Yamaha 02R96-v2 Owner's Manual Page 172
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172 Chapter 16—Automix
02R96 Version 2—Owner’s Manual
EDIT OUT: These buttons are used to set the Edit Out mode: Off, Takeover, or Return. The
Edit Out mode determines how rerecorded fader moves align with existing fader data at the
punch out point. Fader data includes Input Channel levels, Bus Out master levels, Aux Send
master levels, the Stereo Out level, User Defined Remote Layer faders, and Group master
levels. The Edit Out modes are explained in the following table. The Return Time is speci-
fied on the Fader Edit page (see page 176).
Return Takeover or Off
TO END is OFF
At the point at which recording is stopped, the fader
returns to the position specified by the existing fader
data, at the speed specified by the Time parameter on
the Fader Edit pages.
At the point at which recording is stopped, the fader
remains at the same position until the next Fader
event in the existing data occurs.
TO END is ON
At the point at which recording is stopped, the fader
returns to the position specified by the existing fader
data, at the speed specified by the Time parameter,
and all subsequent events are erased so that the fader
remains at that position right through to the end of
the Automix.
At the point at which recording is stopped, all subse-
quent events are erased so that the fader remains at
that position right through to the end of the Automix.
Off Return Takeover
At the punch out point, the fader
remains at the same position until the
next Fader event in the existing data
occurs.
At the punch out point, the fader returns
to the position specified by the existing
fader data, at the speed specified by the
Time parameter on the Fader Edit pages.
At the punch out point, recording con-
tinues until the fader position intersects
the existing fader data. If you are still
touching the fader knob at the actual
punch out point, the fader is disabled
until you release it.
In this example, punch out was per-
formed by pressing the [AUTO] button,
and the fader was moved manually
between the punch out and actual
punch out points.
Existing data
Return time
Time
Punch in Stop recording
Fader edit
Time
Punch in Stop recording
Existing data
Fader edit
Existing data
Return time
Time
Punch in Stop recording
Fader edit
Time
Punch in Stop recording
Existing data
Fader edit
Time
Punch in Punch out
Existing data
Fader edit
Existing data
Return time
Time
Punch in Punch out
Fader edit
Time
Punch in Punch out
Existing data
Fader edit
Actual punch out
- Owner’s ManualOwner’s Manual 1
- Owner’s Manual 1
- IMPORTANT 2
- Important Information 3
- Operating Notes 4
- Interference 5
- Remote Control 8
- Other Functions 8
- Contents 10
- Contents 15 15
- 1 Welcome 16
- Welcome 17 17
- 18 Chapter 1—Welcome 18
- Control Surface 19
- AUX 2AUX 1 AUX 3 AUX 4 21
- AUX 6AUX 5 AUX 7 AUX 8 21
- AUX SELECT 21
- ENCODER MODE 22
- FADER MODE 22
- Control Surface 23 23
- Control Surface 25 25
- Control Surface 27 27
- Control Surface 29 29
- MASTER25 48 30
- REMOTE1 24 30
- Control Surface 31 31
- Scene Up [ ] button incre 31
- MACHINE CONTROL 32
- LOCATE MEMORY 32
- Control Surface 33 33
- 1/4" TRS phone plug 34
- Tip (left) 34
- Ring (right) 34
- Sleeve (ground) 34
- Control Surface 35 35
- Rear Panel 37
- AD Input Section 38
- Rear Panel 39 39
- 2 3 4 5 6 7 8 9 J L 40
- Rear Panel 41 41
- 3 Operating Basics 43
- 44 Chapter 3—Operating Basics 44
- About the Display 44
- Selecting Display Pages 45
- Display Parameter Boxes 45
- 46 Chapter 3—Operating Basics 46
- Parameter Windows 46
- Confirmation Messages 46
- Title Edit Window 46
- Selecting Layers 47
- 48 Chapter 3—Operating Basics 48
- Selecting Fader Modes 49
- ASSIGN 2ASSIGN 1 50
- 52 Chapter 3—Operating Basics 52
- AD Inserts (AD 1–16) 54
- Wordclocks 55
- 2TR Digital Outs 57
- 2TR Digital Ins 58
- Slot I/O 59
- Installing I/O Cards 60
- Slot I/O 61 61
- 02R96 Version 2 Owner 62
- Cascading Consoles 63
- Cascade Hookup Examples 64
- Attenuating Cascade Inputs 65
