Yamaha DM1000 Owner's Manual Page 217
- Page / 388
- Table of contents
- BOOKMARKS
Rated. / 5. Based on customer reviews
Pro Tools Remote Layer 217
DM1000 Version 2—Owner’s Manual
Remote Control
17
4 Launch Pro Tools.
5 Choose OMS Studio Setup from the Setups menu, and configure OMS as nec-
essary.
Refer to the documentation that came with
OMS for more information on configuring
the OMS Studio Setup menu. OMS recog-
nizes the DM1000 as a USB MIDI interface
that features eight ports.
6 Choose Peripherals from the Setups menu to open the Peripherals window.
7 Double-click the MIDI Controllers tab.
8 Refer to the screen below to set the Type, Receive From, Send To, and #Ch’s
parameters.
As the controller type, select HUI for #1 and #2, and MCS Panner for #3 to use the Joystick.
9 When you finish setting the parameters, close the window.
Tip: To control Pro Tools remotely, you need one port for every eight audio channels. Also,
you need an additional port to control surround pan via the Joystick. Therefore, select MIDI
Controller #1 for Channels 1-8, MIDI Controller #2 for Channels 9-16, and #3 for the Joystick.
- Owner’s Manual 1
- FCC INFORMATION (U.S.A.) 2
- IMPORTANT SAFETY INSTRUCTIONS 3
- PRECAUTIONS 4
- (5)-1 2/2 5
- Contents 10
- 12 Contents 12
- 1 Welcome 13
- 14 Chapter 1—Welcome 14
- Control Surface 15
- AD Input Section 16
- Channel Strip Section 17
- STEREO Section 17
- AUX SELECT Section 18
- ENCODER MODE Section 18
- FADER MODE Section 18
- DISPLAY ACCESS Section 19
- Display Section 20
- SELECTED CHANNEL Section 21
- STORERECALL 22
- USER DEFINED KEYS Section 23
- Data Entry Section 23
- MONITOR Section 24
- Rear Panel 25
- SLOT Section 26
- Power Section 27
- Installing an Optional Card 28
- 3 Operating Basics 29
- Selecting Display Pages 30
- Display Interface 31
- 32 Chapter 3—Operating Basics 32
- Confirmation Messages 32
- Title Edit Window 32
- Selecting Layers 33
- Selecting Channels 34
- Selecting Fader Modes 35
- Selecting Encoder Modes 36
- Operating Basics 37
- 38 Chapter 3—Operating Basics 38
- Metering 39
- 40 Chapter 3—Operating Basics 40
- Metering 41 41
- 42 Chapter 3—Operating Basics 42
- 4 Connections and Setup 43
- 1615141312111098765432 44
- Workstation) 45
- About wordclock 46
- Wordclock connections 46
- Connections and Setup 47
- Input and Output Patching 49
- Input and Output Patching 51 51
- Analog Inputs & Outputs 53
- Digital Inputs & Outputs 54
- Digital Inputs 55
- Analog I/O & Digital I/O 57
- E CATEGORY 58
- Dithering Digital Outputs 59
- 6 Input Channels 61
- 62 Chapter 6—Input Channels 62
- Switching the Signal Phase 63
- Delaying Input Channels 63
- 64 Chapter 6—Input Channels 64
- Gating Input Channels 65
- 66 Chapter 6—Input Channels 66
- Compressing Input Channels 66
- Attenuating Input Channels 67
- 68 Chapter 6—Input Channels 68
- EQ’ing Input Channels 68
- Input Channels 69
- 70 Chapter 6—Input Channels 70
- Panning Input Channels 70
- Routing Input Channels 71
- 72 Chapter 6—Input Channels 72
- 74 Chapter 6—Input Channels 74
