Yamaha Drum Set ATT1510U User Manual Page 35

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* Cymbals are not included.
* This model is sold as a set only.
Individual components
are not sold separately.
Silver
Air-Seal
System
Pipe
Clamp
Lug Nut
Triple flange
(Steel / 1.6mm)
Philippine
Mahogany
6-ply9-ply
One-piece
Lug (SD)
Separate Lug
(BD/FT/TT)
BD
FT, TT , SD
TT MOUNT
All Round
Ball Clamp
(Long Rod)
TT/FT
(Top)
Remo
UK Clear
Remo
UK Coated
TT/FT
(Bottom)
Remo
UK Ebony
Power Stroke 3
Remo
UK Clear
Power Stroke 3
BD
(Batter)
BD
(Front)
Hardware
SD
(Top)
Remo
UK
Clear
Remo
UK
Coated
SD
(Bottom)
Bass Drum
Spurs
Floating
BD System
Specification
Bass Drum
Floor Tom Mounted Tom
Philippine Mahogany 9-ply Philippine Mahogany 6-ply
16"x16" 13"x12" 10"x7" 12"x5"
Triple flange steel (1.6mm)
Remo UK Clear Power Stroke 3 (Batter)
Remo UK Ebony Power Stroke 3 (Front)
Remo UK Coated
Remo UK Clear
Remo UK Coated
Remo UK Snare
Shells
Size (DiameterxDepth)
Hoops
Head
Top
Bottom
Snare Drum
BK : BLACK
PL : Purple
Bass Drum
16"x16"
Snare drums
12"x5"
Tom Tom
10"x7"
Floor Tom
13"x12"
Manu Katché JUNIOR KIT
Playing Yamaha Drums since 1988
"Why don't you make a real drum kit for kids?" That request
by Manu Katché caught our designer's ears and had them
designing this new compact drum kit. Compact, it is de-
signed for kids but it is far from being a toy. A 16"x16" 9-ply
bass drum with a 6-ply 13"x12" fl oor tom, 10"x7" tom and
12"x5" snare are all made of quality Philippine Mahogany
using our original Air Seal System to produce shells that
are perfectly round. Compact and easily transportable,
these drums deliver tone that is so unbelievably real you
might just be tempted to use it on gigs of your own.
A Compact Drum Kit That's Great For Kids
Junior Kit
(2 packages)
JK6F4AMK
BD16AJKMK
FT13AJKMK
TT10AJKMK
SD12AJKMK
CL940LB
JK6F42DMK
CS651Ax2
SS652
HS650A
FP6210A
DS550U
SL : Silver
“True power is not always revealed visually.”
Russ Miller's idea put into reality. Large diameter diaphragm
captures bass drum sub-frequencies.
The SUBKICK consists of a 10" x 5" birch and Philippine mahogany 7-ply shell that houses a 16cm,
50-watt low-frequency driver cone that acts as a diaphragm for this sub-frequency capture device.
While its large diameter enables the SUBKICK to capture the natural low frequencies produced by the
bass drum it can be used in tandem with a standard kick mic setup, to deliver an extremely powerful
bass drum tone. The SUBKICK also works effectively with a fl oor tom, bass guitar, low brass, etc.
SKRM100
Positioning Produces a Wide Range of Tonal Variations
Varying placement and proximity of the Subkick affects the nature of the sound captured, opening
the door to a wide range of tonal possibilities. Try it directly in front of the sound hole or from vari-
ous distances in front of the head to “dial in” degrees of ambience, punch, and volume. The Sub-
kick works equally well in the studio and live.
Specially Designed Stand Offers Versatile Placement
The three-legged stand and ball clamp offer excellent stability and durability while the ball clamp of-
fers versatile placement and angle adjustment of the mic unit.
Size
Shell
Color Finish
Hoop
Lug (Tuning Bolts)
Head (Top & Bottom)
Type
Polar Pattern
Output Jack
Weight
Frequency Response
Output Impedance
Front Sensitivity
10"x5"
Birch & Philippine Mahogany 7-ply (w/ Rod Clamp)
Vintage Black
Triple Flange Steel (1.6mm)
One-piece Lug (6)
Mesh Head
Dynamic
Bi-directional
XLR-3-32 (cannon) jack
Main unit : 4kg, Stand : 3kg
50Hz~2000Hz
9
-47dB/ Bar (1kHz)
Model
SPECIFICATIONS
SKRM100
LA
L.A. session player, Russ Miller, was looking for a way to pro-
duce a cross stick sound from 12- and 13-inch snares when he
came up with the idea for the Groove-Wedge. It attaches to the
tuning bolts on most drums fi tted with standard metal rims. The
Groove-Wedge is designed for cross stick and rim shots while the
Cascara-Wedge, which attaches in the same manner, functions as
a percussion board.
The all maple 19-ply Groove-
Wedge easily attaches to most 8- to
15-inch drums fitted with standard
metal rims. In addition to great rim
shots it offers a wide variety of
sonic possibilities.
The Jingle-Wedge fi ts on most 10-
to 15-inch drums* to add the timbre
of a tambourine to the beat. It layers
well with the sound of other drums
and is also great for creating classic
R&B backbeats when layered with
the snare.
*Excluding the YD Stage Cusutom Series 14-
inch 6-hole drum.
The dancing Cuban cascara rhythm is
usually played on the side of the fl oor
tom. The cascara wedge fits most
10- to 18-inch drums. The 7-ply con-
struction gives an authentic cascara
tone while protecting drum shells from
abrasion.
Groove-Wedge RMGW
Jingle-Wedge RMJW Cascara-Wedge RMCW
33
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