Yamaha RX-21L User Manual Page 10

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~~;-~Series
T
HERE
ARE
FOUR
units
in
the
RX
series
of
digital
rhythm
programmers:
the
RX11,
the
RX15,
the
RX21,
and
the
RX21L.
The
RX 11, RX 15,
and
RX21 feature standard drum
sounds while,
the
RX21L has Latin percussion
sounds
in
its internal
sound
memory. Although
some
of
these units have been
around
for some
time
now,
many
of
their
features
are
still
not
completely
understood.
Let's
review
some
of
the capabilities and features
of
each
of
the
drum
machines,
and
explore a few techniques
that
will
help
you
expand
the
musical expressiveness
of
your RX units.
The
RXll
&.
RX15
Figure
1
shows
the
drum
and
percussion
sounds available
on
the
RX
11
and
RX15. These
sounds may
be
assigned
(by
category
and
type)
to
the
16
buttons
on
the
front
panel
of
the
RXll
( 12
on
the RX15
).
Further control
of
the
sounds
can
be
accomplished
by
an
adjustable
pan
setting, accent level,
and
instrument
level
for each sound.
Rhythm
patterns
can
be
created
in
both
real~time
or
st~time,
with
or
without
quanti~
zation.
Different
quantizations
can
be
used
within the same pattern as well.
Both
the
RX11
and
RX15 may
be
synced
to
MIDI
(or
to
tape
using
the
YMC
1
0),
or
they
may
be
used
as
the
master
clock
which
other
units
follow
for
tempo.
The
RX
11
can
utilize
Yamaha's
RAM
cartridges
in
the
event
that
a
large
amount
of
memory is needed.
There
are
12
individual
outputs
for
audio
on
the
back
of
the
RX
11. These can
be
used for
recording
(or
whenever
more
control
over
the
shaping
of
individual
sounds
is
necessary).
Usage
of
the
stereo
outputs
and
the
individual
outputs
is
not
mutually
exclusive.
You
might
want
to
use
the
stereo
outputs
for
all
the
sounds
except for the bass
and
snare drums. Doing this
allows
you
to
apply
different
effects
on
these
sounds from
the
effects applied
to
the
rest
of
the
drums. This only uses 4 channels
on
your
mixer
Snare
Drums
Tom-Toms
Bass
Drums
HiehHats
heavy•
tom 1
heavy•
closed
medium tom
2 md 1 pedal
light"'
tom 3
md
2•
open
hi tune 1
tom
4"'
hi tune
2"'
hi tune
3"'
hi tune 4"'
hi tune
s•
10
AFTERTOUCH/Vol. 2
No.9
Exploring
The
Yamaha
Family
Of
Digital
Rhythm
Pro-
grammers.
By
MichaelA.
Huisman.
Figlu-e
2:
Drum
and
percus-
sion
sounds
IWailable
on
the
RJGI.
for drum sounds.
Both
the
RX11
and
RX15 have
the
follow~
ing jacks
on
the back panel: MIDI
IN
and
OUT
jacks, tape
in
and
out
jacks, headphone
output
jack,
and
a footswitchjack.
The
RX15 does
not
have
individual
outputs
(only
stereo
output
jacks)
and
has
no
RAM
cartridge slot.
The
RX21
&.
RX21L
The
RX21 is a
low~ost
drum
machine that
features
stereo
outputs
and
nine
drum
sounds.
It
is
shaped
for
easy
stacking
on
top
of
a
TX7
tone
module
or
a
QX21
sequencer.
Figure
2
shows
the
sounds available in the RX21.
The
RX21
Lis
a
low~cost
Latin
percussion
machine
that
is shaped exactly like the RX21L.
It
features stereo outputs
and
16 Latin
percus~
sion sounds. Figure 3 shows
the
sounds
avail~
able
in
the RX21L.
Snare Drums Tom-Toms
Bass
Drums
High Hats
Cymbals
snare
drum
tom
1
tom
2
tom
3
FiguTe
3: lAtin
perCIISsion
sounds
IWailable
on
the
IDGrL
Figure
1:
Drum
and
percus-
sion
sounds
IWailable
on
the
RXII
and
RXI5;
sounds
maTked
with
an
asterisk
(*)
are
not
IWaikible
on
the
RXI5.
Cymbals Percussion
ride
cowbell 1
crash cowbell
2"'
sidestick 1
sidestick
2"'
shaker
handclap 1
handclap
2"'
bass
drum
closed
crash
open
crash
Drums
Hand Drums
Hand Percussion
timbale H
conga H mute tambourine
timbale L
conga H open agogo H
conga L
agogo L
bongo H cowbell
bongo L
whistle H
cuicaH whistle L
cuicaL claves
Using
The
RX
Drum
Machines
Each
member
of
the
RX
family has special
features
that
can
make
your
rhythm
parts
less
robotic-hopefully
even more human
sound~
ing.
Drummers
aren't
ever going
to
be
replaced
by
any
machine,
but
...
if
we
can
avoid
that
"look"
that
shows
up
on
a
drummer's
face
when
he
listens
to
to
a piece where
the
rhythm
tracks
have
been
performed
by
a
machine
(where you
know
the
guy is thinking
"oh
please
...
"),
then
as
musicians
we
will
know
that
we've done a good job.
QJ.lantization
The
best drummers in world have
both
great
time (the ability
to
keep a tempo
and
to
"play in
the
pocket")
and
what can
be
called controlled
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