Yamaha DM2000 User Manual Page 337
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Dynamics Parameters 337
DM2000—Owner’s Manual
DUCKING
Ducking is commonly used for voice-over applications in which the background music
level is reduced automatically when an announcer speaks. When the KEY IN source signal
level exceeds the specified THRESHOLD, the output level is attenuated by a specified
amount (RANGE).
Parameter Range Description
THRESHOLD (dB) –54.0 to 0.0 (541 points)
This determines the level of trigger signal (KEY IN)
required to activate ducking.
RANGE (dB) –70 to 0 (71 points)
This determines the amount of attenuation when
ducking is activated.
ATTACK (ms) 0–120 (121 points)
This determines how soon the signal is ducked
once the ducker has been triggered.
HOLD (ms)
44.1kHz: 0.02 ms – 2.13 sec
48kHz: 0.02 ms – 1.96 sec
88.2kHz: 0.01 ms – 1.06 sec
96kHz: 0.01 ms – 981 ms
(160 points)
This determines how long ducking remains active
once the trigger signal has fallen below the
THRESHOLD level.
DECAY (ms)
44.1kHz: 6 ms – 46.0 sec
48kHz: 5 ms – 42.3 sec
88.2kHz: 3 ms – 23.0 sec
96kHz: 3 ms – 21.1 sec
(160 points)
This determines how soon the ducker returns to its
normal gain once the trigger signal level drops
below the threshold. The value is expressed as the
duration required for the level to change by 6 dB.
Input Level Time Time
Output Level
Input Level
Output Level
I/O Characteristics Time Series Analysis
RANGE
THRESHOLD
THRESHOLD
RANGE
Input Signal Output Signal
AT TACK DECAY
HOLD
- Owner’s Manual 1
- IMPORTANT 2
- Important Information 3
- 4 Important Information 4
- Operating Notes 4
- Installing the DM2000 7
- (FCC DoC) 9
- Contents 10
- Contents 15 15
- 1 Welcome 17
- 18 Chapter 1—Welcome 18
- Surround Sound 19
- Remote Control 19
- Control Surface 19
- Control Surface 21 21
- MATRIX SELECT 22
- Control Surface 23 23
- DISPLAY ACCESS 24
- Control Surface 25 25
- EFFECTS / PLUG INS 26
- F1 F2 F3 27
- PHASE/INSERT 29
- AUX/MATRIX SEND 30
- D PAN control 32
- E LINK button 32
- F GRAB button 32
- G EFFECT button 32
- H Joystick 32
- EQUALIZER 33
- CHANNEL COPY 33
- REMOTE 1 34
- REMOTE 2 34
- REMOTE 3 34
- REMOTE 4 34
- Control Surface 35 35
- Scene Up [ ] button incre 36
- Control Surface 37 37
- Control Surface 39 39
- H SCRUB button 40
- I DEC & INC buttons 40
- J ENTER button 40
- K Parameter wheel 40
- L Cursor buttons 40
- Control Surface 41 41
- 11 AUX 12 42
- 1 ASSI GN 2 42
- CONTROL ROOM 43
- TALKBACK 44
- Rear Panel 45
- Rear Panel 47 47
- 1 2 3 4 5 6 7 8 9J KL 48
- N O P RQ 48
- Rear Panel 49 49
- 3 Operating Basics 51
- 52 Chapter 3—Operating Basics 52
- About the Display 52
- Selecting Display Pages 53
- Display History 53
- 54 Chapter 3—Operating Basics 54
- Display Page Controls 54
- Parameter Windows 54
- Confirmation Messages 54
- Title Edit Window 54
- Using a Keyboard 55
- 56 Chapter 3—Operating Basics 56
- Channel Names 57
- Channel Faders and Encoders 57
- 58 Chapter 3—Operating Basics 58
- Selecting Layers 58
- 60 Chapter 3—Operating Basics 60
- Selecting Fader Modes 60
- Selecting Encoder Modes 61
