Yamaha TG500 User Manual

vi3: Full Edit3-1: Oscillator3-1-01: Wave Select... 1073-1-02: Parameter... 1093-2: AEG3-2-01: Level

883-2-13: CONTROL LFOAll of the modulation-type effects — chorus, flanging, etc. — require LFO con-trol. The TG500 has an independent effect LFO that

89EFFECT DATA COPYPERFORMANCE EDIT MODE / 3: Full Edit. 3-2: EffectEFFECT DATA COPYThis function facilitates performance effect editing by allowing th

90EFFECT SIGNAL FLOW DISPLAYPERFORMANCE EDIT MODE / 3: Full Edit. 3-2: EffectEFFECT SIGNAL FLOW DISPLAYThis function provides a graphic indication of

914-1: RECALLPERFORMANCE EDIT MODE / 4: Recall/Init.4-1: RECALLIf you’re dissatisfied with the results of edits you’ve made to a performancecombinatio

924-2: INITIALIZEPERFORMANCE EDIT MODE / 4: Recall/Init.4-2: INITIALIZEWhen you want to program a totally new performance combination “fromscratch,” r

93PERFORMANCE COMPAREPERFORMANCE EDIT MODE / PERFORMANCEPERFORMANCE COMPAREThe performance compare function makes it possible to compare the soundof

94PERFORMANCE STOREPERFORMANCE EDIT MODE / PERFORMANCEPERFORMANCE STOREWhen you’re satisfied with a new performance combination you’ve createdin the p

VOICE EDIT MODE1: Quick Edit2: Level/Name3: Full Edit3-3: Filter3-3-01: Parameter...1193-3-02: Level ...1243-3-03: Rat

961-1: WAVE SELECTVOICE EDIT MODE / 1: Quick Edit1-1: WAVE SELECTGrp (Wave group)Range: 0 … 15For fast, easy selection of the preset TG500 waves this

97No (Wave number)Range: 1 … 244 (Preset 1), 1 … 50 (Preset 2)Selects the wave (AWM waveform) to be used in the current voice. Use the“Grp” parameter

vii4-06: Output Level... 1834-07: Wet:Dry ... 1844-08: Mix Level ...

98Type (Envelope type)Range: 00 … 21Selects either the envelope defined by the current amplitude envelope pa-rameter settings (page 111), or one of 21

99VOICE EDIT MODE / 1: Quick Edit1-2: AMPLITUDE EG14:SynPad Synthesizer pad.15:SynComp Synthesizer comping (backing).16:Percusiv Percussive.17:S.Ideal

100VOICE EDIT MODE / 1: Quick Edit1-3: FILTER1-3: FILTERThe simplified filter parameters provided here have been specifically created forfast, efficie

101VOICE EDIT MODE / 1: Quick Edit1-3: FILTERRes (Resonance)Range: 0 … 99Determines the degree of filter resonance.This parameter has a similar effect

1021-4: LFOVOICE EDIT MODE / 1: Quick Edit1-4: LFOHere, the main LFO parameters are simplified and concentrated in a single screenfor quick, easy prog

1031-5: EFFECT 1 / 1-6: EFFECT 2VOICE EDIT MODE / 1: Quick Edit1-5: EFFECT 1 / 1-6: EFFECT 2The TG500 features a complex, high-performance effect syst

1041-7: EFFECT WET:DRYVOICE EDIT MODE / 1: Quick Edit1-7: EFFECT WET:DRYThe balance between the direct sound of the voice and the effect sound is adel

105VOICE EDIT MODE / 2: Level/Name2-1: LEVEL2-1: LEVELThe ability to independently adjust the volume of each voice makes it possible tomatch levels fo

106VOICE EDIT MODE / 2: Level/Name2-2: NAME2-2: NAMEYour original voices should naturally have original names. This function can beused to assign a na

1073-1-01: WAVE SELECTVOICE EDIT MODE / 3: Full Edit. 3-1: Oscillator3-1-01: WAVE SELECTThis parameters provided in this screen are used to select the

viiiAppendixINITIAL PERFORMANCE LIST(Preset 1) ... 300INITIAL PERFORMANCE LIST(Preset 2) ...

108No (Wave number)Range: 1 … 244 (Preset 1), 1 … 50 (Preset 2)Selects the wave (AWM waveform) to be used in the current voice. Use the“Grp” paramete

109VOICE EDIT MODE / 3: Full Edit. 3-1: Oscillator3-1-02: PARAMETER3-1-02: PARAMETERThe five parameters provided here all affect how the AWM waveform

110VOICE EDIT MODE / 3: Full Edit. 3-1: Oscillator3-1-02: PARAMETERNtShft (Note shift)/Note (Fixed note)Range: C-2 … G8, -64 … +63When the “fix” mode

111R4VOICE EDIT MODE / 3: Full Edit. 3-2: AEG3-2-01: LEVEL / 3-2-02: RATE3-2-01: LEVEL / 3-2-02: RATEThe TG500’s main AEG (Amplitude Envelope generato

112VOICE EDIT MODE / 3: Full Edit. 3-2: AEG3-2-01: LEVEL / 3-2-02: RATEThe envelope begins at zero level, reaches maximum level at the rate deter-mine

113VOICE EDIT MODE / 3: Full Edit. 3-2: AEG3-2-01: LEVEL / 3-2-02: RATE● “hold” ModeIf the “hold” mode is selected, the envelope begins immediately fr

114VOICE EDIT MODE / 3: Full Edit. 3-2: AEG3-2-01: LEVEL / 3-2-02: RATEFor the level parameters, a setting of “0” corresponds to the lowest possiblele

1153-2-03: SCALE POINTVOICE EDIT MODE / 3: Full Edit. 3-2: AEG3-2-03: SCALE POINTLevel scaling produces natural level variations across the range of t

1163-2-04: SCALE OFFSETVOICE EDIT MODE / 3: Full Edit. 3-2: AEG3-2-04: SCALE OFFSETThese parameters set the amount of level offset for each of the fou

1173-2-05: SENSITIVITYVOICE EDIT MODE / 3: Full Edit. 3-2: AEG3-2-05: SENSITIVITYThe parameters provided here determine how the amplitude envelope gen

Getting Started

118VOICE EDIT MODE / 3: Full Edit. 3-2: AEGAEG DATA COPYAEG DATA COPYThis function facilitates voice editing by allowing the amplitude EG data fromany

1193-3-01: PARAMETERVOICE EDIT MODE / 3: Full Edit. 3-3: Filter3-3-01: PARAMETERThe TG500 features a sophisticated digital filter system that can be u

