Yamaha Electone B-75N User Manual Page 4

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I
T
I
mbination
of,
Upper
Flute. Lower
.rte, Upper
Orchestra.
or Lot'er Or
estra
sections
on the
B
7iN
Electone
'gan.
On the
B
51N.
it mar be added
Upper or
Lower
Flutes.
or the
Uppcr
d Lower Orchestra
scctions,
Ir)(Ct-uStf'
t :
\i\
:r.i.\lll l'.
THtrltlctt.t,,
r add a
richly wavering
effect to either
both of upper
and
lower kerboard
rices,
simply use
thc Tremolo selector.
n the B
75N.
Tremolo can
bc used
th any one, or
any combination
of,
pper Flute,
Upper
Orchestra.
Lowcr
Lrte. or
Lower Orchestra
with thc
sult that
many lovely contrasts can
be
nclered
between different
voice
sec-
rns. On the
B
5)N.
Tremolo can
bc
cled to
three instrunrent
sections. Both
gans incorporate Slow
and Fast
'emolo
selectors
as well
as a Trcmolo
'eed
control
for tine adiustment
of
-cmolo
specd.
VtBttl't
o
l)t.1.;\\'.
Llt
t'} i tl
rpcr keyboard
Vibrato Delar
is irrcor
'ratcd
into both organs
and
is
cspecial-
suited
to adding
realism to
String ancl
'ass
voices.
This lcvcr
lcts
vou
sliuhtlr
rard the
Vibrato
iLrst
as a
professionitl
rusician
oiten
cloes,
The Dcpth
lcvcr
n bc r-rscd to
altcr the
intcnsitr ot
c Vibrato,
and both cffrcts
at't' tontin
,usli'
adjustable.
UPrrl'.R.
Pt.D
U
Si:
r
\r'.
stain
allou's
notcs to
linger on cvcn
cr
vou
have
removcd
vour
fingcrs or
)t
from a
keyboarcl.
Thc upper
key
ard Sr-rstain can
bc added
to all
1(r', lJ'
cl
1t'
pitches as wcll as
to the Spccial
esets.
Sr.rstain can
bc used to
grcat
advantage
with
Piano and Bass
voices,
in
particular. Separate Upper
and
Pedal
Sustain
controls
let
you
precisely adiust
the
degree of
"linger".
A'r'l
nc;r
4' Ar
D
2-213'
Wt'r'n
Lrrxc'r'H
CoN't'not-
The Attack feature is
especially
compati
ble with
jatz,
or rock music since
it adds
a
driving
"popping"
sound
to upper
keyboard notes.
The
B-55N
has Attack
4' while the
B
75N oflers
both Attack
4' ancl 2 213'. So that
vou
can obtain
precisely
thc
attack
strength
voll
want,
these lcvers are continuor.rslr adjust
able
as
is
the
Attack Lcnqth control
for adjusting the length
ol
attack decar.
Ur,r,r,R St.cltt
,,\
t t rc
x
Found only on the B 7)n'
Electonc
Organ. the Upper
Slo* Attack
is
especially sLritable for use
u ith nrort
romantic mrrsic and himn: :in..'
it
diminishcs thc
sharpness
ol attack
In
this way
it
adds an emotional.
dccplr
melodic
effcct
to many nrusical
composltlons.
Rt,i
t
p.tt
81, adding an echo typc cffcct
to thc
overall organ sor.rnd.
Reverb works to
overcomc thc
dampened acoustics
present in most homcs.
Xl.rrLAL
B.\r
\\(
t.
The Manr.ral
Balance
aliows
vou
to
adjLrst
thc
balance betwecn the
volumes
of thc uppcr and
lorver keyboards.
With
this control,
you
can add
morc
vttlume
to right hand
melody
lincs or
lcft
hand
volces.
8.7'N
'l'Hur-v
DYN,qnttc Sou:l
u
The Yamaha B-55N
and B-75N
Electone
Organs are two
of the
richest
sounding
organs
in
their
class thanks to their
pos'erful
30W
(RMS)
output and special-
lv
designed speaker
systems.
The B-55N
has a woofer and tweeter; the
B 7lN
comes
cc.rmplete
with a midra.nge, too.
Easy
control
over thc
full-bodied sound
is
provided
by a
l\{aster Volume seicctor.
Ht:Al)t,no\tr ArD
ltr
i .
N(]KS
You can
play your B
t5N
or
B-7)N all
night long without disturbing others
simply by
plugging in an
optional set
of
headphones With
the
AUX N,
AUX
OUT
and EXP. IN
jacks
yorr
can
use an array
of
other electronic equip
ment with
vor.rr
Yanraha organ.
Lsr A\r)
\i,\\'P.\ss
I|(tt\otoC,\
The reasons why
vour
Yamaha B
55N
and B 75N eclipsc all othcr organs
in
their class can
bc
directly attributcd tcr
Yamaha's amaz-ing advances
in manufac-
turing and designing
I-SI
circr.ritrv
as
well as
to the dcvclopment
of our
revolu
tionary PASS
(Pulsc
Analog
Svnthcsis
System) technology,.
These
sophisticated
organ electronics mean that
you
can cx'
pect more
rcalistic
instrument voict's.
better
sound.
more
cffects.
and a lifctime
of reliability from
your
Yamaha ts
t5N
and B
75N
Electone
Orsans.
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