Yamaha 006IPTO-F0 User Manual Page 98
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98 Chapter 8—Aux Sends
DM1000 Version 2—Owner’s Manual
Setting Aux Send Levels
You can adjust the level of signals routed from Input Channels to the corresponding Aux
Out (1–8). To do this, you can either use the Encoders on the top panel or set the parameters
on the screen.
Using the Encoders
1 Press the AUX SELECT [AUX 1]–[AUX 8] buttons to select the sends.
2 Press the ENCODER MODE [AUX] button.
When the ENCODER MODE [AUX] button is turned on, you can rotate the Encoders to
set Aux Send levels.
3 Select a layer that contains the source Input Channels, then rotate the cor-
responding Encoders.
The DM1000 displays the Send level of the currently-selected channel.
Note: If rotating the Encoders seems ineffective, check the Mode and Pre/Post parameters on
the Aux | Send page (see page 99).
- Owner’s Manual 1
- FCC INFORMATION (U.S.A.) 2
- IMPORTANT SAFETY INSTRUCTIONS 3
- PRECAUTIONS 4
- (5)-1 2/2 5
- Contents 10
- 12 Contents 12
- 1 Welcome 13
- 14 Chapter 1—Welcome 14
- Control Surface 15
- AD Input Section 16
- Channel Strip Section 17
- STEREO Section 17
- AUX SELECT Section 18
- ENCODER MODE Section 18
- FADER MODE Section 18
- DISPLAY ACCESS Section 19
- Display Section 20
- SELECTED CHANNEL Section 21
- STORERECALL 22
- USER DEFINED KEYS Section 23
- Data Entry Section 23
- MONITOR Section 24
- Rear Panel 25
- SLOT Section 26
- Power Section 27
- Installing an Optional Card 28
- 3 Operating Basics 29
- Selecting Display Pages 30
- Display Interface 31
- 32 Chapter 3—Operating Basics 32
- Confirmation Messages 32
- Title Edit Window 32
- Selecting Layers 33
- Selecting Channels 34
- Selecting Fader Modes 35
- Selecting Encoder Modes 36
- Operating Basics 37
- 38 Chapter 3—Operating Basics 38
- Metering 39
- 40 Chapter 3—Operating Basics 40
- Metering 41 41
- 42 Chapter 3—Operating Basics 42
- 4 Connections and Setup 43
- 1615141312111098765432 44
- Workstation) 45
- About wordclock 46
- Wordclock connections 46
- Connections and Setup 47
- Input and Output Patching 49
- Input and Output Patching 51 51
- Analog Inputs & Outputs 53
- Digital Inputs & Outputs 54
- Digital Inputs 55
- Analog I/O & Digital I/O 57
- E CATEGORY 58
- Dithering Digital Outputs 59
- 6 Input Channels 61
- 62 Chapter 6—Input Channels 62
- Switching the Signal Phase 63
- Delaying Input Channels 63
- 64 Chapter 6—Input Channels 64
- Gating Input Channels 65
- 66 Chapter 6—Input Channels 66
- Compressing Input Channels 66
- Attenuating Input Channels 67
- 68 Chapter 6—Input Channels 68
- EQ’ing Input Channels 68
- Input Channels 69
- 70 Chapter 6—Input Channels 70
- Panning Input Channels 70
- Routing Input Channels 71
- 72 Chapter 6—Input Channels 72
- 74 Chapter 6—Input Channels 74
- Pairing Input Channels 76
- Pairing Input Channels 77 77
- 78 Chapter 6—Input Channels 78
- Naming Input Channels 79
- Using MS Stereo Microphone 80
- 7 Bus Outs 81
- Bus Out 1–8 82
- Bus Outs 83
- 84 Chapter 7—Bus Outs 84
- 86 Chapter 7—Bus Outs 86
- Pairing Buses or Aux Sends 89
- Attenuating Output Signals 90
- 92 Chapter 7—Bus Outs 92
- 8 Aux Sends 93
- 94 Chapter 8—Aux Sends 94
- Setting Levels 94
- EQ settings 94
- Attenuating Aux Outs 94
- Delaying Aux Outs 95
- Comp settings 95
- 96 Chapter 8—Aux Sends 96
- Viewing Aux Out settings 96
- Setting Aux Send Levels 98
- Setting Aux Send Levels 99 99
- 100 Chapter 8—Aux Sends 100
- Setting Aux Send Levels 101 101
- 102 Chapter 8—Aux Sends 102
- Aux Sends 103
- Panning Aux Sends 104
- 106 Chapter 8—Aux Sends 106
- 108 Chapter 8—Aux Sends 108
- Input Patching 109
- Input Patching 111 111
- Output Patching 112
- Patching Omni Outs 113
- Patching Slot Outputs 114
- Patching Direct Outs 115
- Insert Patching 116
- B INSERT section 117
- C COMP section 117
- 10 Control Room Monitoring 119
- Solo Setup 120