120VOICE EDIT MODE / 3: Full Edit. 3-3: Filter3-3-01: PARAMETERCutofffrequency.FREQUENCYLEVELPASSBAND(Signals in thisfrequency rangepass through)Signa

121VOICE EDIT MODE / 3: Full Edit. 3-3: Filter3-3-01: PARAMETERFREQUENCYLEVELCutoff (center)frequency.PASSBAND● “BEF” TypeThe “BEF” (Band Elimination

122VOICE EDIT MODE / 3: Full Edit. 3-3: Filter3-3-01: PARAMETERCof (Cutoff frequency)Range: 0 … 127Sets the cutoff frequency of the selected filter.Lo

123VOICE EDIT MODE / 3: Full Edit. 3-3: Filter3-3-01: PARAMETERCutofffrequency.LEVELLPFResponseResonantPeakLowerResonanceHigherResonanceHigher resonan

124VOICE EDIT MODE / 3: Full Edit. 3-3: Filter3-3-02: LEVEL / 3-3-03: RATE3-3-02: LEVEL / 3-3-03: RATEL0 L1RL1 RL2L2 L3L4R1RR2 RSThe filter envelope g

125VOICE EDIT MODE / 3: Full Edit. 3-3: Filter3-3-02: LEVEL / 3-3-03: RATEL0 … L4, RL1, RL2 (Levels 0 … 4, release levels 1 & 2)Range: -63 ... +63

126VOICE EDIT MODE / 3: Full Edit. 3-3: Filter3-3-02: LEVEL / 3-3-03: RATEHighest Cutoff(+63)Lowest Cutoff(-64)●●L2L3RL1R3R2L0Key ON(Beginning of note

1273-3-04: SCALE POINTBP1 … BP4 (Breakpoints 1 … 4)Range: C-2 ... G8Allows four separate cutoff envelope generator level-scaling breakpoints tobe set

2

128The Scale Offset parameters set the amount of level offset for each of the fourlevel-scaling breakpoints set by the “Scale Point” parameters in the

1293-3-06: SENSITIVITYVOICE EDIT MODE / 3: Full Edit. 3-3: Filter3-3-06: SENSITIVITYThese parameters determine how the filter envelope generator is af

130This function facilitates voice editing by allowing the filter parameters from anyother voice (the “source” voice) to be copied to the current voic

131VOICE EDIT MODE / 3: Full Edit. 3-4: PEG3-4-01: LEVEL / 3-4-02: RATE3-4-01: LEVEL / 3-4-02: RATE• 3-4-02: RateIn addition to the amplitude and filt

132VOICE EDIT MODE / 3: Full Edit. 3-4: PEG3-4-01: LEVEL / 3-4-02: RATELoopRange: off, onWhen the Loop parameter is set to “on” the pitch EG cycle rep

133RS (Pitch EG rate scaling)Range: -7 … +7Allows the overall pitch envelope generator rate for the selected element tobe varied across the entire pit

1343-4-03: SENSITIVITYVOICE EDIT MODE / 3: Full Edit. 3-4: PEG3-4-03: SENSITIVITYThese parameters determined the overall range of the pitch EG, and ho

135PITCH EG DATA COPYPITCH EG DATA COPYVOICE EDIT MODE / 3: Full Edit. 3-4: PEGThis function facilitates voice editing by allowing the pitch EG parame

136VOICE EDIT MODE / 3: Full Edit. 3-5: LFO3-5-01: PARAMETER3-5-01: PARAMETERThese parameters define the operation of the TG500’s main LFO (Low Freque

137VOICE EDIT MODE / 3: Full Edit. 3-5: LFO3-5-01: PARAMETERPhase (LFO start phase)Range: 0 … 180Determines at which point in the LFO waveform the LFO

3Precautions LocationDo not expose the instrument to the following conditions to avoid deforma-tion, discoloration, or more serious damage.• Direct s

1383-5-02: DEPTHVOICE EDIT MODE / 3: Full Edit. 3-5: LFOThe LFO can be used to apply amplitude, pitch, and frequency modulation. Theseparameters set t

139VOICE EDIT MODE / 3: Full Edit. 3-5: LFO3-5-03: SENSITIVITY3-5-03: SENSITIVITYThe speed of the TG500 LFO can be varied randomly, and according to v

140LFO DATA COPYVOICE EDIT MODE / 3: Full Edit. 3-5: LFOThis function facilitates voice editing by allowing the LFO parameters from anyother voice (th

1413-6-01: PITCH BEND, AFTER TOUCHVOICE EDIT MODE / 3: Full Edit. 3-6: ControllerThis screen includes parameters that set the TG500’s pitch bend range

1423-6-02: AFTER TOUCH DEPTHVOICE EDIT MODE / 3: Full Edit. 3-6: ControllerFor truly “intimate” modulation control, the TG500 allows a number of modul

143VOICE EDIT MODE / 3: Full Edit. 3-6: ControllerFmod (Frequency modulation depth)Range: 0 … 127Sets the maximum depth of filter cutoff frequency mod

144VOICE EDIT MODE / 3: Full Edit. 3-6: Controller3-6-02: AFTER TOUCH DEPTHPtBs (Pitch bias depth)Range: -12 … +12Sets the maximum pitch variation ran

1453-6-03: MIDI CONTROLLER 1 / 3-6-04: MIDI CONTROLLER 2VOICE EDIT MODE / 3: Full Edit. 3-6: Controller3-6-03: MIDI CONTROLLER 1 / 3-6-04: MIDI CONTRO

146VOICE EDIT MODE / 3: Full Edit. 3-6: Controller3-6-03: MIDI CONTROLLER 1 / 3-6-04: MIDI CONTROLLER 2Fmod (Frequency modulation depth)Range: 0 … 127

147VOICE EDIT MODE / 3: Full Edit. 3-6: Controller3-6-05: MIDI CONTROLLER 3 / 3-6-06: MIDI CONTROLLER 43-6-05: MIDI CONTROLLER 3 / 3-6-06: MIDI CONTRO

4 Electrical Interference• This instrument contains digital circuitry and may cause interference ifplaced too close to radio or television receivers.

