Yamaha CP60M Technical Information Page 1

------------- -- ---- ----------~TM THE OFFICIAL PUBLICATION OF THE YAMAHA USERS GROUP DECEMBER 1985 OYAMAHA®

;-~~M Continued EG conversion tables-For use with EO 93 14 94 14 formulas given earlier: 99 15 99 15 Attack rate 1st-Decay& Output level of opera

THE CX5M MUSIC COMPUTER System now has a number of new components, designed to answer the needs of users who have asked for more flexibility and more

VC02 $10.00 Video cable for connecting the CX5M to a CRT monitor. CAOl $25.00 Single cartridge adapter, to allow connec~ tion of a second cartridge vi

MIDI Understand .. ingThe Four Basic MIDI Modes. By Tom Darter. Here is a basic setup using MIDI Mode 3 with the TX8r6. Each module of the TX8r6 shoul

THE RXll IS A VERY sophisticated rhythm programming device; it can also be difficult to program. There are many variable functions, many more than ca

mode allows for the sectional input of rhythm patterns. You begin by choosing a pattern num~ her (00~99) and giving it a name. Then you determine the

REV7 THE REV7 Professional Digital Rever-berator is a programmable, MIDI-controll-able signal-processing device with stereo out-put. It offers a wide

each parameter: 1) Reverberation Time, 2.6 seconds; overall range, 0.3~ 10.0 seconds. 2) Initial Delay, 30.0 milliseconds; overall range, 0.1~ 100.0 m

Final Touch Hot Tips On Preprogram .. mingRXll Song Tempos, And Pro-gramming RXDrum Patterns Via TheQXl. Pre-Programming Tempos With The RXll Rhythm P

2. RECORD on TRACK 8. On this first pass, we lay down the foundation-basically KICK and SNARE, maybe a few HI HATs. For playback, diisconnect the RX f

Editor Tom Darter Operations Sibyl Darter Editorial Board John Gatts Bill Hinely Mark Koenig Paul Meisenzahl Phil Moon Jim Smerdel Production Leslie B

AFTER TOUCH P.O. Box 2338 Northridge, CA 91323-2338 Bulk Rate U.S. Postage PAID Lang Prairie, MN Permit No. 56 John Chowning ConUnuedfrmnpage4 rich in

Fron1 The Editor MANY NEW THINGS for this third issue of AFrERTOUCH! First of all, we have our first contributions from readers. From Manny Fernandez,

John Chowning Part 2 Of An Exclusive Interview With The Father Of Digital FM Synthesis. By Tom Darter. ((This year marks the first chance I've re

--7 -~ -- -- -------TR1 14 0 0 53 OFF 0 WAVE SPEED DELAY PMD AIID SYNC PMS LFO R1 R2 R3 R4 99 99 99 99 I C2 KEY TRANSPOSE L1 L2 L3 L4 50 50 50 50 [

Blank Voic .. ing Charts In TheAFfER .. TOUCH Format. The chart on this page can be used to record voices programmed using the fol, lowing alga, rithm

~ ... ~ ~ ::1 8 @ -.J FUNCTIONS POLY/MONO RANGE STEP I I I I I I I I PITCH BEND WAVE SPEED DELAY PMD AMD SYNC PMS CONTROLLER RANGE LFO MOO WHEEL

Conversion Factors And Hints For Programming DX7 Voices Into The CX5M.By Ken Leivers. THERE ARE NOW A number of different FM digital operator/algorith

AMS (amplitude modulation sensitivity) DX7 CXSM 1 1 2 2 3 3 PMS {pitch modulation sensitivity) DX7 CXSM 1 3 2&3 4 4 5 5&6 6 7 7 Wf (wave