Yamaha S30 Owner's Manual Page 120
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- Table of contents
- TROUBLESHOOTING
- BOOKMARKS
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120
Performance Mode
■ FMod (Filter Modulation Depth)
Set the amount by which the filter Cutoff frequency
changes when the Modulation Wheel is used.
❏Settings: 0 ~ 127
■ AMod (Amplitude Modulation Depth)
Set the amount by which the amplitude modulation
changes when the Modulation Wheel is used.
❏Settings: 0 ~ 127
CTL AT Control (AT Control Depth)
(Multi Plug-in Parts only)
Keyboard aftertouch can be used to control the
pitch/filter/amplitude parameters for each Multi Plug-
in Part (17 to 32).
■ Pitch
Set the amount (in semitones) by which the pitch
changes when aftertouch is applied.
❏Settings: -24 ~ +24
■ Filter
Set the amount by which the filter Cutoff frequency
changes when aftertouch is applied.
❏Settings: -64 ~ +63
■ Amp
Set the amount by which the output level
(amplitude) changes when aftertouch is applied.
❏Settings: -64 ~ +63
CTL AT Modulation (AT Modulation
Depth) (Multi Plug-in Parts only)
Keyboard aftertouch can be used to control the amount
of pitch/filter/amplitude modulation applied to each
Multi Plug-in Part (17 to 32).
■ PMod (Pitch Modulation Depth)
Set the amount by which the pitch modulation
changes when aftertouch is used.
❏Settings: 0 ~ 127
■ FMod (Filter Modulation Depth)
Set the amount by which the filter Cutoff frequency
changes when aftertouch is used.
❏Settings: 0 ~ 127
CTLíAT Modulation) PMod FMod AMod
Part17 127 127 127
CTLíAT Control) Pitch Filter Amp
Part17 +24 +63 +63
■ AMod (Amplitude Modulation Depth)
Set the amount by which the amplitude modulation
changes when aftertouch is used.
❏Settings: 0 ~ 127
CTL AC Control (AC Control Depth)
(Multi Plug-in Parts only)
Control Changes (Assignable Controllers) can be used
to control the filter/amplitude parameters for each
Multi Plug-in Part (17 to 32).
■ Source
Set the MIDI Control Change number used to
control the Filter/Amp parameters.
❏Settings: off, 1 ~ 95
■ Filter
Set the amount by which the filter Cutoff frequency
changes when the controller (Source) is used.
❏Settings: -64 ~ +63
■ Amp
Set the amount by which the output level
(amplitude) changes when the controller (Source) is
used.
❏Settings: -64 ~ +63
CTL AC Modulation (AC Modulation
Depth) (Multi Plug-in Parts only)
Control Changes (Assignable Controllers) can be used
to control the amount of pitch/filter/amplitude applied
to each Multi Plug-in Part (17 to 32).
■ PMod (Pitch Modulation Depth)
Set the amount by which the pitch modulation
changes when the controller (Source) is used.
❏Settings: 0 ~ 127
■ FMod (Filter Modulation Depth)
Set the amount by which the filter Cutoff frequency
changes when the controller (Source) is used.
❏Settings: 0 ~ 127
■ AMod (Amplitude Modulation Depth)
Set the amount by which the amplitude modulation
changes when the controller (Source) is used.
❏Settings: 0 ~ 127
CTLíAC Modulation) PMod FMod AMod
Part17 127 127 127
CTLíAC Control) Source Filter Amp
Part17 04[FootCtrl] +63 +63
- OWNER’S MANUAL 1
- SPECIAL MESSAGE SECTION 2
- PLEASE KEEP THIS MANUAL 2
- PRECAUTIONS 3
- Introduction 4
- About This Manual 4
- Package Contents 4
- Table of Contents 5
- Basics Section 6
- Rear Panel 8
- Before Use 9
- 12345678910111213141516LR 10
- MUSIC SYNTHESIZER 10
- 1: Serial Port to TO HOST 12
- Connecting Controllers 13
- Powering Up 14
- Utility Mode (Page 128) 15
- Selecting a Mode 16
- Job Modes 17
- Other Modes 17
- Selecting a Screen 18
- Indicator 18
- Entering Data 19
- Volume (absolute) 20
- Velocity offset (relative) 20
- Demo song name 21
- Voices and Performances 22
- 3 Select a Voice Number 23
- [DEC/NO] keys 23
- Playing a Performance 24
- 3 Select a Performance 25
- Number using the [DATA] 25
- Controller Section 26
- Sequencer Section 26
- Tone Generator Section 27
- Maximum Polyphony 28
- Effects Section 29
- About the Modes 30
- An Overview of Voices/Waves 32
- Element1 33
- Element2 33
- Element3 33
- Element4 33
- Performances 34
- Ideal for Playing Live 35
- 1 Arpeggiator 36
- Using the Arpeggiator 37
