Yamaha CS-80 User Manual Page 24

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ARTURIA – CS-80V2 – USER’S MANUAL
23
For each of the 8 voices, you can set:
The choice of zone (from 1 to 4 or no zone)
Transposition (in semitones)
Fine tuning
Volume
Pan position
Portamento/Glissando
Ring modulator
Chorus and delay effects
To quickly isolate a voice (where the EDIT button is lit) and play it across the whole keyboard, just close the Multi
panel.
For the 4 zones:
The MIDI channel (from 1 to 16 and Omni)
The low and high notes (from C2 to C8)
The playing mode (rotating polyphonic trigger, reassigned, reinitialized, monophonic
unison)
Arpeggio activity
If you wish to preserve CPU power, avoid using the Rotate mode, rather place the zone on ReAssign mode.
4.5 T
HE REAL TIME CONTROLLERS AND
MIDI
ASSIGNATION
Like its excellent ancestor, the CS-80V2 is particularly adapted to real time playing. One of the
major points of evolution when compared to the original is the possibility to assign any CS-
80V2 knob to an external MIDI controller.
Let’s look at an example:
Click on the brilliance knob (BRILL) while holding down the [Control] key (Windows) or
[Command] key (Mac). A MIDI assign dialog then appears.
Click on Learn and move the MIDI controller of your choice (the modulation wheel for
example). The CS-80V2 knob will move at the same time.
You can then record the movement of your MIDI controller on your MIDI sequencer or
simply make it evolve on the fly during a live presentation.
MIDI assigning of the Brilliance knob
As you have previously read, the CS-80V2 has a large number of controllers acting on the
tuning, tone (brilliance) or the volume of a sound:
The keyboard receives velocity and polyphonic aftertouch information
A ribbon controller lets you continuously control any synthesizer parameter through a
modulation matrix, the base assignment being oscillator frequency.
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