Yamaha DM1000 Manual Page 178
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178 Chapter 15—Libraries
DM1000—Owner’s Manual
10
E. Bass 2
Unlike preset 9, this preset emphasizes the low range of an electric bass.
11
Syn. Bass 1
Use on a synth bass with emphasized low range.
12
Syn. Bass 2
Emphasizes the attack that is peculiar to synth bass.
13
Piano 1
Makes pianos sound brighter.
14
Piano 2
Used in conjunction with a compressor, this preset emphasizes the attack
and low range of pianos.
15
E. G. Clean
Use for line-level recording of an electric or semi-acoustic guitar to get a
slightly harder sound.
16
E. G. Crunch 1
Adjusts the tonal quality of a slightly distorted guitar sound.
17
E. G. Crunch 2
A variation on preset 16.
18
E. G. Dist. 1
Makes a heavily distorted guitar sound clearer.
19
E. G. Dist. 2
A variation on preset 18.
20
A. G. Stroke 1
Emphasizes the bright tones of acoustic guitars.
21
A. G. Stroke 2
A variation on preset 20. You can also use it with an acoustic-electric nylon
string guitar.
22
A. G. Arpeg. 1
Ideal for arpeggio playing on acoustic guitars.
23
A. G. Arpeg. 2
A variation on preset 22.
24
Brass Sec.
Use with trumpets, trombones, or saxes. When used with a single instru-
ment, try adjusting the HIGH or HIGH-MID frequency.
25
Male Vocal 1
An EQ template for male vocals. Try adjusting the HIGH or HIGH-MID
parameters according to the voice quality.
26
Male Vocal 2
A variation on preset 25.
27
Female Vo. 1
An EQ template for female vocals. Try adjusting the HIGH or HIGH-MID
parameters according to the voice quality.
28
Female Vo. 2
A variation on preset 27.
29
Chorus&Harmo
An EQ template for brightening choruses.
30
Total EQ 1
Use on a stereo mix during mixdown. Sounds even better when used with a
compressor.
31
Total EQ 2
A variation on preset 30.
32
Total EQ 3
A variation on preset 30. Can also be used with paired Input or Output
Channels.
33
Bass Drum 3
A variation on preset 1, with low and mid range reduced.
34
Snare Drum 3
A variation on preset 3, creating a thicker sound.
35
Tom-tom 2
A variation on preset 5, emphasizing the mid and high ranges.
36
Piano 3
A variation on preset 13.
37
Piano Low
Emphasizes the low range of pianos recorded in stereo.
38
Piano High
Emphasizes the high range of pianos recorded in stereo.
39
Fine-EQ Cass
Add clarity when recording to or from cassette tape.
40
Narrator
Ideal for recording narration.
No. Preset Name Description
- Owner’s Manual 1
- IMPORTANT 2
- IMPORTANT SAFETY INSTRUCTIONS 3
- Important Information 4
- Operating Notes 5
- Interference 5
- About this Owner’s Manual 7
- Contents 8
- DM1000—Owner’s Manual 10
- 1 Welcome 11
- Chapter 1—Welcome 12
- Control Surface 13
- AD Input Section 14
- Channel Strip Section 15
- STEREO Section 15
- AUX SELECT Section 16
- ENCODER MODE Section 16
- FADER MODE Section 16
- DISPLAY ACCESS Section 17
- Display Section 18
- SELECTED CHANNEL Section 19
- SCENE MEMORY 20
- STORERECALL 20
- USER DEFINED KEYS Section 21
- Data Entry Section 21
- MONITOR Section 22
- Rear Panel 23
- SLOT Section 24
- Power Section 25
- Installing an Optional Card 26
- 3 Operating Basics 27
- Selecting Display Pages 28
