Yamaha 12/4 User Manual

MIXING CONSOLEOwner’s ManualMG16/4MG12/4Making the Most Of Your MixerPages 6 to 17E

Making the Most Of Your MixerMG16/4, MG12/410 Where Your Signal Goes Once It’s Inside the BoxAt first glance the block diagram of even a modest mixer c

Making the Most Of Your MixerMG16/4, MG12/411 The First Steps in Achieving Great SoundBefore you even consider EQ and effects, or even the overall mix

Making the Most Of Your MixerMG16/4, MG12/4123-2. Level Setup Procedure For Optimum PerformanceNow that we know what we have to do, how do we do it? I

Making the Most Of Your MixerMG16/4, MG12/413 External Effects, Monitor Mixes, and Groups4-1. AUX Buses For Monitor Sends and Overall EffectsThere are

Making the Most Of Your MixerMG16/4, MG12/4144-2. Using GroupsGroup buses and faders can greatly simplify the mixing process—particularly in live situ

Making the Most Of Your MixerMG16/4, MG12/4154-3. Channel Inserts for Channel-specific ProcessingAnother way to get the mixer’s signal outside the box

Making the Most Of Your MixerMG16/4, MG12/416 Making Better Mixes5-1. Approaching the Mix—Where Do You Start?Mixing is easy, right? Just move the fade

Making the Most Of Your MixerMG16/4, MG12/417Spread them Out!Position your instruments so they have room to“breathe,” and connect in the most musical

MG16/4, MG12/418Front & Rear PanelsNote: Within this manual, all panel illustrations show the MG16/4 panel.1 GAIN ControlAdjusts the input signal

Front & Rear PanelsMG16/4, MG12/4196 PRE SwitchSelects whether the pre-fader or the post-fader signal is fed tothe AUX1 bus. If you set the switch

MG16/4, MG12/4 2 Precautions—For safe operation—WARNING● Connect this unit’s AC power adaptor only to an AC outlet of thetype stated in this Owner’s M

Front & Rear PanelsMG16/4, MG12/4201 ST Master FaderAdjusts the signal level to the ST OUT jacks.2 GROUP 1-2 Fader Adjusts the signal level to the

Front & Rear PanelsMG16/4, MG12/4218 Level-Meter Signal Switches (ST-GROUP Toggle Switch and 2TR IN Switch)These level-meter switches, together wi

Front & Rear PanelsMG16/4, MG12/4221 Channel Input jacks• MIC jacks (MG16/4: CHs 1 to 8, 9/10, 11/12. MG12/4:CHs 1 to 4, 5/6, 7/8)These are balanc

Front & Rear PanelsMG16/4, MG12/4238 RETURN L (MONO), R JacksThese are unbalanced phone-type line input jacks. The signalreceived by these jacks i

MG16/4, MG12/424Setting Up(1) Before connecting to microphones and instruments, be sure that all devices are turned off. Also be sure that all of the

Setting UpMG16/4, MG12/425 Sound Reinforcement for Live Performance( )STAUX 1(PRE )STDIDIMicrophones Monitor Speakers(Internal)Power AmpEf

Setting UpMG16/4, MG12/426 Mounting the MG16/4(1) Two metal rack-mount supports are screwed onto the unit. Usea screwdriver to remove these supports.

MG16/4, MG12/427Appendix General SpecificationsWhere 0 dBu = 0.775 V and 0 dBV = 1 V1Measured with 12.7 kHz, –6 dB/oct. low pass filter (equivalent to

AppendixMG16/4, MG12/428 Input SpecificationsWhere 0 dBu = 0.775 V and 0 dBV= 1 V* Input sensitivity: the lowest level that will produce the nominal o

AppendixMG16/4, MG12/429 MG16/4 MG12/4Dimensional Diagrams39331.5309.6D 416.6H 108101.3 3W 42342827.5480When mounted on rack317.4D 416.6325.6102.62H

PrecautionsMG16/4, MG12/43—For correct operation —● XLR-type connectors are wired as follows: pin 1: ground, pin 2:hot (+), and pin 3: cold (–).● Inse

AppendixMG16/4, MG12/430Block Diagram and Level Diagram

For details of products, please contact your nearest Yamaha or the authorized distributor listed below.Pour plus de détails sur les produits, veuillez

M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation© 2002 Yamaha CorporationV981800 210CRCR5.3-01A0Printed in ChinaYamaha

MG16/4, MG12/44IntroductionThank you for your purchase of the YAMAHA MG16/4 or MG12/4 mixing console. This mixingconsole combines ease of operation wi

IntroductionMG16/4, MG12/45(1) Be sure that the mixer’s power switch is in the STANDBY position.Use only the PA-20 adaptor included with this mixer.Us

MG16/4, MG12/46Making the Most Of Your MixerAn IntroductionYou’ve got yourself a mixer and now you’re ready to use it. Just plug everything in, twiddl

Making the Most Of Your MixerMG16/4, MG12/47 A Place For Everything and Everything In Its Place1-1. A Plethora Of Connectors—What Goes Where?Questions

Making the Most Of Your MixerMG16/4, MG12/481-2. Balanced, Unbalanced—What’s the Difference?In a word: “noise.” The whole point of balanced lines is n

Making the Most Of Your MixerMG16/4, MG12/491-3. Signal Levels—Decibel Do’s and Don’tsFrom the moment you start dealing with things audio, you’ll have