- 62 Chapter 3—Operating Basics 62
- AD Input Connectors 64
- Phantom Power 64
- PEAK & SIGNAL Indicators 64
- AD Inserts 65
- Wordclocks 66
- Wordclocks 67 67
- 2TR Digital Outs 68
- 2TR Digital Ins 69
- Slot I/O 70
- Installing I/O Cards 71
- Cascading Consoles 74
- Cascade Hookup Examples 75
- Attenuating Cascade Inputs 76
- Input Patching 77
- Output Patching 79
- Patching Omni Outs 80
- Output Channel Inserts Ins 80
- Patching Direct Outs 81
- Patching the GEQs 82
- Patch Select Window 83
- Patching with the Encoders 83
- 7 Input Channels 84
- Gating Input Channels 85
- 86 Chapter 7—Input Channels 86
- Attenuating Input Channels 87 87
- 88 Chapter 7—Input Channels 88
- Delaying Input Channels 88
- Grouping Input Channel Faders 91
- 92 Chapter 7—Input Channels 92
- Routing Input Channels 93 93
- 94 Chapter 7—Input Channels 94
- Panning Input Channels 95
- 96 Chapter 7—Input Channels 96
- Using Surround Pan 97
- 98 Chapter 7—Input Channels 98
- Using the Joystick 99
- 100 Chapter 7—Input Channels 100
- Input Channel Surround Pages 101
- Chapter 7—Input Channels 102
- MS microphone 103
- R connector L connector 103
- 8 Stereo Out 104
- Chapter 8—Stereo Out 106
- 9 Bus Outs 107
- Viewing Bus Out Settings 109
- Copying Bus Out Settings 109
- Naming Bus Outs 109
- 10 Aux Sends 110
- Using the Faders 111
- Using the Encoders 111
- Variable Mode 112
- Fixed Mode 113
- 114 Chapter 10—Aux Sends 114
- Viewing Aux Send Settings 114
- Pre/Post Parameters 115
- 116 Chapter 10—Aux Sends 116
- Panning Aux Sends 116
- Chapter 10—Aux Sends 118
- 11 Matrix Sends 121
- Panning Matrix Sends 123
- 124 Chapter 11—Matrix Sends 124
- Viewing Matrix Send Settings 124
- Metering Matrix Send Masters 124
- Chapter 11—Matrix Sends 126
- 12 Common Channel Functions 127
- Metering Input Channels 128
- Metering Output Channels 129
- Metering Effects 129
- Attenuating Signals 130
- Using EQ 131
- Preset EQs 132
- 10.04.001.00125 133
- EQ Edit Pages 134
- Grouping Output Channel EQs 135
- Using Inserts 135
- Insert Pages 136
- Compressing Channels 137
- Comp Edit Page 139
- Delay Pages 141
- Soloing Channels 142
- Configuring Solo 143
- Pairing Channels 144
- Pairing Channels 145 145
- Output Channel Mute Master 149
- Input Channels 150
- Output Channels 151
- Bus Outs 152
- Aux Sends 153
- Matrix Sends 153
- Stereo Out 154
- Copying Channel Settings 155
- Naming Channels 156
- 13 Monitoring & Talkback 158
- Control Room Setup 159
- Surround Monitoring 160
- Surround Monitoring 161 161
- Using Talkback & Slate 163
- TALKBACK LEVEL 163
- Talkback Setup 164
- 14 Libraries 165
- 166 Chapter 14—Libraries 166
- Channel Library 166
- Input Patch Library 167
- Output Patch Library 167
- 168 Chapter 14—Libraries 168
- GEQ Library 168
- Effects Library 168
- Bus to Stereo Library 169
- 170 Chapter 14—Libraries 170
- Gate Library 170
- Comp Library 171
- 172 Chapter 14—Libraries 172
- EQ Library 172
- Automix Library 173
- Surround Monitor Library 173
- About the Effects 174
- Patching Effects Processors 174
- Preset Effects & Types 174
- Modulation-based Effects 175
- Guitar Effects 175
