Yamaha MW10c Owner's Manual download pdf (Page 17)

Reference

Front & Rear Panels

MW8CX/MW10C Owner’s Manual

6 GAIN Control

Adjusts the input signal level.

To achieve the best balance between S/N ratio and dynamic

range, adjust the level so that the PEAK indicator

9 lights

only occasionally and brieﬂy on the highest input transients.

The -60 to -16 scale is the MIC input adjustment range. The

-34 to +10 scale is the LINE input adjustment range.

7 Switch (High Pass Filter)

This switch toggles the HPF on or off. To turn the HPF on,

press the switch in ( ). The HPF cuts frequencies below

80 Hz (the HPF does not apply to the line inputs of stereo

input channels

34).

8 COMP Control

Adjusts the amount of compression applied to the channel.

As the knob is turned to the right the compression ratio

increases while the output gain is automatically adjusted

accordingly. The result is smoother, more even dynamics

because louder signals are attenuated while the overall level

is boosted.

Avoid setting the compression too high, as the the

higher average output level that results may lead to

feedback.

9 PEAK Indicator

The peak level of the post-EQ signal is detected, and the

PEAK indicator lights red when the level reaches 3 dB

below clipping. For XLR-equipped stereo input channels (3/

4 and 5/6), both the post-EQ and post-mic-amp peak levels

are detected, and the indicator lights red if either of these

levels reaches 3 dB below clipping.

0 Equalizer (HIGH, MID, and LOW)

This three-band equalizer adjusts the channel’s high, mid,

and low frequency bands. CH 7/8 (CHs 7/8, 9/10) have two

bands: high and low. Setting the knob to the ▼ position pro-

duces a ﬂat response in the corresponding band. Turning the

knob to the right boosts the corresponding frequency band,

while turning to the left attenuates the band. The following

table shows the EQ type, frequency, and maximum cut/boost

for each of the three bands.

A EFFECT (AUX) Control

Adjusts the level of the signal sent from the channel to the

EFFECT (AUX) bus. Note that the signal level sent to the

bus is also affected by the LEVEL control

C. On stereo

channels (CHs 3/4 to 7/8 (CHs 3/4 to 9/10)) the signals

from the L (odd) and R (even) channels are mixed and

then sent to the EFFECT (AUX) bus.

B PAN Control (CHs 1, 2)

PAN/BAL Control (CHs 3/4, 5/6)

BAL Control (CH 7/8 (CHs 7/8, 9/10)

The PAN control determines the stereo positioning of the

channel signal on the Stereo L and R buses.

The BAL control knob sets the balance between left and

right channels. Signals input to the L input (odd channel) go

to the Stereo L bus; signals input to the R input (even chan-

nel) go to the Stereo R bus.

On channels where this knob provides both PAN and

BAL control (channels 3/4 and 5/6), the knob oper-

ates as a PAN control when input is received via the

MIC jack or L (MONO) input only, and as a BAL con-

trol when input is received via both L and R inputs.

C LEVEL Control

Adjusts the level of the channel signal. Use these knobs to

adjust the balance between the various channels.

Set the controls for unused channels all the way

down to minimize noise.

Band Type Frequency

Maximum

Cut/Boost

HIGH Shelving 10 kHz

±15 dBMID Peaking 2.5 kHz

LOW Shelving 100 Hz

NOTE

1 2 ... 12 13 14 15 16 17 18 19 20 21 22 ... 36 37

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Yamaha MW10c Owner's Manual Page 17

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