Yamaha DX200 Specifications Page 116
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116
FM Tone Generation
Appendix
FM Tone Generation
Before actually editing the DX200 voices, let's get an idea of how the FM tone generator
works.
In the DX200, there are six special devices called “operators” that generate sine waves. A sine wave is the
fundamental wave of a note, with absolutely no overtones or harmonics added. These six operators are com-
bined in various ways to make up the different voices produced by the DX200. The operators can be used to
freely change two different aspects of the sound:
(1) The frequency (pitch) of the generated sine wave.
(2) The amplitude (volume or output level) of the generated sine wave.
FILTER
NOISE GENERATOR
DISTORTION EQ
MIXER
LFO PEG
FM Operators
FM
Operators
The frequency of the
sine wave is changed.
The amplitude of the
sine wave is changed.
This results in the pitch
becoming higher or
lower.
This results in the volume
becoming higher or lower.
Operator Operator
- SPECIAL MESSAGE SECTION 2
- PLEASE KEEP THIS MANUAL 2
- FCC INFORMATION (U.S.A.) 3
- PRECAUTIONS 4
- Control Synthesizer! 5
- Contents 6
- How to Use This Manual 8
- Panel Controls 10
- Quick Start Guide 11
- Parameter Structure 12
- Pattern Basics 15
- Switching Patterns on the fly 16
- 4 Playing it backwards 17
- 5 Changing the bpm 17
- 6 Messing with the Beat 18
- 7 Double time, half time 18
- Song Playback 19
- The Keyboard 20
- 11 Playing the Rhythm track 21
- 12 Velocity 21
- Scene Basics 22
- 15 What is an Effect? 23
- 16 Playing with the Effects 24
- Chapter 5 Effects 25
- 17 Distortion 26
- Filter (VCF) 27
- Chapter 6 Filter (VCF) 28
- FEG Depth 30
- Nuts and Bolts 31
- 22 Original Value 32
- ● Press the [EXIT] button 33
- ● Turn off the power 33
- 24 Factory Reset 34
- Pattern Playback 35
- 26 Transposing the key 36
- 27 Swing 37
- 28 Muting tracks 37
- Muting notes during playback 38
- 3 Now, work with the Volume 39
- Chapter 8 Pattern Playback 40
- LFO Modulation 41
- 33 Modulating the Filter 42
- 34 Modulating the pitch 43
- 35 Changing the LFO wave 44
- Chapter 9 LFO Modulation 45
- EG Basics 46
- Chapter 10 EG Basics 47
- 38 More about FEG Depth 50
- Advanced Sound 52
- Shaping Controls 52
- 41 Selecting the Algorithm 53
- 42 Shifting Harmonics 54
- Mellow or metallic — FM Depth 55
- 44 Controlling the FM Decay 56
- 45 Noise Level 56
- 46 All kinds of noise 57
- 47 Fat, phatter and phattest! 58
- 49 Free EG 60
- Chapter 12 Free EG 61
- Pattern Power 63
- Shake, Retrigger, and Roll! 64
- Copying a Pattern (Sequence) 67
- Pattern Recording 68
- Setting the Metronome lead-in 69
- Chapter 14 Pattern Recording 70
- 7 Start recording 71
- 9 Stop recording 71
- 60 Step Recording 72
- 15 Set the knobs as shown 75
- Rhythm Tracks 76
- 61 Storing your new Pattern 79
- Song Recording 81
- 63 Creating a Song 82
- Chapter 15 Song Recording 83
- 65 More Song editing features 85
- 3 Delete the Pattern 88
- 68 Storing your new Song 89
- Speed Tips for 90
- Power Users 90
- Gang-editing a group of Steps 91
- Real World Tips 92
- 1 Select and play a Pattern 93
- 2 Call up Transpose 93
- 75 Stutter fill-in 1 94
- 76 Stutter fill-in 2 94
- 77 Stutter fill-in 3 95
- Master Class 1 — 96
- 81 Changing the MIDI channels 97
- MIDI OUT MIDI INOUTPUT 98
- AUDIO IN 98
- 84 Loopfactory sampling 100
- Master Class 2 — 103
- Advanced Music 103
- Production 103
- 88 Recording to a sequencer 104
- DX200 Editor 106
- Computer 106
- Out, In, or Off 107
- MIDI INMIDI OUT 108
- MIDI OUTMIDI IN 109
- Function Index 110
- About the Included CD-ROM 112
- Specifications 114
- Error Messages 114
- Troubleshooting 115
- FM Tone Generation 116
- Combinations of Two Operators 117
- Carrier and Modulator 118
- Harmonics 119
- Algorithms 120
- Feedback 120
- Voice Editing Essentials 121
- MIDI Data Format 124
- Appendix 128
- MIDI Implementation Chart 144
- Rhythm Track Instrument List 145
- Pattern List 146
- SOFTWARE LICENSING AGREEMENT 148
- SOFTWARE-LIZENZVEREINBARUNG 149
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