Yamaha MY8-AD24 User Manual Page 6

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Compressor 276 (mono)
Compressor 276S
EQ601
Compressor 260(mono)/Compressor 260S
Block Diagram / Dimensions
Software packages are available for adding unique and valuable effect programs to
the 01V96 internal effect programs. With the 01V96 Version 2, You can add optional
ADD-ON EFFECTS to the original collection of preset effects. You can edit, store and
recall ADD-ON EFFECTS on the console in the usual way. In addition, a special GUI is
available in the STUDIO MANAGER Version 2 editor to manage these effects.
The names of programs or menus incorporated in ADD-ON EFFECTS are for descriptive purposes only. Reference to product names, trademarks, artists and songs is made for the sole purpose of identifying products and
sounds studied for modeling and describing the sound nuances Yamaha attempted to create through use of its proprietary technology. Such reference does not constitute representations that they physically possess
equal qualities, and does not imply any cooperation or endorsement by such manufacturers or artists. The products, trademarks are the property of their respective owners.
Block Diagram
Dimensions
CHANNEL STRIP PACKAGE (AE-011)
This compressor and EQ package
faithfully captures the unique
saturation effect of analog circuitry.
Includes five models that employ VCM technology to
recreate the sound and characteristics of classic
compression and EQ units from the 70’s.
Fine-tuned by leading engineers, and featuring carefully
selected parameters in a simple interface.
Compressor 276 (mono)/Compressor 276S (stereo):
Recreate the fast response, frequency characteristics,
and tube-amp saturation of the most in-demand analog
compressors for studio use.
Compressor 260 (mono)/Compressor 260S (stereo):
Features faithful modeling of the solid-state VCA and
RMS detection circuitry of the late 70’s for live sound
reinforcement applications.
Equalizer 601: Delivers the unique characteristics of
70’s analog EQ circuitry, featuring graphical editing
capability on both the console and PC displays.
MASTER STRIP PACKAGE
(AE-021)
The MASTER STRIP
package that faithfully
captures the tape
saturation of analog circuitry.
Employs VCM technology to recreate both the
analog circuitry and tape characteristics that
shaped the sound of open-reel tape recorders.
The Open Deck provides models of four
machine types: Swiss ’70, Swiss ’78, Swiss ’85,
and American ’70. You can even combine
different record and playback decks for a wider
range of variation.
You also have a choice of “old” and “new” tape
types, tape speed, bias, and EQ settings that
can vary the “focus” of the sound, distortion,
and saturation characteristics.
REVERB PACKAGE (AE-031)
Latest REV-X algorithms first
introduced in Yamaha’s
SPX2000 .
Reverb ADD-ON EFFECTS employing the
latest REV-X algorithms first introduced in
Yamaha’s SPX2000 Professional Multi
Effect Processor.
The REV-X programs feature the richest
reverberation and smoothest decay
available, based on years of dedicated
research and development.
Hall, Room, and Plate programs are
provided.
The Hall and Room programs have a very
open sound, while Plate delivers a brighter
tonality that is ideal for vocals.
• ADD-ON EFFECTS can be only used with the DM2000 Version 2, DM1000 Version 2, 02R96 Version 2 and 01V96 Version 2. • To use ADD-ON EFFECTS with the DM2000 Version 2,
DM1000 Version 2, 02R96 Version 2 or 01V96 Version 2, please note the following. 1) The DM2000, DM1000, 02R96 or 01V96 must be Version 2 or higher. 2) Your personal
computer must have a USB port and internet connection capability. 3) You must get web approval from Yamaha using the access key issued by the Yamaha approval server.
* When applying for web approval, use the CD-ROM and approval code within each ADD-ON EFFECTS package.
