Yamaha MT50 Owner's Manual download pdf (Page 26)

22 Chapter 4: Advanced Recording

MT50 User’s Guide

You can use this process over again to combine and mix three tracks into

one. Unfortunately, the sound quality will deteriorate rapidly after a couple

of bounces. Using this technique, the MT50 can function as though it had

far more than four tracks!

You can perform ping-pong recording of Tracks 1, 2, and 3, and simulta-

neously overdub an instrument connected to Module 4.

The procedure is almost the same as that described above (1-13), except for

the following steps:

Example 2:

3’. Connect an instrument to Module 4.

6’. Turn the PAN control for Module 4 all the way to the right (R).

12’. Adjust the recording level of Track 4 so that the +6 level meter for

Module 4 lights up momentarily, while balancing the volume level

of Tracks 1-4 using the faders.

Note: Avoid ping-pong recording to an adjacent track (for example,

bouncing track 2 to track 1 or track 3) as much as possible. Otherwise,

cross-talk (signal leak at the recording head) may cause feedback

When you are ping-pong recording to an adjacent track, set the recording

level carefully. Do not boost the HIGH EQ too much.

We also recommend that you set the dbx ON to avoid feedback as much as

possible.

! Lower the faders of the tracks

you do not want to include in the

mix when ping-pong recording.

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Yamaha MT50 Owner's Manual Page 26