Yamaha Operations Owner's Manual Page 111
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Chapter5—Recording on the AW4416
98 — Operation Guide
Tip!
For example if the SOLO SAFE CHANNEL section RTN1/RTN2 buttons are on, the
Solo function will not affect return channels 1/2. This allows you to monitor the
soloed channel with an effect such as reverb still applied.
5. To use the Solo function, play back the recorder and press the [SOLO]
key.
The [SOLO] key and [ON] keys 1–16 will blink.
6. Press the MIXING LAYER section [MONI] key, and press the [ON] key for
the monitor channel corresponding to the track you wish to monitor.
If you selected LAST SOLO in step 3, only the channel whose [ON] key was last
pressed will be monitored. If you selected MIX SOLO, all channels selected by
their [ON] key will be monitored.
At this time, all [ON] keys 1–16 other than the selected key(s) will go dark.
7. To defeat the Solo function, press the [SOLO] key once again.
Tip!
Solo operations using the [ON] keys are also linked for paired channels.
12
RTN
17 18 19 20
341 2 14 15 16
SEL SEL SEL SEL SEL SEL SEL SEL
ON ON ON ON ON ON ON ON
SOLO
- Operation Guide 1
- IMPORTANT 2
- NEDERLAND THE NETHERLANDS 3
- Important 4
- Handling the CD-R/RW media 5
- Table of contents 10
- Before you begin 15
- About the internal hard disk 16
- Installation 17
- 4 — Operation Guide 18
- Installing a CD-RW drive 19
- Installation procedure 20
- 8 — Operation Guide 22
- About external SCSI devices 24
- Connection procedure 25
- ❒ About terminators 26
- ❒ About SCSI errors 26
- Installing I/O cards 27
- Important points you 29
- Setting the internal clock 30
- ❒ Turning the power off 31
- Transporting the AW4416 32
- Vibration during use 32
- Welcome to the world 33
- ❒ Recorder section 34
- ❒ Sampling pad section 35
- ❒ CD-RW drive (option) 35
- ❒ Other features 35
- Signal flow within the AW4416 36
- Input patch 37
- Input channels 1–24 38
- Return channels 1/2 39
- (FL Display) 40
- Digital cascade connections 41
- Oscillator 41
- Stereo output channel 41
- Buses 1–8 42
- AUX buses 1–8 42
- Output patch 43
- Internal effects 1/2 43
- 30 — Operation Guide 44
- Parts and their func 45
- WORK NAVIGATE section 46
- UNIT section 46
- MIXER section 47
- FADER MODE section 48
- MIXING LAYER section 49
- Effect return channels 1/2 50
- [SEL] keys, [ON] keys, faders 51
- Display section 52
- Level meter/counter section 53
- EDITTRACK 54
- UNDO REDO 54
- AUTOMATION section 55
- SCENE MEMORY section 55
- 42 — Operation Guide 56
- Locate section 57
- STOP PLAY REC 58
- SAMPLING PAD section 59
- Rear panel 60
- — Operation Guide 47 61
- 48 — Operation Guide 62
- — Operation Guide 49 63
- Front panel 64
- The user interface of 65
- E Song/scene information 66
- F M (menu) button 66
- G Main screen 66
- < Knob > 67
- Level meters/counter 68
- G Level meters 1–16 69
- H Level meter L/R 69
- I REC READY indicator 69
- J INPUT MONITOR indicator 69
- K Level display 69
- Basic operation of the AW4416 70
- Turning a button on/off 71
- ❒ Using the mouse 72
- Inputting text 74
- — Operation Guide 61 75
- Selecting channels 77
- 64 — Operation Guide 78
- — Operation Guide 65 79
- 66 — Operation Guide 80
- Connections and setup 81
- Word clock settings 82
- (word clock master) 83
- 70 — Operation Guide 84
- 00.00.00.00 85
- Recording on the 86
- 74 — Operation Guide 87
- Creating a new song 88
- 76 — Operation Guide 89
- — Operation Guide 77 90
- PEAK PEAK 91
- 0 dB position 92
- 80 — Operation Guide 93
- Assign the signals to buses 94
- 82 — Operation Guide 95
- 84 — Operation Guide 97
- 86 — Operation Guide 99
- Overdubbing 100
- Assign the signal to a bus 101
- REC TRACK SELECT 102
- Make monitor settings 103
- ❒ Using the four-band EQ 104
- 92 — Operation Guide 105
- — Operation Guide 93 106
- Let’s overdub! 107
- — Operation Guide 95 108
- Using the Solo function 109
- — Operation Guide 97 110
- 98 — Operation Guide 111
- Using the internal effects 112
- 100 — Operation Guide 113
- Other convenient functions 114
- Recording the stereo track 115
- L/R level meter 116
- 104 — Operation Guide 117
