Yamaha DGX-202 Specifications download pdf (Page 44)

Selecting and Playing Styles

44

Chord Name/[Abbreviation]

Normal Voicing Chord (C) Display

Major [M] 1 - 3 - 5 C C

Add ninth [(9)] 1 - 2 - 3 - 5 C(9) C(9)

Sixth [6] 1 - (3) - 5 - 6 C6 C6

Sixth ninth [6(9)] 1 - 2 - 3 - (5) - 6 C6(9) C6(9)

Major seventh [M7] 1 - 3 - (5) - 7 or

1 - (3) - 5 - 7

CM7 CM7

Major seventh ninth [M7(9)] 1 - 2 - 3 - (5) - 7 CM7(9) CM7(9)

Major seventh add sharp eleventh [M7(

#

11)] 1 - (2) - 3 -

#

4 - 5 - 7 or

1 - 2 - 3 -

#

4 - (5) - 7

CM7(

#

11) CM7(

#

11)

Flatted ﬁfth [(

b

5)] 1 - 3 -

b

5C(

b

5) C

b

5

Major seventh ﬂatted ﬁfth [M7

b

5] 1 - 3 -

b

5 - 7 CM7

b

5 CM7

b

5

Suspended fourth [sus4] 1 - 4 - 5 Csus4 Csus4

Augmented [aug] 1 - 3 -

#

5 Caug Caug

Major seventh augmented [M7aug] 1 - (3) -

#

5 - 7 CM7aug CM7aug

Minor [m] 1 -

b

3 - 5 Cm Cm

Minor add ninth [m(9)] 1 - 2 -

b

3 - 5 Cm(9) Cm(9)

Minor sixth [m6] 1 -

b

3 - 5 - 6 Cm6 Cm6

Minor seventh [m7] 1 -

b

3 - (5) -

b

7 Cm7 Cm7

Minor seventh ninth [m7(9)] 1 - 2 -

b

3 - (5) -

b

7 Cm7(9) Cm7(9)

Minor seventh add eleventh [m7(11)] 1 - (2) -

b

3 - 4 - 5 - (

b

7) Cm7(11) Cm7(11)

Minor major seventh [mM7] 1 -

b

3 - (5) - 7 CmM7 CmM7

Minor major seventh ninth [mM7(9)] 1 - 2 -

b

3 - (5) - 7 CmM7(9) CmM7(9)

Minor seventh ﬂatted ﬁfth [m7

b

5] 1 -

b

3 -

b

5 -

b

7 Cm7

b

5 Cm7

b

5

Minor major seventh ﬂatted ﬁfth [mM7

b

5] 1 -

b

3 -

b

5 - 7 CmM7

b

5 CmM7

b

5

Diminished [dim] 1 -

b

3 -

b

5 Cdim Cdim

Diminished seventh [dim7] 1 -

b

3 -

b

5 - 6 Cdim7 Cdim7

Seventh [7] 1 - 3 - (5) -

b

7 or

1 - (3) - 5 -

b

7

C7 C7

Seventh ﬂatted ninth [7(

b

9)] 1 -

b

2 - 3 - (5) -

b

7 C7(

b

9) C7(

b

9)

Seventh add ﬂatted thirteenth [7(

b

13)] 1 - 3 - 5 -

b

6 -

b

7 C7(

b

13) C7(

b

13)

Seventh ninth [7(9)] 1 - 2 - 3 - (5) -

b

7 C7(9) C7(9)

Seventh add sharp eleventh [7(

#

11)] 1 - (2) - 3 -

#

4 - 5 -

b

7 or

1 - 2 - 3 -

#

4 - (5) -

b

7

C7(

#

11) C7(

#

11)

Seventh add thirteenth [7(13)] 1 - 3 - (5) - 6 -

b

7 C7(13) C7(13)

Seventh sharp ninth [7(

#

9)] 1 -

#

2 - 3 - (5) -

b

7 C7(

#

9) C7(

#

9)

Seventh ﬂatted ﬁfth [7

b

5] 1 - 3 -

b

5 -

b

7C7

b

5C7

b

5

Seventh augmented [7aug] 1 - 3 -

#

5 -

b

7 C7aug C7aug

Seventh suspended fourth [7sus4] 1 - 4 - (5) -

b

7 C7sus4 C7sus4

One plus two plus ﬁve [1+2+5] 1 - 2 - 5 C1+2+5 C

• Notes in parentheses can be

omitted.

• Playing two same root keys in the

adjacent octaves produces

accompaniment based only on

the root.

• A perfect ﬁfth (1 + 5) produces

accompaniment based only on

the root and ﬁfth which can be

used with both major and minor

chords.

• The chord ﬁngerings listed are all

in “root” position, but other inver-

sions can be used — with the fol-

lowing exceptions:

m7, m7

b

5, 6, m6, sus4, aug,

dim7, 7

b

5, 6(9), 1+2+5.

• Inversion of the 7sus4 and

m7(11) chords are not recog-

nized if the notes shown in

parentheses are omitted.

• The auto accompaniment will

sometimes not change when

related chords are played in

sequence (e.g. some minor

chords followed by the minor sev

-

enth).

• Two-note ﬁngerings will produce

a chord based on the previously

played chord.

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