- Setting the Tempo 37
- Setting the Note Limit 37
- Using Controllers 38
- Knobs [A]/[B]/[C]/[1]/[2] 39
- Control Sliders 39
- Foot Controller 39
- Foot Switch 39
- Aftertouch 40
- Control Sets 40
- Tone Generator 41
- LFO1 PAN 41
- PC-1PC-2 43
- MIDI Mac 43
- Voice Edit 45
- 3 Common Edit Screens 46
- 4 OSC (Oscillator) Screens 47
- 5 PCH (Pitch) and PEG (Pitch 48
- EG) Screens 48
- Effects in Voice Mode 50
- Effects in Performance Mode 50
- Insertion 51
- Using as a Master Keyboard 52
- (Performance Mode) 52
- CONTROL SLIDER 56
- Using as a Multitimbral Tone 57
- Generator (Performance Mode) 57
- Performing Live while 58
- Playing Back a Song File 58
- Voice Play 59
- Voice Program Selection 60
- Decrement 61
- Increment 61
- INTPRE 2PRE1 PLG 62
- GENîName) Ctgry 64
- GEN Name) Ctgry 64
- GEN Other (General Other) 66
- ARP Type (Arpeggio Type) 67
- ARP Mode (Arpeggio Mode) 68
- CTL Portamento 69
- CTL Bend (Pitch Bend) 69
- (Control Set 6) 69
- LFO Wave 70
- LFO Fade 72
- LFO Dest1 (LFO Destination 1) 72
- LFO Dest2 (LFO Destination 2) 72
- Effect Type selection screen 73
- Parameter settings screen 73
- 1=2 (parallel) 73
- 1➞2 (serial) 73
- 2➞1 (serial) 73
- Element OSC (Oscillator) 74
- OSC Wave (Oscillator Wave) 74
- OSC Out (Oscillator Out) 74
- OSC Pan (Oscillator Pan) 75
- OSC Limit (Oscillator Limit) 75
- Element Pitch 75
- PCH Tune (Pitch Tune) 75
- PEG Level 76
- PEG Release 76
- PEG Time 76
- PCH Scale (Pitch Scale) 77
- FLT Type (Filter Type) 78
- FLT HPF (High Pass Filter) 80
- FLT Sens (Filter Sensitivity) 80
- FEG Release 81
- FEG Time 81
- FEG Level 81
- AEG Level 83
- AEG Release 83
- Element Amplitude 83
- AEG Time 83
- Scale screen 84
- Element EQ (Equalizer) 86
- LFO Depth 86
- Drum Voices 87
- Drum Common settings 88
- Drum Key settings 88
- Drum Common Arpeggio 89
- Drum Common Controllers 89
- Drum Common Effects 89
- Drum Key OSC (Oscillator) 89
- OSC Other (Oscillator Other) 90
- Drum Key Pitch 91
- Drum Key Filter 91
- FLT Cutoff (Filter Cutoff) 91
- Drum Key Amplitude 91
- AMP AEG (Amplitude Envelope 92
- Generator) 92
- Sensitivity) 92
- Drum Key EQ (Equalizer) 92
- Plug-in Common Edit Screens 93
- Plug-in Element Edit Screens 93
- Plug-in Element Pitch 97
- Plug-in Common Effect 97
- EQ Param (EQ Parameter) 98
- Plug-in Element Native 98
- PLG-NATIVE (Plug-in Native) 98
- Computer 99
- (Editor) 99
- Voice Job Mode 100
- Voice Store 101
- Performance Play 102
- Zone 1 to 4 103
- Octave MIDI Transmit Channel 103
- Multi Edit 104
- Performance Program Selection 104
- Part17~Part32 105
- Performance Edit 106
- Edit indicator 107
- “Compare” indicator 107
- Common General 108
- GEN Name (General Name) 108
- GEN MIDI (General MIDI) 108
- Common Quick Edit 109
- QED Level (Quick Edit Level) 109
- QED EF (Quick Edit Effect) 109
- Common Arpeggio 110
- Common Controller 110
- Common EQ (Equalizer) 111
- EFF Rev (Reverb) 113
- EFF Cho (Chorus) 113
- Part (Settings for each Part) 114
- MIX Level 115
- Part Tone 115
- TON Filter (Tone Filter) 115
- Received Velocity 116
- Velocity at 116
- Received 117
- Velocity 117
- LYR Tune (Layer Tune) 118
- Part Receive Switch 118
- RCV Sw1 (Receive Switch 1) 118
- RCV Sw2 (Receive Switch 2) 118
- Performance Job Mode 123
- Performance Store 124
- Sequence Play Mode 125
- Song File Playback 126
- Chained Playback 126
- Utility Mode 127
- MSTR Other (Other Setup) 128
- Sys 64[Sustain ] 129
- MIDI (System MIDI) 130
- MIDI Ch (MIDI Channel) 130
- MIDI Arp (MIDI Arpeggio) 130
- MIDI Sw (MIDI Receive Switch) 130
- Q (Frequency Characteristic) 131
- Freq (Frequency) 131
- PLG MIDI (Plug-in MIDI) 133
- PLG System (Plug-in System) 133
- Utility Job Mode 134
- Card Mode 135
- File Types 136
- Data to be saved 137
- (File Type) 137
- File number of 137
- New file name 137
- Directory Name 140
- How to Install the 141
- Optional Plug-in Board 141
- Appendix 143
- Display Messages 144
- Troubleshooting 145
- Specifications 148
- FCC INFORMATION (U.S.A.) 154
- XG Plug-in Board PLG100-XG 155
- © 2000 Yamaha Corporation 156
- V568500 005MWCP25.2-02B0 156
- Printed in Japan 156
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