Yamaha MU90R User Manual Page 63
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54
MULTI MODE
EG Decay Time
Graphically shows EG Decay Time setting for each Part.
Selected Part and MIDI channel
Range: –64 — +63
This determines the Decay Time of the EG, or how rapidly the
sound dies out as a note is held. For the Filter, this determines how
long it takes for the Filter effect to die out.
EG Release Time
Graphically shows EG Release Time setting for each Part.
Selected Part and MIDI channel
Range: –64 — +63
This determines the Release Time of the EG, or how long the sound
sustains after a note is released. For the Filter, this determines how
long the Filter effect continues after a note is released.
- FCC INFORMATION (U.S.A) 2
- SPECIAL MESSAGE SECTION 3
- PLEASE KEEP THIS MANUAL 3
- Welcome to the MU90R 4
- Table of Contents 5
- REFERENCE 6
- How to Use This Manual 8
- PRECAUTIONS 9
- The Controls of the MU90R 10
- THE CONTROLS OF THE MU90R 11
- Rear Panel 12
- What It Is… 13
- What It Can Do… 14
- About the Modes of the MU90R 15
- Part Edit Mode 20
- Setting Up Your MU90R 23
- ASSIGNABLE 24
- CONTROLLER NUMBER LIST 24
- Powering Up 25
- Playing the Demo Song 26
- Operation 27
- Selecting Voices 28
- Changing the Voice Bank 29
- GUIDED TOUR 30
- 32
- Using Mute/Solo 34
- Using the A/D Input 35
- Connecting With a Computer 38
- IBM PC /AT and Clones 39
- MIDI OUT 41
- MIDI IN-A or IN-B 41
- MIDI CABLE 41
- Data Flow Block Diagram 43
- EFERENCE 46
- Multi Mode 47
- Multi Play Mode 48
- Play Displays 48
- Part Controls 49
- Single Part Control 50
- Bank Number 51
- Program (Voice) Number 51
- Expression (Expresn) 52
- Reverb Send (RevSend) 53
- Chorus Send (ChoSend) 53
- Variation Send (VarSend) 53
- Note Shift (NoteSft) 54
- All Part Control 55
- Master Volume (M.Volum) 56
- Master Attenuator (M.Attn) 56
- Reverb Return (RevRtn) 56
- Transpose (Trans) 57
- Chorus Return (ChoRtn) 57
- Variation Return (VarRtn) 57
- Multi Edit Mode 58
- LPF Resonance (LPF Reso) 59
- EG (Envelope Generator) 61
- EG Attack Time 62
- EG Decay Time 63
- EG Release Time 63
- Pitch EG Parameters 64
- EQ (Equalizer) 66
- EQ Low Frequency (Low Freq) 67
- EQ Low Gain 67
- EQ High Frequency (High Freq) 67
- EQ High Gain 68
- Vibrato Rate 68
- Vibrato Depth 69
- Vibrato Delay 69
- Part Mode 71
- Portamento Parameters 73
- Element Reserve (ElemReserv) 74
- Note Limit Parameters 74
- Dry Level 75
- Velocity Limit Parameters 76
- MULTI MODE 77
- (MW LFOPMod) 78
- Output Select (OutPtSel) 81
- Drum Setup Controls 82
- Drum Setup Parameters 84
- Chorus Send (Cho Send) 85
- Variation Send (Var Send) 85
- Receive Note On (RcvNoteOn) 88
- Receive Note Off 88
- Performance Mode 89
- Performance number 91
- Performance Part Control 92
- All Part 95
- Performance Volume (Pfm Vol) 96
- Performance Pan (Pfm Pan) 96
- System Transpose (SysTran) 97
- Performance Edit Mode 98
- Performance name 99
- PERFORMANCE MODE 100
- Velocity Limit Low 103
- Copy and Store Operations 106
- Performance number 108
- Recall Function 109
- Effect Edit Mode 110
- Reverb Pan (RevPan) 111
- Chorus Pan (ChoPan) 112
- Variation 113
- Insertion 1, 2 115
- Dry/Wet Balance 116
- Range: –64 — +63 117
- System and Insertion 118
- DRY LINE 120
- Equalizer (EQ) Edit 121
- EQ Frequency Parameters 122
- Utility Mode 123
- Mute Lock 124
- A/D Part Lock 124
- UTILITY MODE 125
- Contrast 126
- Dump Interval (DumpIntrval) 127
- Thru Port 127
- Dump Out Functions 128
- Performance (Perform) 130
- Initialize Functions 131
- Factory Settings (FactSet) 132
- Selected Sound Module Mode: 132
- Drum (DrumInit) 133
- Demo Song Play (DEMO) 134
- Sound Module Mode (MODE) 135
- Show Control Change 136
- Show Exclusive 137
- About Cable Messages 138
- Chapter 1: Format Overview 141
- Basic Concepts 142
- Additions to the GM format 142
- APPENDIX 143
- 1. Key On / Key Off 144
- 2. Program Change 144
- 3. Pitchbend 144
- 4. Control Change 145
- 5. Channel Mode Messages 151
- 6. Channel Aftertouch 152
- 7. Polyphonic Aftertouch 152
- 8. Exclusive Messages 152
- Troubleshooting 156
- Error Messages 157
- Specifications 158
- Glossary 160
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