Yamaha MY8-DA96 Specifications download pdf (Page 9)

Libraries

Setting up the entire PM5D V2 system from scratch can be a formidable task, so Yamaha has

provided an extensive selection of presets in a range of libraries that can simply be selected

and used as they are or modified to suit specific requirements. Of course, your own setups

can be added to the libraries for instant recall whenever they are needed. Here’s a list of the

available libraries:

Graphic Equalizers

The PM5D V2 provides twelve dedicated 31-band graphic equalizers for output processing,

and more are available via the internal effects when necessary. The graphic equalizers are

ideal for use whether you need a subtle overall response adjustment or a more dramatic

boost or cut in a limited frequency range. Each equalizer also features a spectrum analyzer

display. For easy setup the console’s DCA faders can be assigned to directly adjust the GEQ

bands in 8-band groups via the FADER MODE keys.

Internal Effect Processors

The PM5D V2 is equipped with eight SPX-class and VCM (Virtual Circuit Modeling) effect

processors that can be patched into any of the console’s input, stereo, mix, or matrix channels,

offering a comprehensive range of reverb, delay, modulation, and combination effects.

Name Number Total

Scene Memory Preset 1 + User 500 501

Input Patch Library Preset 1 + User 99 100

Output Patch Library Preset 1 + User 99 100

Input Channel Library Preset 1 + User 199 200

Output Channel Library Preset 1 + User 199 200

Input EQ Library Preset 40 + User 159 199

Output EQ Library Preset 3 + User 196 199

GATE Library Preset 4 + User 195 199

COMP Library Preset 36 + User 163 199

Effect Library Preset 55 + User 144 199

GEQ Library Preset 1 + User 199 200

HA Library Preset 1 + User 199 200

GEQ PARAMETER GEQ ASSIGN

SECURITY

HA LIBRARY

GPI

WORD CLOCK

M/S DECODE

Acclaimed VCM & REV-X Effects Built In

Previously available as options for Yamaha digital mixing consoles, a number of our top-

performance Add-on Effects programs are now provided in the PM5D V2. You can edit, store

and recall the Add-on Effects on the console in the same way as the standard internal effects.

In addition, a special GUI is available in the PM5D editor to manage these effects.

The extraordinary quality of many of the Add-on Effects is due to the innovative VCM

technology they employ. VCM (Virtual Circuitry Modeling) technology actually models the

characteristics of analog circuitry - right down to the last resistor and capacitor. VCM

technology goes well beyond simply analyzing and modeling electronic components and

emulating the sound of old equipment, and is capable of capturing subtleties that simple

digital simulations cannot even approach.

■ CHANNEL STRIP Compressor Programs (Effect No.49~53)

This group of effects includes 5 models that employ VCM (Virtual Circuitry Modeling)

technology to recreate the sound and characteristics of several classic compression and EQ

units from the 70’s. Compressor 276 (mono) and Compressor 276S (stereo) recreate the

fast response, frequency characteristics, and tube-amp saturation of the most in-demand

analog compressors for studio use. Compressor 260 (mono) and Compressor 260S (stereo)

feature faithful modeling of the solid-state VCA and RMS detection circuitry of the late 70’s

for live sound reinforcement applications. And Equalizer 601 delivers the unique

characteristics of 70’s analog EQ circuitry, featuring graphical editing capability on both the

console and PC displays.

■ MASTER STRIP Open Deck Programs (Effect No.54)

Virtual Circuitry Modeling technology is employed to recreate both the analog circuitry and

tape characteristics that shaped the sound of open-reel tape machines from the “golden age”

of recording. Models of four machine types are included: Swiss ’70, Swiss ’78, Swiss ’85, and

American ’70. You can even combine different record and playback decks for a wider range

of variation. You also have a choice of “old” and “new” tape types, tape speed, bias, and EQ

settings that can vary the “focus” of the sound, distortion, and saturation characteristics.

■ REV-X Reverb Programs (Effect No.46~48)

The REV-X programs feature the richest reverberation and smoothest decay available, based

on the REV-X algorithms first introduced in Yamaha’s SPX2000 Professional Multi Effect

Processor. The Hall and Room programs have a very open sound, while Plate delivers a

brighter tonality that is ideal for vocals.