- Dynamic Effects 175
- Combination Effects 175
- Editing Effects 177
- Parameter Up/Down 178
- Parameter controls 1–4 178
- About Plug-Ins 179
- Configuring Plug-Ins 180
- Editing Plug-Ins 181
- About the GEQs 183
- Editing GEQs 183
- Band select Gain 184
- 16 Scene Memories 185
- 186 Chapter 16—Scene Memories 186
- Auto Scene Memory Update 186
- Storing Scenes 187
- Recalling Scenes 187
- Using the Scene Memory Page 188
- Fading Scenes 189
- 190 Chapter 16—Scene Memories 190
- Recalling Scenes Safely 190
- Sorting Scenes 191
- 192 Chapter 16—Scene Memories 192
- 17 Automix 193
- 194 Chapter 17—Automix 194
- Automix Main Page 194
- Automix Main Page 195 195
- 196 Chapter 17—Automix 196
- Automix Main Page 197 197
- 198 Chapter 17—Automix 198
- AUTOMIX Section 198
- Channel Strip [AUTO] Buttons 199
- Automix Memory Page 199
- Fader Edit Pages 199
- 200 Chapter 17—Automix 200
- 202 Chapter 17—Automix 202
- Creating a Time Signature Map 202
- Recording an Automix 202
- Inserted 203
- 204 Chapter 17—Automix 204
- Rerecording Events 205
- 206 Chapter 17—Automix 206
- Parameter Recording 206
- 208 Chapter 17—Automix 208
- Playing Back an Automix 208
- Editing Events Offline 209
- 210 Chapter 17—Automix 210
- Editing Events Offline 211 211
- 212 Chapter 17—Automix 212
- Event Edit Page 213
- 214 Chapter 17—Automix 214
- 18 MIDI 215
- MIDI Port Setup 216
- MIDI Channel Setup 217
- 218 Chapter 18—MIDI 218
- 220 Chapter 18—MIDI 220
- Using Bulk Dump 220
- 19 Pro Tools Remote Layer 221
- Configuring the DM2000 222
- Configuring Pro Tools 222
- Configuring Pro Tools 223 223
- CURSOR MODE 224
- SELECT ASSIGN 224
- Channel Strips 225
- Channel Strip Displays 227
- (SEND MUTE) (INSERT BYPASS) 228
- (DEFAULT) 228
- FADER MODE Section 229
- DISPLAY ACCESS Section 229
- EFFECTS/PLUG-INS Section 230
- SELECTED CHANNEL Section 231
- DYNAMICS 232
- PAN/SURROUND 232
- TRACK ARMING Section 233
- USER DEFINED KEYS Section 234
- (MEM-LOC) 235
- Scrolling Windows 238
- Selecting Channels 239
- Assigning Inputs to Channels 239
- Assigning Outputs to Channels 240
- Setting Channel Levels 240
- Muting Channels 241
- Panning Channels 241
- Assigning Send Destinations 242
- Setting Send Levels 243
- Muting Sends 243
- Panning Sends 243
- Flip Mode 243
- Assigning Inserts/Plug-ins 244
- Editing Plug-ins 245
- Bypassing Individual Plug-ins 246
- Bypassing all Plug-ins 246
- Navigating the Edit Window 247
- Scrub & Shuttle 249
- Automation 250
- Trim Mode 251
- Selecting a Track 252
- Stereo Track Link 252
- 20 Remote Control 253
- 254 Chapter 20—Remote Control 254
- About Remote Layers 255 255
- Configuring Machines 256
- Configuring the REMOTE Port 257
- Transport Buttons 257
- 258 Chapter 20—Remote Control 258
- 260 Chapter 20—Remote Control 260
- Arming Machine Tracks 261
- 262 Chapter 20—Remote Control 262
- 264 Chapter 20—Remote Control 264
- 266 Chapter 20—Remote Control 266
- (AD8HR/AD824) IDs 267
- 268 Chapter 20—Remote Control 268
- 21 Other Functions 269
- Using the User Defined Keys 270
- Chapter 21—Other Functions 272
- Setting Preferences 274