- Input Patching 66
- Output Patching 68
- Patching Omni Outs 69
- Output Channel Inserts Ins 69
- Patching Direct Outs 70
- Patch Select Window 71
- Patching with the Encoders 72
- 7 Input Channels 73
- 74 Chapter 7—Input Channels 74
- Gating Input Channels 74
- Attenuating Input Channels 75
- EQ’ing Input Channels 75
- 76 Chapter 7—Input Channels 76
- Grouping Input Channel EQs 76
- Input Channel Inserts 76
- Compressing Input Channels 76
- Delaying Input Channels 77
- 78 Chapter 7—Input Channels 78
- Input Channel Mute Master 79
- Setting Input Channel Levels 79
- Grouping Input Channel Faders 79
- 80 Chapter 7—Input Channels 80
- 82 Chapter 7—Input Channels 82
- Routing Input Channels 82
- Panning Input Channels 83
- 84 Chapter 7—Input Channels 84
- Using Surround Pan 85
- 86 Chapter 7—Input Channels 86
- Using the Joystick 87
- 88 Chapter 7—Input Channels 88
- Input Channel Surround Pages 89
- Chapter 7—Input Channels 90
- MS microphone 91
- R connector L connector 91
- 8 Stereo Out 92
- Stereo Out Inserts 93 93
- 94 Chapter 8—Stereo Out 94
- Balancing the Stereo Out 94
- Delaying the Stereo Out 94
- Viewing Stereo Out Settings 94
- Naming the Stereo Out 94
- 9 Bus Outs 95
- Viewing Bus Out Settings 97
- Naming Bus Outs 97
- 10 Aux Sends 98
- Setting Aux Send Levels 99
- Aux Send Pages 99
- 100 Chapter 10—Aux Sends 100
- Viewing Aux Send Settings 101
- 102 Chapter 10—Aux Sends 102
- Panning Aux Sends 103
- 104 Chapter 10—Aux Sends 104
- Metering Aux Send Masters 105 105
- Chapter 10—Aux Sends 106
- 11 Common Channel Functions 107
- Metering Input Channels 108
- Metering Output Channels 109
- Metering Effects 109
- Metering the Stereo out 109
- Attenuating Signals 110
- Using EQ 111
- 125 1.00 4.00 10.0 112
- EQ Edit Pages 113
- Grouping Output Channel EQs 114
- Using Inserts 115
- Compressing Channels 116
- Compressing Channels 117 117
- Comp Edit Page 118
- Delaying Channel Signals 120
- Soloing Channels 121
- Pairing Channels 123
- Pairing Channels 125 125
- Output Channel Mute Master 129
- Output Channels 130
- Input Channels 131
- Bus Outs 132
- Aux Sends 132
- Stereo Out 133
- Naming Channels 134
- 12 Monitoring & Talkback 136
- AUX7 AUX8 137
- SURROUND 138
- SURROUND MONITOR LEVEL 138
- Surround Monitoring 139 139
- Surround Monitoring 141 141
- TALKBACK LEVEL 142
- TALKBACK 142
- 13 Libraries 143
- 144 Chapter 13—Libraries 144
- Channel Library 144
- Input Patch Library 145
- Output Patch Library 145
- 146 Chapter 13—Libraries 146
- Effects Library 146
- Bus to Stereo Library 147
- 148 Chapter 13—Libraries 148
- Gate Library 148
- Comp Library 149
- 150 Chapter 13—Libraries 150
- EQ Library 150
- Automix Library 151
- 152 Chapter 13—Libraries 152
- Surround Monitor Library 152
- About the Effects 153
- Patching Effects Processors 153
- Preset Effects & Types 153
- Modulation-based Effects 154
- Guitar Effects 154
- Dynamic Effects 154
- Combination Effects 154
- Editing Effects 156
- Parameter Up/Down 157
- Parameter controls 1–4 157
- About Plug-Ins 158
- Configuring Plug-Ins 159
- Editing Plug-Ins 160
- Editing Plug-Ins 161 161
- 15 Scene Memories 162
- Auto Scene Memory Update 163
- 164 Chapter 15—Scene Memories 164
- Using the Scene Memory Page 165
- 166 Chapter 15—Scene Memories 166
- Fading Scenes 166
- Recalling Scenes Safely 167
- 168 Chapter 15—Scene Memories 168
- Sorting Scenes 168
- 16 Automix 170
- Automix Main Page 171
- 172 Chapter 16—Automix 172
- Automix Main Page 173 173
- 174 Chapter 16—Automix 174
- Channel Strip [AUTO] Buttons 174
- Automix Memory Page 175
- Fader Edit Pages 175
- 176 Chapter 16—Automix 176
- 178 Chapter 16—Automix 178
- Creating a Time Signature Map 178
- Recording an Automix 179
- 180 Chapter 16—Automix 180
- Rerecording Events 181
- 182 Chapter 16—Automix 182
- Parameter Recording 182
- 184 Chapter 16—Automix 184
- Playing Back an Automix 184
- Editing Events Offline 185
- 186 Chapter 16—Automix 186
- Editing Events Offline 187 187
- 188 Chapter 16—Automix 188
- Event Edit Page 188
- Event Edit Page 189 189
- 17 MIDI 190
