Yamaha MY8-DA96 Specifications download pdf (Page 11)

Application Examples

2. F.O.H for Concerts

If the DSP5D will be located near the PM5D V2 at the front-of-house position, you

can connect it to the console via a pair of D-sub 68-pin cascade cables. In the

setup shown here, with a single DSP5D cascaded to a PM5D V2, you have 96

microphone inputs and 48 omni outputs (24 Mix buses, 16 Matrix buses). Other

peripheral gear such as a playback device for BGM and/or effects can be mounted

in the same rack as the DSP5D.

4. Dual DSP5D for Theater and Performance

If you need more on-stage I/O capability for complex staging, for

example, add a second DCU5D and DSP5D as shown in the system below.

The second DCU5D is connected to the first DSP5D via a pair of D-sub

68-pin cascade cables, and an Ethernet cable connects to the second

DSP5D. In this example each DSP5D drives a power amplifier and FOH

speaker - a fast and easy setup for theaters that don’t have a built-in

sound system that will handle the job. Monitors could also be easily

accommodated if required. Wireless receivers can be connected directly

to the DSP5D units for reliable performer mic pickup. This setup gives

you 96 microphone/line inputs and 48 omni outputs (24 Mix buses and

16 Matrix buses) on stage.

20 21

1. Remote Microphone Preamplifier Control

Using MY-series expansion cards and the PM5D’s HA REMOTE output, it is possible to receive input from and remotely control up to eight high-performance Yamaha AD8HR

8-channel A/D converter with remote preamp.

The AD8HR’s mic preamp gain can be remotely controlled in steps of 1dB directly from the PM5D. There’s also a high pass filter and phantom power supply integrated into

each channel that can be turned on and off by remote control. The filter’s cut-off frequency is also remotely adjustable.

This Head Amp Remote Control function makes it possible for the AD8HR to be used as a stage box. In addition to the many advantages that this offers, digital connection of

the AD8HR and PM5D using an AES/EBU cable reduces analog wiring requirements to the bare minimum.

3. Concerts Using the DSP5D as a Remote I/O

If the console needs to be located a significant distance from the stage you can add

a DCU5D Digital Cabling Unit so that the DSP5D can be located on stage and

connected via a “digital snake” consisting of a single CAT5 Ethernet cable. The

DCU5D is connected to the console via a pair of D-sub 68-pin cascade cables. In

addition to the 48 inputs and 24 outputs provided by the PM5D V2 itself, you now

have another 48 microphone/line inputs and 24 omni outputs on stage. (Totally 24

Mix Buses, 16 Matrix buses, 48 OMNI outs). Of course, all DSP5D functions can

be controlled directly from the PM5D V2 console. You could also add one or two

MY-card output interfaces such as the MY8-DA96 to the DSP5D, and use them to

drive an on-stage power amp rack for monitors and FOH speakers.

Stage

PM5D (RH)

OUTCASCADE IN

ADE IN

CASC

ASC

ADE IN

CASCADE IN OUT CASCADE IN

DSP5D

DCU5D

PM5D (RH)

OUTCASCADE IN OUT CASCADE IN

DSP5DDSP5D

Slot 1

Slot 2

Slot 3

Slot 4

AD8HR

HA Remote

AD8HR

HA Remote

PM5D

Stage

PM5D (RH)

OUTCASC

ASC

ADE IN

CASC

ASC

ADE IN

CASCADE

CASCADE IN OUT CASCADE IN

DSP5D DSP5D

DCU5D-1

T5n T5n

WIRELESS SYSTEM

DCU5D-2

OUT

CASCADE

(male) (female)

CAT5 Cable

D-sub 68pin (male) Cable

XLR Cable

Speakon Cable

D-sub 68pin (male) Cable

CAT5 Cable

D-sub 68pin (male) Cable

IS1218

IF2115

IS1218

IF2115

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Yamaha MY8-DA96 Specifications Page 11

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