148VOICE EDIT MODE / 3: Full Edit. 3-6: Controller3-6-05: MIDI CONTROLLER 3 / 3-6-06: MIDI CONTROLLER 440: “LFO_Wave ”41: “LFO_Phase”42: “LFO_SpdVel

149CONTROLLER DATA COPYVOICE EDIT MODE / 3: Full Edit. 3-6: ControllerThis function allows the controller parameters from any other voice (the “source

1503-7-01: MODEVOICE EDIT MODE / 3: Full Edit. 3-7: EffectThe TG500 features a dual-processor effect system that includes 90 top-qualitydigital effect

151VOICE EDIT MODE / 3: Full Edit. 3-7: Effect3-7-02: TYPE3-7-02: TYPEThese parameters assign any of the TG500’s 90 effects independently to theEFECT

152VOICE EDIT MODE / 3: Full Edit. 3-7: Effect3-7-03: SENDThe balance between the direct sound of the voice and the effect sound is adelicate thing. E

153VOICE EDIT MODE / 3: Full Edit. 3-7: Effect3-7-04: OUTPUT LEVEL3-7-04: OUTPUT LEVELDepending on the selected effects the TG500 effect system can ha

154VOICE EDIT MODE / 3: Full Edit. 3-7: Effect3-7-05: WET:DRY3-7-05: WET:DRYThe balance between the direct sound of the voice and the effect sound is

155VOICE EDIT MODE / 3: Full Edit. 3-7: Effect3-7-06: MIX LEVEL3-7-06: MIX LEVELThis parameter determines how the output of the EFFECT 2 processor is

1563-7-07: PARAMETER 1 / 3-7-08: PARAMETER 2VOICE EDIT MODE / 3: Full Edit. 3-7: Effect3-7-07: PARAMETER 1 / 3-7-08: PARAMETER 2Each of the TG500’s 90

1573-7-09: CONTROL 1 / 3-7-10: CONTROL 2VOICE EDIT MODE / 3: Full Edit. 3-7: Effect3-7-09: CONTROL 1 / 3-7-10: CONTROL 2MIDI control change data recei

5About the ManualThe TG500 manual has two sections — Getting Started and FeatureReference. The Getting Started SectionIn addition to an overview of t

158VOICE EDIT MODE / 3: Full Edit. 3-7: Effect3-7-09: CONTROL 1 / 3-7-10: CONTROL 20: “off”1: “Mod.Whl.”2: “Breath C”4: “Foot Cnt”5: “Porta.Sp”6: “D

159VOICE EDIT MODE / 3: Full Edit. 3-7: Effect3-7-09: CONTROL 1 / 3-7-10: CONTROL 2Min (Minimum parameter value)Range: 0 … 100Sets the lower limit of

1603-7-11: CONTROL LFOVOICE EDIT MODE / 3: Full Edit. 3-7: EffectAll of the modulation-type effects — chorus, flanging, etc. — require LFO con-trol. T

161EFFECT DATA COPYVOICE EDIT MODE / 3: Full Edit. 3-7: EffectThis function facilitates voice effect editing by allowing the effect parametersfrom any

162EFFECT SIGNAL FLOW DISPLAYVOICE EDIT MODE / 3: Full Edit. 3-7: EffectEFFECT SIGNAL FLOW DISPLAYThis function provides a graphic indication of the c

1634-1: RECALLVOICE EDIT MODE / 4: Recall/Init.4-1: RECALLIf you’re dissatisfied with the results of edits you’ve made to a voice, or haveaccidentally

164VOICE EDIT MODE / 4: Recall/Init.4-2: INITIALIZE4-2: INITIALIZEWhen you want to program a totally new voice “from scratch,” rather than editingan e

165VOICE EDIT MODE / VOICEVOICE COMPAREVOICE COMPAREThe voice compare function makes it possible to compare the sound of a voicebeing edited with the

166VOICE EDIT MODE / VOICEVOICE STOREVOICE STOREWhen you’re satsfied with a new voice you’ve created in the voice edit mode, usethe store function des

1: Key Parameter1-1: Parameter...1681-2: Initialize...1711-3: Exchange...

6 IconsThe following simple icons are used throughout the Getting Started sectionof the manual to draw attention to important points and information

1681-1: PARAMETERKeyDRUM VOICE EDIT MODE / 1: Key Param eter1-1: PARAM ETERVolumeWaveEfSendOutSelKey (Key number)Range: C1 … C5Selects the the drum ke

169DRUM VOICE EDIT MODE / 1: Key Param eter1-1: PARAM ETERThe TG500 actually incorporates two 32-note polyphonic tone generatorunits — “A” and “B”. Th

170DRUM VOICE EDIT MODE / 1: Key Param eter1-1: PARAM ETEREfSend (Effect send level)Range: 0 … 127Sets the effect send level for the selected drum key

171When you want to program a single drum key “from scratch,” rather thanediting an existing key, use this function to initialize all data for the spe

1721-3: EXCHANGEDRUM VOICE EDIT MODE / 1: Key Param eter1-3: EXC HANG EThis function makes it simple to re-arrange you drum key layout by directlyexch

173This function facilitates drum voice editing by allowing the data from one drumkey (the “source” key) to be copied to any other drum key. You can c

174This parameter sets the overall volume of the current drum voice in relation tothe others, making it possible to match levels for smooth transition

175Your original drum voices should naturally have original names. This function canbe used to assign a name of up to 8 characters to the current drum

176DRUM VOICE EDIT MODE / 3: Quick Edit3-1: EFFECT 1 / 3-2: EFFECT 23-1: EFFEC T 1 / 3-2: EFFECT 2The TG500 features a complex, high-performance effec

177D R U M V O IC E E D IT M O D E / 3 : Q U IC K E D IT3-3: EFFECT WET:DRY3-3: EFFEC T W ET:DRYThe balance between the direct sound of the voice

7 The Feature Reference SectionThe Feature Reference section is the “nuts and bolts” reference for theTG500, individually describing its many functio

178DRUM VOICE EDIT MODE / 4: Effect4-01: MODE4-01: MODEThe TG500 features a dual-processor effect system that includes 90 top-quality digital effects.

