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U.R.G., Pro Audio Division
© 2004 Yamaha Corporation
006IPTO-F0
Printed in Japan
WD83390
Yamaha Manual Library
http://www.yamaha.co.jp/manual/
Owner’
s Manual
Keep This Manual For Future Reference.
1
2
...
383
384
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387
388
Owner’s Manual
1
FCC INFORMATION (U.S.A.)
2
IMPORTANT SAFETY INSTRUCTIONS
3
PRECAUTIONS
4
(5)-1 2/2
5
Contents
10
12 Contents
12
1 Welcome
13
14 Chapter 1—Welcome
14
Control Surface
15
AD Input Section
16
Channel Strip Section
17
STEREO Section
17
AUX SELECT Section
18
ENCODER MODE Section
18
FADER MODE Section
18
DISPLAY ACCESS Section
19
Display Section
20
SELECTED CHANNEL Section
21
STORERECALL
22
USER DEFINED KEYS Section
23
Data Entry Section
23
MONITOR Section
24
Rear Panel
25
SLOT Section
26
Power Section
27
Installing an Optional Card
28
3 Operating Basics
29
Selecting Display Pages
30
Display Interface
31
32 Chapter 3—Operating Basics
32
Confirmation Messages
32
Title Edit Window
32
Selecting Layers
33
Selecting Channels
34
Selecting Fader Modes
35
Selecting Encoder Modes
36
Operating Basics
37
38 Chapter 3—Operating Basics
38
Metering
39
40 Chapter 3—Operating Basics
40
Metering 41
41
42 Chapter 3—Operating Basics
42
4 Connections and Setup
43
1615141312111098765432
44
Workstation)
45
About wordclock
46
Wordclock connections
46
Connections and Setup
47
Input and Output Patching
49
Input and Output Patching 51
51
Analog Inputs & Outputs
53
Digital Inputs & Outputs
54
Digital Inputs
55
Analog I/O & Digital I/O
57
E CATEGORY
58
Dithering Digital Outputs
59
6 Input Channels
61
62 Chapter 6—Input Channels
62
Switching the Signal Phase
63
Delaying Input Channels
63
64 Chapter 6—Input Channels
64
Gating Input Channels
65
66 Chapter 6—Input Channels
66
Compressing Input Channels
66
Attenuating Input Channels
67
68 Chapter 6—Input Channels
68
EQ’ing Input Channels
68
Input Channels
69
70 Chapter 6—Input Channels
70
Panning Input Channels
70
Routing Input Channels
71
72 Chapter 6—Input Channels
72
74 Chapter 6—Input Channels
74
Pairing Input Channels
76
Pairing Input Channels 77
77
78 Chapter 6—Input Channels
78
Naming Input Channels
79
Using MS Stereo Microphone
80
7 Bus Outs
81
Bus Out 1–8
82
Bus Outs
83
84 Chapter 7—Bus Outs
84
86 Chapter 7—Bus Outs
86
Pairing Buses or Aux Sends
89
Attenuating Output Signals
90
92 Chapter 7—Bus Outs
92
8 Aux Sends
93
94 Chapter 8—Aux Sends
94
Setting Levels
94
EQ settings
94
Attenuating Aux Outs
94
Delaying Aux Outs
95
Comp settings
95
96 Chapter 8—Aux Sends
96
Viewing Aux Out settings
96
Setting Aux Send Levels
98
Setting Aux Send Levels 99
99
100 Chapter 8—Aux Sends
100
Setting Aux Send Levels 101
101
102 Chapter 8—Aux Sends
102
Aux Sends
103
Panning Aux Sends
104
106 Chapter 8—Aux Sends
106
108 Chapter 8—Aux Sends
108
Input Patching
109
Input Patching 111
111
Output Patching
112
Patching Omni Outs
113
Patching Slot Outputs
114
Patching Direct Outs
115
Insert Patching
116
B INSERT section
117
C COMP section
117
10 Control Room Monitoring
119
Solo Setup
120
Using the Solo Function
121
A 2TR DIN FLIP
122
Using the Talkback Function
123
11 Surround Functions
125
Chapter 11—Surround Functions
126
Using Surround Pan 127
127
Using Surround Pan 129
129
A BUS1–BUS8
130
Using Surround Pan 131
131
Using Surround Pan 133
133
Using Surround Pan 135
135
Surround Monitoring
136
Surround Monitoring 137
137
Surround Monitoring 139
139
About the Presets
140
Surround Monitoring 141
141
A MUTE/SOLO section
143
B SETTING section
143
C STATUS section
143
A SPEAKER SETUP
144
Surround Monitoring 145
145
Parameters
147
• Fader1–32 page
148
• Mute1–32 page
148
Fader group C
149
Using Fader Group Master
150
Using Fader Group Master 151
151
Using Mute Group Master
152
13 Internal Effects
155
C FOLLOW SURROUND
156
D button
156
Internal Effects
157
Chapter 13—Internal Effects
158
Editing Effects
159
G Meters
160
