Yamaha PSR-2100 User Manual download pdf (Page 143)

ç‡ÒÚÓÈÍ‡ Ó·˘Ëı Ô‡‡ÏÂÚÓ‚ — Function

143

PSR-2100/1100

îÛÌÍˆËË, ÛÔ‡‚ÎﬂÂÏ˚Â ÔÂ‰‡ÎﬂÏË

* ç‡ËÎÛ˜¯ËÂ ÂÁÛÎ¸Ú‡Ú˚ ‰‡ÂÚ ÌÓÊÌÓÈ ÍÓÌÚÓÎÎÂ Yamaha FC7, ‚ÍÎ˛˜‡ÂÏ˚È ‚ ÍÓÏÔÎÂÍÚ ÔÓ ÊÂÎ‡ÌË˛ ÔÓÍÛÔ‡ÚÂÎﬂ.

ìÍ‡Á‡ÌÌ˚Â ÌËÊÂ Ô‡‡ÏÂÚ˚ Á‡‰‡˛ÚÒﬂ ÍÌÓÔÍ‡ÏË [2▲▼] - [8▲▼]. äÌÓÔÍË Á‡‰ÂÈÒÚ‚Û˛ÚÒﬂ Ò Û˜ÂÚÓÏ ‚˚·‡ÌÌÓ„Ó ÚËÔ‡ Ô‡‡ÏÂÚ‡. ç‡ÔËÏÂ, ÂÒÎË ‚ Í‡˜ÂÒÚ‚Â ÚËÔ‡

‚˚·‡Ì SUSTAIN, Ì‡ ˝Í‡ÌÂ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ÔÓﬂ‚Îﬂ˛ÚÒﬂ Ô‡‡ÏÂÚ˚ «HALF PEDAL POINT», «MAIN«, «LAYER» Ë «LEFT».

* ç‡ËÎÛ˜¯ËÂ ÂÁÛÎ¸Ú‡Ú˚ ‰‡ÂÚ ÌÓÊÌÓÈ ÍÓÌÚÓÎÎÂ Yamaha FC7, ‚ÍÎ˛˜‡ÂÏ˚È ‚ ÍÓÏÔÎÂÍÚ ÔÓ ÊÂÎ‡ÌË˛ ÔÓÍÛÔ‡ÚÂÎﬂ.

VOLUME* èÓÁ‚ÓÎﬂÂÚ ÓÒÛ˘ÂÒÚ‚ÎﬂÚ¸ ÌÓÊÌÓÂ ÛÔ‡‚ÎÂÌËÂ „ÓÏÍÓÒÚ¸˛ (ÚÓÎ¸ÍÓ ÔË ËÒÔÓÎ¸ÁÓ‚‡ÌËË FOOT PEDAL 2)

SUSTAIN ÖÒÎË ÔÂ‰‡Î¸ Ì‡Ê‡Ú‡, Á‚ÛÍ, ‚ÓÁÌËÍ‡˛˘ËÈ ÔÓÒÎÂ Ì‡Ê‡ÚËﬂ ÍÎ‡‚Ë¯, ÚﬂÌÂÚÒﬂ ‰ÓÎ¸¯Â. éÚÔÛÒÍ‡ÌËÂ ÔÂ‰‡ÎË ÔË‚Ó‰ËÚ Í Ï„ÌÓ‚ÂÌÌÓÏÛ Á‡ÚÛı‡ÌË˛

ÚﬂÌÛ˘Â„ÓÒﬂ Á‚ÛÍ‡.