179DRUM VOICE EDIT MODE / 4: Effect4-02: TYPE4-02: TYPEThese parameters assign any of the TG500’s 90 effects independently to theEFECT 1 and EFFECT 2

1804-03: SENDDRUM VOICE EDIT MODE / 4: Effect4-03: SENDThe parameters provided here determine to which of the TG500 effect stages theoutput from the v

181DRUM VOICE EDIT MODE / 4: Effect4-04: SEND SENSITIVITYThese parameters determine how the effect send level of each drum key is af-fected by keyboar

1824-05: OUTPUTDRUM VOICE EDIT MODE / 4: Effect4-05: OUTPUTThese parameters turn the “dry lines” (i.e. the signal paths which bypasses eacheffect proc

1834-06: OUTPUT LEVELDRUM VOICE EDIT MODE / 4: Effect4-06: OUTPUT LEVELDepending on the selected effects the TG500 effect system can have up to fourse

1844-07: WET:DRYDRUM VOICE EDIT MODE / 4: Effect4-07: WET:DRYThe balance between the direct sound of the voice and the effect sound is adelicate thing

185DRUM VOICE EDIT MODE / 4: Effect4-08: MIX LEVEL4-08: MIX LEVELThese parameters determine the mix level between each effect send and the outputof th

1864-09: PARAMETER 1 / 4-10: PARAMETER 2DRUM VOICE EDIT MODE / 4: Effect4-09: PARAMETER 1 / 4-10: PARAMETER 2Each of the TG500’s 90 effects has 8 para

1874-11: CONTROL 1 / 4-12: CONTROL 2DRUM VOICE EDIT MODE / 4: Effect4-11: CONTROL 1 / 4-12: CONTROL 2MIDI control change data received by the TG500 ca

FCC INFORMATION (U.S.A.)1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!This product, when installed as indicated in the instructions contained in this m

8The Controls & Connectors Front Panel1 [POWER] SwitchPress to turn the TG500 power on or off.page 15.2 PHONES JackAccepts a standard pair of ste

188DRUM VOICE EDIT MODE / 4: Effect4-11: CONTROL 1 / 4-12: CONTROL 20: “off”1: “Mod.Whl.”2: “Breath C”4: “Foot Cnt”5: “Porta.Sp”6: “Data Ent”7: “Fo

189DRUM VOICE EDIT MODE / 4: Effect4-11: CONTROL 1 / 4-12: CONTROL 2Max (Maximum parameter value)Range: 0 … 100Sets the upper limit of the control ran

1904-13: CONTROL LFODRUM VOICE EDIT MODE / 4: Effect4-13: CONTROL LFO∆ ∆Wave Speed DelayWave (LFO waveform)Range: tri, dwn, up, squ, sin, S/H, 1tmDete

191EFFECT DATA COPYDRUM VOICE EDIT MODE / 4: EffectEFFECT DATA COPYThis function facilitates drum voice editing by allowing the effect parameters from

192EFFECT SIGNAL FLOW DISPLAYDRUM VOICE EDIT MODE / 4: EffectEFFECT SIGNAL FLOW DISPLAYThis function provides a graphic indication of the current effe

193DRUM VOICE EDIT MODE / 5: Recall/Init.5-1: RECALLIf you’re dissatisfied with the results of edits you’ve made to a drum voice, orhave accidentally

1945-2: INITIALIZEDRUM VOICE EDIT MODE / 5: Recall/Init.5-2: INITIALIZEWhen you want to program a totally new drum voice “from scratch,” rather thaned

195DRUM VOICE COMPAREDRUM VOICE EDIT MODE / 5: Recall/Init.DRUM VOICE COMPAREThe drum voice compare function makes it possible to compare the sound of

196DRUM VOICE EDIT MODE / 5: Recall/Init.DRUM VOICE STOREWhen you’re satisfied with a new drum voice you’ve created in the drum voiceedit mode, use th

MULTI EDIT MODE1: Parameter... 1992: Name ... 2023: Initialize ...

96 [EDIT/COMPARE] KeyAccesses the edit mode for the currently selected play mode. If the voiceplay mode is selected, for example, pressing the [EDIT/C

198MULTI EDIT MODEMULTI INSTRUMENT SELECTIONMULTI INSTRUMENT SELECTIONTG500 multi setups have 16 separate “instruments” controllable via the corre-spo

199MULTI EDIT MODE / 1: ParameterPARAMETER1: PARAMETEREach TG500 “multi setup” that can have up to 16 voices or performance combina-tions assigned to

200VoiceRange: ----, Any voice or performance combination.The cursor can be placed at two locations in the voice number parameter:under the “P” or “V”

201NtShft (Note shift)Range: -63 … +63Individually shifts the pitch of the currently selected instrument up or downin semitone steps. A setting of “-1

202MULTI EDIT MODE / 2: NameNAME2: NAMEYour original multi setups should naturally have original names. This function canbe used to assign a name of u

203MULTI EDIT MODE / 3: InitializeINITIALIZE3: INITIALIZEWhen you want to program a totally new multi setup “from scratch,” rather thanediting an exis

204MULTI EDIT MODE / 4: Effect4-01: MODE4-01: MODEModeRange: 0:off, 1:serial, 2:parallelDetermines whether the TG500’s two effect processors are conne

205MULIT EDIT MODE / 4: Effect4-02: TYTE4-02: TYPEThese parameters assign any of the TG500’s 90 effects independently to theEFFECT 1 and EFFECT 2 sign

206MULIT EDIT MODE / 4: Effect4-03: SEND4-03: SENDThe parameters provided here determine to which of the TG500 effect stages theoutput from the voice

2071a, 1b, 2a, and 2b (Send switches)Range: See text below.Determines to which of the EFFECT 1 and EFFECT 2 effect stages theoutput from the current l

109 [ ] and [ ] KeysThese keys do not function in the TG500 play modes (voice, performance, ormulti), but in the edit and utility modes they are used

208MULIT EDIT MODE / 4: Effect4-04: OUTOUT4-04: OUTPUTThese parameters turn the “dry lines” (i.e. the signal paths which bypasses eacheffect processor

209MULIT EDIT MODE / 4: Effect4-05: OUTOUT LEVEL4-05: OUTPUT LEVELDepending on the selected effects the TG500 effect system can have up to fourseparat

210MULIT EDIT MODE / 4: Effect4-06: WET:DRY4-06: WET:DRYThe balance between the direct sound of the voice and the effect sound is adelicate thing. Eve

211MULIT EDIT MODE / 4: Effect4-07: MIX LEVEL4-07: MIX LEVELThese parameters determine the mix level between each effect send and the outputof the pre

212MULIT EDIT MODE / 4: Effect4-08: PARAMETER 1 / 4-09: PARAMETER 24-08: PARAMETER 1 / 4-09: PARAMETER 2Each of the TG500’s 90 effects has 8 parameter

213MULIT EDIT MODE / 4: Effect4-10: CONTROL 1 / 4-11: CONTROL 24-10: CONTROL 1 / 4-11: CONTROL 2MIDI control change data received by the TG500 can be

214MULTI EDIT MODE / 4: Effect4-10: CONTROL 1 / 4-11: CONTROL 2EF Param (Effect parameter)Range: Depends on selected effects.Selects the effect param

215MULTI EDIT MODE / 4: Effect4-10: CONTROL 1 / 4-11: CONTROL 2Max (Maximum parameter value)Range: 0 … 100Sets the upper limit of the control range. A

216MULIT EDIT MODE / 4: Effect4-12: CONTROL LFO4-12: CONTROL LFOAll of the modulation-type effects — chorus, flanging, etc. — require LFO con-trol. Th

217MULIT EDIT MODE / 4: EffectEFFECT DATA COPYEFFECT DATA COPYThis function facilitates multi editing by allowing the effect parameters from anyother

11% OUTPUT L/MONO and OUTPUT R JacksThese are the main stereo outputs from the TG500. If a plug is insertedonly into the L/MONO jack, the left and rig

218MULIT EDIT MODE / 4: EffectEFFECT SIGNAL FLOW DISPLAYEFFECT SIGNAL FLOW DISPLAYThis function provides a graphic indication of the current effect sy

UTILITY MODEWAVE EDIT MODE1: System1-1: Setup ...2201-2: Effect Bypass...2211-3: Output...

