Yamaha PSR-2100 User Manual Page 160

  • Download
  • Add to my manuals
  • Print
  • Page
    / 176
  • Table of contents
  • BOOKMARKS
  • Rated. / 5. Based on customer reviews
Page view 159
èÓ‰Íβ˜ÂÌË ‚̯ÌËı ÛÒÚÓÈÒÚ‚ Í ÒËÌÚÂÁ‡ÚÓÛ PSR-2100/1100
PSR-2100/1100
160
ä‡Ì‡Î˚ MIDI
àÌÙÓχˆËfl Ó· Ë„ ̇ Í·‚ˇÚÛ ‚ ÙÓχÚ MIDI
ÔËÒ‚‡Ë‚‡ÂÚÒfl Ó‰ÌÓÏÛ ËÁ 16 ͇̇ÎÓ‚ MIDI. àÏÂÌÌÓ
‡ÒÔ‰ÂÎÂÌË ÒÓÓ·˘ÂÌËÈ ÔÓ 16 Í‡Ì‡Î‡Ï ‰Â·ÂÚ
‚ÓÁÏÓÊÌ˚Ï ÔÂ‰‡˜Û ‰‡ÌÌ˚ı Ó· Ë„ ¯ÂÒÚ̇‰ˆ‡Ú¸˛
‡Á΢Ì˚ÏË ËÌÒÚÛÏÂÌÚ‡ÏË ÔÓ Ó‰ÌÓÏÛ Í‡·Âβ.
è‰ÒÚ‡‚¸ÚÂ, ˜ÚÓ Í‡Ì‡Î˚ MIDI ˝ÚÓ ÚÂ΂ËÁËÓÌÌ˚ ͇̇Î˚.
ä‡Ê‰‡fl ÚÂÎÂÍÓÏÔ‡ÌËfl ‚˚ıÓ‰ËÚ ‚ ˝ÙË ÔÓ ÓÔ‰ÂÎÂÌÌÓÏÛ
͇̇ÎÛ. LJ¯ ÚÂ΂ËÁÓ Ó‰ÌÓ‚ÂÏÂÌÌÓ ÔËÌËχÂÚ ÏÌÓÊÂÒÚ‚Ó
Ò‡Ï˚ı ‡ÁÌ˚ı ÔÓ„‡ÏÏ, Ú‡Í ˜ÚÓ ‚‡Ï ÓÒÚ‡ÂÚÒfl Î˯¸ ‚˚·‡Ú¸
ÔÓ„‡ÏÏÛ ÔÓ ‚ÍÛÒÛ.
èË̈ËÔ ‰ÂÈÒÚ‚Ëfl MIDI ÚÓÚ ÊÂ. èÂ‰‡˛˘Â ÛÒÚÓÈÒÚ‚Ó
ÔÓÒ˚·ÂÚ ÒÓÓ·˘ÂÌËfl ÔÓ MIDI-͇·Âβ ÓÔ‰ÂÎÂÌÌÓÏÛ Í‡Ì‡ÎÛ
(MIDI Transmit Channel) ÔËÌËχ˛˘Â„Ó ÛÒÚÓÈÒÚ‚‡. ÖÒÎË
͇̇ΠÔËÌËχ˛˘Â„Ó ÛÒÚÓÈÒÚ‚‡ (MIDI Receive Channel)
ÒÓÓÚ‚ÂÚÒÚ‚ÛÂÚ Í‡Ì‡ÎÛ ÔÂ‰‡˛˘Â„Ó ÛÒÚÓÈÒÚ‚‡ (Transmit
Channel), ÚÓ Ú‡ÍÓÈ ËÌÒÚÛÏÂÌÚ ·Û‰ÂÚ ‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ Á‚ÛÍ ‚
ÒÓÓÚ‚ÂÚÒÚ‚ËË Ò ÔÓÎÛ˜ÂÌÌ˚ÏË ÒÓÓ·˘ÂÌËflÏË.
ç‡ÔËÏÂ, ‰‡ÌÌ˚Â Ò ÌÂÒÍÓθÍËı ‰ÓÓÊÂÍ (͇̇ÎÓ‚), ‚Íβ˜‡fl
‰‡ÌÌ˚Â Ó ÒÚËΠ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡, ÏÓÊÌÓ ÔÂ‰‡‚‡Ú¸
Ó‰ÌÓ‚ÂÏÂÌÌÓ (ÒÏ. ËÒÛÌÓÍ ÌËÊÂ).
èËÏÂ: á‡ÔËÒ¸ ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ PSR-2100/1100 ̇ ‚̯ÌËÈ ÒÂÍ‚ÂÌÒÓ
LJÊÌÓ ÓÔ‰ÂÎËÚ¸, ͇ÍË ÚËÔ˚ ‰‡ÌÌ˚ı ‰ÓÎÊÌ˚
ÔÂ‰‡‚‡Ú¸Òfl ͇ʉÓÏÛ ËÁ ͇̇ÎÓ‚ MIDI (ÒÚ. 149). PSR-
2100/1100 ÔÓÁ‚ÓÎflÂÚ ÔÓÌflÚ¸, ͇ÍËÏ Ó·‡ÁÓÏ ·Û‰ÛÚ
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸Òfl ÔÓÎÛ˜ÂÌÌ˚ ‰‡ÌÌ˚ (ÒÚ. 150).
ëËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl
ùÚË ÒÓÓ·˘ÂÌËfl ÒÓ‰ÂÊ‡Ú ‰‡ÌÌ˚Â, ÍÓÚÓ˚ Á‡Ú‡„Ë‚‡˛Ú ‚ÒÂ
͇̇Î˚ Ò‡ÁÛ. ëËÒÚÂÏÌ˚ ÒÓÓ·˘ÂÌËfl ÔÓ‰‡Á‰ÂÎfl˛ÚÒfl ̇
ËÒÍβ˜ËÚÂθÌ˚ ÒÓÓ·˘ÂÌËfl (Exclusive Messages), Ò ÔÓÏÓ˘¸˛
ÍÓÚÓ˚ı ÔÂ‰‡˛ÚÒfl ‰‡ÌÌ˚Â, ÒÔˆËÙ˘ÂÒÍË ‰Îfl ͇ʉÓÈ
ÏÓ‰ÂÎË ËÌÒÚÛÏÂÌÚ‡, Ë ÒÓÓ·˘ÂÌËfl ‚ ‡θÌÓÏ ‚ÂÏÂÌË
(Realtime Messages), ÔËÏÂÌflÂÏ˚ ‰Îfl ÛÔ‡‚ÎÂÌËfl MIDI-
ÛÒÚÓÈÒÚ‚ÓÏ.
ëÔËÒÓÍ ÔÓ‰‰ÂÊË‚‡ÂÏ˚ı PSR-2100/1100 ÚËÔÓ‚ ÒÓÓ·˘ÂÌËÈ
Ô˂‰ÂÌ ‚ ‡Á‰Â·ı «MIDI Data Format» Ë «MIDI Implementation
Chart» Ò·ÓÌË͇ Ú‡·Îˈ.
óÚÓ ÏÓÊÌÓ ‰Â·ڸ Ò ÔÓÏÓ˘¸˛ MIDI?
ë ÔÓÏÓ˘¸˛ PSR-2100/1100 ÏÓÊÌÓ ‚˚ÔÓÎÌflÚ¸
ÒÎÂ‰Û˛˘Ë ÓÔÂ‡ˆËË Ò ‰‡ÌÌ˚ÏË MIDI:
ÒÓÁ‰‡‚‡Ú¸ ¯‡·ÎÓÌ˚ MIDI (̇·Ó˚ Á̇˜ÂÌËÈ Ô‡‡ÏÂÚÓ‚
MIDI, ÔÓ‰‰ÂÊË‚‡ÂÏ˚ ÏÌÓ„ËÏË ÏÛÁ˚͇θÌ˚ÏË
ÔËÎÓÊÂÌËflÏË) (ÒÚ. 148);
ÔÂ‰‡‚‡Ú¸ MIDI-ÒÓÓ·˘ÂÌËfl (ÒÚ. 149);
ÔËÌËχڸ MIDI-ÒÓÓ·˘ÂÌËfl (ÒÚ. 150);
ËÒÔÓθÁÓ‚‡Ú¸ ‚ÒÚÓÂÌÌ˚ „ÓÎÓÒ‡ ÒËÌÚÂÁ‡ÚÓ‡ (ÒÚ. 148);
ÓÒÛ˘ÂÒÚ‚ÎflÚ¸ ÒËÌıÓÌËÁ‡ˆË˛ Ò ‚̯ÌËÏË ÛÒÚÓÈÒÚ‚‡ÏË
(ÒÚ. 149).
Ç˚ ÏÓÊÂÚ Á‡ÔËÒ‡Ú¸ Ò‚Ó ‚˚ÒÚÛÔÎÂÌË (͇̇Î˚ 1-16) ‚
ÒÓÔÓ‚ÓʉÂÌËË ‡‚ÚÓ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ̇ ‚̯ÌËÈ
ÒÂÍ‚ÂÌÒÓ ÓÚÓ˚Ï ÏÓÊÂÚ ÒÎÛÊËÚ¸, ̇ÔËÏÂ, ÍÓÏÔ¸˛ÚÂ).
èÓ ÓÍÓ̘‡ÌËË Á‡ÔËÒË ÓÚ‰‡ÍÚËÛÈÚ χÚÂË‡Î Ò ÔÓÏÓ˘¸˛
ÒÂÍ‚ÂÌÒÓ‡, ‡ Á‡ÚÂÏ ÔÓË„‡ÈÚÂ Â„Ó Ì‡ ÒËÌÚÂÁ‡ÚÓÂ
PSR-2100/1100.