SOSTENUTO ÖÒÎË ‚˚ Ì‡ÊÏÂÚÂ Ë Û‰ÂÊËÚÂ ÔÂ‰‡Î¸, ‚ÍÎ˛˜‡˛˘Û˛ ˝ÚÓÚ ˝ÙÙÂÍÚ, ÚÓ «ÚﬂÌÛÚ¸Òﬂ» ·Û‰ÂÚ ÎË¯¸ Á‚Û˜‡ÌËÂ ÔÂ‚ÓÈ ÌÓÚ˚, Ò˚„‡ÌÌÓÈ ÔÓÒÎÂ Ì‡Ê‡ÚËﬂ

ÔÂ‰‡ÎË. èË ˝ÚÓÏ ÒÎÂ‰ÛÂÚ ÒÌ‡˜‡Î‡ Ì‡Ê‡Ú¸ ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘Û˛ ÍÎ‡‚Ë¯Û, ‡ ÛÊÂ Á‡ÚÂÏ, Û‰ÂÊË‚‡ﬂ ÂÂ, Ì‡Ê‡Ú¸ ÔÂ‰‡Î¸. ùÚÓ ‰‡ÂÚ ‚ÓÁÏÓÊÌÓÒÚ¸

ÔÓ‰ÎËÚ¸ Á‚Û˜‡ÌËÂ ‡ÍÍÓ‰‡, ÂÒÎË, Ì‡ÔËÏÂ, ÌÓÚ˚, Ë‰Û˘ËÂ ‚ÒÎÂ‰ Á‡ ‡ÍÍÓ‰ÓÏ, Ë„‡˛ÚÒﬂ ÒÚ‡ÍÍ‡ÚÓ.

SOFT ç‡Ê‡ÚËÂ Ì‡ ÔÂ‰‡Î¸ ÔË‚Ó‰ËÚ Í ÌÂ·ÓÎ¸¯ÓÏÛ ÒÌËÊÂÌË˛ „ÓÏÍÓÒÚË Ë ÎÂ„ÍÓÏÛ ËÁÏÂÌÂÌË˛ ÚÂÏ·‡. ùÚÓÚ ˝ÙÙÂÍÚ ÒÎÂ‰ÛÂÚ ÔËÏÂÌﬂÚ¸ ÎË¯¸ Í

ÌÂÍÓÚÓ˚Ï „ÓÎÓÒ‡Ï — Ì‡ÔËÏÂ, PIANO (ÙÓÚÂÔË‡ÌÓ).

GLIDE ç‡Ê‡ÚËÂ Ì‡ ÔÂ‰‡Î¸ ÔË‚Ó‰ËÚ Í Ò‰‚Ë„Û ‚˚ÒÓÚ˚, ÍÓÚÓ‡ﬂ ‚ÌÓ‚¸ ÔËıÓ‰ËÚ ‚ ÌÓÏÛ ÔË ÓÚÔÛÒÍ‡ÌËË ÔÂ‰‡ÎË.

PORTAMENTO ùÙÙÂÍÚ ÔÓÚ‡ÏÂÌÚÓ (ÔÎ‡‚ÌÓÂ ÒÓÒÍ‡Î¸Á˚‚‡ÌËÂ Á‚ÛÍ‡ ÓÚ Ó‰ÌÓÈ ÌÓÚ˚ Í ‰Û„ÓÈ) ‚ÍÎ˛˜‡ÂÚÒﬂ ÔË Ì‡Ê‡ÚËË ÔÂ‰‡ÎË. èÓÚ‡ÏÂÌÚÓ ÔÓﬂ‚ÎﬂÂÚÒﬂ ÔË

Ë„Â ÎÂ„‡ÚÓ (Í‡Ê‰‡ﬂ ÔÓÒÎÂ‰Û˛˘‡ﬂ ÌÓÚ‡ ·ÂÂÚÒﬂ ÚÓ„‰‡, ÍÓ„‰‡ ÍÎ‡‚Ë¯‡, ÒÓÓÚ‚ÂÚÒÚ‚Û˛˘‡ﬂ ÔÂ‰˚‰Û˘ÂÈ ÌÓÚÂ Â˘Â ÌÂ ÓÚÔÛ˘ÂÌ‡). ÇÂÏÂÌÌ˚Â

„‡ÌËˆ˚ ÔÓÚ‡ÏÂÌÚÓ ÛÒÚ‡Ì‡‚ÎË‚‡˛ÚÒﬂ Ì‡ ˝Í‡ÌÂ Mixing Console (ÒÚ. 126).

