Yamaha PSR-2100 User Manual download pdf (Page 95)

PSR-2100/1100

á‡ÔËÒ¸ ‚˚ÒÚÛÔÎÂÌËÈ Ë ÒÓÁ‰‡ÌËÂ ÔÂÒÂÌ

— Song Creator

îÛÌÍˆËË Á‡ÔËÒË, Â‡ÎËÁÓ‚‡ÌÌ˚Â ‚ ÒËÌÚÂÁ‡ÚÓÂ, ÔÓÒÚ˚ ‰Îﬂ ÓÒ‚ÓÂÌËﬂ Ë ÔË ˝ÚÓÏ Ó·Î‡‰‡˛Ú ‚ÔÂ˜‡ÚÎﬂ˛˘ËÏË ‚ÓÁÏÓÊÌÓÒÚﬂÏË.

ë Ëı ÔÓÏÓ˘¸˛ ÏÓÊÌÓ Á‡ÔËÒ˚‚‡Ú¸ Ë ÒÓı‡ÌﬂÚ¸ ÒÓ·ÒÚ‚ÂÌÌ˚Â ÍÓÏÔÓÁËˆËË. ëÛ˘ÂÒÚ‚ÛÂÚ ÌÂÒÍÓÎ¸ÍÓ ÏÂÚÓ‰Ó‚ Á‡ÔËÒË: Quick Recording

(ÒÚ. 96) — Ò‡Ï˚È ÔÓÒÚÓÈ ËÁ ‚ÒÂı; Multi Recording (ÒÚ. 97), ÔÓÁ‚ÓÎﬂ˛˘ËÈ ÒÓÁ‰‡‚‡Ú¸ ÌÂÒÍÓÎ¸ÍÓ ˜‡ÒÚÂÈ, Ë Step Recording (ÒÚ. 99),

ÔÂ‰Ì‡ÁÌ‡˜ÂÌÌ˚È ‰Îﬂ ÔÓ¯‡„Ó‚Ó„Ó ‚‚Ó‰‡ ÌÓÚ. èÂÒÌË ÏÓ„ÛÚ ‚ÍÎ˛˜‡Ú¸ ÌÂ ÚÓÎ¸ÍÓ „ÓÎÓÒÓ‚˚Â Ô‡‡ÏÂÚ˚ ˜‡ÒÚÂÈ, Ë„‡ÂÏ˚ı Ò ÍÎ‡‚Ë-

‡ÚÛ˚ (Main, Layer, Left), ÌÓ Ú‡ÍÊÂ Ô‡‡ÏÂÚ˚ ˝ÙÙÂÍÚÓ‚, „‡ÏÓÌËÁ‡ˆËË ‚ÓÍ‡Î‡ Ë ˜‡ÒÚÂÈ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡. á‡ÔËÒ‡ÌÌ˚Â ÔÂÒÌË

ÏÓÊÌÓ ÒÓı‡ÌËÚ¸ ‚ Ô‡ÏﬂÚË ÒËÌÚÂÁ‡ÚÓ‡ ËÎË Ì‡ ‰ËÒÍÂÚÂ (ÒÚ. 38, 47).

é Á‡ÔËÒË ÔÂÒÂÌ

ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÒÔÓÒÓ·‡ Á‡ÔËÒË ÔÂÒÂÌ: ‚ ÂÊËÏÂ Â‡Î¸ÌÓ„Ó ‚ÂÏÂÌË Ë ÔÓ¯‡„Ó‚ÓÏ ÂÊËÏÂ.

■ Realtime Recording

àÒÔÓÎÌﬂÂÏÓÂ ÔÓËÁ‚Â‰ÂÌËÂ Á‡ÔËÒ˚‚‡ÂÚÒﬂ ‚ Â‡Î¸ÌÓÏ ‚ÂÏÂÌË. ëÛ˘ÂÒÚ‚ÛÂÚ ‰‚‡ ÂÊËÏ‡

Á‡ÔËÒË: Quick Ë Multi.