- Saving a scene/song 118
- ❒ Saving a song 119
- The song will be saved 120
- Transport/locate oper 121
- Nudge function 122
- — Operation Guide 111 123
- ❒ Nudge function settings 124
- Rollback function 125
- Locating to a specific point 126
- [ABS/REL] key 128
- P.123) 129
- A-B repeat 130
- Point A Point B 131
- In/out points 132
- ❒ Setting a marker 133
- ❒ Locating to a marker 133
- 122 — Operation Guide 134
- — Operation Guide 123 135
- Time code 136
- Deleting a locate point 137
- ❒ Deleting a marker 138
- Punch-in/out 139
- Manual punch-in/out 140
- Manual punch-in/out recording 141
- Auto punch-in/out 142
- Chapter7—Punch-in/out 143
- 132 — Operation Guide 144
- Patching 145
- 134 — Operation Guide 146
- Patch IN page 147
- Patching to the outputs 148
- — Operation Guide 137 149
- Patch library 150
- ❒ Recalling a patch program 151
- 140 — Operation Guide 152
- — Operation Guide 141 153
- 142 — Operation Guide 154
- Using the Quick Rec function 155
- 144 — Operation Guide 156
- (slots 1/2) 157
- Track and virtual track 158
- 148 — Operation Guide 159
- Switching virtual tracks 160
- 150 — Operation Guide 161
- Pairing tracks 162
- Tracks, parts, and regions 163
- ❒ Naming a virtual track 164
- 154 — Operation Guide 165
- ❒ Naming a region 166
- Track editing procedure 167
- [ENTER] key 168
- 158 — Operation Guide 169
- — Operation Guide 159 170
- 160 — Operation Guide 171
- Editing command list 172
- PART menu 173
- REGION menu 174
- Internal effects 175
- ❒ Patching 176
- — Operation Guide 167 177
- 168 — Operation Guide 178
- ❒ Adjusting the send level 180
- 172 — Operation Guide 182
- ❒ Recalling an effect program 184
- Song management 185
- Song structure and size 186
- Saving/loading a song 187
- ❒ Loading a song 188
- Editing the song name/comment 189
- Deleting/copying a song 190
- ❒ Copying a song 191
- Optimizing a song 192
- — Operation Guide 183 193
- 184 — Operation Guide 194
- Sampling pads 195
- 186 — Operation Guide 196
- Chapter12—Sampling pads 197
- 188 — Operation Guide 198
- — Operation Guide 189 199
- Trimming a sample 200
- 192 — Operation Guide 202
- Naming a pad 203
- Erasing a pad sample and name 204
- Press the [ENTER] key 205
- 196 — Operation Guide 206
- Copying a pad performance 208
- 200 — Operation Guide 210
- Erasing a pad performance 211
- 202 — Operation Guide 212
- Scene memory 213
- Storing a scene 214
- — Operation Guide 205 215
- Recalling a scene 216
- Editing the name of a scene 217
- Protecting a scene 218
- Changing the order of scenes 219
- 210 — Operation Guide 220
- What is automix? 223
- Creating a new automix 224
- 5. Press the [F4] key 225
- Recording the first section 226
- Chapter14—Automix 227
- Playing back automix 228
- Overwriting events 229
- 220 — Operation Guide 230
- Automix punch-in/out 231
- 222 — Operation Guide 232
- Editing the fader movements 233
- 224 — Operation Guide 234
- Editing automix off-line 235
- 226 — Operation Guide 236
- — Operation Guide 227 237
- Storing an automix 238
- — Operation Guide 229 239
- Recalling an automix 240
- What you can do using MIDI 241
- 232 — Operation Guide 242
- Connections 243
- 234 — Operation Guide 244
- Chapter15—MIDI 245
- 236 — Operation Guide 246
- — Operation Guide 237 247
- Using MTC to synchronize the 248
- AW4416 and a MIDI sequencer 248
- — Operation Guide 239 249
- 242 — Operation Guide 252
- 244 — Operation Guide 254
- Backing up and 255
- Backing up a song 256
- — Operation Guide 247 257
- Restoring a song 258
- — Operation Guide 249 259
- Disk utilities 260
- — Operation Guide 251 261
- 252 — Operation Guide 262
- — Operation Guide 253 263
- Erasing CD-RW media 264
- Mastering 265
- CD-R and CD-RW 266
- — Operation Guide 257 267
- Preparations for mastering 268
- Writing the master 269
- 260 — Operation Guide 270
- — Operation Guide 261 271
- 262 — Operation Guide 272
- Finalizing 273
- 264 — Operation Guide 274
- — Operation Guide 265 275
- — Operation Guide 267 276
- 268 — Operation Guide 277
- — Operation Guide 269 278
- YAMAHA CORPORATION 279
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