PITCHBEND* Ç˚ÒÓÚÛ ÌÓÚ ÏÓÊÌÓ ÏÂÌﬂÚ¸ ‰Ó ÚÂı ÔÓ, ÔÓÍ‡ ÔÂ‰‡Î¸ Ì‡Ê‡Ú‡ (ÚÓÎ¸ÍÓ ÔË ËÒÔÓÎ¸ÁÓ‚‡ÌËË ÔÂ‰‡ÎË, ÔÓ‰ÍÎ˛˜ÂÌÌÓÈ Í ‡Á˙ÂÏÛ FOOT PEDAL 2).

ÄÌ‡ÎÓ„Ë˜ÌÓ ÍÓÎÂÒÛ ËÁÏÂÌÂÌËﬂ ‚˚ÒÓÚ˚ (PITCH BEND).

MODULATION* ÇÍÎ˛˜‡ÂÚ ˝ÙÙÂÍÚ ‚Ë·‡ÚÓ. óÂÏ ·ÓÎ¸¯Â ‚ÂÏÂÌË ÔÓ¯ÎÓ Ò ÏÓÏÂÌÚ‡ Ì‡Ê‡ÚËﬂ ÔÂ‰‡ÎË, ÚÂÏ ÒËÎ¸ÌÂÂ ÔÓﬂ‚ÎﬂÂÚÒﬂ ˝ÙÙÂÍÚ

(ÚÓÎ¸ÍÓ ÔË

ËÒÔÓÎ¸ÁÓ‚‡ÌËË ÔÂ‰‡ÎË, ÔÓ‰ÍÎ˛˜ÂÌÌÓÈ Í ‡Á˙ÂÏÛ FOOT PEDAL 2)

. ÄÌ‡ÎÓ„Ë˜ÌÓ ÍÓÎÂÒÛ ÏÓ‰ÛÎﬂˆËË (MODULATION).

DSP VARIATION ÄÌ‡ÎÓ„Ë˜ÌÓ ÍÌÓÔÍÂ [VARIATION].

HARMONY/ECHO ÄÌ‡ÎÓ„Ë˜ÌÓ ÍÌÓÔÍÂ [HARMONY/ECHO].

VOCAL HARMONY (PSR-2100) ÄÌ‡ÎÓ„Ë˜ÌÓ ÍÌÓÔÍÂ [VOCAL HARMONY].

TALK (PSR-2100) ÄÌ‡ÎÓ„Ë˜ÌÓ ÍÌÓÔÍÂ [TALK].

SCORE PAGE+ (PSR-2100) åÓÊÌÓ, ÓÒÚ‡ÌÓ‚Ë‚ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË, ÔÂÂÈÚË Í ÔÂ‰˚‰Û˘ÂÈ ÒÚ‡ÌËˆÂ ÌÓÚÌÓÈ Á‡ÔËÒË (ÌÓ ÚÓÎ¸ÍÓ Í ÔÂ‰˚‰Û˘ÂÈ!)

SCORE PAGE- (PSR-2100) åÓÊÌÓ, ÓÒÚ‡ÌÓ‚Ë‚ ‚ÓÒÔÓËÁ‚Â‰ÂÌËÂ ÔÂÒÌË, ÔÂÂÈÚË Í ÒÎÂ‰Û˛˘ÂÈ ÒÚ‡ÌËˆÂ ÌÓÚÌÓÈ Á‡ÔËÒË (ÌÓ ÚÓÎ¸ÍÓ Í ÒÎÂ‰Û˛˘ÂÈ!)

SONG START/STOP ÄÌ‡ÎÓ„Ë˜ÌÓ ÍÌÓÔÍÂ SONG [START/STOP].

STYLE START/STOP ÄÌ‡ÎÓ„Ë˜ÌÓ ÍÌÓÔÍÂ STYLE [START/STOP].

TAP TEMPO ÄÌ‡ÎÓ„Ë˜ÌÓ ÍÌÓÔÍÂ [TAP TEMPO].