êÂÊËÏ ·˚ÒÚÓÈ Á‡ÔËÒË — Quick Recording (ÒÚ. 96)

ùÚÓ Ò‡Ï˚È ÔÓÒÚÓÈ ÏÂÚÓ‰ Á‡ÔËÒË. ë Â„Ó ÔÓÏÓ˘¸˛ ÏÓÊÌÓ, Ì‡ÔËÏÂ, ·˚ÒÚÓ Á‡ÔËÒ‡Ú¸

ÔÂÒÌ˛, ÍÓÚÓÛ˛ ‚˚ ‡ÁÛ˜Ë‚‡ÂÚÂ Ì‡ ÙÓÚÂÔË‡ÌÓ. Ç˚·ÂËÚÂ ˜‡ÒÚ¸ (˜‡ÒÚË) ‰Îﬂ Á‡ÔËÒË:

Ô‡ÚË˛ Ô‡‚ÓÈ ÛÍË, Ô‡ÚË˛ ÎÂ‚ÓÈ ÛÍË Ë Ô‡ÚËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡/ÏÛÎ¸ÚËÔ˝‰. í‡Í,

Ì‡ÔËÏÂ, ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÚÓÎ¸ÍÓ Ô‡ÚË˛ Ô‡‚ÓÈ ÛÍË ËÎË ÊÂ Ó‰ÌÓ‚ÂÏÂÌÌÓ Ô‡ÚË˛

Ô‡‚ÓÈ ÛÍË Ë ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ.

êÂÊËÏ Á‡ÔËÒË ÌÂÒÍÓÎ¸ÍËı „ÓÎÓÒÓ‚ — Multi Recording (ÒÚ. 97)

ùÚÓÚ ÂÊËÏ ÔÓÁ‚ÓÎﬂÂÚ Á‡ÔËÒ‡Ú¸ ÍÓÏÔÓÁËˆË˛ Ò ËÒÔÓÎ¸ÁÓ‚‡ÌËÂÏ ÌÂÒÍÓÎ¸ÍËı ‡ÁÎË˜Ì˚ı

ËÌÒÚÛÏÂÌÚÓ‚; ÏÓÊÌÓ ‰‡ÊÂ ÔÓÔ˚Ú‡Ú¸Òﬂ ‚ÓÒÔÓËÁ‚ÂÒÚË Á‚Û˜‡ÌËÂ ·Ë„-·˝Ì‰‡ ËÎË

ÒËÏÙÓÌË˜ÂÒÍÓ„Ó ÓÍÂÒÚ‡. á‡ÔË¯ËÚÂ Ô‡ÚË˛ Í‡Ê‰Ó„Ó ËÌÒÚÛÏÂÌÚ‡ ÔÓ ÓÚ‰ÂÎ¸ÌÓÒÚË, ‡

Á‡ÚÂÏ ÒÓÁ‰‡ÈÚÂ ÓÍÂÒÚÓ‚ÍÛ. äÓÏÂ ÚÓ„Ó, ÏÓÊÌÓ Á‡ÔËÒ‡Ú¸ ÒÓ·ÒÚ‚ÂÌÌÛ˛ Ô‡ÚË˛ ÔÓ‚Âı

ÍÓÏÔÓÁËˆËË, ËÏÂ˛˘ÂÈÒﬂ ‚ Ô‡ÏﬂÚË ÒËÌÚÂÁ‡ÚÓ‡ ËÎË Ì‡ ‰ËÒÍÂÚÂ.

■ êÂÊËÏ ÔÓ¯‡„Ó‚ÓÈ Á‡ÔËÒË — Step Recording (ÒÚ. 99)

ùÚËÏ ÒÔÓÒÓ·ÓÏ ÏÓÊÌÓ ÒÓÒÚ‡‚ÎﬂÚ¸ ËÒÔÓÎÌÂÌËÂ, «Á‡ÔËÒ˚‚‡ﬂ» Â„Ó ÒÓ·˚ÚËﬂ ÔÓÓ˜ÂÂ‰ÌÓ.

