Yamaha ELS-01 Owner's Manual download pdf (Page 32)

Voices

ELS-01/01C Owner’s Manual

ELS-01C (VA)

Voice Name Range Description

VA ACOUSTIC

V-Flute 1 G2 – A6

Flute with breath and other noises, which may squeak in higher registers. Setting the Touch Tone

(After) higher and applying keyboard pressure can recreate ﬂutter tonguing.

V-Flute 2 C2 – C6

Flute suited for legato playing. Setting the User Vibrato depth to higher values has a nice effect.

V-Ocarina C3 – C6

Soft ocarina.

V-Oboe C3 – F5

Wider dynamic range with the Touch Tone effect.

V-Clarinet D2 – F5

Playing pianissimo creates breath noises, while playing fortissimo creates a brighter sound with

slightly lower pitch.

V-Soprano Sax A#2 – D5

Rounder and softer soprano saxophone.

V-Alto Sax 1 D#2 – G4

A bright alto saxophone for contemporary music. You can make the sound ‘break up’ as if

overblowing the instrument by setting After Touch to maximum and applying pressure to the key.

V-Alto Sax 2 C2 – E4

Alto saxophone suited for fusion music. Playing legato creates squeaky attack sounds and high

After Touch settings produce an overblowing effect.

V-Tenor Sax 1 A#2 – C4

Multi-purpose tenor saxophone. Soft in pianissimo and brighter in fortissimo.

V-Tenor Sax 2 C1 – G4

Soft tenor saxophone suited for jazz. Playing Legato creates squeaky attack sounds.

V-Breath Sax 1 A#2 – C4

Soft, breathy tenor saxophone suited for slow tempo music.

V-Breath Sax 2 C2 – E4

Brighter, breathy tenor saxophone suited for jazz.

V-Trumpet 1 A#2 – A#4

Soft trumpet. Slides and glissandos can be created with Horizontal Touch.

V-Trumpet 2 C2 – C5

Trumpet with characteristic attack sound. Lip slurs can be created by changing the pitch.

V-Trumpet 3 G2 – C5

Soft trumpet. Applying slight keyboard pressure produces breath noise.

V-Muted Trumpet A#2 – A#4

Cup-muted trumpet.

V-Trombone E1 – G3

Slides and glissandos can be created with Horizontal Touch. Also, high After Touch settings

produce an overblowing effect.

V-High Trombone C2 – C5

Brighter trombone suited for high notes.

V-Shakuhachi ---

Higher Touch Tone (After) setting increases breath noise and also squeaks the sound.

V-Erhu ---

Playing with softer touch produces hoarse sounds.

V-Sitar ---

Playing with harder touch squeaks the sounds.

VA VIRTUAL

V-Pan Pipe 1 E2 – G5

Setting the Touch Tone (After) higher and applying keyboard pressure can result in ﬂutter tonguing.

V-Pan Pipe 2 C1 – C6

Panpipe ﬂute sound. After and Initial Touch affect the pitch and timbre.

V-Bamboo C1 – C6

Bamboo panpipe sound with breath noise. After Touch changes the pitch dynamically.

V-Bottle C1 – C6

Sound of blowing a bottle. Playing trills over a wide interval range creates a squeaky attack sound.

V-Floboe F2 – C7

A hybrid sound combining oboe and saxophone.

V-Alt Kwek C3 – C7

A hybrid sound grafting an oboe reed onto a piccolo, with a distinctive pitch change in the low

registers.

V-Tin Whistle C2 – C7

Sound of a small ﬂute. Playing with softer touch produces breath noise.

V-India ---

Percussive sitar sound.

V-East G1 – C5

Sitar with resonance and reverberation.

V-Zag ---

Simulation of a bowed ethnic instrument. Playing legato brings out higher octave sounds.

V-Asian Pluck C1 – G6

Plucked ethnic instrument. Using Initial Touch brings out higher octave sounds.

V-Air Reed 1 A2 – C5

A hybrid sound grafting an oboe reed onto a saxophone. High After Touch settings produce an

overblowing effect.

V-Air Reed 2 E2 – C5

A hybrid sound combining a conventional ﬂute with panpipes.

V-Airphone A2 – C5

A hybrid sound grafting an oboe reed onto a soprano saxophone.

V-Thin Reed E2 – G5

A hybrid sound grafting a clarinet mouthpiece onto a ﬂute. High After Touch settings produce an

overblowing effect.

V-Harmophone G1 – G5

A hybrid sound combining a harmonica and saxophone. Depending on use of Touch Tone, both

breath noise and a bright clear sound can be produced.

V-Saxonica G2 – G5

Harmonica sound resembling an alto saxophone. Playing with soft touch results in a high-pitched

sound.

V-Grass Reed E2 – G5

A hybrid sound grafting a bassoon reed onto a brass wind instrument. After Touch changes the

pitch.

V-Soft Reed 1 A2 – G5

A hybrid sound grafting a clarinet mouthpiece to a brass wind instrument.

V-Soft Reed 2 C1 – C6

A hybrid sound grafting a bassoon reed onto a soprano saxophone; includes breath noise.

V-Troppo E1 – C6

Thick bassoon sound. After Touch changes the pitch dynamically, and applying keyboard

pressure more produces wind noise.

V-Buzz String A2 – F5

Simulation of a hybrid bowed-wind instrument.

V-Bow String E1 – E6

Artiﬁcial synthesized strings sound.

V-String Bow C1 – C6

Simulation of a slow-attacked violin bowed with something other than a violin bow. Playing trills

over a wide interval range creates a squeaky attack sound.

V-Cosmosis C1 – G5

Bowed strings. Initial Touch affects the attack sound.

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Yamaha ELS-01 Owner's Manual Page 32

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