Yamaha YPT-400 EN User Manual Page 76

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76 PSR-E403/YPT-400 Owners Manual
Style (Auto-accompaniment) Functions
Recognized Standard Chords● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
All chords in the chart are “C-root” chords.
* These chords are not shown in the Dictionary function.
Chord Name/[Abbreviation] Normal Voicing Chord (C) Display
Major [M] 1 - 3 - 5 C
Add ninth [(9)] 1 - 2 - 3 - 5 C
(9)
Sixth [6] 1 - (3) - 5 - 6 C6
Sixth ninth [6(9)] 1 - 2 - 3 - (5) - 6 C6
(9)
*
Major seventh [M7]
1 - 3 - (5) - 7 or
1 - (3) - 5 - 7
CM7
Major seventh ninth [M7(9)] 1 - 2 - 3 - (5) - 7 CM7
(9)
*
Major seventh add sharp eleventh [M7(#11)]
1 - (2) - 3 - #4 - 5 - 7 or
1 - 2 - 3 - #4 - (5) - 7
CM7
(#11)
*
Flatted fth [(b5)] 1 - 3 - b5C
b5
*
Major seventh atted fth [M7b5] 1 - 3 - b5 - 7 CM7
b5
*
Suspended fourth [sus4] 1 - 4 - 5 Csus4
Augmented [aug] 1 - 3 - #5 Caug
Major seventh augmented [M7aug] 1 - (3) - #5 - 7 CM7aug *
Minor [m] 1 - b3 - 5 Cm
Minor add ninth [m(9)] 1 - 2 - b3 - 5 Cm
(9)
Minor sixth [m6] 1 - b3 - 5 - 6 Cm6
Minor seventh [m7] 1 - b3 - (5) - b7 Cm7
Minor seventh ninth [m7(9)] 1 - 2 - b3 - (5) - b7 Cm7
(9)
Minor seventh add eleventh [m7(11)] 1 - (2) - b3 - 4 - 5 - (b7) Cm7
(11)
*
Minor major seventh [mM7] 1 - b3 - (5) - 7 CmM7
Minor major seventh ninth [mM7(9)] 1 - 2 - b3 - (5) - 7 CmM7
(9)
*
Minor seventh atted fth [m7b5] 1 - b3 - b5 - b7 Cm7
b5
Minor major seventh atted fth [mM7b5] 1 - b3 - b5 - 7 CmM7
b5
*
Diminished [dim] 1 - b3 - b5 Cdim
Diminished seventh [dim7] 1 - b3 - b5 - 6 Cdim7
Seventh [7]
1 - 3 - (5) - b7 or
1 - (3) - 5 - b7
C7
Seventh atted ninth [7(b9)] 1 - b2 - 3 - (5) - b7C7
(b9)
Seventh add atted thirteenth [7(b13)] 1 - 3 - 5 - b6 - b7C7
(b13)
Seventh ninth [7(9)] 1 - 2 - 3 - (5) - b7C7
(9)
Seventh add sharp eleventh [7(#11)]
1 - (2) - 3 - #4 - 5 - b7 or
1 - 2 - 3 - #4 - (5) - b7
C7
(#11)
Seventh add thirteenth [7(13)] 1 - 3 - (5) - 6 - b7C7
(13)
Seventh sharp ninth [7(#9)] 1 - #2 - 3 - (5) - b7C7
(#9)
Seventh atted fth [7b5] 1 - 3 - b5 - b7C7
b5
*
Seventh augmented [7aug] 1 - 3 - #5 - b7 C7aug
Seventh suspended fourth [7sus4] 1 - 4 - (5) - b7 C7sus4
One plus two plus ve [1+2+5] 1 - 2 - 5 C *
C
C
(
9
)
C6
(
9
)
C6
CM7
CM7
(
9
)
CM7
(
#11
)
C
(
b5
)
Csus4
Caug
CM7aug
Cm
(
9
)
Cm
Cm6
Cm7
Cm7
(
9
)
Cm7
(
11
)
CmM7
CmM7
(
9
)
Cm7
(
b5
)
CmM7
(
b5
)
Cdim
Cdim7
C7
C7
(
b9
)
C7
(
b13
)
(
9
)
C7
(
#11
)
C7
(
13
)
C7
(
#9
)
C7
C7b5
C7sus4
C1+2+5
Notes in parentheses can be omitted.
Playing two same root keys in the adjacent octaves produces accompa-
niment based only on the root.
A perfect fifth (1+5) produces accompaniment based only on the root
and fifth which can be used with both major and minor chords.
The chord fingerings listed are all in “root” position, but other inversions
can be used—with the following exceptions: m7, m7
b
5, 6, m6, sus4,
aug, dim7, 7
b
5, 6(9), 1+2+5.
NOTE
Inversion of the 7sus4 and m7(11) chords are not recognized if the
notes shown in parentheses are omitted.
The auto accompaniment will sometimes not change when related
chords are played in sequence (e.g. some minor chords followed by the
minor seventh).
Two-note fingerings will produce a chord based on the previously played
chord.
NOTE
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