Yamaha MSS1 User Manual download pdf (Page 19)

Hot

Tips

A Detune Flange

Program

For the

SPX90

By

P.J.

Otto

I have discovered a way to create flange

effects using

the

Pitch

Change

A program

( # 21) of the

SPX90.

The

difference between

this effect and regular flange

is

that

the sweep

will appear

to

rise or fall continuously,

de-

pending

on

how

the

FINE

parameter

is

set.

Also, the effect

is

retriggered by each new note.

Start with

Pitch

Change A program, and set

the values

as

follows:

PITCH: 0

FINE: 1 to 4 or - 1 to - 4

DELAY:

0.1

F.

B.

GAIN: 25% to

50%

BALANCE:

50%

Continued

fnnn

page

I 7

An

Electric Drums

Program

For

The

SPX90

By

P.J.

Otto

With

this

patch,

you

can

use a

rhythm

machine

or

even real drums

to

simulate

the

popular sound of synthesized drums.

The

patch

uses the

PITCH

CHANGE

A program

(#21)

to drop the pitch of a percussion sound quickly.

Start

with the

Pitch

Change A program, and

enter the following values:

PITCH:

-2

FINE: 0

DELAY:

40.0

F.

B.

GAIN:

60%

BALANCE:

100%

Changing the

PITCH

to

+

2 will reverse the

direction

of

the effect.

TET

US

HEAR

FROM

YOU!

We

want

AfterTouch to be

an

information network

Lfor

all

users

of

Yamaha professional musical products,

so

please

join

in. We're

looking for

many

different kinds

of

material.

Have you created

an

incredible

patch

for

the

DX7 II,

the

DXlOO,

or

any

of

the

other

members

of

the

Yamaha FM digital synthesizer family? How about a program

for

the

CX5M

II

music

computer

or

a great

pattern

or

voice for

the

RX5?

Send

in

your patches, programs,

and

patterns. If we use your material, we'll give you full

credit plus

$25.00

for

each

item used.

Have you discovered a trick

that

increases

the

musical flexibility

of

one

of

the

Yamaha

After

Touch

products?

Send

it in to our

"Hot

Tips"

column. If we use your

hot

tip, you'll receive full credit plus a

check

for

$25.00.

Have you developed a

new

approach to

one

of

the

Yamaha After Touch

instru-

ments,

or

have you discovered

an

important secret regarding

their

use?

Put

it

on

paper

and

send it to us.

Don't

worry about your writing

style-just

get

the

informa-

tion down. If we decide to use your material

as

a full article in After Touch, we'll

write it up,

put

your

name

on

it,

and

send you a check for

$100.00.

(An

After Touch

article always covers

at

least

one

magazine

page-which

translates to

at

least four

double-spaced pages

of

typescript.)

By

the

way,

we

cannot

assume liability for

the

safe

return

of

unused ideas,

patches,

or

manuscripts.

We

will only be able to

return

unused material if you

en-

close a self-addressed, stamped envelope with your submission.

If you just have a question regarding

the

use

of

Yamaha professional musical

products, send it along too,

and

we'll do our best to answer it

in

the

pages

of

After

Touch. (We regret

that

we

won't

be able to answer questions through

the

mail,

but

we

will use all

of

your questions to guide

us

in our choice

of

future topics.)

Finally, if you just

want

to get something off your chest,

or

if you'd like to

estab-

lish direct

contact

with

other

Yamaha

After

Touch product users, send in something

to our

"Letters"

column. We'll do our best to print names, addresses,

and

phone

numbers

of

all those who are interested

in

starting up regional users groups.

After

Touch

is

your publication. Let

us

hear

from

you!

Write

To:

AFTER-

TOUCH,

P.O.

Box

7938,

Northridge,

CA

91327-7938.

Vol.

4 No.

2/

AITERTOUCH

19

1 2 ... 14 15 16 17 18 19 20

Comments to this Manuals

No comments