Yamaha 02R96-v2 Owner's Manual Page 91
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Using the MS Stereo Microphone 91
02R96 Version 2—Owner’s Manual
Using the MS Stereo Microphone
The MS system is a type of stereo recording that uses two microphones: mono-directional
M (Middle) and bi-directional S (Side) microphones. An M microphone picks up main sig-
nals, and an S microphone picks up directional signals. These two signals are decoded by
calculating a sum (M plus S) and a difference (M minus S), and are recorded to L and R
channels.
An MS microphone is usually a stereo microphone that features both M and S functions.
To use an MS microphone, do the following:
1 Connect the L connector of an MS microphone to an odd channel input jack,
and the R connector to an even channel input jack.
Signals from the MS microphone are
input from the L and R connectors. To
use an MS microphone with the
02R96, connect the L connector to the
input jack of an odd Input Channel,
and connect the R connector to the
input jack of the partner channel.
2 Use the DISPLAY ACCESS [PAIR] button to locate the Pair pages.
3 Turn on the MS button for the channels to which the MS microphone is con-
nected.
The two channels are automatically paired and MS Decoding is turned on. With MS Decod-
ing turned on, the faders and Encoders (Pan parameters) function as follows:
• Odd-channel faders.................M level (Controls the volume level.)
• Odd-channel Encoders...........ML/MR balance
• Even-channel faders................S level (Controls the left and right directional spread.)
• Even-channel Encoders ..........SL/SR balance
4 Use the faders and Encoders to adjust the MS microphone level and balance.
When the signals are routed to paired Buses or the Stereo Bus, a sum of signals (ML plus
SL) is sent to the odd-numbered Bus, and a difference of signals (ML minus SL) is sent to
the even-numbered Bus.
MS microphone
R connector L connector
- Owner’s ManualOwner’s Manual 1
- Owner’s Manual 1
- IMPORTANT 2
- Important Information 3
- Operating Notes 4
- Interference 5
- Remote Control 8
- Other Functions 8
- Contents 10
- Contents 15 15
- 1 Welcome 16
- Welcome 17 17
- 18 Chapter 1—Welcome 18
- Control Surface 19
- AUX 2AUX 1 AUX 3 AUX 4 21
- AUX 6AUX 5 AUX 7 AUX 8 21
- AUX SELECT 21
- ENCODER MODE 22
- FADER MODE 22
- Control Surface 23 23
- Control Surface 25 25
- Control Surface 27 27
- Control Surface 29 29
- MASTER25 48 30
- REMOTE1 24 30
- Control Surface 31 31
- Scene Up [ ] button incre 31
- MACHINE CONTROL 32
- LOCATE MEMORY 32
- Control Surface 33 33
- 1/4" TRS phone plug 34
- Tip (left) 34
- Ring (right) 34
- Sleeve (ground) 34
- Control Surface 35 35
- Rear Panel 37
- AD Input Section 38
- Rear Panel 39 39
- 2 3 4 5 6 7 8 9 J L 40
- Rear Panel 41 41
- 3 Operating Basics 43
- 44 Chapter 3—Operating Basics 44
- About the Display 44
- Selecting Display Pages 45
- Display Parameter Boxes 45
- 46 Chapter 3—Operating Basics 46
- Parameter Windows 46
- Confirmation Messages 46
- Title Edit Window 46
- Selecting Layers 47
- 48 Chapter 3—Operating Basics 48
- Selecting Fader Modes 49
- ASSIGN 2ASSIGN 1 50
- 52 Chapter 3—Operating Basics 52
- AD Inserts (AD 1–16) 54
- Wordclocks 55
- 2TR Digital Outs 57
- 2TR Digital Ins 58
- Slot I/O 59
- Installing I/O Cards 60
- Slot I/O 61 61
- 02R96 Version 2 Owner 62
- Cascading Consoles 63
- Cascade Hookup Examples 64
- Attenuating Cascade Inputs 65
- Input Patching 66
- Output Patching 68
- Patching Omni Outs 69
- Output Channel Inserts Ins 69
- Patching Direct Outs 70
- Patch Select Window 71
- Patching with the Encoders 72
- 7 Input Channels 73
- 74 Chapter 7—Input Channels 74
- Gating Input Channels 74
- Attenuating Input Channels 75
- EQ’ing Input Channels 75
- 76 Chapter 7—Input Channels 76
- Grouping Input Channel EQs 76
- Input Channel Inserts 76