SYNCHRO START ÄÌ‡ÎÓ„Ë˜ÌÓ ÍÌÓÔÍÂ [SYNC. START].

SYNCHRO STOP ÄÌ‡ÎÓ„Ë˜ÌÓ ÍÌÓÔÍÂ [SYNC. STOP].

INTRO ÄÌ‡ÎÓ„Ë˜ÌÓ ÍÌÓÔÍÂ [INTRO].

MAIN A ÄÌ‡ÎÓ„Ë˜ÌÓ ÍÌÓÔÍÂ [MAIN A].

MAIN B ÄÌ‡ÎÓ„Ë˜ÌÓ ÍÌÓÔÍÂ [MAIN B].

MAIN C ÄÌ‡ÎÓ„Ë˜ÌÓ ÍÌÓÔÍÂ [MAIN ë].

MAIN D ÄÌ‡ÎÓ„Ë˜ÌÓ ÍÌÓÔÍÂ [MAIN D].

FILL DOWN ÑÓ·‡‚ÎÂÌËÂ ‚ÒÚ‡‚ÍË, ‚ÒÎÂ‰ Á‡ ÍÓÚÓÓÈ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚ÒÚÛÔ‡ÂÚ Ó‰Ì‡ ËÁ ÓÒÌÓ‚Ì˚ı ˜‡ÒÚÂÈ. ùÚ‡ ˜‡ÒÚ¸ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÍÌÓÔÍÂ, ‡ÒÔÓÎÓÊÂÌÌÓÈ

ÒÎÂ‚‡ ÓÚ ÍÌÓÔÍË ÔÂ‰˚‰Û˘ÂÈ ˜‡ÒÚË.

FILL SELF ÑÓ·‡‚ÎÂÌËÂ ‚ÒÚ‡‚ÍË.

FILL BREAK ÑÓ·‡‚ÎÂÌËÂ ·ÂÈÍ‡.

FILL UP ÑÓ·‡‚ÎÂÌËÂ ‚ÒÚ‡‚ÍË, Á‡ ÍÓÚÓÓÈ ‡‚ÚÓÏ‡ÚË˜ÂÒÍË ‚ÒÚÛÔ‡ÂÚ Ó‰Ì‡ ËÁ ÓÒÌÓ‚Ì˚ı ˜‡ÒÚÂÈ. ùÚ‡ ˜‡ÒÚ¸ ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ ÍÌÓÔÍÂ, ‡ÒÔÓÎÓÊÂÌÌÓÈ ÒÔ‡‚‡ ÓÚ

ÍÌÓÔÍË ÔÂ‰˚‰Û˘ÂÈ ˜‡ÒÚË.

ENDING ÄÌ‡ÎÓ„Ë˜ÌÓ ÍÌÓÔÍÂ [ENDING/rit.].

FADE IN/OUT ÄÌ‡ÎÓ„Ë˜ÌÓ ÍÌÓÔÍÂ [FADE IN/OUT].

FING/ON BASS èÂ‰‡Î¸ ÒÎÛÊËÚ ÔÂÂÍÎ˛˜‡ÚÂÎÂÏ ÏÂÊ‰Û ‡ÔÔÎËÍ‡ÚÛ‡ÏË Fingered Ë On Bass (ÒÚ. 65).

BASS HOLD èÓÍ‡ ÔÂ‰‡Î¸ Ì‡Ê‡Ú‡, ·‡ÒÓ‚‡ﬂ ÌÓÚ‡ ÒÚËÎﬂ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ·Û‰ÂÚ ÔÓ‰ÓÎÊ‡Ú¸ Á‚Û˜‡Ú¸, ‰‡ÊÂ ÂÒÎË ÒÏÂÌËÚÒﬂ ‡ÍÍÓ‰. Ñ‡ÌÌ‡ﬂ ÙÛÌÍˆËﬂ ÌÂ‰ÓÒÚÛÔÌ‡

ÔË ‚˚·ÓÂ ‡ÔÔÎËÍ‡ÚÛ˚ FULL KEYBOARD.

