Yamaha MY8-AD24 User Manual download pdf

Printed in Japan

LPA480

This document is printed

on chlorine-free (ECF)

paper with soy ink.

Number Of Scene Memories

Sampling Frequency

Internal 44.1kHz, 48kHz, 88.2kHz, 96kHz

External Normal rate 44.1kHz -10% – 48kHz + 6%

Double rate 88.2kHz -10% – 96kHz + 6%

Signal Delay

1.6 ms CH INPUT to STEREO OUT (@Sampling frequency = 48kHz)

0.8 ms CH INPUT to STEREO OUT (@Sampling frequency = 96kHz)

Fader

100 mm motorized x 17

Total Harmonic Distortion*

CH INPUT to STEREO OUT

Input Gain=Min.

0.05% 20Hz to 20kHz @+14 dB into 600 Ω

0.01% 1kHz @+24 dB into 600 Ω

(@Sampling frequency = 48kHz)

0.05% 20Hz to 40kHz @+14 dB into 600 Ω

0.01% 1kHz @+24 dB into 600 Ω

(@Sampling frequency = 96kHz)

Frequency Response

CH INPUT to STEREO OUT

0.5, -1.5 dB 20Hz – 20kHz @ + 4 dB into 600 Ω (@Sampling frequency = 48kHz)

0.5, -1.5 dB 20Hz – 40kHz @ + 4 dB into 600 Ω (@Sampling frequency = 96kHz)

Dynamic Range

110 dB typ. DA Converter (STEREO OUT)

(Maximum Level To Noise Level)

105 dB typ. AD+DA (to STEREO OUT) @fs = 48kHz

105 dB typ. AD+DA (to STEREO OUT) @fs = 96kHz

Hum & Noise**

-128 dB equivalent input noise

(20Hz-20kHz)

-86 dB residual output noise. STEREO OUT

Rs = 150 Ω

STEREO OUT off

Input Gain = Max.

-86 dB (90 dB S/N) STEREO OUT

Input Pad = 0 dB

STEREO fader at nominal level and all CH INPUT faders at minimum level

Input Pad = 0 dB

-64 dB (68 dB S/N) STEREO OUT

Input Sensitivity = -60 dB

STEREO fader at nominal level and one CH INPUT fader at nominal level

Maximum Voltage Gain

74 dB CH INPUT (CH1–12) to STEREO OUT/OMNI (BUS) OUT

40 dB CH INPUT (CH13–16) to STEREO OUT

74 dB CH INPUT (CH1–12) to OMNI (AUX) OUT (via pre input fader)

74 dB CH INPUT (CH1–12) to MONITOR OUT (via STEREO BUS)

Crosstalk (@1kHz)

80 dB adjacent input channels (CH1–12)

Input Gain = Min.

80 dB adjacent input channels (CH13–16)

80 dB input to output

Power Requirements

U.S/Canada 120 V 90 W 60Hz

Others 220–240 V 90 W 50/60Hz

Dimensions

430 (W) x 540 (D) x 150 (H) mm

Net Weight

15 kg

Operating Free-Air Temperature Range

10 – 35 °C

Storage Temperature Range

-20 – 60 °C

Accessories

AC Cable, CD-ROM (STUDIO MANAGER)

Option

Digital interface card (MY16, MY8, MY4 series), RACK MOUNT KIT: RK1

Number of factory presets Number of user libraries

Effect libraries (EFFECT1-4)

44 76

Compressor libraries

36 92

Gate libraries

4 124

EQ libraries

40 160

Channel libraries

2 127

Input patch libraries

132

Output patch libraries

1 32

* Total Harmonic Distortion is measured with a 6 dB/octave filter @80kHz.

** Hum & Noise are measured with a 6 dB/octave filter @12.7kHz; equivalent to a 20kHz filter with infinite dB/octave attenuation.

A: XLR-3-31 type

(Balanced)

B: Phone Jack (TRS)

(Balanced)

*1. Sensitivity is the lowest level that will produce an output of + 4 dB (1.23 V) or the nominal output level when the unit is set to maximum gain.

(all faders and level controls are maximum position.)

*2. XLR-3-31 type connectors are balanced. (1 = GND, 2 = HOT, 3 = COLD)

*3. Phone jacks are balanced. (Tip = HOT, Ring = COLD, Sleeve = GND)

*4. CH INSERT IN/OUT phone jacks are unbalanced. (Tip = OUTPUT, Ring = INPUT, Sleeve = GND)

• In these specifications, when dB represents are specific voltage, 0 dB is referenced to 0.775 Vrms.

• For 2TR IN levels, 0 dBV is referenced to 1.00 Vrms.

• All input AD converters (CH INPUT 1–16) are 24bit linear, 128 times oversampling (@fs = 44.1, 48kHz).

• +48 V DC (phantom power) is supplied to CH INPUT 1–12 XLR type connectors.

