Yamaha Operations Owner's Manual Page 226
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Chapter14—Automix
216 — Operation Guide
Recording the first section
Here we will explain the procedure for recording fader operations of the monitor
channels.
1. Press the [HOME] key of the FADER MODE section, and the [MONI] key
of the MIXING LAYER section.
Faders 1–16 will function as the channel faders for monitor channels 1–16.
2. Locate the song to a point slightly earlier than where you wish to begin
recording the automix.
3. Press the [AUTOMIX] key → [F1] key.
4. Move the cursor to the DISABLE button of the AUTOMIX field, and press
the [ENTER] key.
The button will be turned on (highlighted), and its title will change to ENABLE.
Now automix is on (i.e., can be recorded or played). Whenever automix is on,
the icon will always be displayed at the left of the on-screen counter.
5. Move the cursor to the OVERWRITE field. Turn the FADER button on,
and turn off the remaining buttons (CH ON, PAN, EQ).
The FADER/CH ON/PAN/EQ buttons in the OVERWRITE field are used to select
the events that will be recorded in the automix. If a button is on (highlighted), the
corresponding type of event can be recorded in the automix. The following
events correspond to each button.
• FADER..................Operations of the faders and AUX send 1–8 faders of each
channel
• CH ON.................Operations of the [ON] switches of each channel
• PAN......................Pan operations of each channel
• EQ........................EQ operations of each channel
AUTOMIX field
On
- Operation Guide 1
- IMPORTANT 2
- NEDERLAND THE NETHERLANDS 3
- Important 4
- Handling the CD-R/RW media 5
- Table of contents 10
- Before you begin 15
- About the internal hard disk 16
- Installation 17
- 4 — Operation Guide 18
- Installing a CD-RW drive 19
- Installation procedure 20
- 8 — Operation Guide 22
- About external SCSI devices 24
- Connection procedure 25
- ❒ About terminators 26
- ❒ About SCSI errors 26
- Installing I/O cards 27
- Important points you 29
- Setting the internal clock 30
- ❒ Turning the power off 31
- Transporting the AW4416 32
- Vibration during use 32
- Welcome to the world 33
- ❒ Recorder section 34
- ❒ Sampling pad section 35
- ❒ CD-RW drive (option) 35
- ❒ Other features 35
- Signal flow within the AW4416 36
- Input patch 37
- Input channels 1–24 38
- Return channels 1/2 39
- (FL Display) 40
- Digital cascade connections 41
- Oscillator 41
- Stereo output channel 41
- Buses 1–8 42
- AUX buses 1–8 42
- Output patch 43
- Internal effects 1/2 43
- 30 — Operation Guide 44
- Parts and their func 45
- WORK NAVIGATE section 46
- UNIT section 46
- MIXER section 47
- FADER MODE section 48
- MIXING LAYER section 49
- Effect return channels 1/2 50
- [SEL] keys, [ON] keys, faders 51
- Display section 52
- Level meter/counter section 53
- EDITTRACK 54
- UNDO REDO 54
- AUTOMATION section 55
- SCENE MEMORY section 55
- 42 — Operation Guide 56
- Locate section 57
- STOP PLAY REC 58
- SAMPLING PAD section 59
- Rear panel 60
- — Operation Guide 47 61
- 48 — Operation Guide 62
- — Operation Guide 49 63
- Front panel 64
- The user interface of 65
- E Song/scene information 66
- F M (menu) button 66
- G Main screen 66
- < Knob > 67
- Level meters/counter 68
- G Level meters 1–16 69
- H Level meter L/R 69
- I REC READY indicator 69
- J INPUT MONITOR indicator 69
- K Level display 69
- Basic operation of the AW4416 70
- Turning a button on/off 71
- ❒ Using the mouse 72
- Inputting text 74
- — Operation Guide 61 75
- Selecting channels 77
- 64 — Operation Guide 78
- — Operation Guide 65 79
- 66 — Operation Guide 80
- Connections and setup 81
- Word clock settings 82
- (word clock master) 83
- 70 — Operation Guide 84
- 00.00.00.00 85
- Recording on the 86
- 74 — Operation Guide 87
- Creating a new song 88
- 76 — Operation Guide 89
- — Operation Guide 77 90
- PEAK PEAK 91
- 0 dB position 92
- 80 — Operation Guide 93
- Assign the signals to buses 94
- 82 — Operation Guide 95
- 84 — Operation Guide 97
- 86 — Operation Guide 99
- Overdubbing 100
- Assign the signal to a bus 101
- REC TRACK SELECT 102
- Make monitor settings 103
- ❒ Using the four-band EQ 104
- 92 — Operation Guide 105
- — Operation Guide 93 106
- Let’s overdub! 107
- — Operation Guide 95 108
- Using the Solo function 109