á‡ÔËÒ¸ ‚Â‰ÂÚÒﬂ ‚Û˜ÌÛ˛ Ë ÌÂ ‚ Â‡Î¸ÌÓÏ ‚ÂÏÂÌË. ùÚÓ ‡Ì‡ÎÓ„Ë˜ÌÓ Á‡ÔËÒË ÌÓÚ Ì‡ ·ÛÏ‡„Û.

èÓÎ¸ÁÛﬂÒ¸ ÒÔËÒÍÓÏ ÒÓ·˚ÚËÈ (ÒÚ. 108-110), ÏÓÊÌÓ ‚‚Ó‰ËÚ¸ ÌÓÚ˚, ‡ÍÍÓ‰˚ Ë ‰Û„ËÂ

ÒÓ·˚ÚËﬂ ÔÓ Ó‰ÌÓÏÛ.

■ êÂ‰‡ÍÚËÓ‚‡ÌËÂ ÔÂÒÂÌ (ÒÚ. 105)

ë ÔÓÏÓ˘¸˛ PSR-2100/1100 ‚˚ ÏÓÊÂÚÂ Â‰‡ÍÚËÓ‚‡Ú¸ ÔÂÒÌË, Á‡ÔËÒ‡ÌÌ˚Â ‚ Î˛·ÓÏ

ÂÊËÏÂ.

èË ÔÂÂÁ‡ÔËÒË Ù‡„ÏÂÌÚ‡ ÔÂÒÌË ËÒÔÓÎ¸ÁÛÈÚÂ ÙÛÌÍˆË˛ Punch IN/OUT (ÒÚ. 104).

USER

ENTER

EXIT

BALANCE

FUNCTION

HELP

DEMO

SOUND CREATOR

DIGITAL RECORDING

MIXING CONSOLE

DIGITAL

STUDIO

DIRECT

ACCESS

PART

CHANNEL ON/OFF

FREEZE MEMORY

DATA ENTRY

ORGAN FLUTES

STRINGS CHOIR & PAD

GUITAR

MAIN

BACK NEXT

LEFT

MUSIC

FINDER

LAYER

BASS

PIANO & HARPSI.

E.PIANO

UPPER OCTAVE

WOODWIND

PERCUSSION

VARIATION

MONOTOUCH

SUSTAIN

DSP

HARMONY/

ECHO

LEFT

HOLD

SYNTH.

BRASS

ORGAN &

ACCORDION

VOICE EFFECT

VOIC E

ONE TOUCH SETTING

REGISTRATION MEMORY

MIC.

EFFECT

RESET

VOCAL

HARMONY

MIC.

SETTING

VH TYPE

SELECT

TALK

OVER

SIGNAL

81 2 3 4 5 6 7

TRANSPOSE

ACMP

STANDBY

INTRO

START/STOP

MAIN

ENDING

/ rit.

AUTO

FILL IN

OTS

LINK

SYNC.

STOP

SYNC.

START

BREAK

BALLAD USERLATIN

POP & ROCK

REC REW FF

START/STOP

TOP

BALLROOM

DANCE

RESET

MIN MAX

FADE

IN/OUT

TEMPO

STOP

TAP TEMPO

RESET

NEW SONG SYNC. START

SONG

STYLE

MARCH &

WALTZ

METRO-

NOME

EXTRA

TRACKS

(STYLE) (R)(L)

TRACK

1 REPEAT

SWING &

JAZZ

MULTI PAD

STYLE CONTROL

MASTER VOLUME

PART

REC REW FF

START/STOP

TOP

NEW SONG SYNC. START

SONG

METRO-

NOME

EXTRA

TRACKS

(STYLE) (R)(L)

TRACK

1 REPEAT

DIGITAL RECORDING

• ÖÏÍÓÒÚ¸ Ô‡ÏﬂÚË PSR-2100/1100

ÒÓÒÚ‡‚ÎﬂÂÚ ÓÍÓÎÓ 1520 K· (PSR-2100)/

700 K· (PSR-1100). é·˙ÂÏ ‰ËÒÍÂÚ ÚËÔÓ‚

2DD (‰ËÒÍÂÚ˚ ‰‚ÓÈÌÓÈ ÔÎÓÚÌÓÒÚË) Ë 2HD

(‰ËÒÍÂÚ˚ ‚˚ÒÓÍÓÈ ÔÎÓÚÌÓÒÚË)