220UTILITY MODE / WAVE EDIT MODE / 1: System1-1: SETUP1-1: SETUPNtShft (Note shift)Range: -63 … +63Shifts the overall pitch of the TG500 up or down in

221UTILITY MODE / WAVE EDIT MODE / 1: System1-2: EFFECT BYPASS1-2: EFFECT BYPASSEffect BypassRange: off, onWhen effect bypass is turned “off” the TG50

222UTILITY MODE / WAVE EDIT MODE / 1: System1-3: OUTPUT1-3: OUTPUTOutputRange: norm, indivWhen set to “norm,” the stereo outputs (OUTPUT L and R) and

223UTILITY MODE / WAVE EDIT MODE / 2: Controller2-1: MIDI CONTROL2-1: MIDI CONTROLThe four parameters provided in this screen allow any MIDI control d

224No. Control Device Abbreviation000 Bank Select (Bank Sel)001 Modulation wheel (Mod.Whl.)002 Breath controller (Breath C)004 Foot controller (Foot C

225UTILITY MODE / WAVE EDIT MODE / 2: Controller2-2: VOLUME CONTROL2-2: VOLUME CONTROLThis parameters specifies which MIDI control device will control

226UTILITY MODE / WAVE EDIT MODE / 2: Controller2-2: VOLUME CONTROLNo. Control Device Abbreviation000 Bank Select (Bank Sel)001 Modulation wheel (Mod.

227UTILITY MODE / WAVE EDIT MODE / 3: MIDI3-1: PARAMETER3-1: PARAMETERThe MIDI channel parameters provided here are essential to ensure proper com-mun

12 1. Setting Up Your System1. Setting Up Your System ConnectionsThe diagram below shows the basic connections in a setup using theTG500, a MIDI keyb

228Play mode MemoryControl change Control change#0 Data #32 Data000 000 Voice Internal 1000 001 Voice Card 1000 002 Voice Preset 1000 003 Voice Inter

2293-1: PARAMETERUTILITY MODE / WAVE EDIT MODE / 3: MIDIWhen “table” is selected, transmission conforms to the program changetable (see “3-4: PROGRAM

230UTILITY MODE / WAVE EDIT MODE / 3: MIDI3-2: FILTER3-2: FILTERMore MIDI parameters that determine how the TG500 responds to external MIDIcontrol.Bul

231UTILITY MODE / WAVE EDIT MODE / 3: MIDI3-3: BULK DUMP3-3: BULK DUMPInitiates MIDI bulk transmission of the selected voice, performance, multi-play,

232UTILITY MODE / WAVE EDIT MODE / 3: MIDI3-4: PROGRAM CHANGE TABLE3-4: PROGRAM CHANGE TABLEThese parameters determine which voice, performance combin

233UTILITY MODE / WAVE EDIT MODE / 4: Card4-1: BANK4-1: BANKThis function is used to select bank 1 or 2 of Yamaha MCD64 memory cardsplugged into the D

234UTILITY MODE / WAVE EDIT MODE / 4: Card4-2: LOAD4-2: LOADLoads all internal voices and performance combinations from a Yamaha MCD64memory card plug

235UTILITY MODE / WAVE EDIT MODE / 4: Card4-3: SAVE4-3: SAVESaves all internal voices and performance combinations to a Yamaha MCD64memory card plugge

236UTILITY MODE / WAVE EDIT MODE / 4: Card4-4: FORMAT4-4: FORMATNew memory cards, or cards that have been formatted for use with a differentinstrument

237UTILITY MODE / WAVE EDIT MODE / 5: WaveWAVEThis function only appears if one or two SYEMB06 Memory Expansion Boards areinstalled in the TG500 expan

1. Setting Up Your System13● MIDI CONNECTIONS & SETTINGSThe MIDI OUT connector of the keyboard, sequencer, or other controllerwhich is to control

238UTILITY MODE / WAVE EDIT MODETHE WAVE EDIT MODETHE WAVE EDIT MODEUnlike the other TG500 edit modes, the WAVE mode is not directly accessedfrom a pl

239UTILITY MODE / WAVE EDIT MODE / 1: Waveform1-1: ASSIGN1-1: ASSIGNFrom, To (Sample number range)Range: 00 … 63The “From” and “To” parameters specify

240UTILITY MODE / WAVE EDIT MODE / 1: Waveform1-2: ENABLE1-2: ENABLETurns waveform assignment on or off.EnableRange: off, onSet to “on” to turn wave a

241UTILITY MODE / WAVE EDIT MODE / 1: Waveform1-3: NAME1-3: NAMEThis function can be used to assign a name of up to 8 characters to the currentsample.

242UTILITY MODE / WAVE EDIT MODE / 2: SampleSAMPLESAMPLEThe parameters in the first screen here are used to “map” the samples assigned tothe waveform

243UTILITY MODE / WAVE EDIT MODE / 2: SampleSAMPLELoKey/HiKey (Low and high key limits)Range: C-2 … G8These parameters specify the lowest and highest

244Type (Loop type)Range: Nrm, AltThis parameter is only available when either the “FLp” or “BLp” loop typeis selected (see “Loop”, above). When set t

245UTILITY MODE / WAVE EDIT MODE / 3: InitializeINITIALIZEThis function erases and initializes all wave memory, the specified type of wavememory, or a

246UTILITY MODE / WAVE EDIT MODE / 4: Sample Dump4-1: SAMPLE RECEIVEThis function initiates reception of MIDI Sample Dump data from an externalMIDI de

247UTILITY MODE / WAVE EDIT MODE / 4: Sample Dump4-2: SAMPLE TRANSMIT4-2: SAMPLE TRANSMITThis function initiates transmission of MIDI Sample Dump data

14 1. Setting Up Your System6 Set the MIDI parameters.Use the [ ] to move the underline cursor to the leftmost parameter(“<Rch >” will appear in

248UTILITY MODE / WAVE EDIT MODE / 5: Card LoadCARD LOADCARD LOADLoads all samples from a pre-programmed card plugged into the WAVEFORM 2card slot.Plu

Appendix Effects ... 251 Installation of the SYEMB06 ExpansionMemory Board ...

