Yamaha PSR-2100 User Manual Page 167

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167
PSR-2100/1100
èe‰ÏeÚÌ˚È Û͇Á‡Úeθ
0-9
3BAND EQ (ÚÂıÔÓÎÓÒÌ˚È ˝Í‚‡Î‡ÈÁÂ) .................................... 133
A
AI.......................................................................................... 65
AI FINGERED (Ú‡‰ËˆËÓÌÌ˚È Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó
ËÌÚÂÎÎÂÍÚ‡) ........................................................................ 65
AI FULL KEYBOARD (‚Òfl Í·‚ˇÚÛ‡ Ò ËÒÔÓθÁÓ‚‡ÌËÂÏ
ËÒÍÛÒÒÚ‚ÂÌÌÓ„Ó ËÌÚÂÎÎÂÍÚ‡).................................................. 65
B
Bass (·‡Ò) .............................................................................. 97
BEAT (‡ÁÏÂ).................................................................. 73, 74
C
Chord (‡ÍÍÓ‰˚)...................................................................... 97
CHORUS DEPTH (Sound Creator)............................................... 93
COMPRESSOR (ÍÓÏÔÂÒÒÓ) .................................................. 134
Cool! (ËÌÒÚÛÏÂÌÚ: «ÍÛÚÓÈ») .................................................... 58
Current Memory (Ó·˙ÂÍÚ ‚ Ô‡ÏflÚË) ............................................. 40
D
DELETE RECORD (Û‰‡ÎÂÌË Á‡ÔËÒË) ......................................... 74
DOC.................................................................................... 162
Drum (ËÌÒÚÛÏÂÌÚ: ·‡‡·‡Ì˚) ................................................... 58
DSP DEPTH (Sound Creator)...................................................... 93
DC IN .................................................................................. 156
E
ECHO.................................................................................... 61
EG („ÂÌÂ‡ÚÓ Ó„Ë·‡˛˘Ëı)....................................................... 92
ENDING ................................................................................. 69
EQ (˝Í‚‡Î‡ÈÁÂ) ................................................................... 124
ESEQ .................................................................................. 161
F
FAVORITE (β·ËÏ˚Â).............................................................. 74
File (Ù‡ÈÎ) ............................................................................. 40
FINGERED (Ú‡‰ËˆËÓÌÌ˚È) ...................................................... 65
FINGERED ON BASS (Ú‡‰ËˆËÓÌÌ˚È Ò ·‡ÒÓÏ)............................. 65
FLOPPY DISK (‰ËÒÍÂÚ‡) ............................................... 40, 41, 42
FULL KEYBOARD (‚Òfl Í·‚ˇÚÛ‡)............................................ 65
G
GENRE (ʇÌ).................................................................. 73, 75
GENRE NAME (̇Á‚‡ÌË ʇÌ‡) ............................................... 75
H
HARMONY ............................................................................. 61
High Key (‚ÂıÌflfl ÌÓÚ‡) ......................................................... 120
I
INTRO ................................................................................... 69
K
KEY SIGNATURE (Íβ˜)........................................................... 86
KEYWORD (Íβ˜Â‚Ó ÒÎÓ‚Ó).............................................. 73, 74
Kirnberger............................................................................. 139
L
LCD (ÊˉÍÓÍËÒÚ‡Î΢ÂÒÍËÈ ˝Í‡Ì)...........................................15
LEFT CH (΂˚È Í‡Ì‡Î) ............................................................86
Live! (ËÌÒÚÛÏÂÌÚ: «ÊË‚ÓÈ»)......................................................58
M
MAIN A/B/C/D (ÓÒÌӂ̇fl ˜‡ÒÚ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡) ...................67
MIC......................................................................................131
MICROPHONE SETTING .........................................................133
MIDI.....................................................................................148
MIDI IN.................................................................................156
MIDI OUT..............................................................................156
MIDI-ÔÓÚ˚ ...........................................................................156
MODULATION .........................................................................18
MODULATION (ÏÓ‰ÛÎflˆËfl) .......................................................61
MULTI FINGER (ÌÂÒÍÓθÍËÏË Ô‡Î¸ˆ‡ÏË) .....................................65
N
NEW RECORD (ÌÓ‚‡fl Á‡ÔËÒ¸) ...................................................75
NOISE GATE („ÂÈÚ) ................................................................133
Note Limit (ÌÓÚÌ˚È ‰Ë‡Ô‡ÁÓÌ)...................................................120
NOTE NAME (̇Á‚‡ÌË ÌÓÚ˚)....................................................86
NTR (Ô‡‚ËÎÓ Ú‡ÌÒÔÓÁˈËË)...................................................119
NTT (Ú‡·Îˈ‡ Ú‡ÌÒÔÓÁˈËË) ...................................................120
O
OCTAVE (Ò‰‚Ë„ ̇ ÓÍÚ‡‚Û) ......................................................126
Organ Flutes......................................................................94, 58
P
Pad («ÔӉͷ‰˚»)....................................................................97
PANEL SUSTAIN (Sound Creator)................................................93
Phrase (Ù‡Á˚) .......................................................................97
PITCH BEND ...............................................................18, 38, 61
PITCH BEND RANGE (‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚)...................126
PORTAMENTO TIME (‚ÂÏfl ÔÓÚ‡ÏÂÌÚÓ)..................................126
PRESET (Ô‰‚‡ËÚÂθÌ˚ ̇ÒÚÓÈÍË) ......................................40
Q
QUANTIZE (Í‚‡ÌÚËÁ‡ˆËfl)..........................................................86
Quick Start (ÙÛÌ͈Ëfl ·˚ÒÚÓ„Ó Á‡ÔÛÒ͇) ....................................140
R
REVERB DEPTH (Sound Creator) ................................................93
Rhythm (ËÚÏ) .........................................................................97
RIGHT CH (Ô‡‚˚È Í‡Ì‡Î).........................................................86
RTR (Ô‡‚ËÎÓ ÔÓ‚ÚÓÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl).............................120
S
SFX (ËÌÒÚÛÏÂÌÚ: ÒÔˆ˝ÙÙÂÍÚ˚)...............................................58
SINGLE FINGER (Ó‰ÌËÏ Ô‡Î¸ˆÂÏ) ..............................................65
SMF (Òڇ̉‡ÚÌ˚È Ù‡ÈÎ MIDI) ................................................161
Sweet! (ËÌÒÚÛÏÂÌÚ: «Ò·‰ÍÓÁ‚Û˜Ì˚È»).......................................58
T
TEMPO FROM (ÔÓËÒÍ, ̇˜Ë̇fl Ò ÚÂÏÔ‡…)...................................73
TEMPO TO (ÔÓËÒÍ, Á‡Í‡Ì˜Ë‚‡fl ÚÂÏÔÓÏ...)....................................73
TUNING (̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚) ...................................................126
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