Yamaha DM1000 Manual Page 56
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56 Chapter 5—Analog I/O & Digital I/O
DM1000—Owner’s Manual
F COPY
Indicates the status of copy protection information included in the IEC958 Part2
(S/PDIF-Consumer) format signals. “OK” appears if copying is allowed. “Prohibit”
appears if copy-protected.
Dithering Digital Outputs
When digital audio is transferred to lower-resolution systems, truncated bits may generate
unpleasant noise. To cancel the audible effect of this noise, a small complement of noise is
intentionally added to the digital outputs. This process is called “dithering.”
On the DM1000, you can dither the 2TR Digital Outputs and Slot Outputs. For example,
you can apply dithering to the DM1000 stereo mix data and record to a 16-bit DAT recorder.
1 Press the DISPLAY ACCESS [DIO] button, then press the [F2] button.
The DIO | Format page appears. The dithering settings are displayed on the bottom of the
page.
2 Move the cursor to the output or channel to which you want to apply dith-
ering, and rotate the Parameter wheel or press the [INC]/[DEC] buttons to
select the value that matches the resolution of the receiving device.
A/D Conv with(C)
A/D converter (with copyright information)
Solid Memory
Solid memory device
Experimental
Experimental device
Unknown
Unknown
Note: “AES/EBU” appears in the Category row when you are monitoring IEC958 Part 3
(AES/EBU-Professional) format signals (that do not include Category Code Bit).
Note:
•You cannot apply dithering to outputs or channels that are set to “OFF.”
•Dithering is effective only when the resolution of the receiving device is lower than that of
the DM1000.
Tip: To copy the currently-selected setting to all channels, double-click the [ENTER] button.
The copy confirmation window is displayed.
Parameter values Description
- Owner’s Manual 1
- IMPORTANT 2
- IMPORTANT SAFETY INSTRUCTIONS 3
- Important Information 4
- Operating Notes 5
- Interference 5
- About this Owner’s Manual 7
- Contents 8
- DM1000—Owner’s Manual 10
- 1 Welcome 11
- Chapter 1—Welcome 12
- Control Surface 13
- AD Input Section 14
- Channel Strip Section 15
- STEREO Section 15
- AUX SELECT Section 16
- ENCODER MODE Section 16
- FADER MODE Section 16
- DISPLAY ACCESS Section 17
- Display Section 18
- SELECTED CHANNEL Section 19
- SCENE MEMORY 20
- STORERECALL 20
- USER DEFINED KEYS Section 21
- Data Entry Section 21
- MONITOR Section 22
- Rear Panel 23
- SLOT Section 24
- Power Section 25
- Installing an Optional Card 26
- 3 Operating Basics 27
- Selecting Display Pages 28
- Display Interface 29
- 30 Chapter 3—Operating Basics 30
- Confirmation Messages 30
- Title Edit Window 30
- Selecting Layers 31
- Selecting Fader Modes 33
- Selecting Encoder Modes 34
- Operating Basics 35
- 36 Chapter 3—Operating Basics 36
- Metering 37
- 38 Chapter 3—Operating Basics 38
- Metering 39 39
- 40 Chapter 3—Operating Basics 40
- 4 Connections and Setup 41
- 1615141312111098765432 42
- Workstation) 43
- About wordclock 44
- Wordclock connections 44
- Connections and Setup 45
- Input and Output Patching 47
- Input and Output Patching 49 49
- Analog Inputs & Outputs 51
- Digital Inputs & Outputs 52
- Digital Inputs 53
- 1), then press [ENTER] 54
- Dithering Digital Outputs 56
- Analog I/O & Digital I/O 57
- 6 Input Channels 59
- 60 Chapter 6—Input Channels 60
- Switching the Signal Phase 60
- Delaying Input Channels 61
- 62 Chapter 6—Input Channels 62
- Gating Input Channels 62
- Compressing Input Channels 63
- 64 Chapter 6—Input Channels 64
- Attenuating Input Channels 64
- EQ’ing Input Channels 65
- 66 Chapter 6—Input Channels 66
- Panning Input Channels 67
- 68 Chapter 6—Input Channels 68
- Routing Input Channels 68
- Input Channels 69
- 70 Chapter 6—Input Channels 70
- D AUX section 71
- E Meter section 71
- F GROUP section 71
- 72 Chapter 6—Input Channels 72
- Pairing Input Channels 73
- 74 Chapter 6—Input Channels 74
- 1), then select the 75
- Naming Input Channels 76
- Using MS Stereo Microphone 77