PERCUSSION ë ÔÓÏÓ˘¸˛ ÔÂ‰‡ÎË ÏÓÊÌÓ Ë„‡Ú¸ Û‰‡Ì˚Ï ËÌÒÚÛÏÂÌÚÓÏ, Á‡‰‡ÌÌ˚Ï Ó‰ÌÓÈ ËÁ ÍÌÓÔÓÍ [4

▲▼] - [8▲▼]. ÑÎﬂ ‚˚·Ó‡ ËÌÒÚÛÏÂÌÚ‡ ÏÓÊÌÓ Ú‡ÍÊÂ

‚ÓÒÔÓÎ¸ÁÓ‚‡Ú¸Òﬂ ÍÎ‡‚Ë‡ÚÛÓÈ.

MAIN ON/OFF ÄÌ‡ÎÓ„Ë˜ÌÓ ÍÌÓÔÍÂ [MAIN].

LAYER ON/OFF ÄÌ‡ÎÓ„Ë˜ÌÓ ÍÌÓÔÍÂ [LAYER].

LEFT ON/OFF ÄÌ‡ÎÓ„Ë˜ÌÓ ÍÌÓÔÍÂ [LEFT].

OTS+ Ç˚ÁÓ‚ ÒÎÂ‰Û˛˘ÂÈ ÔÓ ÔÓﬂ‰ÍÛ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ».

OTS- Ç˚ÁÓ‚ ÔÂ‰˚‰Û˘ÂÈ Ì‡ÒÚÓÈÍË «‚ Ó‰ÌÓ Í‡Ò‡ÌËÂ».

SONG, STYLE,

M.PAD,

MIC (PSR-2100),

LEFT, LAYER, MAIN

ëÎÛÊËÚ ‰Îﬂ ÛÍ‡Á‡ÌËﬂ ÛÔ‡‚ÎﬂÂÏ˚ı ÔÂ‰‡Î¸˛ ˜‡ÒÚÂÈ.

HALF PEDAL POINT* Ç˚ ÏÓÊÂÚÂ Á‡‰‡Ú¸ ÔÓÁËˆË˛ ‡·Ó˜Â„Ó ıÓ‰‡ ÔÂ‰‡ÎË, ‚ÍÎ˛˜‡˛˘Û˛ ˝ÙÙÂÍÚ ÔË„ÎÛ¯ÂÌËﬂ Á‚ÛÍ‡. ÑÛ„ËÏË ÒÎÓ‚‡ÏË, ÏÓÊÌÓ ÛÍ‡Á‡Ú¸, Ì‡ÒÍÓÎ¸ÍÓ

ÒËÎ¸ÌÓ ÒÎÂ‰ÛÂÚ Ì‡Ê‡Ú¸ Ì‡ ÔÂ‰‡Î¸, ˜ÚÓ·˚ ÔÂÂÍÎ˛˜‡ÚÂÎ¸ Ò‡·ÓÚ‡Î. èÓ‰Ó·Ì˚Ï Ó·‡ÁÓÏ Ì‡ÒÚ‡Ë‚‡˛ÚÒﬂ ÌÂÍÓÚÓ˚Â ÚËÔ˚ ÔÂ‰‡ÎÂÈ, Ì‡ÔËÏÂ

YAMAHA FC7 (ÚÓÎ¸ÍÓ ÔË ÔÓ‰ÍÎ˛˜ÂÌËË Í ‡Á˙ÂÏÛ FOOT PEDAL 2).

UP/DOWN Ç˚·‡‚ ÙÛÌÍˆË˛ GLIDE ËÎË PITCH BEND, ‚˚ ÏÓÊÂÚÂ ÛÔ‡‚ÎﬂÚ¸ ËÁÏÂÌÂÌËÂÏ ‚˚ÒÓÚ˚ Á‚ÛÍ‡ Ò ÔÓÏÓ˘¸˛ ÔÂ‰‡ÎË. èË Ì‡Ê‡ÚËË ÔÂ‰‡ÎË ‚˚ÒÓÚ‡

ÔÓÌËÊ‡ÂÚÒﬂ, ‡ ÔË ÓÚÔÛÒÍ‡ÌËË — ÔÓ‚˚¯‡ÂÚÒﬂ.