- Display Interface 29
- 30 Chapter 3—Operating Basics 30
- Confirmation Messages 30
- Title Edit Window 30
- Selecting Layers 31
- Selecting Fader Modes 33
- Selecting Encoder Modes 34
- Operating Basics 35
- 36 Chapter 3—Operating Basics 36
- Metering 37
- 38 Chapter 3—Operating Basics 38
- Metering 39 39
- 40 Chapter 3—Operating Basics 40
- 4 Connections and Setup 41
- 1615141312111098765432 42
- Workstation) 43
- About wordclock 44
- Wordclock connections 44
- Connections and Setup 45
- Input and Output Patching 47
- Input and Output Patching 49 49
- Analog Inputs & Outputs 51
- Digital Inputs & Outputs 52
- Digital Inputs 53
- 1), then press [ENTER] 54
- Dithering Digital Outputs 56
- Analog I/O & Digital I/O 57
- 6 Input Channels 59
- 60 Chapter 6—Input Channels 60
- Switching the Signal Phase 60
- Delaying Input Channels 61
- 62 Chapter 6—Input Channels 62
- Gating Input Channels 62
- Compressing Input Channels 63
- 64 Chapter 6—Input Channels 64
- Attenuating Input Channels 64
- EQ’ing Input Channels 65
- 66 Chapter 6—Input Channels 66
- Panning Input Channels 67
- 68 Chapter 6—Input Channels 68
- Routing Input Channels 68
- Input Channels 69
- 70 Chapter 6—Input Channels 70
- D AUX section 71
- E Meter section 71
- F GROUP section 71
- 72 Chapter 6—Input Channels 72
- Pairing Input Channels 73
- 74 Chapter 6—Input Channels 74
- 1), then select the 75
- Naming Input Channels 76
- Using MS Stereo Microphone 77
- 78 Chapter 6—Input Channels 78
- 7 Bus Outs 79
- Bus Out 1–8 80
- Bus Outs 81
- 82 Chapter 7—Bus Outs 82
- 84 Chapter 7—Bus Outs 84
- Pairing Buses or Aux Sends 87
- Attenuating Output Signals 88
- 90 Chapter 7—Bus Outs 90
- 8 Aux Sends 91
- 92 Chapter 8—Aux Sends 92
- Setting Levels 92
- EQ settings 92
- Attenuating Aux Outs 92
- Delaying Aux Outs 93
- Comp settings 93
- 94 Chapter 8—Aux Sends 94
- Viewing Aux Out settings 94
- Setting Aux Send Levels 96
- Setting Aux Send Levels 97 97
- 98 Chapter 8—Aux Sends 98
- Setting Aux Send Levels 99 99
- 100 Chapter 8—Aux Sends 100
- Aux Sends 101
- Panning Aux Sends 102
- 104 Chapter 8—Aux Sends 104
- Input Patching 105
- Input Patching 107 107
- Output Patching 108
- Patching Omni Outs 109
- Patching Slot Outputs 110
- Patching Direct Outs 111
- Insert Patching 112
- B INSERT section 113
- C COMP section 113
- 10 Control Room Monitoring 115
- Control Room Monitoring 117
- Using the Solo Function 118
- Using the Talkback Function 119
- 11 Surround Functions 121
- Chapter 11—Surround Functions 122
- Using Surround Pan 123 123
- A BUS1–BUS8 125
- Using Surround Pan 127 127
- Using Surround Pan 129 129
- Surround Monitoring 131
- Surround Monitoring 133 133
- Surround Monitoring 135 135
- Surround Monitoring 137 137
- A SPEAKER SETUP 138
- Surround Monitoring 139 139
- Parameters 141
- • Fader1–32 page 142
- • Mute1–32 page 142
- Fader group C 143
- 13 Internal Effects 147
- C FOLLOW SURROUND 148
- D button 148
- Internal Effects 149
- Chapter 13—Internal Effects 150
- Editing Effects 151
- G Meters 152
- About Surround Effects 153
- About Plug-Ins 153
- 14 Scene Memories 155
- 156 Chapter 14—Scene Memories 156
- About Scene Numbers 156