- 78 Chapter 6—Input Channels 78
- 7 Bus Outs 79
- Bus Out 1–8 80
- Bus Outs 81
- 82 Chapter 7—Bus Outs 82
- 84 Chapter 7—Bus Outs 84
- Pairing Buses or Aux Sends 87
- Attenuating Output Signals 88
- 90 Chapter 7—Bus Outs 90
- 8 Aux Sends 91
- 92 Chapter 8—Aux Sends 92
- Setting Levels 92
- EQ settings 92
- Attenuating Aux Outs 92
- Delaying Aux Outs 93
- Comp settings 93
- 94 Chapter 8—Aux Sends 94
- Viewing Aux Out settings 94
- Setting Aux Send Levels 96
- Setting Aux Send Levels 97 97
- 98 Chapter 8—Aux Sends 98
- Setting Aux Send Levels 99 99
- 100 Chapter 8—Aux Sends 100
- Aux Sends 101
- Panning Aux Sends 102
- 104 Chapter 8—Aux Sends 104
- Input Patching 105
- Input Patching 107 107
- Output Patching 108
- Patching Omni Outs 109
- Patching Slot Outputs 110
- Patching Direct Outs 111
- Insert Patching 112
- B INSERT section 113
- C COMP section 113
- 10 Control Room Monitoring 115
- Control Room Monitoring 117
- Using the Solo Function 118
- Using the Talkback Function 119
- 11 Surround Functions 121
- Chapter 11—Surround Functions 122
- Using Surround Pan 123 123
- A BUS1–BUS8 125
- Using Surround Pan 127 127
- Using Surround Pan 129 129
- Surround Monitoring 131
- Surround Monitoring 133 133
- Surround Monitoring 135 135
- Surround Monitoring 137 137
- A SPEAKER SETUP 138
- Surround Monitoring 139 139
- Parameters 141
- • Fader1–32 page 142
- • Mute1–32 page 142
- Fader group C 143
- 13 Internal Effects 147
- C FOLLOW SURROUND 148
- D button 148
- Internal Effects 149
- Chapter 13—Internal Effects 150
- Editing Effects 151
- G Meters 152
- About Surround Effects 153
- About Plug-Ins 153
- 14 Scene Memories 155
- 156 Chapter 14—Scene Memories 156
- About Scene Numbers 156
- Storing and Recalling Scenes 157
- 158 Chapter 14—Scene Memories 158
- Auto Scene Memory Update 159
- Fading Scenes 160
- Fading Output Channels 161
- Recalling Scenes Safely 162
- Sorting Scenes 163
- 164 Chapter 14—Scene Memories 164
- 15 Libraries 165
- 166 Chapter 15—Libraries 166
- Using Libraries 167
- 168 Chapter 15—Libraries 168
- Input Patch Library 168
- Output Patch Library 169
- Effects Library 169
- 170 Chapter 15—Libraries 170
- • Delays 171
- • Modulation-based Effects 171
- • Guitar Effects 171
- • Dynamic Effects 171
- • Combination Effects 171
- 172 Chapter 15—Libraries 172
- Bus to Stereo Library 173
- 174 Chapter 15—Libraries 174
- Gate Library 174
- Compressor Library 175
- 176 Chapter 15—Libraries 176
- EQ Library 177
- 178 Chapter 15—Libraries 178
- Surround Monitor Library 179
- 180 Chapter 15—Libraries 180
- 16 Automix 181
- 182 Chapter 16—Automix 182
- Selecting the Timecode Source 182
- Creating a Time Signature Map 183
- Recording an Automix 184
- Recording the First Event 185
- 186 Chapter 16—Automix 186
- Parameter Recording 187
- Punching In & Out 188
- 6 Stop the Automix 189
- Punching In & Out 189 189
- Indicator Is On 190
- Playing Back an Automix 190
- Automix Main Page 191
- 192 Chapter 16—Automix 192
- H FADER EDIT 193
- I TOUCH SENSE section 193
- 194 Chapter 16—Automix 194
- Automix Memory Page 195
- Fader1 &2 pages 196
- C Edit Safe buttons 197
- D TOUCH SENSE 197
- E UPDATE 197
- F EDIT OUT 197
- Editing Events Offline 198
- Editing Events Offline 199 199
- 200 Chapter 16—Automix 200
- Editing Events Offline 201 201
- 202 Chapter 16—Automix 202
- Event Edit Page 202
- G INSERT 203
- H LOCATE 203
- I Capture memory display 203
- J CAPTURE 203
- K Capture memory 203
- 204 Chapter 16—Automix 204
- 17 Remote Control 205
- Pro Tools Remote Layer 206
- Pro Tools Remote Layer 207 207
- 208 Chapter 17—Remote Control 208
- Configuring the DM1000 208
- 2) located 209
- 210 Chapter 17—Remote Control 210
- E INSERT ASSIGN/EDIT section 211
- 212 Chapter 17—Remote Control 212
- Control Surface Operation 212
- ■ ENCODER MODE section 213
- ■ FADER MODE section 213
- ■ DISPLAY ACCESS section 213
- ■ Display section 213
- 214 Chapter 17—Remote Control 214
- Pro Tools Remote Layer 215 215
- 216 Chapter 17—Remote Control 216