- — Operation Guide 97 110
- 98 — Operation Guide 111
- Using the internal effects 112
- 100 — Operation Guide 113
- Other convenient functions 114
- Recording the stereo track 115
- L/R level meter 116
- 104 — Operation Guide 117
- Saving a scene/song 118
- ❒ Saving a song 119
- The song will be saved 120
- Transport/locate oper 121
- Nudge function 122
- — Operation Guide 111 123
- ❒ Nudge function settings 124
- Rollback function 125
- Locating to a specific point 126
- [ABS/REL] key 128
- P.123) 129
- A-B repeat 130
- Point A Point B 131
- In/out points 132
- ❒ Setting a marker 133
- ❒ Locating to a marker 133
- 122 — Operation Guide 134
- — Operation Guide 123 135
- Time code 136
- Deleting a locate point 137
- ❒ Deleting a marker 138
- Punch-in/out 139
- Manual punch-in/out 140
- Manual punch-in/out recording 141
- Auto punch-in/out 142
- Chapter7—Punch-in/out 143
- 132 — Operation Guide 144
- Patching 145
- 134 — Operation Guide 146
- Patch IN page 147
- Patching to the outputs 148
- — Operation Guide 137 149
- Patch library 150
- ❒ Recalling a patch program 151
- 140 — Operation Guide 152
- — Operation Guide 141 153
- 142 — Operation Guide 154
- Using the Quick Rec function 155
- 144 — Operation Guide 156
- (slots 1/2) 157
- Track and virtual track 158
- 148 — Operation Guide 159
- Switching virtual tracks 160
- 150 — Operation Guide 161
- Pairing tracks 162
- Tracks, parts, and regions 163
- ❒ Naming a virtual track 164
- 154 — Operation Guide 165
- ❒ Naming a region 166
- Track editing procedure 167
- [ENTER] key 168
- 158 — Operation Guide 169
- — Operation Guide 159 170
- 160 — Operation Guide 171
- Editing command list 172
- PART menu 173
- REGION menu 174
- Internal effects 175
- ❒ Patching 176
- — Operation Guide 167 177
- 168 — Operation Guide 178
- ❒ Adjusting the send level 180
- 172 — Operation Guide 182
- ❒ Recalling an effect program 184
- Song management 185
- Song structure and size 186
- Saving/loading a song 187
- ❒ Loading a song 188
- Editing the song name/comment 189
- Deleting/copying a song 190
- ❒ Copying a song 191
- Optimizing a song 192
- — Operation Guide 183 193
- 184 — Operation Guide 194
- Sampling pads 195
- 186 — Operation Guide 196
- Chapter12—Sampling pads 197
- 188 — Operation Guide 198
- — Operation Guide 189 199
- Trimming a sample 200
- 192 — Operation Guide 202
- Naming a pad 203
- Erasing a pad sample and name 204
- Press the [ENTER] key 205
- 196 — Operation Guide 206
- Copying a pad performance 208
- 200 — Operation Guide 210
- Erasing a pad performance 211
- 202 — Operation Guide 212
- Scene memory 213
- Storing a scene 214
- — Operation Guide 205 215
- Recalling a scene 216
- Editing the name of a scene 217
- Protecting a scene 218
- Changing the order of scenes 219
- 210 — Operation Guide 220
- What is automix? 223
- Creating a new automix 224
- 5. Press the [F4] key 225
- Recording the first section 226
- Chapter14—Automix 227
- Playing back automix 228
- Overwriting events 229
- 220 — Operation Guide 230
- Automix punch-in/out 231
- 222 — Operation Guide 232
- Editing the fader movements 233
- 224 — Operation Guide 234
- Editing automix off-line 235
- 226 — Operation Guide 236
- — Operation Guide 227 237
- Storing an automix 238
- — Operation Guide 229 239
- Recalling an automix 240
- What you can do using MIDI 241
- 232 — Operation Guide 242
- Connections 243
- 234 — Operation Guide 244
- Chapter15—MIDI 245
- 236 — Operation Guide 246
- — Operation Guide 237 247
- Using MTC to synchronize the 248
- AW4416 and a MIDI sequencer 248
- — Operation Guide 239 249
- 242 — Operation Guide 252
- 244 — Operation Guide 254
- Backing up and 255
- Backing up a song 256
- — Operation Guide 247 257
- Restoring a song 258
- — Operation Guide 249 259
- Disk utilities 260
- — Operation Guide 251 261
- 252 — Operation Guide 262
- — Operation Guide 253 263
- Erasing CD-RW media 264
- Mastering 265
- CD-R and CD-RW 266
- — Operation Guide 257 267
- Preparations for mastering 268
- Writing the master 269
- 260 — Operation Guide 270
- — Operation Guide 261 271
- 262 — Operation Guide 272
- Finalizing 273
- 264 — Operation Guide 274
- — Operation Guide 265 275
- — Operation Guide 267 276
- 268 — Operation Guide 277
- — Operation Guide 269 278
- YAMAHA CORPORATION 279
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