Yamaha MT50 Owner's Manual Page 29
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Synchronization 25
MT50 User’s Guide
Synchronization
By recording a timecode onto Track 4, you can synchronize the MT50 with
a MIDI sequencer or drum machine.
(FSK stands for Frequency Shift Keying, in case you were wondering. It is a type of MIDI
performance tempo data. The track that contains the FSK signal is a little like the conductor
of an orchestra who controls the tempo for your sequencers or drum machines.).
If this applies to your sequencer or drum machine, purchase Yamaha YMC
10 MIDI FSK converter and connect it between your MIDI sequencer or
drum machine and the MT50.
1. Connect the Tape Sync Out from YMC 10 to the MIC/LINE input
of Module 4.
2. Set the sync clock on your MIDI device to “Internal.”
3. Set the input fader of Module 4 to about 8
4. Set the dbx switch to the SYNC or OFF position.
When the dbx switch is set to SYNC, Tracks 1, 2, and 3 are set to dbx
ON. Track 4 is set to OFF.
5. Set the REC SEL switch for Modules 1, 2, and 3 to “OFF.” Set the
REC SEL switch for Module 4 to “4.”
The REC indicator for Module 4 is flashing.
6. Press the REC button.
The REC indicator lights up.
7. Play your sequencer or drum machine and record FSK signal for
the duration of your song.
8. When finished, remove the cable from Module 4.
9. Rewind the tape.
10. Connect the MT50’s Sync Out jack to the YMC10 Tape Sync In
jack.
11. Set up your MIDI sequencer or drum machine for sync playback.
(Set the sync clock on MIDI device to “MIDI”). See the manual that
came with the sequencer or drum machine for more information.
12. Press the PLAY button on the MT50.
Your MIDI sequencer or drum machine will be triggered by the sync
signal output from the MT50.
13. Play along with the MIDI parts using your guitar, voice, piano, etc.,
and record them using the basic techniques discussed earlier.
! To make sure a sync recording is
done correctly:
Note the following items to make
sure sync recording is done cor-
rectly.
• Set the FSK signal recording
level of track 4 between 0 and
+3dB.
• When the dbx switch is set to
"SYNC", do not record any musi-
cal on track 4.
• Try not to record music on an
adjacent track (track 3) during
sync recording (when playing
back the FSK signal on track 4).
! You can take the sound output
from the MIDI instrument and
record it on any open track, syncing
the MIDI performance with your
own!
Tone Generator
Drum Machine
Sampler
Effects
Converter
REC
YMC10
Converter
MIDI
REC
IN
OUT
- Multitrack Cassette Recorder 1
- FCC INFORMATION (U.S.A.) 2
- Precautions 3
- Contents 4
- Welcome to the MT50 5
- Getting to Know the MT50 7
- MT50 User’s Guide 10
- Connections 11
- Basic Recording 12
- ! Warning: Before making any 12
- ! Warning: The AC adaptor 12
- Step 1 — Recording the Drums 13
- Step 2 — Recording the Bass 14
- Step 3 — Recording the Guitar 15
- Step 4 — Recording the Vocals 16
- Step 5 — Mixing Down 17
- Preparation 17
- Balancing Levels 17
- Applying EQ 18
- Adding Effects 18
- Mixdown Recording 18
- Setting example 19
- Advanced Recording 20
- One-Take Recording 21
- Ping-Pong Recording 25
- Example 2: 26
- Punch In/Out Recording 27
- Using a Tracking Sheet 28
- Synchronization 29
- Appendix 30
- MT50 Maintenance 31
- 28 Appendix 32
- Specifications 33
- 30 Appendix 34
- Block Diagram 34
- Dimensions 34
- Glossary 35
- 32 Glossary 36
- Précautions 38
- Table des matières succinte 39
- Introduction au MT50 40
- Moins de 90 minutes 41
- Quelques suggestions 42
- Présentation du MT50 43
- ! Pour ceux qui aiment tout 44
- Manuel de l’utilisateur MT50 45
- Enregistrement élémentaire 48
- Etape 5 — Mixage 53
- Préparation 53
- Balance des niveaux 53
- Panoramique 54
- Egalisation 54
- Ajouter des effets 54
- Enregistrement du mélange 54
- Exemple d’utilisation 55
- Enregistrement avancé 56
- Enregistrement en une prise 57
- ! Dans cet exemple, nous 60
- Exemple 1: 62
- Exemple 2: 63
- Correction (Punch In/Out) 64
- Appendice 67
- Entretien du MT50 68
- Caractéristiques techniques 70
- Glossaire 72
- 34 Glossaire 74
- Vorsichtsmaßnahmen 76
- Inhaltsverzeichnis 77
- Willkommen und viel Spaß 78
- Chromcassetten TypeII 79
- Weniger als 90 Minuten 79
- Ein paar Hinweise 80
- Vorstellung des MT50 81
- (PAUSE) 85
- Anschlüsse 86
- Aufnahme-ABC 87
- Schritt 2 — Und nun der Baß 89
- ! Meiden Sie Rückkopplungen 91
- Schritt 5 — Abmischen 92
- Vorbereitung 92
- Stereopositon (Panorama) 93
- Entzerrung (EQ) 93
- Einsatz von Effekten 93
- ! Um ganz sicherzugehen, daß 94
- Anschlußbeispiel 95
- Aufnahmen für 96
- Fortgeschrittene 96
- Ein- und Aussteigen 97
- Synchronisieren 97
- Direktaufnahme 98
- Schlagzeug/1. Gitarre 100
- Instrumente 101
- Ping-Pong Aufnahme 102
- Beispiel 2 103
- ! Fangen Sie schon ein paar 104
- Synchronisation 106
- Bei kleinen Pannen 107
- Pflege des MT50 108
- 32 Anhang 109
- Technische Daten 110
- 34 Anhang 111
- Blockschaltbild 111
- Abmessungen 111
- MT50 Bedienungsanleitung 112
- 36 Glossar 113
- Precauciones 116
- Índice general 117
- Bienvenido al MT50 118
- High Bias 70µs EQ 119
- Sugerencias 120
- Familiarizarse con el MT50 121
- Guía del Usuario de MT50 122
- Conexiones 126
- Grabación Básica 127
- Paso 2 — Grabación del Bajo 129
- Paso 4 — Grabación de Vocales 131
- Paso 5 — Mezclas 132
- Preparación 132
- Niveles de Balance 132
- Aplicación de EQ 133
- Añadiendo efectos 133
- Grabación de las mezclas 133
- Ejemplo de conexiones 134
- Grabación Avanzada 135
- Grabación One Take 136
- Instrumentos 139
- Grabación Ping-Pong 140
- Ejemplo 2: 141
- ! Yamaha proporciona un inte 142
- Sincronización 144
- Localización de Fallos 145
- Mantenimiento del MT50 146
- 30 Anexo 147
- Especificaciones 148
- 32 Anexo 149
- Diagramas en Bloques 149
- Dimensiones 149
- Glosario 150
- 34 Glosario 151
- Tracking Sheet 153
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