- Storing and Recalling Scenes 157
- 158 Chapter 14—Scene Memories 158
- Auto Scene Memory Update 159
- Fading Scenes 160
- Fading Output Channels 161
- Recalling Scenes Safely 162
- Sorting Scenes 163
- 164 Chapter 14—Scene Memories 164
- 15 Libraries 165
- 166 Chapter 15—Libraries 166
- Using Libraries 167
- 168 Chapter 15—Libraries 168
- Input Patch Library 168
- Output Patch Library 169
- Effects Library 169
- 170 Chapter 15—Libraries 170
- • Delays 171
- • Modulation-based Effects 171
- • Guitar Effects 171
- • Dynamic Effects 171
- • Combination Effects 171
- 172 Chapter 15—Libraries 172
- Bus to Stereo Library 173
- 174 Chapter 15—Libraries 174
- Gate Library 174
- Compressor Library 175
- 176 Chapter 15—Libraries 176
- EQ Library 177
- 178 Chapter 15—Libraries 178
- Surround Monitor Library 179
- 180 Chapter 15—Libraries 180
- 16 Automix 181
- 182 Chapter 16—Automix 182
- Selecting the Timecode Source 182
- Creating a Time Signature Map 183
- Recording an Automix 184
- Recording the First Event 185
- 186 Chapter 16—Automix 186
- Parameter Recording 187
- Punching In & Out 188
- 6 Stop the Automix 189
- Punching In & Out 189 189
- Indicator Is On 190
- Playing Back an Automix 190
- Automix Main Page 191
- 192 Chapter 16—Automix 192
- H FADER EDIT 193
- I TOUCH SENSE section 193
- 194 Chapter 16—Automix 194
- Automix Memory Page 195
- Fader1 &2 pages 196
- C Edit Safe buttons 197
- D TOUCH SENSE 197
- E UPDATE 197
- F EDIT OUT 197
- Editing Events Offline 198
- Editing Events Offline 199 199
- 200 Chapter 16—Automix 200
- Editing Events Offline 201 201
- 202 Chapter 16—Automix 202
- Event Edit Page 202
- G INSERT 203
- H LOCATE 203
- I Capture memory display 203
- J CAPTURE 203
- K Capture memory 203
- 204 Chapter 16—Automix 204
- 17 Remote Control 205
- Pro Tools Remote Layer 206
- Pro Tools Remote Layer 207 207
- 208 Chapter 17—Remote Control 208
- Configuring the DM1000 208
- 2) located 209
- 210 Chapter 17—Remote Control 210
- E INSERT ASSIGN/EDIT section 211
- 212 Chapter 17—Remote Control 212
- Control Surface Operation 212
- ■ ENCODER MODE section 213
- ■ FADER MODE section 213
- ■ DISPLAY ACCESS section 213
- ■ Display section 213
- 214 Chapter 17—Remote Control 214
- Pro Tools Remote Layer 215 215
- 216 Chapter 17—Remote Control 216
- Selecting Channels 216
- Setting Channel Levels 216
- Muting Channels 217
- Panning Channels 217
- Soloing Channels 217
- 218 Chapter 17—Remote Control 218
- Setting Send Levels 218
- Muting Sends A–E 218
- Panning Sends A–E 218
- Flip Mode 218
- 1) is selected in the INSERT 219
- 220 Chapter 17—Remote Control 220
- Editing Plug-ins 220
- Bypassing Plug-ins 221
- 222 Chapter 17—Remote Control 222
- Scrub & Shuttle 222
- Automation 223
- Nuendo Remote Layer 224
- Other DAW Remote Layers 224
- MIDI Remote Layer 225
- 226 Chapter 17—Remote Control 226
- D ID, SHORT, LONG 227
- E ON section 227
- F ENCODER section 227
- G FADER section 227
- 228 Chapter 17—Remote Control 228
- MIDI Remote Layer 229 229
- 230 Chapter 17—Remote Control 230
- Machine Control Function 231
- 232 Chapter 17—Remote Control 232
- Machine Control Function 233 233
