90 Manual download pdf (Page 108)

108

Basics Section Quick Guide Reference Appendix

When the Alternate Group (AltGrp)

parameter is set to a setting other than “off,”

this parameter is unavailable, and “---” is

shown in the display (Drum Key Edit).

Micro Tuning Type

Voice...Offsets to the EQ settings in the

Utility ([F3]→ [SF1]).

Performance/Mixing...Offsets to the Master

EQ settings (Common [F2]→ [SF2]).

These Portamento parameters above are not

available for the part to which the Drum voice

is assigned.

The Mode setting is not available for the Plug-

in part.

CONTROL FUNCTION SELECT (CS Assign)

1 pan

2 tone

3 assign

4 MEQofs

5 vol

6 zone (Master mode only. The setting “zone” above is

available only when the Zone Switch is set to on in

the [F2] MEMORY display in the Master Play mode.)

n Voice/Performance/Mixing...Set by each

common edit [F1]

→[SF5] (CSAssign)

Master...Set by the common edit [F2] (Slider)

Moving the Slider will not have any effect

until you reach the current setting.

If you transpose beyond the note range limits

(C-2 and G8), notes in the adjacent octaves

will be used. For example, a transposed note

of F9 will be changed to F8.

Power On Mode Settings

*10

These settings depend on the particular Plug-

in board; refer to the relevant owner’s manual

for details.

*11

You can also create a lower and an upper

range with a “hole” in the middle, by

specifying the highest note ﬁrst. For example,

setting a Note Limit of “C5 - C4” lets you play

the element from two separate ranges: C-2 to

C4 and C5 to G8. Notes played between C4

and C5 do not play the selected element/part/

zone.

*12

You can also set the range directly from the

keyboard, by holding down the

[INFORMATION] button and pressing the

desired low and high keys.

*13

You can also create separate low and high

ranges, with a velocity “hole” in the middle,

by specifying the maximum value ﬁrst. For

example, setting a Velocity Limit of 93 - 34 lets

you play the element from two separate

velocity ranges: soft (1 - 34) and hard (93 -

127). Notes played at middle velocities

between 35 and 92 do not play the selected

element/part/zone.

*14

When you have selected “voice” here, some

parameters cannot be set.

*15

Yo u can also adjust this parameter using the

Control slider on the front panel (Common edit).

*16

In Drum Key edit, this is available only when

Insertion Effect Output (above) is set to “thru.”

*17

This parameter is effective for Waves (pre

wav) selected in the [F1] - [SF1] Drum Key

Oscillator Wave display (Drum Key edit).

*18

If a Normal voice has been assigned to the key,

this parameter adjusts the position of its note

(not its pitch) relative to note C3. For

example, let’s assume the original Voice

consists of a two-Element piano-like sound up

to note C3 and a two-Element string-like

sound from note C#3 upwards. Adjusting this

Coarse setting by +1 would not change the

pitch of the piano-like sound to C#3. Instead,

note C#3 of the original Voice (i.e., the string-

like sound) would be used.

No. Type Key Comments

00 Equal

temperament

The “compromise” tuning used for

most of the last 200 years of West-

ern music, and found on most elec-

tronic keyboards. Each half step is

exactly 1/12 of an octave, and

music can be played in any key with

equal ease. However, none of the

intervals are perfectly in tune.

01~12 Pure major C~B This tuning is designed so that

most of the intervals (especially the

major third and perfect fifth) in the

major scale are pure. This means

that other intervals will be corre-

spondingly out of tune. You need to

specify the key (C~B) you will be

playing in.

13~24 Pure minor A~G# The same as Pure Major, but

designed for the minor scale.

25 Werckmeister Andreas Werckmeiser, a contempo-

rary of Bach, designed this tuning

so that keyboard instruments could

be played in any key. Each key has a

unique character.

26 Kirnberger Johann Philipp Kirnberger was also

concerned with tempering the scale

to allow performances in any key.

27 Vallotti &

Young

Francescatonio Vallotti and Thomas

Young (both mid-1700s) devised

this adjustment to the Pythagorean

tuning in which the first six fifths

are lowered by the same amount.

28 1/4 shifted This is the normal equal tempered

scale shifted up 50 cents.

29 1/4 tone Twenty-four equally spaced notes

per octave. (Play twenty-four notes

to move one octave.)

30 1/8 tone Forty-eight equally spaced notes

per octave. (Play forty-eight notes

to move one octave.)

31 Indian C~B Usually observed in Indian music

(white keys [C~B] only).

PA N

CONTROL

FUNCTION

MASTER

VOLUME

CUTOFF

ASSIGN A

MEQ LOW

VOLUME 1

ZONE 1

CS 1

TEMPO

RELEASE

ASSIGN 2

MEQ HIGH

VOLUME 4

ZONE 4

CS 4

REVERB

RESONANCE

ASSIGN B

MEQ LOW MID

VOLUME 2

ZONE 2

CS 2

CHORUS

AT TAC K

ASSIGN 1

MEQ HI MID

VOLUME 3

ZONE 3

CS 3

Display Mode Program

performance Performance Play USER: 001

voice (USER) Voice Play USER: 001

voice (PRE1) Voice Play PRE1: 001

GM Voice Play GM: 001

master Master Play USER: 001

1 2 ... 103 104 105 106 107 108 109 110 111 112 113 ... 138 139

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Yamaha S90 Manual Page 108

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