Yamaha DGX-650 Owner's Manual Page 61

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Style (Auto Accompaniment) Functions
DGX-650 Owner’s Manual
61
Reference
Setting the Split Point
The point on the keyboard that separates the left-hand
range and the right-hand range of the keyboard is
called the “Split Point.
When a Style is selected and ACMP is on, the notes
played to the left of the Split Point are used to specify
the chord for Style playback. When the Split function
is on, the notes played to the left of the Split Point are
used to play the Split Voice.
The initial default Split Point is key number 54 (the
F#2 key), but you can change it to another key.
1
Press the [FUNCTION] button.
2
Use the CATEGORY [r] and [f] but-
tons to call up “Split Point.
3
Rotate the dial to set the Split Point
between 021 (A-1) and 108 (C7).
To restore the value to the default setting, press
[+]/[-] buttons simultaneously.
Setting the Chord Fingering
There are three different Fingering Types which let
you specify the chord type for Style playback or use
the entire keyboard range for chord specifying.
1
Press the [STYLE] button.
2
Holding down the [ACMP ON/OFF] but-
ton for longer than a second to call up
the “Chord Fingering” display.
3
Use the dial to select the desired setting.
• The Split Point set here is applied to both the Style and
Voice.
• During the Lesson playback, the Split Point cannot be
changed.
Split Point
Split point (54: F#2)
Split voice
Main voice
NOTE
1 (Multi Finger)
Recognizes the various chord types
which are listed on the separate Data
List, including “Easy Chords” (this
book, page 30).
2 (FullKeyboard)
Detects chords in the entire key
range. Chords are detected in a way
similar to 1 (Multi Finger), even if you
split the notes between your left and
right hands — for example, playing a
bass note with your left hand and a
chord with your right, or by playing a
chord with your left hand and a mel-
ody note with your right. In this mode,
Easy Chords cannot be detected.
3 (AI Fingered)
Less than three notes can be played
to indicate the chords (based on the
previously played chord, etc.).
Hold for longer
than a second.
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