Yamaha Drum Set ATT1510U User Manual Page 5

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“Air Seal System” Technology
At Yamaha, the process of manufacturing drum
shells begins with the selection of the materials.
Select woods are cut into sheets with precision
cut diagonal ends. The plies are t into a form and
hammered into place by a highly skilled craftsman.
The angled ends allow the craftsman to nely adjust
the ply length, thus maintaining proper tension. Ply
joints are staggered by 120-degrees and hammered
into place in the same manner. An air bag placed
inside of the shell and in ated at high-pressure puts
even pressure on the shell’s inner surface creating
a perfectly round shell with uniform thickness and
excellent durability.
This is the Air Seal System, a process that has been
in use at Yamaha for over 40 years.
Shell Materials
High Performance Lugs
Yamaha lug casings hold tension rods rmly in place.
They afford precise tuning in the smallest increments
and do not slip. From our truly innovate Hook Lugs
which offer lightning quick changes, to xed small
lugs. (Absolute and Oak Custom lugs) Each is low
mass and is designed to promote optimum shell
resonance.
Our legendary one-piece high-tension lugs are
precision-machined to allow severe, high tension
tuning also reinforced the shell.
Hybrid Shell Construction for PHX Series
(Patent Pending)
With the wealth of knowledge that YAMAHA has amassed through the decades as the preeminent maker of musical
instruments, YAMAHA’s wood specialists have discovered new materials that provide optimal drum performance.
Jatoba, a Brazilian wood and the hardest material in the PHX hybrid shell, is positioned as the core ply and center note
of the drum. It is surrounded on either side by layers of kapur, a Malaysian hard wood. North American Maple, which
had long been considered a classic, high-quality drum shell material because of its hardness and viscosity, is actually
the softest wood in the shell construction; maple is the outer and inner plies of the shell.
This is the process used to complete the hybrid shell, in which the stiffness of the shell shifts from the center toward the
outside: the woods are hardest at the center and get softer toward the outer surfaces in either direction. This results in
an “excitation structure” that maximizes the shell's performance. The excitation structure increases the head’s vibration
to its full extent, achieving a sound unlike anything you’ve heard before. It produces an effect in sound waves similar to
rippling waves caused by a pebble dropped in water.
MAPLE
Hard, dense maple delivers a warm tone with outstanding
sustain and is considered an excellent material for
making drums.
Yamaha goes to great lengths, sorting the woods into
ner grades and using them accordingly. Maple produces
a versatile tone that blends well with a wide range of
musical styles, making it popular with drummers from all
over the world.
BIRCH
Yamaha’s use of birch is longstanding. Remarkably
easy to work with, this hard, fi nely grained wood offers
excellent mid and low sustain with a solid, well-defi ned
high range. Our original “Recording Custom” drums are
made from birch grown in Hokkaido Japan.
OAK
Yamaha has developed special techniques for employing
oak, previously considered unworkable for drums. Our
oak shells offer tone that is at once loud, sensitive,
ringing, clean, and vibrant. While its inherent power
makes it the ideal heavy metal drum shell, its stark clarity
at low volumes have made it a new discovery for jazz
players. Oak is as individual as the drummer playing it.
AIR-SEAL
SYSTEM
* The excitation structure increases
shell vibration to its maximum
through the use of relatively softer
materials for the external and
internal surface areas, whose
curvature is greatest when the
shell is vibrating, as well as by
using a hard material with a high
“spring” property for the core of
the shell lamination.
The wave pattern of the
harmonic overtone
The secret of our YESS system is
twofold: First, it provides minimum
contact of hardware with shell; second,
it connects that hardware at the nodal
point* of the drum—the point at which
it will not interfere with shell vibration.
Nylon bushings on rod clamps afford
maximum stability. The YESS system
permits toms to be placed close together,
and does not interfere with quick head
changes. On floor toms, our YESS
system offers wide open sustain while
keeping toms stable under the heaviest
strokes.
The newly evolved YESS II Shell
Mounting System makes the most of the
shell's vibration. Employing a special
new rubber material and the "wood plate
mounting" method, vibrations from the
shell and hardware can be separated,
thus minimizing unwanted resonance.
Also, by positioning a part of that special
rubber material at the belly area (where
overtones are present) while most of
them are positioned at the nodal point,
the appropriate amounts of sustain and
overtone control are simultaneously
produced.
And also newly evolved YESS II-m is
using same technology but using metal
plate instead of wood plate.
Yamaha Enhanced Sustain System—YESS / YESS II / YESS II-m
The wave pattern of the
fundamental tone
A detailed drawing of Special Rubber
Nut
Wood Plate
Special Rubber Shell
Nut
Hook Lug Absolute Lug High Tension Lug
YESS II YESS II-m
YESS
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