- Setting Preferences 275 275
- Preferences 2 276
- Preferences 3 277
- Using the Oscillator 279
- Operation Lock 280
- Operation Lock 281 281
- Appendix A: Parameter Lists 283
- Input Patch Parameters 286
- Input Patch Parameters 287 287
- Initial Input Patch Settings 289
- Output Patch Parameters 290
- Output Patch Parameters 291 291
- Output Patch Parameters 293 293
- Output Patch Table 2 294
- Output Patch Parameters 295 295
- Initial Output Patch Settings 297
- Initial Input Channel Names 298
- Initial Output Channel Names 299
- Initial Input Port Names 300
- Initial Output Port Names 301
- Bank 1 (GM Vol & Pan) 306
- Bank 3 (XG Vol & Pan) 308
- Bank 4 (Nuendo VST Mixer) 309
- Effects Parameters 310
- MONO DELAY 311
- STEREO DELAY 311
- MOD. DELAY 311
- DELAY LCR 312
- Effects Parameters 313 313
- SYMPHONIC 314
- HQ. PITCH 315
- DUAL PITCH 316
- RING MOD 316
- MOD. FILTER 317
- DISTORTION 317
- AMP SIMULATE 317
- RESO. 0–20 Filter resonance 317
- REV+CHORUS 319
- REV->CHORUS 319
- REV+FLANGE 320
- REV->FLANGE 320
- REV+SYMPHO 321
- REV->SYMPHO 321
- REV->PAN 322
- DELAY+ER 322
- DELAY->ER 323
- DELAY+REV 323
- DELAY->REV 324
- DIST->DELAY 324
- MULTI FILTER 325
- ST REVERB 326
- REVERB 5.1 326
- OCTA REVERB 327
- AUTO PAN 5.1 327
- CHORUS 5.1 327
- FLANGE 5.1 328
- SYMPHO 5.1 328
- M. BAND DYNA 329
- COMP 5.1 330
- COMPAND 5.1 330
- Preset EQ Parameters 332
- Preset Gate Parameters 333
- (fs = 44.1 kHz) 334
- Dynamics Parameters 336
- Dynamics Parameters 337 337
- COMP Section 338
- Dynamics Parameters 339 339
- COMPANDER HARD (H) 340
- COMPANDER SOFT (S) 340
- Appendix B: Specifications 341
- Appendix B: Specifications 342
- General Spec 343 343
- EQ Parameters 345
- Gate Parameters 345
- Comp Parameters 345
- Libraries 346
- Analog Input Spec 347
- Analog Output Spec 347
- Digital Input Spec 348
- Digital Output Spec 348
- I/O Slot Spec 349
- Connector Pin Assignments 350
- Dimensions 351
- Appendix C: MIDI 352
- CHANNEL1 353
- 354 Appendix C: MIDI 354
- CHANNEL3 355
- 356 Appendix C: MIDI 356
- CHANNEL5 357
- 358 Appendix C: MIDI 358
- CHANNEL7 359
- 360 Appendix C: MIDI 360
- CHANNEL9 361
- 362 Appendix C: MIDI 362
- CHANNEL11 363
- 364 Appendix C: MIDI 364
- CHANNEL13 365
- 366 Appendix C: MIDI 366
- CHANNEL15 367
- 368 Appendix C: MIDI 368
- MIDI Data Format 369
- Format Details 369
- 370 Appendix C: MIDI 370
- Format Details 371 371
- 11. ACTIVE SENSING (FE) 371
- 12. SYSTEM RESET (FF) 371
- 372 Appendix C: MIDI 372
- Format Details 373 373
- 374 Appendix C: MIDI 374
- Format Details 375 375
- 376 Appendix C: MIDI 376
- Format Details 377 377
- 378 Appendix C: MIDI 378
- Format Details 379 379
- 380 Appendix C: MIDI 380
- Format Details 383 383
- 384 Appendix C: MIDI 384
- Format Details 385 385
- Appendix D: Options 386
- MB2000 Peak Meter Bridge 387 387
- 388 Appendix D: Options 388
- SP2000 Wooden Side Panels 388
- Numerics 389
- 390 Index 390
- 392 Index 392
- 394 Index 394
- 396 Index 396
- DM2000 Block Diagram 399
- DM2000 Level Diagram 400
- MIDI Implementation Chart 401
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