
- - - ---------- -- -------------- ----------TM THE OFFICIAL PUBLICATION OF THE YAMAHA USERS GROUP MARCH 1987 GVAMAHA®
RXS An lntro .. duction To Yamaha's New Digital Rhythm Pro .. grammer. By Tom Darter. RXS digital rhythm programmer. WELCOME TO THE FUTURE! Or, r
INSTRUMENT{ [][J[][]LJ[]LJDDLJ[]D KEYS DLJLJ[][][]LJ[]DLJLJ[] INTERNAL 801 so 1 RIM1 E Tom 1 VOICES 802 S02 RIM2 Tom 1 CARTRIDGE 803 S03 Cga HMT CgaH
RXS The 2 8 voices available on the ROM Waveform Data Car-tridge that comes with the RX5. Continued straightforward, as it has been on all of the RX S
• attack • decay Each of these sound edits is stored as part of the pattern memory, and does not alter the basic voice. Whenever you move into Key As
RX5 Continued AR = Attack Rate (parameter 1) D1 R = Decay 1 Rate (parameter 2) D1 L = Decay 1 Level (parameter 3) D2R = Decay 2 Rate (parameter
played by the RXS with no problems. However, it is not necessary to use a MIDI sequencer to record patterns when playing the RX5 from a velocity-s
RXS Continued data storage. The RAM cartridge can be used to store all Voice data, all Sequence (Pattern, Song, and Chain) data, all Voice and Seque
I name: Dark Voice II 1: MaleVoices 5: assign mode NORM 2: MaleVoices 6: micro tune select OCT. 3: 7: effect select OFF 4: 8: inst. number 2 3
TX81Z Brs'n'Wind. A NEWTX81Z Performance Setup By Michael A. Huisman. 18 AFTERTOUCH/Vol. 3 No.3 I name: Brs 'n 'Wind ~ 1 : Tpt&a
DX Music Sessions HAL LEONARD PUBLISHING has put together a very useful educational package for users of Yamaha DXlOO and DX27 synthesiz-ers. Called
Editor Tom Darter Operations Sibyl Darter Editorial Board Bob Frye Bill Hinely Mark Koenig Jim Smerdel Cover Photograph Jim Hagopian AFfERTOUCH is pub
AFTERTOUCH P.O. Box 2338 Bulk Rate U.S. Postage PAID Northridge, CA 91323.-2338 -----------Long Prairie, MN Permit No. 33 QX5 Continued from page 9
From The Editor AFTERTOUCH MARCHES ON! In this issue, we take a close look at yet another new Yamaha product, the RXS digital rhythm programmer. Yo
DX9 ENTRANCE. ANewDX9 Voice By Eldon J. Cheramie. These DX9 voices can also be loaded into all of Yamaha's 6~operator FM digital syn~ thesizers a
~ '-" z 9 '-" ;; ~ ~ 8 ~ 1.1\ z ~Q if~ W::o ~§ ~ g w "' g 0 0 RANGE S/H WAVE OFF OFF OFF MODULATION WHEEL BREATH OFF OF
~ 0 ;;!~ ~5 WB ~~ ~ U) g ~ :1! 25 99 RANGE TRI WAVE POLY POLY M:lNO d ~0\~ C!)rn~Ocl o00 ~B ,_:jz ~~ ~ <~CI)CI)d z~z u ... ... ;;.. <~<~::
~ w z ? w > ~ tT1 ~ 0 c () ::c -..) _,tj ~~ ~::> w§ t5 ~ g ~ " 0 99 RANGE SINE WAVE POLY POLY MONO OFF ON PITCH 23 SPEED 12 PITCH BEND RANG
QX5 A Detailed Guide To Cre .. ating Music WithTheQX5 Digital Sequence Recorder, Part 2. By Scott Plunkett. THE YAMAHA QXS Digital Sequence Recorder i
by F3 and F4 in the LCD display. You can also specify a measure before the actual punch-in point from which playback will begin. This "pre-ro
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