RANGE Ç˚·‡‚ ÙÛÌÍˆË˛ GLIDE ËÎË PITCH BEND, ‚˚ ÏÓÊÂÚÂ ÛÔ‡‚ÎﬂÚ¸ ËÁÏÂÌÂÌËÂÏ ‚˚ÒÓÚ˚ Á‚ÛÍ‡ Ò ÔÓÏÓ˘¸˛ ÔÂ‰‡ÎË, ÛÍ‡Á˚‚‡ﬂ ‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËﬂ ‚

ÔÓÎÛÚÓÌ‡ı.

ON SPEED ÖÒÎË ‚˚·‡Ì‡ ÙÛÌÍˆËﬂ GLIDE, ÏÓÊÌÓ, Ì‡Ê‡‚ Ì‡ ÔÂ‰‡Î¸, Á‡‰‡Ú¸ ÒÍÓÓÒÚ¸ ËÁÏÂÌÂÌËﬂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡.

OFF SPEED ÖÒÎË ‚˚·‡Ì‡ ÙÛÌÍˆËﬂ GLIDE, ÏÓÊÌÓ, ÓÚÔÛÒÚË‚ ÔÂ‰‡Î¸, Á‡‰‡Ú¸ ÒÍÓÓÒÚ¸ ËÁÏÂÌÂÌËﬂ ‚˚ÒÓÚ˚ Á‚ÛÍ‡.

KIT ÖÒÎË ÔÂ‰‡ÎË ÔËÒ‚ÓÂÌ‡ ÙÛÌÍˆËﬂ PERCUSSION, Ì‡Ê‡ÚËÂ Ì‡ ÔÂ‰‡Î¸ ÔË‚Ó‰ËÚ Í ÓÚÓ·‡ÊÂÌË˛ ‚ÒÂı ËÏÂ˛˘ËıÒﬂ Û‰‡Ì˚ı ÛÒÚ‡ÌÓ‚ÓÍ. í‡ÍËÏ

Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜‡ÂÚÂ ‚ÓÁÏÓÊÌÓÒÚ¸ ‚˚·‡Ú¸ ÓÔÂ‰ÂÎÂÌÌÛ˛ Û‰‡ÌÛ˛ ÛÒÚ‡ÌÓ‚ÍÛ, ÛÔ‡‚ÎﬂÂÏÛ˛ Ò ÔÓÏÓ˘¸˛ ÔÂ‰‡ÎË.

PERCUSSION ÖÒÎË ÔÂ‰‡ÎË ÔËÒ‚ÓÂÌ‡ ÙÛÌÍˆËﬂ PERCUSSION, Ì‡Ê‡ÚËÂ Ì‡ ÔÂ‰‡Î¸ ÔË‚Ó‰ËÚ Í ÓÚÓ·‡ÊÂÌË˛ ‚ÒÂı Á‚ÛÍÓ‚, ÍÓÚÓ˚ÏË ‡ÒÔÓÎ‡„‡ÂÚ ‚˚·‡ÌÌ‡ﬂ

Û‰‡Ì‡ﬂ ÛÒÚ‡ÌÓ‚Í‡ (ÒÏ. ÙÛÌÍˆË˛ KIT ÒÚÓÍÓÈ ‚˚¯Â). í‡ÍËÏ Ó·‡ÁÓÏ, ‚˚ ÔÓÎÛ˜‡ÂÚÂ ‚ÓÁÏÓÊÌÓÒÚ¸ ‚˚·‡Ú¸ Á‚ÛÍ ÓÔÂ‰ÂÎÂÌÌÓ„Ó ËÌÒÚÛÏÂÌÚ‡,

ÛÔ‡‚ÎﬂÂÏ˚È Ò ÔÓÏÓ˘¸˛ ÔÂ‰‡ÎË.

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Yamaha PSR-2100 User Manual Page 143

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