Yamaha MDF1 User Manual

Browse online or download User Manual for Synthesizer Yamaha MDF1. March 1987

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-TM
THE OFFICIAL PUBLICATION
OF
THE YAMAHA USERS
GROUP
MARCH 1987
GVAMAHA®
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Summary of Contents

Page 1 - GVAMAHA®

- - - ---------- -- -------------- ----------TM THE OFFICIAL PUBLICATION OF THE YAMAHA USERS GROUP MARCH 1987 GVAMAHA®

Page 2 - --~---~i=~ErS

RXS An lntro .. duction To Yamaha's New Digital Rhythm Pro .. grammer. By Tom Darter. RXS digital rhythm programmer. WELCOME TO THE FUTURE! Or, r

Page 3 - AFTERTOUCH 3

INSTRUMENT{ [][J[][]LJ[]LJDDLJ[]D KEYS DLJLJ[][][]LJ[]DLJLJ[] INTERNAL 801 so 1 RIM1 E Tom 1 VOICES 802 S02 RIM2 Tom 1 CARTRIDGE 803 S03 Cga HMT CgaH

Page 4 - Cheramie

RXS The 2 8 voices available on the ROM Waveform Data Car-tridge that comes with the RX5. Continued straightforward, as it has been on all of the RX S

Page 5 - ><

• attack • decay Each of these sound edits is stored as part of the pattern memory, and does not alter the basic voice. Whenever you move into Key As

Page 6 - "'

RX5 Continued AR = Attack Rate (parameter 1) D1 R = Decay 1 Rate (parameter 2) D1 L = Decay 1 Level (parameter 3) D2R = Decay 2 Rate (parameter

Page 7 - ~"'0\0•

played by the RXS with no problems. However, it is not necessary to use a MIDI sequencer to record patterns when playing the RX5 from a velocity-s

Page 8 - 1) Each track repre

RXS Continued data storage. The RAM cartridge can be used to store all Voice data, all Sequence (Pattern, Song, and Chain) data, all Voice and Seque

Page 9 - AITERTOUCH 9

I name: Dark Voice II 1: MaleVoices 5: assign mode NORM 2: MaleVoices 6: micro tune select OCT. 3: 7: effect select OFF 4: 8: inst. number 2 3

Page 10 - 10 AFTERTOUCH/Vol. 3

TX81Z Brs'n'Wind. A NEWTX81Z Performance Setup By Michael A. Huisman. 18 AFTERTOUCH/Vol. 3 No.3 I name: Brs 'n 'Wind ~ 1 : Tpt&a

Page 11 - DLJLJ[][][]LJ[]DLJLJ[]

DX Music Sessions HAL LEONARD PUBLISHING has put together a very useful educational package for users of Yamaha DXlOO and DX27 synthesiz-ers. Called

Page 12 - AFTERTOUCH/Vol. 3 No. 3

Editor Tom Darter Operations Sibyl Darter Editorial Board Bob Frye Bill Hinely Mark Koenig Jim Smerdel Cover Photograph Jim Hagopian AFfERTOUCH is pub

Page 13 - AITERTOUCH

AFTERTOUCH P.O. Box 2338 Bulk Rate U.S. Postage PAID Northridge, CA 91323.-2338 -----------Long Prairie, MN Permit No. 33 QX5 Continued from page 9

Page 14 - AFTERTOUCH!Vol. 3 No. 3

From The Editor AFTERTOUCH MARCHES ON! In this issue, we take a close look at yet another new Yamaha product, the RXS digital rhythm programmer. Yo

Page 15 - 3 No. 3/AFfERTOUCH

DX9 ENTRANCE. ANewDX9 Voice By Eldon J. Cheramie. These DX9 voices can also be loaded into all of Yamaha's 6~operator FM digital syn~ thesizers a

Page 16 - 16 AITERTOUCH!Vol. 3

~ '-" z 9 '-" ;; ~ ~ 8 ~ 1.1\ z ~Q if~ W::o ~§ ~ g w "' g 0 0 RANGE S/H WAVE OFF OFF OFF MODULATION WHEEL BREATH OFF OF

Page 17

~ 0 ;;!~ ~5 WB ~~ ~ U) g ~ :1! 25 99 RANGE TRI WAVE POLY POLY M:lNO d ~0\~ C!)rn~Ocl o00 ~B ,_:jz ~~ ~ <~CI)CI)d z~z u ... ... ;;.. <~<~::

Page 18 - AFTERTOUCH/Vol. 3

~ w z ? w > ~ tT1 ~ 0 c () ::c -..) _,tj ~~ ~::> w§ t5 ~ g ~ " 0 99 RANGE SINE WAVE POLY POLY MONO OFF ON PITCH 23 SPEED 12 PITCH BEND RANG

Page 19 - Sessions

QX5 A Detailed Guide To Cre .. ating Music WithTheQX5 Digital Sequence Recorder, Part 2. By Scott Plunkett. THE YAMAHA QXS Digital Sequence Recorder i

Page 20 - AFTERTOUCH!Vol. 3 No. 3

by F3 and F4 in the LCD display. You can also specify a measure before the actual punch-in point from which playback will begin. This "pre-ro

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