Yamaha PM1D Owner's Manual Page 23
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DUAL CONSOLE mode added
23
■ Monitor
In Dual Console mode, one of the two monitor buses A
and B can be assigned to each console 1 and 2, and con-
trolled independently.
The monitor bus controlled by the console itself is
assigned to MONITOR A, and the monitor bus con-
trolled by the other console is assigned to MONITOR B.
This means that from either console, monitor-related
settings will be performed in the MONITOR A screen
(and the MONITOR A section of the panel).
• On either console, the MONITOR B screen will
be unavailable in Dual Console mode, and no
parameters will be displayed.
• The MONITOR B SOURCE section of the panel
will only indicate the source that is being moni-
tored by the other console, and cannot be oper-
ated. However, the MONITOR B [LEVEL] knob,
MONITOR B [ON] switch, and MONITOR B
[PHONES] knob can be operated. (If desired,
you can monitor the same source as the other
console.)
■ Cue
In Dual Console mode, cue operations can generally be
performed independently. Also, the [LAST CUE] switch
on the panel and the CUE/SOLO screen LAST CUE but-
ton can also be operated independently for each console.
However, if in the DUAL CONSOLE screen the CUE ON/
OFF LINK button (
→
p.15) is turned on, all cue opera-
tions ([CUE] switch on/off, EFFECT CUE, SUB IN CUE,
gate KEY IN CUE) will be linked. This method is conve-
nient when one engineer is operating both consoles.
When cue operations are linked, you can enable key
in cue so that the gate key-in signal of the currently
selected input channel can be monitored from both
consoles. However
in Dual Console mode, [SEL] key
operations are not linked, meaning that the selected
signal source may differ. Please use caution.
If effect cue for a certain internal effect (for example,
internal effect 3) is enabled on one console, effect cue
will be cancelled when you switch screens on that con-
sole or if you select the same screen (the EFFECT 3
screen in this example) on the other console and then
switch screens. The reason for this design is that other-
wise, when the screen is switched, it would become
impossible to know which effect cue was being moni-
tored.
Hint
As an exception, effect cue will not be cancelled if
you switch alternately between the EFFECT 1–8
screen that is enabled for effect cue and the EFFECT
ASSIGN screen. The reason for this design is that in
the EFFECT ASSIGN screen, you can see which effect
cue is being monitored.
In the same way, if you enable SUB IN cue in the SUB IN
screen of one console, SUB IN cue will be cancelled if
you switch screens on the same console or if you select
the same SUB IN screen on the other console and then
switch screens.
MONITOR
A
MONITOR
B
MONITOR
A
MONITOR
B
Console 1 Console 2
Monitor signal
of console 1
Monitor signal
of console 2
Monitor signal
of console 2
Monitor signal
of console 1
- PM1D System Software V1.5 1
- Contents 3
- Additions/changes in V1.5 4
- Upper part of the display 6
- 1 2 3 5 6 6
- Lower part of the display 8
- 2 3 4 65 71 8
- ■ USER DEFINE 9
- ■ CONSOLE GPI IN 10
- ■ ENGINE GPI IN 10
- DUAL CONSOLE mode added 11
- About scene/library memories 13
- DUAL CONSOLE screen 14
- DIGITAL I/O 17
- ENGINE A 17
- ■ Preview mode 21
- ■ File load/save operations 22
- ■ Talkback 22
- ■ Monitor 23
- Powering-off the consoles 26
- Cascade connections 27
- Master system Slave system 30
- ■ Linking cue operations 33
- ■ Linking talkback 34
- ■ Linking DCA groups 34
- ■ Linking mute groups 34
- GPI screen 36
- 1 2 43 5 6 36
- TRIGGER= 37
- CUE CUE CUECUE 39
- Using GPI IN 40
- Using GPI OUT 41
- Fader Start function 42
- FADER START screen 43
- 2 3 4 5 6 44
- ■ When using MMC/RS422 47
- ■ When using GPI 48
- Output signal 50
- Tap Tempo function 51
- PANEL ASSIGN screen 52
- Horizontal pair mode 56
- Vertical pair mode 56
- Mix minus 58
- Using mix minus 59
- Cautions regarding mix minus 60
- Job select 61
- Mix send point 62
- Mix send level 62
- Mix send pan/balance 63
- Auto Store function 64
- Global Paste function 66
- MIDI CTRL CHANGE screen 71
- 1234 1516 75
- Manual Fading function 76
- Using Manual Fading (2) 78
- Unit name 79
- Naming a unit/port 81
- Matrix send shortcuts 82
- DCA mute indicator 85
- Oscillator improvements 86
- 10 kHz / 1 kHz/ 100 Hz 87
- HPF knob / LPF knob 87
- USB PC (computer) connection 89
- CURSOR [†] switch 90
- [SHIFT/GRAB] switch 90
- ON/OFF button for COMM IN 91
- CLOCK MASTER 93
- 96,STIN1L-8R) 94
- 95 : MATRIX1-24) 95
- REO MASTER A,B) 95
- MIDI Data Format 100
- 2. TRANSMISSION CONDITION 101
- 3. RECEIVE CONDITION 101
- 4. PARAMETER CHANGE 101
- MIDI Implementation Chart 103
- Printed in Japan 104
- © 2002 Yamaha Corporation 104
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