- Pairing Input Channels 76
- Pairing Input Channels 77 77
- 78 Chapter 6—Input Channels 78
- Naming Input Channels 79
- Using MS Stereo Microphone 80
- 7 Bus Outs 81
- Bus Out 1–8 82
- Bus Outs 83
- 84 Chapter 7—Bus Outs 84
- 86 Chapter 7—Bus Outs 86
- Pairing Buses or Aux Sends 89
- Attenuating Output Signals 90
- 92 Chapter 7—Bus Outs 92
- 8 Aux Sends 93
- 94 Chapter 8—Aux Sends 94
- Setting Levels 94
- EQ settings 94
- Attenuating Aux Outs 94
- Delaying Aux Outs 95
- Comp settings 95
- 96 Chapter 8—Aux Sends 96
- Viewing Aux Out settings 96
- Setting Aux Send Levels 98
- Setting Aux Send Levels 99 99
- 100 Chapter 8—Aux Sends 100
- Setting Aux Send Levels 101 101
- 102 Chapter 8—Aux Sends 102
- Aux Sends 103
- Panning Aux Sends 104
- 106 Chapter 8—Aux Sends 106
- 108 Chapter 8—Aux Sends 108
- Input Patching 109
- Input Patching 111 111
- Output Patching 112
- Patching Omni Outs 113
- Patching Slot Outputs 114
- Patching Direct Outs 115
- Insert Patching 116
- B INSERT section 117
- C COMP section 117
- 10 Control Room Monitoring 119
- Solo Setup 120
- Using the Solo Function 121
- A 2TR DIN FLIP 122
- Using the Talkback Function 123
- 11 Surround Functions 125
- Chapter 11—Surround Functions 126
- Using Surround Pan 127 127
- Using Surround Pan 129 129
- A BUS1–BUS8 130
- Using Surround Pan 131 131
- Using Surround Pan 133 133
- Using Surround Pan 135 135
- Surround Monitoring 136
- Surround Monitoring 137 137
- Surround Monitoring 139 139
- About the Presets 140
- Surround Monitoring 141 141
- A MUTE/SOLO section 143
- B SETTING section 143
- C STATUS section 143
- A SPEAKER SETUP 144
- Surround Monitoring 145 145
- Parameters 147
- • Fader1–32 page 148
- • Mute1–32 page 148
- Fader group C 149
- Using Fader Group Master 150
- Using Fader Group Master 151 151
- Using Mute Group Master 152
- 13 Internal Effects 155
- C FOLLOW SURROUND 156
- D button 156
- Internal Effects 157
- Chapter 13—Internal Effects 158
- Editing Effects 159
- G Meters 160
- About Surround Effects 161
- About Add-On Effects 161
- About Plug-Ins 162
- 14 Scene Memories 163
- 164 Chapter 14—Scene Memories 164
- About Scene Numbers 164
- Storing and Recalling Scenes 165
- Chapter 14—Scene Memories 166
- Auto Scene Memory Update 167
- Fading Scenes 168
- Fading Output Channels 169
- Recalling Scenes Safely 170
- Sorting Scenes 171
- 172 Chapter 14—Scene Memories 172
- 15 Libraries 173
- 174 Chapter 15—Libraries 174
- Using Libraries 175
- 176 Chapter 15—Libraries 176
- Input Patch Library 176
- Output Patch Library 177
- Effects Library 177
- 178 Chapter 15—Libraries 178
- • Delays 179
- • Modulation-based Effects 179
- • Guitar Effects 179
- • Dynamic Effects 179
- • Combination Effects 179
- 180 Chapter 15—Libraries 180
- Bus to Stereo Library 181
- Gate Library 181
- 182 Chapter 15—Libraries 182
- Compressor Library 182
- C GR meters 183
- D Type & Curve section 183
- A CURRENT TYPE 183
- B CURRENT CURVE 183
- 184 Chapter 15—Libraries 184
- EQ Library 184
- C Level meters 185
- 186 Chapter 15—Libraries 186