ÒÓÒÚ‡‚ÎﬂÂÚ 720 ä· Ë 1,44 å·

ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ. èË ÒÓı‡ÌÂÌËË

‰‡ÌÌ˚ı Ì‡ ‰ËÒÍÂÚ‡ı ‚ÒÂ ÚËÔ˚ Ù‡ÈÎÓ‚,

ÔÓ‰‰ÂÊË‚‡ÂÏ˚Â PSR-2100/1100

(Ù‡ÈÎ˚ „ÓÎÓÒ‡, ÒÚËÎﬂ, ÔÂÒÌË,

Â„ËÒÚ‡ˆËÓÌÌ˚Â Ù‡ÈÎ˚ Ë Ú. ‰.),

ÒÓı‡Ìﬂ˛ÚÒﬂ ‚ Ó‰ÌÓÏ ÏÂÒÚÂ.

• ëË„Ì‡Î Ò ÏËÍÓÙÓÌÌÓ„Ó ‚ıÓ‰‡ (PSR-

2100) Á‡ÔËÒ‡Ú¸ ÌÂÎ¸Áﬂ.

• Ç PSR-2100/1100 Á‡ÔËÒ¸

ÓÒÛ˘ÂÒÚ‚ÎﬂÂÚÒﬂ ‚ ÙÓÏ‡ÚÂ SMF

(Standard MIDI File format 0).

ÑÓÔÓÎÌËÚÂÎ¸Ì˚Â Ò‚Â‰ÂÌËﬂ Ó SMF

ÔË‚Â‰ÂÌ˚ Ì‡ ÒÚ. 161).

• á‡ÔËÒ‡ÌÌ‡ﬂ ÔÂÒÌﬂ ÏÓÊÂÚ

‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òﬂ ˜ÂÂÁ ÔÓÚ MIDI OUT.

ùÚÓ ÔÓÁ‚ÓÎﬂÂÚ ‚‡Ï ËÒÔÓÎ¸ÁÓ‚‡Ú¸

ÚÂÏ·˚ ‚ÌÂ¯ÌÂ„Ó ÚÓÌ-„ÂÌÂ‡ÚÓ‡,

ÔÓ‰ÍÎ˛˜ÂÌÌÓ„Ó Í ˝ÚÓÏÛ ÔÓÚÛ (ÒÚ. 149).

• ìÓ‚ÂÌ¸ „ÓÏÍÓÒÚË Í‡Ê‰Ó„Ó Í‡Ì‡Î‡

ÔÂÒÌË ÏÓÊÌÓ Ì‡ÒÚÓËÚ¸ Ò ÔÓÏÓ˘¸˛

ÍÓÌÒÓÎË ÏËÍ¯Â‡, ‡ Á‡ÚÂÏ ÒÓı‡ÌËÚ¸

ÒÓ˜ÂÚ‡ÌËÂ Ô‡‡ÏÂÚÓ‚ ÏËÍ¯Â‡. ÅÓÎÂÂ

ÚÓ„Ó, ‰‡ÊÂ ÍÓ„‰‡ „ÓÎÓÒ ‰Îﬂ Á‡ÔËÒË ÛÊÂ

‚˚·‡Ì, ‚˚ ÏÓÊÂÚÂ Á‡ÔÓ„‡ÏÏËÓ‚‡Ú¸

‡‚ÚÓÏ‡ÚË˜ÂÒÍÛ˛ ÒÏÂÌÛ „ÓÎÓÒÓ‚ ÔË

‚ÓÒÔÓËÁ‚Â‰ÂÌËË Á‡ÔËÒ‡ÌÌÓÈ ÔÂÒÌË

(ÒÚ. 107).

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Yamaha PSR-2100 User Manual Page 95

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