- Compressing Input Channels 76
- Delaying Input Channels 77
- 78 Chapter 7—Input Channels 78
- Input Channel Mute Master 79
- Setting Input Channel Levels 79
- Grouping Input Channel Faders 79
- 80 Chapter 7—Input Channels 80
- 82 Chapter 7—Input Channels 82
- Routing Input Channels 82
- Panning Input Channels 83
- 84 Chapter 7—Input Channels 84
- Using Surround Pan 85
- 86 Chapter 7—Input Channels 86
- Using the Joystick 87
- 88 Chapter 7—Input Channels 88
- Input Channel Surround Pages 89
- Chapter 7—Input Channels 90
- MS microphone 91
- R connector L connector 91
- 8 Stereo Out 92
- Stereo Out Inserts 93 93
- 94 Chapter 8—Stereo Out 94
- Balancing the Stereo Out 94
- Delaying the Stereo Out 94
- Viewing Stereo Out Settings 94
- Naming the Stereo Out 94
- 9 Bus Outs 95
- Viewing Bus Out Settings 97
- Naming Bus Outs 97
- 10 Aux Sends 98
- Setting Aux Send Levels 99
- Aux Send Pages 99
- 100 Chapter 10—Aux Sends 100
- Viewing Aux Send Settings 101
- 102 Chapter 10—Aux Sends 102
- Panning Aux Sends 103
- 104 Chapter 10—Aux Sends 104
- Metering Aux Send Masters 105 105
- Chapter 10—Aux Sends 106
- 11 Common Channel Functions 107
- Metering Input Channels 108
- Metering Output Channels 109
- Metering Effects 109
- Metering the Stereo out 109
- Attenuating Signals 110
- Using EQ 111
- 125 1.00 4.00 10.0 112
- EQ Edit Pages 113
- Grouping Output Channel EQs 114
- Using Inserts 115
- Compressing Channels 116
- Compressing Channels 117 117
- Comp Edit Page 118
- Delaying Channel Signals 120
- Soloing Channels 121
- Pairing Channels 123
- Pairing Channels 125 125
- Output Channel Mute Master 129
- Output Channels 130
- Input Channels 131
- Bus Outs 132
- Aux Sends 132
- Stereo Out 133
- Naming Channels 134
- 12 Monitoring & Talkback 136
- AUX7 AUX8 137
- SURROUND 138
- SURROUND MONITOR LEVEL 138
- Surround Monitoring 139 139
- Surround Monitoring 141 141
- TALKBACK LEVEL 142
- TALKBACK 142
- 13 Libraries 143
- 144 Chapter 13—Libraries 144
- Channel Library 144
- Input Patch Library 145
- Output Patch Library 145
- 146 Chapter 13—Libraries 146
- Effects Library 146
- Bus to Stereo Library 147
- 148 Chapter 13—Libraries 148
- Gate Library 148
- Comp Library 149
- 150 Chapter 13—Libraries 150
- EQ Library 150
- Automix Library 151
- 152 Chapter 13—Libraries 152
- Surround Monitor Library 152
- About the Effects 153
- Patching Effects Processors 153
- Preset Effects & Types 153
- Modulation-based Effects 154
- Guitar Effects 154
- Dynamic Effects 154
- Combination Effects 154
- Editing Effects 156
- Parameter Up/Down 157
- Parameter controls 1–4 157
- About Plug-Ins 158
- Configuring Plug-Ins 159
- Editing Plug-Ins 160
- Editing Plug-Ins 161 161
- 15 Scene Memories 162
- Auto Scene Memory Update 163
- 164 Chapter 15—Scene Memories 164
- Using the Scene Memory Page 165
- 166 Chapter 15—Scene Memories 166
- Fading Scenes 166
- Recalling Scenes Safely 167
- 168 Chapter 15—Scene Memories 168
- Sorting Scenes 168
- 16 Automix 170
- Automix Main Page 171
- 172 Chapter 16—Automix 172
- Automix Main Page 173 173
- 174 Chapter 16—Automix 174
- Channel Strip [AUTO] Buttons 174
- Automix Memory Page 175
- Fader Edit Pages 175
- 176 Chapter 16—Automix 176
- 178 Chapter 16—Automix 178
- Creating a Time Signature Map 178
- Recording an Automix 179
- 180 Chapter 16—Automix 180
- Rerecording Events 181
- 182 Chapter 16—Automix 182
- Parameter Recording 182
- 184 Chapter 16—Automix 184
- Playing Back an Automix 184
- Editing Events Offline 185
- 186 Chapter 16—Automix 186
- Editing Events Offline 187 187
- 188 Chapter 16—Automix 188
- Event Edit Page 188
- Event Edit Page 189 189
- 17 MIDI 190
- MIDI Port Setup 191
- 192 Chapter 17—MIDI 192
- MIDI Channel Setup 192
- 194 Chapter 17—MIDI 194
- Using Bulk Dump 195
- 18 Pro Tools Remote Layer 196
- Configuring the 02R96 197
- Configuring Pro Tools 197