250AppendixEFFECTS

251EFFECTSAppendixThe TG500 features a sophisticated effect system that affords extraordinarysound-shaping potential. It includes two separate effect

252AppendixEFFECTSThe “Cascade” effects actually include two effects connected in a cascadeconfiguration. Effect number 33 (Flg → Rev), for example, i

1. Setting Up Your System152 Select a DEMO and press [ENTER].Use the [-1/NO] and [+1/YES] keys to select one of the three demo se-quences provided, th

261EFFECTSAppendix Effect Signal Flow Diagrams — Drum Voice, Performance,and Multi ModesThe following diagrams illustrate effect signal flow with dif

16 2. Selecting And Playing VoicesOne of the first things you’ll want to do with your TG500 is select andplay some of its outstanding voices … this se

271EFFECTSAppendix The Effects & Their Parameters ✩ Parameters with “ ” in the QE column are editable in the Quick Edit modes.• 00 : ThroughNo.

272AppendixEFFECTS• 15 : Gate Rev., 16 : Revrs GateNo. PARAMETER RANGE QE1 Type A, B2 RoomSize 0.1 ~ 20.03 Liveness 0 ~ 104 Dffusion 0 ~ 105 Ini

273EFFECTSAppendix• 24 : EG FlangerNo. PARAMETER RANGE QE1 Atk Time [ms] 2.0ms ~ 22.0s2 Atk Lvl [%] 0 ~ 100%3 Rls Time [ms] 2.0ms ~ 22.0s4 EG Targt

274AppendixEFFECTS“Cascade” Effects• 32 : Echo → RevNo. PARAMETER RANGE QE1 L Dly [ms] 0 ~ 200ms2 L FB Gain [%] -99 ~ +99%3 R Dly [ms] 0 ~ 200ms4

275EFFECTSAppendix• 37 : Pit → RevNo. PARAMETER RANGE QE1 L Pitch -24 ~ +242 L Fine -100 ~ +1003 R Pitch -24 ~ +244 R Fine -100 ~ +1005 Rev.Tim

276AppendixEFFECTS• 45 : Pit → DlyNo. PARAMETER RANGE QE1 L Pitch -24 ~ +242 L Fine -100 ~ +1003 R Pitch -24 ~ +244 R Fine -100 ~ +1005 L Dly [

277EFFECTSAppendix• 53 : EQ → DlyNo. PARAMETER RANGE QE1 Low Freq [kHz] 32Hz ~ 2.0kHz2 Low Gain [dB] -12 ~ +12dB3 Hi Freq [kHz] 500Hz ~ 16.0kHz

2. Selecting And Playing Voices17CARD VOICE MEMORYCARD memory voice numbers begin with the letter “C”. The CARDmemory is one or two optional Yamaha MC

278AppendixEFFECTS“Dual” Effects• 62 : Echo & RevNo. PARAMETER RANGE QE1 L Dly [ms] 0 ~ 200ms2 L FB Gain [%] -99 ~ +99%3 R Dly [ms] 0 ~ 200ms

279EFFECTSAppendix• 67 : Pit & RevNo. PARAMETER RANGE QE1 L Pitch -24 ~ +242 L Fine -100 ~ +1003 R Pitch -24 ~ +244 R Fine -100 ~ +1005 Rev

280AppendixEFFECTS• 75 : Sym & DlyNo. PARAMETER RANGE QE1 Mod.Freq [Hz] 0.1 ~ 40.0Hz2 Mod.Dpth [%] 0 ~ 100%3— —4 Hi Gain [dB] -12 ~ +12dB5 L Dly

281EFFECTSAppendix• 84 : Flg & PhaNo. PARAMETER RANGE QE1 Mod.Freq [Hz] 0.1 ~ 40.0Hz2 Mod.Dpth [%] 0 ~ 100%3 Mod.Dly [ms] 0.1 ~ 99.9ms4 Mod.FBG

282AppendixEFFECTSTurn the TG500 power switch off anddisconnect the AC power cord from themain outlet.Locate the small cover on the top ofthe TG500 an

SPECIAL MESSAGE SECTIONPRODUCT SAFETY MARKINGS: Yamaha electronic prod-ucts may have either labels similar to the graphics shownbelow or molded/stampe

18 2. Selecting And Playing Voices2 Select a Memory Area & BankThe [MEMORY] key is used to access the TG500’s internal, preset, andcard memory are

2. Selecting And Playing Voices19● Preset Voice Lists 1 Voice List● Preset Voice Lists 2 ● Preset Voice Lists 3No. Voice Name00 AP Grand01 AP Chors02

20 2. Selecting And Playing Voices● Preset Voice Lists 4 ● Internal Voice Lists 1 ● Internal Voice Lists 2No. Voice Name00 SP Paddy01 SP Phaze02 SP Po

309INITIAL DATAAppendixWave No. Group Wave Name A/B1 Piano Piano A2 Key HardEp A3 HardEpLp A4 SoftEp A5 SoftEpLp A6 SynthEp A7 SynthEpLp A8 Clavi 1 A9

310AppendixINITIAL DATAWave No. Group Wave Name A/B201 Timbale A202 Timbale2 A203 Triangle A204 Whistle B205 SE Bottle B206 E.P. Np B207 Bamboo B208 T

311SPECIFICATIONSAppendixSPECIFICATIONSTone Generator Systems AWM2 (2nd-generation Advanced Wave Memory),64-note polyphonyInternal Memory Wave ROM: 8

312AppendixERROR MESSAGESERROR MESSAGES● MIDICOMMENTSDISPLAYWhen the TG500 attempted to receive or transmit a largeamount of MIDI data, its handlin

313ERROR MESSAGESAppendix● Data cardDISPLAY COMMENTSThe data card is not correctly inserted into the slot.Since the memory protect switch of the

314AppendixERROR MESSAGES● SampleCOMMENTSDISPLAYSince the sample memory is full, further loading of sampledata is not possible.Since the waveform ca

315TROUBLE SHOOTINGAppendixTROUBLE SHOOTINGThe TG500 is a very versatile instrument with many features and functions that affect operation.In many cas

316AppendixTROUBLE SHOOTING● Voice Mode ProblemsSymptom Possible CauseNo SoundWrong pitch.Unstable/indefinite pitch.• Is the pitch envelope generat

317INDEXAppendixCutoff frequency depth... 143, 146DData backup...