3 PHANTOM + 48 V switches CH1–4, 5–8, 9–12 turn on the phantom power for inputs 1–4, 5–8, 9–12 respectively.

Phone Jack (TRS)

(Balanced)

ANALOG INPUT CHARACTERISTICS

10k Ω

3k Ω

600 Ω Lines

50–600 Ω

Mics &

600 Ω Lines

Connector

In Console

Sensitivity

Input Level

Nominal

Max. Before Clip

Actual Load

Impedance

For Use With

Nominal

PAD GAIN

CH INPUT A/B

1-12

-60dB

-70 dB (0.245 mV) -60 dB (0.775 mV) -40 dB (7.75 mV)

-26 dB (38.8 mV) -16 dB (123 mV) +4 dB (1.23 V)

-6 dB (388 mV) +4 dB (1.23 V) +24 dB (12.28 V)

-26dB

-36 dB (12.3 mV) -26 dB (38.8 mV) -6 dB (388 mV)

+4dB

-6 dB (388 mV) +4 dB (1.23 V) +24 dB (12.28 V)

10k Ω

600 Ω Lines

CH INSERT IN 1–12

-6 dB (388 mV) +4 dB (1.23 V) +24 dB (12.28 V)

Input

Terminals

Output Terminals

-16dB

CH INPUT 13–16

RCA Pin Jack

(Unbalanced)

Phone Jack (TRS)

(Unbalanced)

10k Ω

600 Ω Lines

2TR IN ANALOG [L, R]

-10 dBV (316 mV) -10 dBV (316 mV) +10 dBV (3.16 V)

*1. XLR-3-32 type connectors are balanced. (1 = GND, 2 = HOT, 3 = COLD )

*2. Phone jacks are balanced. (Tip = HOT, Ring = COLD, Sleeve = GND )

*3. CH INSERT IN/OUT phone jacks are unbalanced. (Tip = OUTPUT, Ring = INPUT, Sleeve = GND)

*4. PHONES stereo phone jack is unbalanced. (Tip = LEFT, Ring = RIGHT, Sleeve = GND)

• In these specifications, when dB represents are specific voltage, 0 dB is referenced to 0.775 Vrms.

• 2TR OUT [L, R], 0 dBV is referenced to 1.00 Vrms.

• All output DA converters are 24bit, 128 times oversampling (@fs = 44.1, 48kHz).

ANALOG OUTPUT CHARACTERISTICS

100 Ω

Actual Source

Impedance

For Use With

Nominal

Max. Before Clip

8 Ω Phones 4 mW 25 mW

40 Ω Phones 12 mW 75 mW

Output Level

Connector In Console

STEREO OUT [L, R]

OMNI OUT 1–4

PHONES

150 Ω 600 Ω Lines +4 dB (1.23 V) +24 dB (12.28 V) XLR-3-32 type (Balanced)

150 Ω

600 Ω Lines +4 dB (1.23 V) +24 dB (12.28 V)

Phone Jack (TRS) (Balanced)

150 Ω 600 Ω LinesMONITOR OUT [L, R] +4 dB (1.23 V) +24 dB (12.28 V)

Phone Jack (TRS) (Balanced)

10k Ω 600 Ω Lines2TR OUT [L, R]

-10 dBV (316 mV)

+10 dBV (3.16 V) RCA Pin Jack (Unbalanced)

Stereo Phone Jack (TRS)

(Unbalanced)

600 Ω 10 k Ω LinesCH INSERT OUT 1–12 +4 dB (1.23 V) +24 dB (12.28 V)

Phone Jack (TRS) (Unbalanced)

DIGITAL OUTPUT CHARACTERISTICS

Terminal LevelData LengthFormat

Connector In Console

IEC-60958

ADAT

2TR IN DIGITAL

ADAT IN

24bit 0.5 Vpp/75 Ω RCA Pin Jack

24bit OPTICAL

DIGITAL INPUT CHARACTERISTICS

*1. ALESIS Proprietary Multichannel Optical Digital Interface Format.

GENERAL SPECIFICATIONS

*1. channel status of 2TR OUT DIGITAL

type : linear PCM

category code : Digital signal mixer

copy prohibit : NO

emphasis : NO

clock accuracy : Level II (1000 ppm)

sampling rate : depends on the internal configuration

*2. dither : word length 16/20/24bit

*3. ALESIS Proprietary Multichannel Optical Digital Interface Format.

LIBRARIES

Terminal LevelData LengthFormat

Connector In Console

IEC-60958

Consumer use

ADAT

2TR OUT DIGITAL

ADAT OUT

24bit

0.5 Vpp/75 Ω RCA Pin Jack

24bit OPTICAL-

• Specifications and appearance subject to change without notice.

• All trademarks and registered trademarks are property of their respective owners.

Windows

is a trademark of Microsoft Coporation.

Macintosh

is a trademark of Apple Computer, Inc.

Nuendo

is a trademark of Steinberg Media Technologies AG.

Pro Tools

and Digidesign

are trademarks of Avid Technology Inc.

Adat is a trademark of Alesis Corporation.

Tascam, TDIF are trademarks of Teac Corporation.

CONTROL I/O CHARACTERISTICS OPTION

Terminal LevelFormat

Connector in Console

TO HOST USB

MIDI

WORD

CLOCK

0 V – 3.3 V USB

MIDI

OUT

THRU

OUT

TTL/ 75 Ω

B type USB connector

DIN Connector 5P

BNC Connector

*1. MIDI IN can use as TIME CODE IN MTC.

RK1

Rack-Mount Kit

www.yamahaproaudio.com

Specifications

1 2 3 4 5 6

Summary of Contents

Page 1 - LIBRARIES

Printed in JapanLPA480This document is printed on chlorine-free (ECF) paper with soy ink. Number Of Scene Memories99Sampling Frequency Internal 44.1

Page 2 - No Compromise. Just Smaller

Yamaha’s flagship digital mixing consoles are the accepted standards throughout the world: the awesome PM1D for sound reinforcement, broadcast, and th

Page 3

Cutting-edge Performance, Capacity, Control & CompatibilityCOMP EDIT EQUALIZER EDITINPUT PATCH Advanced Input Functioning Channel Strips With Pre

Page 4

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Page 5 - STUDIO MANAGER Version 2

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Page 6 - Dimensions

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