Yamaha AW2816 Owner's Manual Page 24

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15
Parts and their functions
1
Operation section
FADER MODE section
This section selects the parameters that will be con-
trolled by the top panel faders 1–8. The selected key
will light.
A [HOME] key
When this key is on, you can use faders 1–8 to
control the input levels of the channels currently
selected in the MIXING LAYER section. The dis-
play will show the HOME screen, where you can
view meters that indicate the input/output levels of
each channel.
B [AUX 5]/[AUX 6] keys
When these keys are on, you can use faders 18 to
adjust the send levels of the signals sent to internal
effects 1/2 from the channels currently selected in
the MIXING LAYER section. The display will show
the AUX5/EFF1 screen or AUX6/EFF2 screen,
where you can make on/off and pre/post settings
for the signals sent from each channel to internal
effects 1/2, and set effect parameters.
C [AUX 1][AUX 4] keys
When this key is on, you can use faders 1–8 to
control the send levels of the signals sent to AUX
buses 1–4 from the channels selected in the MIX-
ING LAYER section. The display will show the
AUX 1–AUX 4 screens, where you can make on/
off and pre/post settings for the signals sent from
each channel to AUX 1–4.
D [REMOTE] key
When this key is on, you can use faders 1–8 and
[ON] keys 1–8 to remotely control external MIDI
devices. The display will show the REMOTE
screen, where you can make settings related to
remote control.
MIXING LAYER section
A INPUT [1-8] key
B RECORDER [1-8] key
C RECORDER [9-16] key
These keys select the channels (mixing layer) that
will be operated by [SEL] keys 1–8, [ON] keys 1–
8, and faders 1–8.
The currently selected key will light. When the
respective key is selected, the [SEL] keys 1–8,
[ON] keys 1–8, and faders 1–8 will operate the
mixing layers listed below.
When the INPUT [1-8] key is lit
Input channels 1–8
When the RECORDER [1-8] key is lit
Monitor channels 1–8
When the RECORDER [9-16] key is lit
Monitor channels 9–16
For details on channels and mixing layers, refer to
page 38.
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