- Surround Monitor Library 186
- 16 Automix 187
- 188 Chapter 16—Automix 188
- Selecting the Timecode Source 188
- Creating a Time Signature Map 189
- Recording an Automix 190
- Recording the First Event 191
- 192 Chapter 16—Automix 192
- Before Insert After Insert 193
- Event No event Event 193
- Event erased 193
- Value prior to Insert 193
- 194 Chapter 16—Automix 194
- 196 Chapter 16—Automix 196
- Parameter Recording 196
- Punching In & Out 197
- 198 Chapter 16—Automix 198
- Indicator Is On 199
- Playing Back an Automix 199
- Automix Main Page 200
- G EDIT OUT 201
- 202 Chapter 16—Automix 202
- Automix Main Page 203 203
- Automix Memory Page 204
- Fader1 &2 pages 205
- 206 Chapter 16—Automix 206
- Editing Events Offline 207
- 208 Chapter 16—Automix 208
- Editing Events Offline 209 209
- 210 Chapter 16—Automix 210
- Event Edit Page 211
- 212 Chapter 16—Automix 212
- Editing Events Offline 213 213
- 214 Chapter 16—Automix 214
- 17 Remote Control 215
- Pro Tools Remote Layer 216
- Pro Tools Remote Layer 217 217
- 218 Chapter 17—Remote Control 218
- Configuring the DM1000 218
- 2) located 219
- 220 Chapter 17—Remote Control 220
- E INSERT ASSIGN/EDIT section 221
- 222 Chapter 17—Remote Control 222
- Control Surface Operation 222
- ■ AUX SELECT Section 223
- ■ ENCODER MODE section 223
- ■ FADER MODE section 223
- ■ DISPLAY ACCESS section 223
- ■ Display section 223
- 224 Chapter 17—Remote Control 224
- ■ USER DEFINED KEYS section 225
- 226 Chapter 17—Remote Control 226
- Pro Tools Remote Layer 227 227
- Chapter 17—Remote Control 228
- 1) is selected in the INSERT 229
- 230 Chapter 17—Remote Control 230
- Editing Plug-ins 230
- Bypassing Plug-ins 231
- 232 Chapter 17—Remote Control 232
- Scrub & Shuttle 232
- Automation 233
- 234 Chapter 17—Remote Control 234
- Using the Panner 234
- Nuendo/Cubase SX Remote Layer 235
- Other DAW Remote Layers 235
- MIDI Remote Layer 236
- MIDI Remote Layer 237 237
- 238 Chapter 17—Remote Control 238
- MIDI Remote Layer 239 239
- 240 Chapter 17—Remote Control 240
- ■ When “SW” is assigned: 241
- ■ When “SW” is not assigned: 241
- Machine Control Function 242
- Machine Control Function 243 243
- 244 Chapter 17—Remote Control 244
- 18 MIDI 245
- MIDI Port Setup 246
- B MIDI THRU section 247
- C MACHINE CONTROL section 247
- D SPECIAL FUNCTIONS section 247
- 248 Chapter 18—MIDI 248
- F OTHER COMMANDS 249
- G Fader Resolution 249
- 250 Chapter 18—MIDI 250
- 1), then press 251
- 252 Chapter 18—MIDI 252
- 254 Chapter 18—MIDI 254
- 256 Chapter 18—MIDI 256
- 258 Chapter 18—MIDI 258
- Video Editor 259
- Crossfade via ESAM Commands 260
- Controlling the DM1000 261
- SEL SEL SEL 262
- Pre-read Operation 263
- Supported Commands 264
- 20 Other Functions 265
- Setting Preferences 266
- Setting Preferences 267 267
- Prefer2 page 268
- ENABLED/DISABLED 269
- Prefer3 page 270
- Setting Preferences 271 271
- Assignable Layer) 272
- Using the Oscillator 273
- Using the User Defined Keys 274
- Other Functions 275
- A INPUT section 276
- B OUTPUT section 276