- MIDI Port Setup 191
- 192 Chapter 17—MIDI 192
- MIDI Channel Setup 192
- 194 Chapter 17—MIDI 194
- Using Bulk Dump 195
- 18 Pro Tools Remote Layer 196
- Configuring the 02R96 197
- Configuring Pro Tools 197
- Channel Strips 201
- AUX SELECT Section 202
- ENCODER MODE Section 202
- FADER MODE Section 202
- PAN SEND LEVEL 202
- EFFECTS / PLUG INS 203
- SELECTED CHANNEL Section 204
- DYNAMICS 205
- PAN/SURROUND 205
- ( BANK) (BANK ) 206
- (MEM-LOC) 207
- (CURSOR MODE)(ESC) 208
- Selecting Channels 209
- Setting Channel Levels 209
- Muting Channels 209
- Panning Channels 209
- Flip Mode 211
- Assigning Inserts/Plug-ins 212
- Editing Plug-ins 213
- Bypassing Plug-ins 214
- Navigating the Edit Window 214
- Scrub & Shuttle 215
- Automation 216
- Trim Mode 217
- Selecting a Track 217
- Stereo Track Link 217
- 19 Remote Control 219
- 220 Chapter 19—Remote Control 220
- About the Remote Layer 221 221
- About Machine Control 222
- STOP PLAY 223
- 226 Chapter 19—Remote Control 226
- 20 Other Functions 228
- 12345678 229
- 910111213141516 229
- Setting Preferences 230
- Setting Preferences 231 231
- Preferences 2 232
- Preferences 3 233
- Using the Oscillator 234
- Operation Lock 235
- Chapter 20—Other Functions 236
- Appendix A: Parameter Lists 238
- USER DEFINED KEYS 239 239
- Input Patch Parameters 241
- Input Patch Parameters 243 243
- Initial Input Patch Settings 244
- Output Patch Parameters 245
- Output Patch Parameters 247 247
- Output Patch Table 2 248
- Initial Output Patch Settings 249
- Initial Input Port Names 251
- Initial Output Port Names 252
- Bank 1 (GM Vol & Pan) 255
- Bank 3 (XG Vol & Pan) 257
- Bank 4 (Nuendo VST Mixer) 258
- Effects Parameters 259
- GATE REVERB, REVERSE GATE 260
- MONO DELAY 260
- STEREO DELAY 260
- MOD. DELAY 261
- DELAY LCR 261
- SYMPHONIC 263
- HQ. PITCH 265
- DUAL PITCH 266
- RING MOD 266
- MOD. FILTER 267
- DISTORTION 267
- AMP SIMULATE 267
- DYNA. FILTER 268
- DYNA. FLANGE 268
- DYNA. PHASER 268
- REV+CHORUS 269
- REV->CHORUS 269
- REV+FLANGE 270
- REV->FLANGE 270
- REV+SYMPHO 271
- REV->SYMPHO 271
- REV->PAN 272
- DELAY+ER 272
- DELAY->ER 273
- DELAY+REV 273
- DELAY->REV 274
- DIST->DELAY 274
- MULTI FILTER 275
- ST REVERB 276
- REVERB 5.1 276
- OCTA REVERB 277
- AUTO PAN 5.1 277
- CHORUS 5.1 277
- FLANGE 5.1 278
- SYMPHO 5.1 278
- M. BAND DYNA 279
- COMP 5.1 280
- COMPAND 5.1 280
- Preset EQ Parameters 282
- Preset Gate Parameters 283
- (fs = 44.1 kHz) 284
- Dynamics Parameters 286
- Dynamics Parameters 287 287
- COMP Section 288
- Dynamics Parameters 289 289
- Appendix B: Specifications 291
- Appendix B: Specifications 292
- General Spec 293
- EQ Parameters 294
- Gate Parameters 294
- Comp Parameters 295
- Libraries 296
- Analog Input Spec 297
- Analog Output Spec 297
- Digital Input Spec 298
- Digital Output Spec 298
- I/O Slot Spec (1–4) 299
- Control I/O Spec 299
- Connector Pin Assignments 300
- Dimensions 301
- Appendix C: MIDI 302
- CHANNEL1 303
- 304 Appendix C: MIDI 304
- CHANNEL3 305
- 306 Appendix C: MIDI 306
- CHANNEL5 307
- 308 Appendix C: MIDI 308
- CHANNEL7 309
- 310 Appendix C: MIDI 310
- CHANNEL9 311
- 312 Appendix C: MIDI 312
- CHANNEL11 313
- 314 Appendix C: MIDI 314
- CHANNEL13 315
- 316 Appendix C: MIDI 316
- CHANNEL15 317
- 318 Appendix C: MIDI 318
- MIDI Data Format 319
- Format Details 319
- 320 Appendix C: MIDI 320
- Format Details 321 321
- 11. ACTIVE SENSING (FE) 321
- 12. SYSTEM RESET (FF) 321
- 322 Appendix C: MIDI 322
- Format Details 323 323
- 324 Appendix C: MIDI 324
- Format Details 325 325
- 326 Appendix C: MIDI 326
- Format Details 327 327
- 328 Appendix C: MIDI 328
- Format Details 329 329
- 332 Appendix C: MIDI 332
- Format Details 333 333
- 334 Appendix C: MIDI 334
- Appendix D: Options 335
- 336 Appendix D: Options 336
- SP02R96 Wooden Side Panels 337
- 338 Index 338
- Numerics 338
- 340 Index 340
- 342 Index 342
- 344 Index 344
- IMPORTANT SAFETY INSTRUCTIONS 346
- Mono in x 56 347
- 02R96 Level Diagram 348
- MIDI Implementation Chart 349
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