- 234 Chapter 17—Remote Control 234
- 18 MIDI 235
- MIDI Port Setup 236
- B MIDI THRU section 237
- C MACHINE CONTROL section 237
- D SPECIAL FUNCTIONS section 237
- 238 Chapter 18—MIDI 238
- F OTHER COMMANDS 239
- G Fader Resolution 239
- 240 Chapter 18—MIDI 240
- 1), then press 241
- 242 Chapter 18—MIDI 242
- 244 Chapter 18—MIDI 244
- 246 Chapter 18—MIDI 246
- 248 Chapter 18—MIDI 248
- 19 Other Functions 249
- Setting Preferences 250
- Setting Preferences 251 251
- Prefer2 page 252
- Prefer3 page 253
- Chapter 19—Other Functions 254
- Assignable Layer) 255
- Using the Oscillator 256
- Using the User Defined Keys 257
- A INPUT section 259
- B OUTPUT section 259
- Other Functions 261
- Using Operation Lock 263
- C PASSWORD 264
- Cascading Consoles 265
- Cascading Consoles 267 267
- 1) to “MIDI.” 268
- Cascading Consoles 269 269
- Using the AD824 270
- Using the AD824 271 271
- A Status 272
- Initializing the DM1000 273
- Calibrating the Faders 274
- Appendix A: Parameter Lists 275
- Input Patch Parameters 278
- Input Patch Parameters 279 279
- Initial Input Patch Settings 280
- CHANNEL NAME 281
- Output Patch Parameters 282
- Output Patch Parameters 283 283
- Initial Output Patch Settings 284
- DIRECT OUT 2TR OUT Digital 285
- GPI Trigger Source List 286
- Bank 1 (GM Vol & Pan) 287
- Bank 3 (XG Vol & Pan) 289
- Effects Parameters 291
- Effects Parameters 293 293
- Effects Parameters 295 295
- Effects Parameters 297 297
- Effects Parameters 299 299
- Effects Parameters 301 301
- Effects Parameters 303 303
- Effects Parameters 305 305
- Effects Parameters 307 307
- Effects Parameters 309 309
- Effects Parameters 311 311
- Effects Parameters 313 313
- Effects Parameters 315 315
- Preset EQ Parameters 316
- Preset EQ Parameters 317 317
- Preset EQ Parameters 319 319
- Appendix B: Specifications 325
- Appendix B: Specifications 326
- General Spec 327 327
- General Spec 329 329
- Libraries 330
- Analog Input Spec 330
- Analog Output Spec 330
- Digital Input Spec 331
- Digital Output Spec 331
- I/O Slot Spec (1–2) 332
- Control I/O Spec 332
- REMOTE Port 333
- CONTROL Port 333
- Dimensions 334
- Dimensions 335 335
- Appendix C: MIDI 336
- CHANNEL1 337
- 338 Appendix C: MIDI 338
- CHANNEL3 339
- 340 Appendix C: MIDI 340
- CHANNEL5 341
- 342 Appendix C: MIDI 342
- CHANNEL7 343
- 344 Appendix C: MIDI 344
- CHANNEL9 345
- 346 Appendix C: MIDI 346
- CHANNEL11 347
- 348 Appendix C: MIDI 348
- CHANNEL13 349
- 350 Appendix C: MIDI 350
- CHANNEL15 351
- 352 Appendix C: MIDI 352
- MIDI Data Format 353
- 354 Appendix C: MIDI 354
- MIDI Data Format 355 355
- 356 Appendix C: MIDI 356
- MIDI Data Format 357 357
- 358 Appendix C: MIDI 358
- MIDI Data Format 359 359
- 360 Appendix C: MIDI 360
- MIDI Data Format 361 361
- 362 Appendix C: MIDI 362
- MIDI Data Format 363 363
- 364 Appendix C: MIDI 364
- MIDI Data Format 365 365
- 366 Appendix C: MIDI 366
- MIDI Data Format 367 367
- MB1000 Peak Meter Bridge 368
- Meter Bridge Controls 369
- 370 Appendix D: Options 370
- 376 Index 376
- MIDI Implementation Chart 378
- DM1000 Block Diagram 379
- DM1000 Level Diagram 380
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