- Selecting Channels 216
- Setting Channel Levels 216
- Muting Channels 217
- Panning Channels 217
- Soloing Channels 217
- 218 Chapter 17—Remote Control 218
- Setting Send Levels 218
- Muting Sends A–E 218
- Panning Sends A–E 218
- Flip Mode 218
- 1) is selected in the INSERT 219
- 220 Chapter 17—Remote Control 220
- Editing Plug-ins 220
- Bypassing Plug-ins 221
- 222 Chapter 17—Remote Control 222
- Scrub & Shuttle 222
- Automation 223
- Nuendo Remote Layer 224
- Other DAW Remote Layers 224
- MIDI Remote Layer 225
- 226 Chapter 17—Remote Control 226
- D ID, SHORT, LONG 227
- E ON section 227
- F ENCODER section 227
- G FADER section 227
- 228 Chapter 17—Remote Control 228
- MIDI Remote Layer 229 229
- 230 Chapter 17—Remote Control 230
- Machine Control Function 231
- 232 Chapter 17—Remote Control 232
- Machine Control Function 233 233
- 234 Chapter 17—Remote Control 234
- 18 MIDI 235
- MIDI Port Setup 236
- B MIDI THRU section 237
- C MACHINE CONTROL section 237
- D SPECIAL FUNCTIONS section 237
- 238 Chapter 18—MIDI 238
- F OTHER COMMANDS 239
- G Fader Resolution 239
- 240 Chapter 18—MIDI 240
- 1), then press 241
- 242 Chapter 18—MIDI 242
- 244 Chapter 18—MIDI 244
- 246 Chapter 18—MIDI 246
- 248 Chapter 18—MIDI 248
- 19 Other Functions 249
- Setting Preferences 250
- Setting Preferences 251 251
- Prefer2 page 252
- Prefer3 page 253
- Chapter 19—Other Functions 254
- Assignable Layer) 255
- Using the Oscillator 256
- Using the User Defined Keys 257
- A INPUT section 259
- B OUTPUT section 259
- Other Functions 261
- Using Operation Lock 263
- C PASSWORD 264
- Cascading Consoles 265
- Cascading Consoles 267 267
- 1) to “MIDI.” 268
- Cascading Consoles 269 269
- Using the AD824 270
- Using the AD824 271 271
- A Status 272
- Initializing the DM1000 273
- Calibrating the Faders 274
- Appendix A: Parameter Lists 275
- Input Patch Parameters 278
- Input Patch Parameters 279 279
- Initial Input Patch Settings 280
- CHANNEL NAME 281
- Output Patch Parameters 282
- Output Patch Parameters 283 283
- Initial Output Patch Settings 284
- DIRECT OUT 2TR OUT Digital 285
- GPI Trigger Source List 286
- Bank 1 (GM Vol & Pan) 287
- Bank 3 (XG Vol & Pan) 289
- Effects Parameters 291
- Effects Parameters 293 293
- Effects Parameters 295 295
- Effects Parameters 297 297
- Effects Parameters 299 299
- Effects Parameters 301 301
- Effects Parameters 303 303
- Effects Parameters 305 305
- Effects Parameters 307 307
- Effects Parameters 309 309
- Effects Parameters 311 311
- Effects Parameters 313 313
- Effects Parameters 315 315
- Preset EQ Parameters 316
- Preset EQ Parameters 317 317
- Preset EQ Parameters 319 319
- Appendix B: Specifications 325
- Appendix B: Specifications 326
- General Spec 327 327
- General Spec 329 329
- Libraries 330
- Analog Input Spec 330
- Analog Output Spec 330
- Digital Input Spec 331
- Digital Output Spec 331
- I/O Slot Spec (1–2) 332
- Control I/O Spec 332
- REMOTE Port 333
- CONTROL Port 333
- Dimensions 334
- Dimensions 335 335
- Appendix C: MIDI 336
- CHANNEL1 337
- 338 Appendix C: MIDI 338
- CHANNEL3 339
- 340 Appendix C: MIDI 340
- CHANNEL5 341
- 342 Appendix C: MIDI 342
- CHANNEL7 343
- 344 Appendix C: MIDI 344
- CHANNEL9 345
- 346 Appendix C: MIDI 346
- CHANNEL11 347
- 348 Appendix C: MIDI 348
- CHANNEL13 349
- 350 Appendix C: MIDI 350
- CHANNEL15 351
- 352 Appendix C: MIDI 352
- MIDI Data Format 353
- 354 Appendix C: MIDI 354
- MIDI Data Format 355 355
- 356 Appendix C: MIDI 356
- MIDI Data Format 357 357
- 358 Appendix C: MIDI 358
- MIDI Data Format 359 359
- 360 Appendix C: MIDI 360
- MIDI Data Format 361 361
- 362 Appendix C: MIDI 362
- MIDI Data Format 363 363
- 364 Appendix C: MIDI 364
- MIDI Data Format 365 365
- 366 Appendix C: MIDI 366
- MIDI Data Format 367 367
- MB1000 Peak Meter Bridge 368
- Meter Bridge Controls 369
- 370 Appendix D: Options 370
- 376 Index 376
- MIDI Implementation Chart 378
- DM1000 Block Diagram 379
- DM1000 Level Diagram 380
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