- Chapter 20—Other Functions 278
- Using Operation Lock 280
- C PASSWORD 281
- Cascading Consoles 282
- Cascading Consoles 283 283
- 1) to “MIDI.” 285
- Using the AD8HR/AD824 287
- Initializing the DM1000 289
- Calibrating the Faders 290
- Calibrating the Faders 291 291
- Appendix A: Parameter Lists 293
- Appendix 295
- Input Patch Parameters 296
- Input Patch Parameters 297 297
- Initial Input Patch Settings 298
- CHANNEL NAME 299
- Output Patch Parameters 300
- Output Patch Parameters 301 301
- Initial Output Patch Settings 302
- DIRECT OUT 2TR OUT Digital 303
- Bank 1 (GM Vol & Pan) 306
- Bank 3 (XG Vol & Pan) 308
- Bank 4 (Nuendo VST Mixer) 309
- Effects Parameters 310
- MOD. DELAY 311
- DELAY LCR 311
- SYMPHONIC 312
- AUTO PAN 312
- Effects Parameters 313 313
- AMP SIMULATE 314
- DYNA. FILTER 314
- DYNA. FLANGE 314
- DYNA. PHASER 314
- REV+CHORUS 314
- REV->CHORUS 315
- REV+FLANGE 315
- REV->FLANGE 315
- REV+SYMPHO 315
- REV->SYMPHO 316
- REV->PAN 316
- DELAY+ER 316
- DELAY->ER 317
- DELAY+REV 317
- DELAY->REV 318
- DIST->DELAY 318
- MULTI FILTER 318
- ST REVERB 319
- REVERB 5.1 319
- OCTA REVERB 319
- AUTO PAN 5.1 319
- CHORUS 5.1 320
- FLANGE 5.1 320
- SYMPHO. 5.1 320
- M.BAND DYNA 320
- COMP 5.1 321
- COMPAND 5.1 321
- Preset EQ Parameters 323
- Preset Gate Parameters 324
- (fs = 44.1 kHz) 325
- Dynamics Parameters 327
- COMP Section 329
- COMPANDER HARD (H) 331
- COMPANDER SOFT (S) 331
- Appendix B: Specifications 332
- General Spec 333 333
- Appendix B: Specifications 334
- EQ Parameters 335
- Gate Parameters 335
- Comp Parameters 336
- Libraries 337
- Analog Input Spec 337
- Analog Output Spec 337
- Digital Input Spec 338
- Digital Output Spec 338
- I/O Slot Spec (1–2) 339
- Control I/O Spec 339
- REMOTE Port 340
- CONTROL Port 340
- Dimensions 341
- Appendix C: MIDI 343
- 344 Appendix C: MIDI 344
- CHANNEL2 345
- 346 Appendix C: MIDI 346
- CHANNEL4 347
- 348 Appendix C: MIDI 348
- CHANNEL6 349
- 350 Appendix C: MIDI 350
- CHANNEL8 351
- 352 Appendix C: MIDI 352
- CHANNEL10 353
- 354 Appendix C: MIDI 354
- CHANNEL12 355
- 356 Appendix C: MIDI 356
- CHANNEL14 357
- 358 Appendix C: MIDI 358
- CHANNEL16 359
- MIDI Data Format 360
- MIDI Data Format 361 361
- 362 Appendix C: MIDI 362
- MIDI Data Format 363 363
- 364 Appendix C: MIDI 364
- MIDI Data Format 365 365
- 366 Appendix C: MIDI 366
- MIDI Data Format 367 367
- 368 Appendix C: MIDI 368
- MIDI Data Format 369 369
- 370 Appendix C: MIDI 370
- MIDI Data Format 371 371
- 372 Appendix C: MIDI 372
- MIDI Data Format 373 373
- MB1000 Peak Meter Bridge 374
- Meter Bridge Controls 375
- 376 Appendix D: Options 376
- 382 Index 382
- MIDI Implementation Chart 384
- DM1000 Block Diagram 385
- DM1000 Level Diagram 386
Related products and manuals for Supplementary music equipment Yamaha DM1000
(2 pages)
(8 pages)© 2020, manymanuals.com. All rights reserved. | 0.811 s |
Manymanuals.com
Manymanuals.de
Manymanuals.fr
Manymanuals.it
Manymanuals.pl
Manymanuals.cz
Manymanuals.es
Manymanuals-pt.com
Comments to this Manuals