Yamaha LL16-12 User Manual download pdf (Page 11)

Advanced Features for Playing Live and Recording

SRT Delivers Amazingly Authentic Acoustic Tone

Three High-End Mic Types Professional Mic Positions

Adjustable Body Resonance

Blending Piezo and Mic Sound Sources

Type 1:

Neumann U67

Vintage condenser large

Diaphragm microphone

known for its wide

frequency range and dy-

namic response. Good for

all musical playing styles,

follows phrasing well.

Recommended for comp-

ing and rock playing.

Type 2:

Neumann KM56

Vintage condenser small

Diaphragm microphone

known for its known for

smooth, accurate and

delicate high-end. Recom-

mended for arpeggios, bal-

lads, ﬁ nger picking, etc.

FOCUS:

On mic setting

(mic po-

sitioned 20-30cm from

the guitar). Captures

string and body reso-

nance clearly to deliver

a fat, expansive sound

and excellent projection.

WIDE:

On Mic combined with

Off Mic setting (mic posi-

tioned a few meters away

from the guitar). Close

to the ambient sound

that the ear hears when

listening to a guitar. Rec-

ommended for solo and

ensemble playing.

Type 3:

Royer R-122

Modern ribbon micro-

phone known for its soft

response with a gentle

high-end and thick and

warm tone. Smooths hard

picking into a rounder

tone. Recommended for

Jazz and Blues playing.

Select from models of three microphones most-favored by recording en-

gineers around the world. (Mic models are created using data collected

from these microphones.)

Choose miking positions close or far.

The RESONANCE knob allows you to add body resonance to the sound,

emphasising the natural tone of the guitar.

* The RESONANCE control is only effective on the mic sound.

Blend piezo pickup and microphone sources to create a wide palette

of tonal variations. Blending the sound from the piezo pickup with the

sound from the built-in mic adds sharpness.

(full left)

Piezo pickup only

(full right)

Mic sound only

Less resonance More resonance

★

Keep Feedback Under Control

These instruments incorporate Yamaha’s original

A.F.R. (Auto Feedback Reduction), which automati-

cally detects the frequency causing the feedback

and applies a notch ﬁ lter to suppress the problem

frequency. When feedback occurs, simply switch the

A.F.R. button ON. Up to ﬁ ve ﬁ lters can be applied.

On mic

Off mic

When professional guitarists want to record real acoustic guitar tone,

they’ll record the guitar with a microphone. That holds true for guitarists

who prefer using electric-acoustics on stage as well. Electric-acoustics are

very effective in live situations due to their ability to adjust sound and

balance volume with the other instruments in the band. But the sound

that electric-acoustics deliver is merely the ampliﬁ ed sound from a pick-

up attached to the bridge or the top, and lacks true acoustic resonance

and ambiance. True acoustic guitar tone that you hear on recordings only

exists in the recording studio where experienced sound engineers have

the means to capture that sound.

Yamaha’s new SRT system lets you create that same studio recorded sound.

The system lets you choose from three different high-end mic types as well

as mic positioning. It also lets you obtain more detailed sound by blending

the sound with that from the piezo pickup and adjusting resonance.

The SRT series brings studio quality acoustic guitar sound to the stage that

will amaze your audiences.

SRT Series

System 62/63

Yamaha SRT Series

1 2 ... 6 7 8 9 10 11 12 13 14 15 16 ... 23 24

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Yamaha LL16-12 User Manual Page 11

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