ÖÒÎË Ú·ÛÂÚÒfl ËÒÔÓθÁÓ‚‡Ú¸ PSR-2100/1100 ‚ ͇˜ÂÒÚ‚Â ÚÓÌ-
„ÂÌÂ‡ÚÓ‡, ÒÓ‚ÏÂÒÚËÏÓ„Ó Ò ÙÓχÚÓÏ XG, ̇ ÒÚ‡ÌˈÂ
Receive ˝Í‡Ì‡ MIDI ÛÒÚ‡ÌÓ‚ËÚ Á̇˜ÂÌË «SONG» ‰Îfl ͇̇ÎÓ‚
MIDI, ̇ÒÚÓÂÌÌ˚ı ̇ ÔËÂÏ (ÒÚ. 150).
äÓÏ ÚÓ„Ó, ‚˚ ÏÓÊÂÚ ˄‡Ú¸ Á‚Û͇ÏË PSR-2100/1100,
ÛÔ‡‚Îflfl ÒËÌÚÂÁ‡ÚÓÓÏ Ò ÔÓÏÓ˘¸˛ ‰Û„ÓÈ Í·‚ˇÚÛ˚.
1
èÓ„ÌÓÁ ÔÓ„Ó‰˚
çÓ‚ÓÒÚË
2
2
çÓ‚ÓÒÚË
ÇÚÓÓÈ Í‡Ì‡Î ‰Îfl Ôee‰‡˜Ë
MIDI-ÒÓÓ·˘eÌËÈ
ÇÚÓÓÈ Í‡Ì‡Î ‰Îfl ÔËeχ
MIDI-ÒÓÓ·˘eÌËÈ
䇷eθ
MIDI
ä·‚ˇÚÛ‡ Ë ÚÓÌ-„ÂÌÂ‡ÚÓ PSR-2100/1100 ÒÓ‰ËÌfl˛ÚÒfl Ò ÔÓÏÓ˘¸˛
MIDI (ÒÚ. 148).
䇷eθ MIDI ËÎË Í‡·eθ ‰Îfl
ÔÓÒÎe‰Ó‚‡ÚeθÌÓ„Ó ÔÓÚ‡
ÑÓÓÊ͇ (͇̇Î) PSR-2100/1100
MAIN
LAYER
LEFT
STYLE instrument
STYLE instrument
STYLE instrument
STYLE instrument
STYLE instrument
STYLE instrument
STYLE instrument
STYLE instrument
ÇÌe¯ÌËÈ ÒeÍ‚eÌÒÓ
ÑÓÓÊ͇ 1
ÑÓÓÊ͇ 2
ÑÓÓÊ͇ 3
ÑÓÓÊ͇ 4
ÑÓÓÊ͇ 5
ÑÓÓÊ͇ 6
ÑÓÓÊ͇ 7
ÑÓÓÊ͇ 8
ÑÓÓÊ͇ 9
ÑÓÓÊ͇ 10
ÑÓÓÊ͇ 11
ä‡Ì‡Î 1
ä‡Ì‡Î 2
ä‡Ì‡Î 3
ä‡Ì‡Î 4
ä‡Ì‡Î 5
ä‡Ì‡Î 6
ä‡Ì‡Î 7
ä‡Ì‡Î 8
ä‡Ì‡Î 9
ä‡Ì‡Î 10
ä‡Ì‡Î 11
ç‡Á‚‡ÌË ÒÓÓ·˘ÂÌËfl PSR-2100/1100 ÑÂÈÒÚ‚ËÂ/Ô‡‡ÏÂÚ,
̇ÒÚ‡Ë‚‡ÂÏ˚È Ì‡ ÔÂ‰ÌÂÈ Ô‡ÌÂÎË
System Exclusive Message è‡‡ÏÂÚ˚ ÚËÔ‡ ˝ÙÙÂÍÚ‡ (ÍÓÌÒÓθ ÏËͯÂ‡)
Ë Ú. ‰.
Realtime Messages ìÒÚ‡Ìӂ͇ ˜‡ÒÚÓÚ˚ ÒËÌıÓÌËÁ‡ˆËË,
‚Íβ˜ÂÌËÂ/‚˚Íβ˜ÂÌË ‚ÓÒÔÓËÁ‚‰ÂÌËfl
äÓÏÔ¸˛Úe,
ÛÒÚÓÈÒÚ‚Ó ÒeËË QY Ë Ú. Ô.
èËeÏ MIDI-ÒÓÓ·˘eÌËÈ
èee‰‡˜‡ MIDI-ÒÓÓ·˘eÌËÈ
NEC
PC-9821
AS
NEC MultiSync
MIDI IN MIDI OUT
MIDI OUT MIDI IN
PSR-2100/1100
MIDI IN MIDI OUT
èËeÏ MIDI-ÒÓÓ·˘eÌËÈ
PSR-2100/1100
Page view 159
1 2 ... 155 156 157 158 159 160 161 162 163 164 165 ... 175 176

Comments to this Manuals

No comments