About Surround Effects
161
About Add-On Effects
161
About Plug-Ins
162
14 Scene Memories
163
164 Chapter 14—Scene Memories
164
About Scene Numbers
164
Storing and Recalling Scenes
165
Chapter 14—Scene Memories
166
Auto Scene Memory Update
167
Fading Scenes
168
Fading Output Channels
169
Recalling Scenes Safely
170
Sorting Scenes
171
172 Chapter 14—Scene Memories
172
15 Libraries
173
174 Chapter 15—Libraries
174
Using Libraries
175
176 Chapter 15—Libraries
176
Input Patch Library
176
Output Patch Library
177
Effects Library
177
178 Chapter 15—Libraries
178
• Delays
179
• Modulation-based Effects
179
• Guitar Effects
179
• Dynamic Effects
179
• Combination Effects
179
180 Chapter 15—Libraries
180
Bus to Stereo Library
181
Gate Library
181
182 Chapter 15—Libraries
182
Compressor Library
182
C GR meters
183
D Type & Curve section
183
A CURRENT TYPE
183
B CURRENT CURVE
183
184 Chapter 15—Libraries
184
EQ Library
184
C Level meters
185
186 Chapter 15—Libraries
186
Surround Monitor Library
186
16 Automix
187
188 Chapter 16—Automix
188
Selecting the Timecode Source
188
Creating a Time Signature Map
189
Recording an Automix
190
Recording the First Event
191
192 Chapter 16—Automix
192
Before Insert After Insert
193
Event No event Event
193
Event erased
193
Value prior to Insert
193
194 Chapter 16—Automix
194
196 Chapter 16—Automix
196
Parameter Recording
196
Punching In & Out
197
198 Chapter 16—Automix
198
Indicator Is On
199
Playing Back an Automix
199
Automix Main Page
200
G EDIT OUT
201
202 Chapter 16—Automix
202
Automix Main Page 203
203
Automix Memory Page
204
Fader1 &2 pages
205
206 Chapter 16—Automix
206
Editing Events Offline
207
208 Chapter 16—Automix
208
Editing Events Offline 209
209
210 Chapter 16—Automix
210
Event Edit Page
211
212 Chapter 16—Automix
212
Editing Events Offline 213
213
214 Chapter 16—Automix
214
17 Remote Control
215
Pro Tools Remote Layer
216
Pro Tools Remote Layer 217
217
218 Chapter 17—Remote Control
218
Configuring the DM1000
218
2) located
219
220 Chapter 17—Remote Control
220
E INSERT ASSIGN/EDIT section
221
222 Chapter 17—Remote Control
222
Control Surface Operation
222
■ AUX SELECT Section
223
■ ENCODER MODE section
223
■ FADER MODE section
223
■ DISPLAY ACCESS section
223
■ Display section
223
224 Chapter 17—Remote Control
224
■ USER DEFINED KEYS section
225
226 Chapter 17—Remote Control
226
Pro Tools Remote Layer 227
227
Chapter 17—Remote Control
228
1) is selected in the INSERT
229
230 Chapter 17—Remote Control
230
Editing Plug-ins
230
Bypassing Plug-ins
231
232 Chapter 17—Remote Control
232
Scrub & Shuttle
232
Automation
233
234 Chapter 17—Remote Control
234
Using the Panner
234
Nuendo/Cubase SX Remote Layer
235
Other DAW Remote Layers
235
MIDI Remote Layer
236
MIDI Remote Layer 237
237
238 Chapter 17—Remote Control
238
MIDI Remote Layer 239
239
240 Chapter 17—Remote Control
240
■ When “SW” is assigned:
241
■ When “SW” is not assigned:
241
Machine Control Function
242
Machine Control Function 243
243
244 Chapter 17—Remote Control
244
18 MIDI
245
MIDI Port Setup
246
B MIDI THRU section
247
C MACHINE CONTROL section
247
D SPECIAL FUNCTIONS section
247
248 Chapter 18—MIDI
248
F OTHER COMMANDS
249
G Fader Resolution
249
250 Chapter 18—MIDI
250
1), then press
251
252 Chapter 18—MIDI
252
254 Chapter 18—MIDI
254
256 Chapter 18—MIDI
256
258 Chapter 18—MIDI
258
Video Editor
259
Crossfade via ESAM Commands
260
Controlling the DM1000
261
SEL SEL SEL
262
Pre-read Operation
263
Supported Commands
264
20 Other Functions
265
Setting Preferences
266
Setting Preferences 267
267
Prefer2 page
268
ENABLED/DISABLED
269
Prefer3 page
270
Setting Preferences 271
271
Assignable Layer)
272
Using the Oscillator
273
Using the User Defined Keys
274
Other Functions
275
A INPUT section
276
B OUTPUT section
276
Chapter 20—Other Functions
278
Using Operation Lock
280
C PASSWORD
281
Cascading Consoles
282
Cascading Consoles 283
283
1) to “MIDI.”