- Channel Strips 201
- AUX SELECT Section 202
- ENCODER MODE Section 202
- FADER MODE Section 202
- PAN SEND LEVEL 202
- EFFECTS / PLUG INS 203
- SELECTED CHANNEL Section 204
- DYNAMICS 205
- PAN/SURROUND 205
- ( BANK) (BANK ) 206
- (MEM-LOC) 207
- (CURSOR MODE)(ESC) 208
- Selecting Channels 209
- Setting Channel Levels 209
- Muting Channels 209
- Panning Channels 209
- Flip Mode 211
- Assigning Inserts/Plug-ins 212
- Editing Plug-ins 213
- Bypassing Plug-ins 214
- Navigating the Edit Window 214
- Scrub & Shuttle 215
- Automation 216
- Trim Mode 217
- Selecting a Track 217
- Stereo Track Link 217
- 19 Remote Control 219
- 220 Chapter 19—Remote Control 220
- About the Remote Layer 221 221
- About Machine Control 222
- STOP PLAY 223
- 226 Chapter 19—Remote Control 226
- 20 Other Functions 228
- 12345678 229
- 910111213141516 229
- Setting Preferences 230
- Setting Preferences 231 231
- Preferences 2 232
- Preferences 3 233
- Using the Oscillator 234
- Operation Lock 235
- Chapter 20—Other Functions 236
- Appendix A: Parameter Lists 238
- USER DEFINED KEYS 239 239
- Input Patch Parameters 241
- Input Patch Parameters 243 243
- Initial Input Patch Settings 244
- Output Patch Parameters 245
- Output Patch Parameters 247 247
- Output Patch Table 2 248
- Initial Output Patch Settings 249
- Initial Input Port Names 251
- Initial Output Port Names 252
- Bank 1 (GM Vol & Pan) 255
- Bank 3 (XG Vol & Pan) 257
- Bank 4 (Nuendo VST Mixer) 258
- Effects Parameters 259
- GATE REVERB, REVERSE GATE 260
- MONO DELAY 260
- STEREO DELAY 260
- MOD. DELAY 261
- DELAY LCR 261
- SYMPHONIC 263
- HQ. PITCH 265
- DUAL PITCH 266
- RING MOD 266
- MOD. FILTER 267
- DISTORTION 267
- AMP SIMULATE 267
- DYNA. FILTER 268
- DYNA. FLANGE 268
- DYNA. PHASER 268
- REV+CHORUS 269
- REV->CHORUS 269
- REV+FLANGE 270
- REV->FLANGE 270
- REV+SYMPHO 271
- REV->SYMPHO 271
- REV->PAN 272
- DELAY+ER 272
- DELAY->ER 273
- DELAY+REV 273
- DELAY->REV 274
- DIST->DELAY 274
- MULTI FILTER 275
- ST REVERB 276
- REVERB 5.1 276
- OCTA REVERB 277
- AUTO PAN 5.1 277
- CHORUS 5.1 277
- FLANGE 5.1 278
- SYMPHO 5.1 278
- M. BAND DYNA 279
- COMP 5.1 280
- COMPAND 5.1 280
- Preset EQ Parameters 282
- Preset Gate Parameters 283
- (fs = 44.1 kHz) 284
- Dynamics Parameters 286
- Dynamics Parameters 287 287
- COMP Section 288
- Dynamics Parameters 289 289
- Appendix B: Specifications 291
- Appendix B: Specifications 292
- General Spec 293
- EQ Parameters 294
- Gate Parameters 294
- Comp Parameters 295
- Libraries 296
- Analog Input Spec 297
- Analog Output Spec 297
- Digital Input Spec 298
- Digital Output Spec 298
- I/O Slot Spec (1–4) 299
- Control I/O Spec 299
- Connector Pin Assignments 300
- Dimensions 301
- Appendix C: MIDI 302
- CHANNEL1 303
- 304 Appendix C: MIDI 304
- CHANNEL3 305
- 306 Appendix C: MIDI 306
- CHANNEL5 307
- 308 Appendix C: MIDI 308
- CHANNEL7 309
- 310 Appendix C: MIDI 310
- CHANNEL9 311
- 312 Appendix C: MIDI 312
- CHANNEL11 313
- 314 Appendix C: MIDI 314
- CHANNEL13 315
- 316 Appendix C: MIDI 316
- CHANNEL15 317
- 318 Appendix C: MIDI 318
- MIDI Data Format 319
- Format Details 319
- 320 Appendix C: MIDI 320
- Format Details 321 321
- 11. ACTIVE SENSING (FE) 321
- 12. SYSTEM RESET (FF) 321
- 322 Appendix C: MIDI 322
- Format Details 323 323
- 324 Appendix C: MIDI 324
- Format Details 325 325
- 326 Appendix C: MIDI 326
- Format Details 327 327
- 328 Appendix C: MIDI 328
- Format Details 329 329
- 332 Appendix C: MIDI 332
- Format Details 333 333
- 334 Appendix C: MIDI 334
- Appendix D: Options 335
- 336 Appendix D: Options 336
- SP02R96 Wooden Side Panels 337
- 338 Index 338
- Numerics 338
- 340 Index 340
- 342 Index 342
- 344 Index 344
- IMPORTANT SAFETY INSTRUCTIONS 346
- Mono in x 56 347
- 02R96 Level Diagram 348
- MIDI Implementation Chart 349
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