[STEREO OUT]
L
R
(+4dBu)
L
R
(-10dBV)
DA
DA
STEREO L
STEREO R
SOLO L
SOLO R
AUX 1
AUX 8
BUS1
BUS2
BUS3
BUS4
BUS5
BUS6
BUS7
STEREO L
INPUT 1(...32)
SOLO
DIRECT OUT
1(...32)
PAN
PAN
ON LEVEL
INPUT
PATCH
Same as stereo master L
STEREO R
BUS 1(...8)
PAN
BUS to STEREO
ON
2
2TRD
L/R
[2TR IN
DIGITAL]
COAXIAL
SLOT
16
SLOT
1-16
AD
x 2
[INPUT]
(13 -14)
GAIN
AD13-14
[SLOT]
8
ADAT1-8
[ADAT IN]
AD
x12
[INPUT]
(1-12)
+48V
(each 4ch )
[INSERT I/O]
GAIN
AD1-12
0
20
OFF
ON
A
B
PAD
[INPUT]
(15)
GAIN
GAIN
AD 15
AD 16
[2TR IN](L)
RCA
AD
[INPUT]
(16)
RCA
[2TR IN](R)
AD
CH15/16/
2TR IN
PRE/POST
ON AUX
LFE
AUX1(...8)
SOLO R
SOLO L
MONO
SOLO LOGIC
[PHONES]
PHONES
LEVEL
[MONITOR OUT]
L
R
MONITOR OU T
LEVEL
DA
DA
[2TR IN]
RCA
L
R
MONITOR
/2TR IN
[2TR OUT DIGITAL]
[OMNI OUT]
OMNI 1
OMNI 2
OMNI 3
OMNI 4
SLOT 16
SLOT
COAXIAL
50
INSERT OUT
32
DIRECT OUT 1-32
8
AUX1-8
8
BUS1-8
2
STEREO
[SLOT OUT]
3
4
[ADAT OUT]
ADAT
8
2
2TR DIGITAL
DITHER
DITHER
DITHER
DA
DA
DA
DA
1
2
OUTPUT PATCH
STEREO L
STEREO R
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
SIGNAL
PEAK
BUS8
ST IN 1-4
SOLO
PAN
ON LEVEL
2
8
8
ATT
4BAND
EQ
INPUT
DELAY
Key in 12ch
Group (1-12,1 3-24....)
AUX 1-8
INSERT
GATE
(Gain Reduction)
(Out Meter)
METER
INSERT
COMP
(Gain Reduction)
Key in
Self or Stereo Link
(Out Meter)
AUX1-8
INSERT
SEND
AUX1-8
INSERT
SEND
8
50
EFFECT
METER
SELECT
FX1 SEND
1-2
FX1
8
50
EFFECT
SELECT
FX2 SEND
1-2
FX2
AUX1-8
INSERT
SEND
AUX1-8
INSERT
SEND
8
50
EFFECT
FX3 SEND
1-2
FX3
8
50
EFFECT
FX4 SEND
1-2
FX4
FX1
Return
L/R
FX2
Return
L/R
FX3
Return
L/R
FX4
Return
L/R
ATT
4BAND
EQ
OUTPUT
DELAY
ATT
4 BAND
EQ
INSERT INSERT
LEVELON BAL
INSERT
COMP
(Gain Reduction) (Out Meter)
ATT
4 BAND
EQ
INSERT INSERT
LEVELON
INSERT
(Gain Reduction) (Out Meter)
LEVEL
2
ON
CASCADE SELECT
BUS1 BUS
BUS8 BUS
STEREO L BUS
STEREO R BUS
SOLO L BUS
SOLO R BUS
AUX1 BUS
AUX8 BUS
SINE100Hz
SINE1kHz
SINE10kHz
PINK NOISE
BURST NOISE
LEVEL
OSCILLATOR
ON
TRIM
OUTPUT SOLO
BUS1-8
8
AUX1-8
8
PRE/POST
ON AUX
LFE
GAIN
GAIN
[2TR OUT]
When 96kHz FX3, 4 cannot be used.
SOLO TRIM
MONITOR TRIM
Stereo Configuration
STEREO BUS
AUX1-8 BUS
for cascade
SOLO BUS
STEREO L
STEREO R
METER
METER
METER
METER METER
METER METER
SELECTSELECT
METER
METER
METER
METER
METER
METER
METER
to OUT PATCH
for cascade
METER
METER
METER
METER
METER
METER METER
METER
COMP
OUTPUT
DELAY
The same the above
436 mm (430 mm excluding screw heads)
150 mm
540 mm
VINTAGE STOMP PACKAGE (AE-051)
In this package, virtual Circuitry Modeling
technology delivers faithful models of the
classic much-in-demand stomp boxes
from the 70’s that helped shape the sound of music history.
What is VCM technology?
VCM (Virtual Circuitry Modeling) technology actually models the characteristics
of analog circuitry – right down to the last resistor and capacitor. VCM
technology goes well beyond simply analyzing and modeling electronic components and emulating
the sound of old equipment. It’s capable of capturing subtleties that simple digital simulations
cannot even approach, while actually creating ideal examples of sought-after vintage gear.
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