285
Using the AD8HR/AD824
287
Initializing the DM1000
289
Calibrating the Faders
290
Calibrating the Faders 291
291
Appendix A: Parameter Lists
293
Appendix
295
Input Patch Parameters
296
Input Patch Parameters 297
297
Initial Input Patch Settings
298
CHANNEL NAME
299
Output Patch Parameters
300
Output Patch Parameters 301
301
Initial Output Patch Settings
302
DIRECT OUT 2TR OUT Digital
303
Bank 1 (GM Vol & Pan)
306
Bank 3 (XG Vol & Pan)
308
Bank 4 (Nuendo VST Mixer)
309
Effects Parameters
310
MOD. DELAY
311
DELAY LCR
311
SYMPHONIC
312
AUTO PAN
312
Effects Parameters 313
313
AMP SIMULATE
314
DYNA. FILTER
314
DYNA. FLANGE
314
DYNA. PHASER
314
REV+CHORUS
314
REV->CHORUS
315
REV+FLANGE
315
REV->FLANGE
315
REV+SYMPHO
315
REV->SYMPHO
316
REV->PAN
316
DELAY+ER
316
DELAY->ER
317
DELAY+REV
317
DELAY->REV
318
DIST->DELAY
318
MULTI FILTER
318
ST REVERB
319
REVERB 5.1
319
OCTA REVERB
319
AUTO PAN 5.1
319
CHORUS 5.1
320
FLANGE 5.1
320
SYMPHO. 5.1
320
M.BAND DYNA
320
COMP 5.1
321
COMPAND 5.1
321
Preset EQ Parameters
323
Preset Gate Parameters
324
(fs = 44.1 kHz)
325
Dynamics Parameters
327
COMP Section
329
COMPANDER HARD (H)
331
COMPANDER SOFT (S)
331
Appendix B: Specifications
332
General Spec 333
333
Appendix B: Specifications
334
EQ Parameters
335
Gate Parameters
335
Comp Parameters
336
Libraries
337
Analog Input Spec
337
Analog Output Spec
337
Digital Input Spec
338
Digital Output Spec
338
I/O Slot Spec (1–2)
339
Control I/O Spec
339
REMOTE Port
340
CONTROL Port
340
Dimensions
341
Appendix C: MIDI
343
344 Appendix C: MIDI
344
CHANNEL2
345
346 Appendix C: MIDI
346
CHANNEL4
347
348 Appendix C: MIDI
348
CHANNEL6
349
350 Appendix C: MIDI
350
CHANNEL8
351
352 Appendix C: MIDI
352
CHANNEL10
353
354 Appendix C: MIDI
354
CHANNEL12
355
356 Appendix C: MIDI
356
CHANNEL14
357
358 Appendix C: MIDI
358
CHANNEL16
359
MIDI Data Format
360
MIDI Data Format 361
361
362 Appendix C: MIDI
362
MIDI Data Format 363
363
364 Appendix C: MIDI
364
MIDI Data Format 365
365
366 Appendix C: MIDI
366
MIDI Data Format 367
367
368 Appendix C: MIDI
368
MIDI Data Format 369
369
370 Appendix C: MIDI
370
MIDI Data Format 371
371
372 Appendix C: MIDI
372
MIDI Data Format 373
373
MB1000 Peak Meter Bridge
374
Meter Bridge Controls
375
376 Appendix D: Options
376
382 Index
382
MIDI Implementation Chart
384
DM1000 Block Diagram
385
DM1000 Level Diagram
386
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