- Using the Solo Function 121
- A 2TR DIN FLIP 122
- Using the Talkback Function 123
- 11 Surround Functions 125
- Chapter 11—Surround Functions 126
- Using Surround Pan 127 127
- Using Surround Pan 129 129
- A BUS1–BUS8 130
- Using Surround Pan 131 131
- Using Surround Pan 133 133
- Using Surround Pan 135 135
- Surround Monitoring 136
- Surround Monitoring 137 137
- Surround Monitoring 139 139
- About the Presets 140
- Surround Monitoring 141 141
- A MUTE/SOLO section 143
- B SETTING section 143
- C STATUS section 143
- A SPEAKER SETUP 144
- Surround Monitoring 145 145
- Parameters 147
- • Fader1–32 page 148
- • Mute1–32 page 148
- Fader group C 149
- Using Fader Group Master 150
- Using Fader Group Master 151 151
- Using Mute Group Master 152
- 13 Internal Effects 155
- C FOLLOW SURROUND 156
- D button 156
- Internal Effects 157
- Chapter 13—Internal Effects 158
- Editing Effects 159
- G Meters 160
- About Surround Effects 161
- About Add-On Effects 161
- About Plug-Ins 162
- 14 Scene Memories 163
- 164 Chapter 14—Scene Memories 164
- About Scene Numbers 164
- Storing and Recalling Scenes 165
- Chapter 14—Scene Memories 166
- Auto Scene Memory Update 167
- Fading Scenes 168
- Fading Output Channels 169
- Recalling Scenes Safely 170
- Sorting Scenes 171
- 172 Chapter 14—Scene Memories 172
- 15 Libraries 173
- 174 Chapter 15—Libraries 174
- Using Libraries 175
- 176 Chapter 15—Libraries 176
- Input Patch Library 176
- Output Patch Library 177
- Effects Library 177
- 178 Chapter 15—Libraries 178
- • Delays 179
- • Modulation-based Effects 179
- • Guitar Effects 179
- • Dynamic Effects 179
- • Combination Effects 179
- 180 Chapter 15—Libraries 180
- Bus to Stereo Library 181
- Gate Library 181
- 182 Chapter 15—Libraries 182
- Compressor Library 182
- C GR meters 183
- D Type & Curve section 183
- A CURRENT TYPE 183
- B CURRENT CURVE 183
- 184 Chapter 15—Libraries 184
- EQ Library 184
- C Level meters 185
- 186 Chapter 15—Libraries 186
- Surround Monitor Library 186
- 16 Automix 187
- 188 Chapter 16—Automix 188
- Selecting the Timecode Source 188
- Creating a Time Signature Map 189
- Recording an Automix 190
- Recording the First Event 191
- 192 Chapter 16—Automix 192
- Before Insert After Insert 193
- Event No event Event 193
- Event erased 193
- Value prior to Insert 193
- 194 Chapter 16—Automix 194
- 196 Chapter 16—Automix 196
- Parameter Recording 196
- Punching In & Out 197
- 198 Chapter 16—Automix 198
- Indicator Is On 199
- Playing Back an Automix 199
- Automix Main Page 200
- G EDIT OUT 201
- 202 Chapter 16—Automix 202
- Automix Main Page 203 203
- Automix Memory Page 204
- Fader1 &2 pages 205
- 206 Chapter 16—Automix 206
- Editing Events Offline 207
- 208 Chapter 16—Automix 208
- Editing Events Offline 209 209
- 210 Chapter 16—Automix 210
- Event Edit Page 211
- 212 Chapter 16—Automix 212
- Editing Events Offline 213 213
- 214 Chapter 16—Automix 214
- 17 Remote Control 215
- Pro Tools Remote Layer 216
- Pro Tools Remote Layer 217 217
- 218 Chapter 17—Remote Control 218
- Configuring the DM1000 218
- 2) located 219
- 220 Chapter 17—Remote Control 220
- E INSERT ASSIGN/EDIT section 221
- 222 Chapter 17—Remote Control 222
- Control Surface Operation 222
- ■ AUX SELECT Section 223
- ■ ENCODER MODE section 223
- ■ FADER MODE section 223
- ■ DISPLAY ACCESS section 223
- ■ Display section 223
- 224 Chapter 17—Remote Control 224
- ■ USER DEFINED KEYS section 225
- 226 Chapter 17—Remote Control 226
- Pro Tools Remote Layer 227 227
- Chapter 17—Remote Control 228
- 1) is selected in the INSERT 229
- 230 Chapter 17—Remote Control 230
- Editing Plug-ins 230
- Bypassing Plug-ins 231
- 232 Chapter 17—Remote Control 232
- Scrub & Shuttle 232
- Automation 233
- 234 Chapter 17—Remote Control 234
- Using the Panner 234
- Nuendo/Cubase SX Remote Layer 235
- Other DAW Remote Layers 235
- MIDI Remote Layer 236
- MIDI Remote Layer 237 237