2. Selecting And Playing Voices21Note that the voices are arranged in categories for easier access. The cat-egory of each voice is identified by a two

318AppendixINDEXInitial drum voice data ... 285Initial multi data...

319INDEXAppendixNNote limits... 67Note shift...

320AppendixINDEXScale point... 115, 117Send key scaling...

321INDEXAppendixeffect mode ... 150effect output level ...

22 3. The Performance ModeThe TG500 PERFORMANCE mode makes it possible to combine up to fourvoices in “performance combinations” that significantly en

3. The Performance Mode23CARD PERFORMANCE MEMORYCARD memory performance numbers begin with the letter “C”. The CARDmemory is one or two optional Yamah

24 3. The Performance Mode Play the Performance Combinations1 Select the Performance Play ModePress the [PLAY MODE] key as many times as necessary to

3. The Performance Mode25No. Voice Name32 CO Jazzr33 OR Gimme34 SP Lite35 SC Buzz36 CH Munch37 BA Rezzo38 ST Dark39 BR Saw40 CO E.S.P41 KY Elek42 SP S

26 3. The Performance Mode Programming Your Own Performance CombinationsA single TG500 “performance combination” can have one, two, three, orfour “la

3. The Performance Mode27● AN EXAMPLEFollow these steps to create a 3-layer voice in which you play a bass voiceon the lower octaves of the controllin

IMPORTANT SAFETY INSTRUCTIONSINFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,AND FIER HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.PL

28 3. The Performance Mode2-2Press [ENTER], then [PAGE], and then use the [-1/NO] and [+1/YES] keysto select the “4-2:Initialize” screen.2-3Press [ENT

3. The Performance Mode293-2Press [ENTER], then use the [-1/NO] and [+1/YES] keys to select the “3-1:Layer” screen.When you’ve located this screen, pr

30 3. The Performance Mode5 Lower the Volume of the Strings VoicePress the [PAGE] key, use the [-1/NO] and [+1/YES] keys to select the“3-1-02:Volume”

3. The Performance Mode317 Shift the Bass Voice Up One OctavePress the [PAGE] key, use the [-1/NO] and [+1/YES] keys to select the“3-1-04:Note Shift”

32 3. The Performance Mode9 Set the High Note LimitsPress the [PAGE] key, use the [-1/NO] and [+1/YES] keys to select the“3-1-07:Note Limit-H” screen,

3. The Performance Mode3312 Store Your Performance CombinationOnce you’re satisfied with the sound of your original performance combina-tion, you can

34 3. The Performance Mode12-4Press [+1/YES] again.“Completed !” will appear briefly when the data has been stored, then theTG500 will return to the P

4. The Multi Mode35If you’ve been going through the tutorials section in sequence as we recom-mended, so far you’ve used the VOICE PLAY, PERFORMANCE P

36 4. The Multi Mode● MULTI PLAY POLYPHONY & DYNAMIC VOICE ALLOCATIONThe TG500 actually consists of two 32-note tone generator units (“A” and“B”),

4. The Multi Mode37● THE MULTI PARAMETER EDIT SCREENSStereo pan position. “0” for center,“-” values pan left; “+” valuespan right. Feature Referenc

iThe TG500 Tone Generator delivers the incredible Yamaha AWM2 soundwith improved quality and versatility. In addition to superior sound, the TG500feat

38 4. The Multi Mode● SELECTING DIFFERENT INSTRUMENTS FOR EDITINGThe currently selected multi instrument (1 of 16) is shown in square brack-ets in the

5. Voice Editing & Effects395. Voice Editing & EffectsFor the programmer who wants to get serious about voice programming, theTG500 offers an

40 5. Voice Editing & Effects3: FilterPage 119 … 130Once you’ve set up the oscillator and shaped the amplitude envelope asrequired, the TG500’s s

5. Voice Editing & Effects417: EffectsPage 150 … 162The last step in programming any voice is selecting and adjusting theeffects you need to give

Feature Reference

45GENERAL EDITING PROCEDUTREGENERAL EDITING PROCEDUREThe TG500 makes editing easy by providing a consistent, logical control interfacevia which parame

46 GENERAL EDITING PROCEDUTRE Selecting Specific Edit FunctionsThe uppermost layer of the edit mode function tree is a menu that is usedto select the

47GENERAL EDITING PROCEDUTREAn alternative method is to use the [ ] and [ ] keys while holding the[PAGE] key. This lets you switch directly between ad

ii● Top-quality EffectsThe basic quality of the TG500 voices is further enhanced by a range ofprogrammable effects offering quality rivalling some of

48GENERAL EDITING PROCEDUTRE Selecting & Editing ParametersMost TG500 edit screens contain several parameters that can be selectedand edited. The

PERFORMANCEEDIT MODE3: Full Edit3-1: Layer3-1-01: Voice...623-1-02: Volume ...633-1-03: Pan...

50PERFORMANCE EDIT MODELAYER SELECTION & MUTINGLAYER SELECTION & MUTINGThe display will return to the current edit screen as soon as you relea

51PERFORMANCE EDIT MODELAYER SELECTION & MUTINGActive layers appear as upper-case characters and muted layers appear aslower-case characters while

52PERFORMANCE EDIT MODE / 1: QUICK EDIT1-1: VOICE AMPLITUDE EG OFFSET1-1: VOICE AMPLITUDE EG OFFSETThese parameters allow the amplitude envelopes of t

53PERFORMANCE EDIT MODE / 1: QUICK EDIT1-1: VOICE AMPLITUDE EG OFFSETRR (Release rate)Range: -63 … +63Modifies the “RR” parameter of the voice amplitu

54PERFORMANCE EDIT MODE / 1: QUICK EDIT1-2: VOICE FILTER OFFSET1-2: VOICE FILTER OFFSETThese parameters allow the main filter parameters of the voices

55PERFORMANCE EDIT MODE / 1: QUICK EDIT1-3: VOICE LFO OFFSET1-3: VOICE LFO OFFSETThese parameters allow the main LFO parameters of the voices assigned

561-4: VOICE CONTROLLERThese parameters determine how the performance layers are affected by keyboardaftertouch response and the control devices assig

571-5: VOICE SETTINGOther parameters that can be individually set for each performance layer areprovided in this screen: sustain enable, pitch envelop

iiiAPPENDIXUTILITY MODE / WAVE EDIT MODEMULTI EDIT MODEDRUM VOICE EDIT MODEVOICE EDIT MODEPERFORMANCE EDIT MODEGETTING STARTEDFEATURE REFERENCE