* Note: The names of programs or menus incorporated in the Add-on Effects are for

descriptive purposes only. Reference to product names, trademarks, artists and songs is

made for the sole purpose of identifying products and sounds studied for modeling and

describing the sound nuances Yamaha attempted to create through use of its

proprietary technology. Such reference does not constitute representations that they

physically possess equal qualities, and does not imply any cooperation or endorsement

by such manufacturers or artists. The products, trademarks are the property of their

respective owners.

HA REMOTE Control Output

This connector provides control signals for remote control

of an external microphone preamplifier such as the Yamaha

AD8HR 8-channel A/D microphone preamplifier. The

AD8HR’s mic preamp gain can be remotely controlled in

steps of 1dB directly from the PM5D V2. There’s also a high

pass filter and phantom power supply integrated into each

channel that can be turned on and off by remote control.

The filter’s cut-off frequency is also remotely adjustable. This

Head Amp Remote Control function makes it possible for the

AD8HR to be used as a stage box. In addition to the many

advantages that this offers, digital connection of the AD8HR

and PM5D V2 using an AES/EBU cable reduces analog wiring

requirements to the bare minimum.

Operation Lock

The Operation Lock function prevents accidental or

inadvertent operation by requiring a password for access.

Internal Oscillator

The internal oscillator provides 100Hz, 1kHz, and 10kHz

sine-wave signals as well as pink and burst noise. Sine waves

of different frequencies can be sent to the left and right

channels for effective setup checks.

GPI Interface

A 4-input 12-output General Purpose Interface is provided

on PM5D V2 to provide control interoperability with a wide

range of sound and studio equipment - fader start and talk

back on/off are just two examples. The USER ASSIGNABLE

KEYS can be assigned to trigger appropriate output signals,

and continuous input capability allows the PM5D V2 to be

controlled by external equipment.

MS Decoding

Built-in MS decoding eliminates the need for external matrix

transformers for MS microphones when working with MS-

encoded source material.

Mix Minus

Mix Minus makes it possible to instantly remove a specified

channel from the mix - a common example from the

broadcast field would be removing an announcer from a

mix. Vertical Pairing In addition to standard odd-even

channel pairing, the PM5D V2 allows “vertical pairing” in

which adjacent channels on different layers can be operated

in tandem - channels 1 and 25, for example.

Word Clock

The PM5D V2 can be used as either word clock master or

slave to allow effective integration with any type of digital

audio system up to 96-kHz.

MIDI Remote

The PM5D V2 features MIDI IN, OUT and THRU connectors

that can be connected to external MIDI equipment to allow

transmission and reception of MIDI control signals.

Compressor 276 (mono)

Compressor 276S

EQ601

Compressor 260 (mono) /

Compressor 260S

Swiss ’70 with NewSwiss ’85 with NewAmerican ’70 with New

REV-X HALL

REV-X PLATE

REV-X ROOM

16 17

■ Effect List

REVERB HALL REVERB ROOM REVERB STAGE REVERB PLATE

EARLY REF. GATE REVERB REVERSE GATE MONO DELAY

STEREO DELAY MOD. DELAY DELAY LCR ECHO

CHORUS FLANGE SYMPHONIC PHASER

AUTO PAN TREMOLO HQ PITCH DUAL PITCH

ROTARY RING. MOD. MOD.FILTER DISTORTION

AMP SIMULATE DYNA.FILTER DYNA.FLANGE DYNA.PHASER

REV+CHORUS REV->CHORUS REV+FLANGE REV->FLANGE

REV+SYMPHO. REV->SYMPHO. REV->PAN DELAY+ER

DELAY->ER DELAY+REV DELAY->REV DIST->DELAY

MULTIFILTER FREEZE STEREO REVERB M.BAND DYNA

M.BAND COMP REV-X HALL REV-X ROOM REV-X PLATE

COMP276 COMP276S COMP260 COMP260S

EQUALIZER601 OPENDECK DE-ESSOR

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Yamaha MY8-DA96 Specifications Page 9

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