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Yamaha built a versatile and expandable synth workstation designed to ‘sound
great’. Richard Clews asks, ‘what’s my Motif?
Yamaha Motif
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amaha’s new Motif synthesiser is the latest in a long
line of innovative and versatile keyboards. Its prede-
cessor, the EX5, was one of the few instruments to
combine several synthesis methods ‘under the bonnet’.
DSP limitations hampered its success, but the EX5 concept
has evolved into Yamaha’s Plug-in range of DSP boards,
which play a substantial role in the new synth’s design.
In addition to expandability, the Motif promises to
bring sampling, sequencing and synthesis together
through its Integrated Sampling Sequencer – a feature
shared with the RS7000. The Motif can also control
software sequencers from its front panel, a benefit to
keyboard players with computer-based studios. Exciting
stuff, and an invitation to get motifated [arf! – CH].
In Out, Shake it All About
Visually, the Motif’s clean lines and metallic finish give it a
distinct identity. There are three keyboard lengths to choose
from. The Motif 6 (61-note) and 7 (76-note) use the ‘FS’
action from the EX5 and recent Korgs, while the 88-note
Motif 8 boasts weighted piano-action keys. All keyboards
come with aftertouch, but not poly aftertouch, which has
sadly gone the way of the thylacine. The Motif 7 used for
this test had an excellent keyboard feel, reinforced by the
instrument’s solid build. At 18kg, the Motif has enough
weight to inspire confidence but not damage your back.
Real-time editing is executed with four sliders and four
knobs. While each set of controls has 16 assignable
functions, the sliders are mainly used for level changes
while the knobs adjust filters and envelopes. Heavy duty
editing can be carried out with bundled software, and the
M
otif 7 and 8 have enough space to rest a KAOSS pad or
similar Midi controller. Elsewhere, the LCD display is
clear, and the number of editing pages has been
minimised by ‘context sensitive’ editing – for example, if
you are in Sampling mode and press Edit, you immediate-
ly call up Sampling parameters. There’s no wading
through Voice and Sequencing pages first.
Round the back, the Motif has a full range of connec-
tions – stereo, plus two assignable outs, two foot con-
troller inputs, sustain and foot switches, breath controller
and A/D input (on 6.5mm jacks). Outputs can be
increased with an AIEB1 expansion board (six analogue
outs, optical and S/PDIF) or mLAN8E. A ventilated panel
gives access to three slots for Plug-in synthesis boards,
and SCSI comes as standard. One ergonomic slip is that
the outputs are beneath a ledge. Therefore you need to
get behind the synth to make connections, rather than
lean over the front panel.
This could be problematic if you need to swap a faulty
cable during a gig.
Inside, there are 384 preset Voices, each comprising up
to four AWM2 sample elements, 128 Performances, which
combine up to four Voices in splits or layers, and 48 drum
kits. A maximum 128 edited Voices and 16 drum kits can
be stored internally, while each Performance is already in
a ‘user’ space – edits will overwrite the factory settings.
Polyphony is 62 notes, plus the polyphony of any Plug-in
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