581-6: EFFECT 1 / 1-7: EFFECT 2PERFORMANCE EDIT MODE / 1: QUICK EDIT1-6: EFFECT 1 / 1-7: EFFECT 2The TG500 features a complex, high-performance effect

591-8: EFFECT WET:DRY BALANCEPERFORMANCE EDIT MODE / 1: QUICK EDIT1-8: EFFECT WET:DRY BALANCEThe balance between the direct sound of the voice and the

602-1: PERFORMANCE TOTAL LEVELThis parameter sets the overall volume level of the current performance combina-tion in relation to the others, making i

612-2: PERFORMANCE NAMEYour original performance combinations should naturally have original names.This function can be used to assign a name of up to

62PERFORMANCE EDIT MODE / 3: Full Edit. 3-1: Layer3-1-01: VOICE3-1-01: VOICETG500 performance combinations can have up to four voices assigned to diff

63PERFORMANCE EDIT MODE / 3: Full Edit. 3-1: Layer3-1-02: VOLUME3-1-02: VOLUMEFor optimum balance between the voices in a performance combination, thi

64PERFORMANCE EDIT MODE / 3: Full Edit. 3-1: Layer3-1-03: PAN3-1-03: PANIn multi-layer performance combinations, interesting stereo effects can be pro

65PERFORMANCE EDIT MODE / 3: Full Edit. 3-1: Layer3-1-04: NOTE SHIFT3-1-04: NOTE SHIFTThe note shift parameters individually shift the pitch of each l

663-1-05: TUNEThe fine tune parameters allow slight upward or downward pitch adjustment ofeach layer, making it possible to create voice-thickening de

673-1-06: NOTE LIMIT-L / 3-1-07: NOTE LIMIT-HPERFORMANCE EDIT MODE / 3: Full Edit. 3-1: Layer3-1-06: NOTE LIMIT-L / 3-1-07: NOTE LIMIT-HThe low and hi

iv4. The Multi Mode ... 35•WHAT’S IN A MULTI SETUP? ...35•MULTI PLAY POLYPHONY &DYNAMIC VOICE ALLOCATION ...36•SELECTI

68PERFORMANCE EDIT MODE / 3: Full Edit. 3-1: Layer3-1-06: NOTE LIMIT-L / 3-1-07: NOTE LIMIT-HIf the High Note Limit is set to a note that is lower tha

693-1-08: VELOCITY LIMIT-L / 3-1-09: VELOCITY LIMIT-HPERFORMANCE EDIT MODE / 3: Full Edit. 3-1: Layer3-1-08: VELOCITY LIMIT-L / 3-1-09: VELOCITY LIMIT

70PERFORMANCE EDIT MODE / 3: Full Edit. 3-1: Layer3-1-08: VELOCITY LIMIT-L / 3-1-09: VELOCITY LIMIT-HThe Low Velocity Limit parameter, in conjunction

713-1-10: MC3 ENABLE / 3-1-11: MC4 ENABLEPERFORMANCE EDIT MODE / 3: Full Edit. 3-1: Layer3-1-10: MC3 ENABLE / 3-1-11: MC4 ENABLEMIDI control change da

72PERFORMANCE EDIT MODE / 3: Full Edit. 3-1: Layer3-1-10: MC3 ENABLE / 3-1-11: MC4 ENABLEMC4 (MIDI controller 4 enable)Range: on, offUse the [ ] and [

733-1-12: LAYER INITIALIZEWhen you want to program a totally new performance combination “fromscratch,” rather than editing an existing combination, u

743-1-13: LAYER EXCHANGEThis function can be used to eliminate the audible effects of slight note delaysthat can occur in the performance play mode. T

75LAYER DATA COPYThis function facilitates performance editing by allowing the layer parametersfrom any layer in any other performance (the “source” p

76PERFORMANCE EDIT MODE / 3: Full Edit. 3-2: Effect3-2-01: MODE3-2-01: MODEThe TG500 features a dual-processor effect system that includes 90 top-qual

77PERFORMANCE EDIT MODE / 3: Full Edit. 3-2: Effect3-2-02: TYPE3-2-02: TYPEThese parameters assign any of the TG500’s 90 effects independently to theE

vGeneral Editing Procedure Edit Mode Access...45 Selecting Specific Edit Functions ...46 Selecting & Editing

78PERFORMANCE EDIT MODE / 3: Full Edit. 3-2: Effect3-2-03: SEND3-2-03: SENDThe parameters provided here determine to which of the TG500 effect stages

79PERFORMANCE EDIT MODE / 3: Full Edit. 3-2: Effect3-2-04: SEND SENSITIVITY3-2-04: SEND SENSITIVITYThese parameters determine how the effect send leve

803-2-05: OUTPUTThese parameters turn the “dry lines” (i.e. the signal paths which bypasses eacheffect processor) on or off, determining whether any d

813-2-06: OUTPUT LEVELPERFORMANCE EDIT MODE / 3: Full Edit. 3-2: Effect3-2-06: OUTPUT LEVELDepending on the selected effects the TG500 effect system c

82PERFORMANCE EDIT MODE / 3: Full Edit. 3-2: Effect3-2-07: WET:DRY3-2-07: WET:DRYThe balance between the direct sound of the voice and the effect soun

833-2-08: MIX LEVELThese parameters determine the mix level between each effect send and the outputof the preceding effect stage. Refer to the section

843-2-09: PARAMETER 1 / 3-2-10: PARAMETER 2PERFORMANCE EDIT MODE / 3: Full Edit. 3-2: Effect3-2-09: PARAMETER 1 / 3-2-10: PARAMETER 2Each of the TG500

853-2-11: CONTROL 1 / 3-2-12: CONTROL 2PERFORMANCE EDIT MODE / 3: Full Edit. 3-2: Effect3-2-11: CONTROL 1 / 3-2-12: CONTROL 2MIDI control change data

86PERFORMANCE EDIT MODE / 3: Full Edit. 3-1: Layer3-2-11: CONTROL 1 / 3-2-12: CONTROL 291: “Effect D”92: “TremoloD”93: “Chorus D”94: “CelesteD”95: “Ph

87PERFORMANCE EDIT MODE / 3: Full Edit. 3-1: Layer3-2-11: CONTROL 1 / 3-2-12: CONTROL 2Ef1Prm1Ef1Prm2Ef1Prm3Ef1Prm4Ef1Prm5Ef1Prm6Ef1Prm7Ef1Prm8Ef_Out1