- 238 Chapter 17—Remote Control 238
- MIDI Remote Layer 239 239
- 240 Chapter 17—Remote Control 240
- ■ When “SW” is assigned: 241
- ■ When “SW” is not assigned: 241
- Machine Control Function 242
- Machine Control Function 243 243
- 244 Chapter 17—Remote Control 244
- 18 MIDI 245
- MIDI Port Setup 246
- B MIDI THRU section 247
- C MACHINE CONTROL section 247
- D SPECIAL FUNCTIONS section 247
- 248 Chapter 18—MIDI 248
- F OTHER COMMANDS 249
- G Fader Resolution 249
- 250 Chapter 18—MIDI 250
- 1), then press 251
- 252 Chapter 18—MIDI 252
- 254 Chapter 18—MIDI 254
- 256 Chapter 18—MIDI 256
- 258 Chapter 18—MIDI 258
- Video Editor 259
- Crossfade via ESAM Commands 260
- Controlling the DM1000 261
- SEL SEL SEL 262
- Pre-read Operation 263
- Supported Commands 264
- 20 Other Functions 265
- Setting Preferences 266
- Setting Preferences 267 267
- Prefer2 page 268
- ENABLED/DISABLED 269
- Prefer3 page 270
- Setting Preferences 271 271
- Assignable Layer) 272
- Using the Oscillator 273
- Using the User Defined Keys 274
- Other Functions 275
- A INPUT section 276
- B OUTPUT section 276
- Chapter 20—Other Functions 278
- Using Operation Lock 280
- C PASSWORD 281
- Cascading Consoles 282
- Cascading Consoles 283 283
- 1) to “MIDI.” 285
- Using the AD8HR/AD824 287
- Initializing the DM1000 289
- Calibrating the Faders 290
- Calibrating the Faders 291 291
- Appendix A: Parameter Lists 293
- Appendix 295
- Input Patch Parameters 296
- Input Patch Parameters 297 297
- Initial Input Patch Settings 298
- CHANNEL NAME 299
- Output Patch Parameters 300
- Output Patch Parameters 301 301
- Initial Output Patch Settings 302
- DIRECT OUT 2TR OUT Digital 303
- Bank 1 (GM Vol & Pan) 306
- Bank 3 (XG Vol & Pan) 308
- Bank 4 (Nuendo VST Mixer) 309
- Effects Parameters 310
- MOD. DELAY 311
- DELAY LCR 311
- SYMPHONIC 312
- AUTO PAN 312
- Effects Parameters 313 313
- AMP SIMULATE 314
- DYNA. FILTER 314
- DYNA. FLANGE 314
- DYNA. PHASER 314
- REV+CHORUS 314
- REV->CHORUS 315
- REV+FLANGE 315
- REV->FLANGE 315
- REV+SYMPHO 315
- REV->SYMPHO 316
- REV->PAN 316
- DELAY+ER 316
- DELAY->ER 317
- DELAY+REV 317
- DELAY->REV 318
- DIST->DELAY 318
- MULTI FILTER 318
- ST REVERB 319
- REVERB 5.1 319
- OCTA REVERB 319
- AUTO PAN 5.1 319
- CHORUS 5.1 320
- FLANGE 5.1 320
- SYMPHO. 5.1 320
- M.BAND DYNA 320
- COMP 5.1 321
- COMPAND 5.1 321
- Preset EQ Parameters 323
- Preset Gate Parameters 324
- (fs = 44.1 kHz) 325
- Dynamics Parameters 327
- COMP Section 329
- COMPANDER HARD (H) 331
- COMPANDER SOFT (S) 331
- Appendix B: Specifications 332
- General Spec 333 333
- Appendix B: Specifications 334
- EQ Parameters 335
- Gate Parameters 335
- Comp Parameters 336
- Libraries 337
- Analog Input Spec 337
- Analog Output Spec 337
- Digital Input Spec 338
- Digital Output Spec 338
- I/O Slot Spec (1–2) 339
- Control I/O Spec 339
- REMOTE Port 340
- CONTROL Port 340
- Dimensions 341
- Appendix C: MIDI 343
- 344 Appendix C: MIDI 344
- CHANNEL2 345
- 346 Appendix C: MIDI 346
- CHANNEL4 347
- 348 Appendix C: MIDI 348
- CHANNEL6 349
- 350 Appendix C: MIDI 350
- CHANNEL8 351
- 352 Appendix C: MIDI 352
- CHANNEL10 353
- 354 Appendix C: MIDI 354
- CHANNEL12 355
- 356 Appendix C: MIDI 356
- CHANNEL14 357
- 358 Appendix C: MIDI 358
- CHANNEL16 359
- MIDI Data Format 360
- MIDI Data Format 361 361
- 362 Appendix C: MIDI 362
- MIDI Data Format 363 363
- 364 Appendix C: MIDI 364
- MIDI Data Format 365 365
- 366 Appendix C: MIDI 366
- MIDI Data Format 367 367
- 368 Appendix C: MIDI 368
- MIDI Data Format 369 369
- 370 Appendix C: MIDI 370
- MIDI Data Format 371 371
- 372 Appendix C: MIDI 372
- MIDI Data Format 373 373
- MB1000 Peak Meter Bridge 374
- Meter Bridge Controls 375
- 376 Appendix D: Options 376
- 382 Index 382
- MIDI Implementation Chart 384
- DM1000 Block Diagram 385
- DM1000 Level Diagram 386
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