Yamaha CP50 User Manual

Browse online or download User Manual for Digital pianos Yamaha CP50. Yamaha - Jon Regen

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Yamaha
Yamaha's
CP designation
first
launched
in
the'70s,
on electronic
stage
pianos but
more
famously
on the
electro-acoustic
CP60,
CP70,
and CP80'
which
used
real
strings
and
hammers
but
pickups in
place
of a sound-
board.
Though
hea'ry by
today's
standards,
these
transportable
instru-
ments
became
the
industry
standard
for
getting
real
piano
sound
onstage
when
you couldnt
tour
with
an acoustic
piano. Some
three
decades
later,
Yamaha's
new CP
series
aims to
be the
new standard.
Does
it succeed?
Keyboard
Feel
CPI
and CP5.
Yamaha's
flagship
CPl
and
lower
priced
(but
sonically
more
diverse)
CP5
feature
a newly
designed
wood
and
imitation
ivory
action,
the
NW-Stage.
Interestingly,
Yamaha
went
with
a uniform
weight across
the key-
board,
as
opposed
to the
graded weight
(with
more
resistance
towards
the bass
notes
and
less towards
the
treble)
that
conventional
wisdom says
you put in a
high-end
stage
piano. Though
it
qualifies as
fully
weighted'
the
NW-Stage
keyboard
is definitely
on the
lighter side,
and
to
my own
fingers, the
key dip
feels
shallower
than
other digital
pianos I ve
played.
This serves
the spectrum
of acoustic
and
electric
pianos well,
though:
Rhodes
and
Wurly
actions
are almost
always
lighter
than those
on weighted
digital
stage
pianos, as are
the actions
on
many acoustic
grands
that
have
seen
years
of
use.
However
if
your expectations
have been
shaped by
more traditional
weighted
actions-Such
as the
Yamaha
P250,
CP300, or
Motif
8 series-it
takes
some
getting used
to. The
more
you
play the CPl
36
KEYBOARD\.4AG.COM
O3.2O11
or CP5,
though, the
more
you see
just
how
well the
action's
nuances serve
the
dynamic
and
harmonic
variations
il the
new acoustic
and electric
piano
sounds.
CP50.
The
supposed
baby
of the
CP
family
is no slouch.
Featuring
a more
traditional
graded GH action,
the
CP50
feels
familiar,
having been
used
in other
Yamaha digitals
in the
past. There's
no wood
or
simulated
ivory
here,
just
an
eminently
playable weighted
keyboard' Considering
that
the
CP50
is less than
a third
of the
price
of
the CPl
and
nearly
$1,000
less
than
the
CP5, that's
cause
for celebration.
I like the
throw
of the CP50's
keys;
it feels deeper
and more-for
lack of
a better
word-classic,
to me.
Acoustic
Piano
Sounds
CP1.
Unlike
its siblings,
the
CP1 is dedicated
solelyto
acoustic
and elec-
tric
pianos.
How
do these
sound?
In
a word,
spectacular'
I was lucky
enough
to audition
the CP1
at
Hal Winert
BiCoastal
Music
recording
studio
in
Ossining,
New
York, hearing
it through
a megabuck
monitor
system
that
pulls no
punches
when
it comes
to revealing
sonic flaws.
Yamaha
has really
captured
the three-dimensional
sound
that
large con-
cert
pianos emit: the
rumble
of long
bass strings,
the
"air"
that surrounds
sustained
notes, and
the bell
tones of
the
mid to upper
registers' On
the
CPl,
you
choose
between
two
vaunted
Yamaha
pianos: the
nine-foot
CFIIIS
concert
grand,
and
the
seven-foot
568
grand.
Both emulations
are
extremely
detailed.
The 568
is a welcome
addition'
with
its woody,
retro-
jazz
qrality-think of engineer
Rudy Van
Geldert
'60s-era
Blue Note
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Summary of Contents

Page 1 - Acoustic

YamahaYamaha's CP designation first launched in the'70s, on electronic stagepianos but more famously on the electro-acoustic CP60, CP70, and

Page 2 - Gomponent

CP5 (Xey Buy winner)cPs0recordings, with their characteristicaily round piano sound.Each of these two pianos is available in versions with either a

Page 3 - FR()M THE

THE VIEW FR()M THE GTGThree heavy hitters in the keyboard world put the three CP pianosthrough their paces. Here's what they had to say:Michael G

Page 4 - CtF an€l CPSG

resonance, key-off noise, and hammer strike position. On the CP5 andCP50, three knobs perform similar tasks. By default, they control param-e

Page 5 - Conclusions

so), the 305 additional patches on the CP5 and216 on the CP50 coverjust about every sound you might need. From surprisingly effective Clavsand tone

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