Yamaha A1R User Manual Page 23
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Chapter 7 panel referenCe | 23
Sine, Tri, Saw and Pulse Mix
There are four Mixed configurations that add a second oscillator with a
waveform and a harmonic partial relationship to oscillator 1.
The Mixed configurations are
presented with the waveform
and a numerical value of a
harmonic partial in the
Oscillator Configuration display.
Here are a few examples:
SA.
Sub (1 octave down).
SA.1
Nominal = Oscillator 1
SA.2
1 octave up.
SA.3
3:rd harmonic.
SA.4
2 octaves up.
SA.5
5:th harmonic.
SA.6
6:th harmonic.
SA.7
7:th harmonic.
SA.8
3 octaves up.
M The waveform of oscillator 1 is the one specified with the Wave-
form Dial.
Modulation Configurations
FM (Frequency Modulation)
This is a classic 2 operator FM synthesis
configuration where oscillator 1 is the carrier
and oscillator 2 is the modulator. The frequency
of oscillator 2 is set by the Osc Config dial, with
a frequency range of -12 to +48 semitones,
relative to oscillator 1.
FM synthesis is a powerful tool for
generating a very complex spectra
from a simple waveform. FM synthe-
sis can create both harmonic and
inharmonic sounds depending on
the frequency relation between the
modulator and the carrier. The most
famous FM synthesizer is the DX7
from the mid 1980's.
AM (Amplitude Modulation)
Oscillator 1 will be amplitude modulated by a
sine wave from oscillator 2. Osc Control sets
the frequency of oscillator 2.
Amp Envelope
The Amp envelope is a polyphonic ADR/ASR
envelope, used to control how the sound amplitude
or level changes over time. By modulating the
amplifier with an envelope, the sound can be given
its basic “shape”. In fact, the “volume shape” is one
of the most important factors in how we identify the
sound. By setting up a proper amplifier envelope you
can make a sound “soft”, “hard”, “plucked” “static”
etc.
Attack
Attack is the time it will take for the envelope to go from zero to the
maximum amplitude as soon as a key have been pressed. Range: 0.5
ms to 45 s.
Decay
Decay is the
time it takes for
the envelope to
drop down to
zero after the at-
tack phase has
been completed.
When Decay
is turned fully
clockwise, it will
not drop down at all, but remain at the full sustain level. Range: 0.5
ms to 45 s, Sustain
Release
The Release phase of the envelope begins after you have released the
key. This setting determines how long it should take for the envelope
to drop to 0 after the key is released. The release phase may start
anywhere during the envelope’s other phases. It will begin as soon as a
key is released. Range: 3.0 ms to 45 s.
Env Vel
Press Shift and turn the Release knob to enable Envelope Velocity. This
makes the amplitude velocity sensitive.
Sinewave Sub Triangle nom. Saw 1 oct up
Square 3:rd
OSC 1
Pitch
LFO
ModEnv
Osc Contrl
OSC 1
Shape
LFO
ModEnv
Osc Contrl
OSC 1
Pitch
LFO
ModEnv
Osc Contrl
Sync Osc
Reset
Balance
Noise
LFO
ModEnv
Osc Contrl
OSC 1
OSC 1
OSC 2
Pitch
LFO
ModEnv
Osc Contrl
Balance
LFO
ModEnv
Osc Contrl
OSC 1
OSC 2
OSC 2
Pitch
LFO
ModEnv
Osc Contrl
AM
OSC 1
Freq
LFO
ModEnv
Osc Contrl
FM
Modulator
OSC 2
To Filter To Filter
To Filter
To Filter
To Filter
To Filter
To Filter
To Filter
Mix
Amount
Carrier
OSC 1
OSC 1
Pitch
LFO
ModEnv
Osc Contrl
OSC 1
Shape
LFO
ModEnv
Osc Contrl
OSC 1
Pitch
LFO
ModEnv
Osc Contrl
Sync Osc
Reset
Balance
Noise
LFO
ModEnv
Osc Contrl
OSC 1
OSC 1
OSC 2
Pitch
LFO
ModEnv
Osc Contrl
Balance
LFO
ModEnv
Osc Contrl
OSC 1
OSC 2
OSC 2
Pitch
LFO
ModEnv
Osc Contrl
AM
OSC 1
Freq
LFO
ModEnv
Osc Contrl
FM
Modulator
OSC 2
To Filter To Filter
To Filter
To Filter
To Filter
To Filter
To Filter
To Filter
Mix
Amount
Carrier
OSC 1
OSC 1
Pitch
LFO
ModEnv
Osc Contrl
OSC 1
Shape
LFO
ModEnv
Osc Contrl
OSC 1
Pitch
LFO
ModEnv
Osc Contrl
Sync Osc
Reset
Balance
Noise
LFO
ModEnv
Osc Contrl
OSC 1
OSC 1
OSC 2
Pitch
LFO
ModEnv
Osc Contrl
Balance
LFO
ModEnv
Osc Contrl
OSC 1
OSC 2
OSC 2
Pitch
LFO
ModEnv
Osc Contrl
AM
OSC 1
Freq
LFO
ModEnv
Osc Contrl
FM
Modulator
OSC 2
To Filter To Filter
To Filter
To Filter
To Filter
To Filter
To Filter
To Filter
Mix
Amount
Carrier
OSC 1
decay (time) release (time)
key down
key up
attack (time)
time
amount
sustain release (time)
key down
key up
attack (time)
time
amount
- User Manual 1
- Nord Lead A1 1
- Nord Lead A1R 1
- IMPORTANT SAFETY INSTRUCTIONS 2
- SAVE THESE INSTRUCTIONS 2
- Nord Lead A1 User Manual 3
- Introduction 5
- Overview 6
- Knobs & dials 7
- Rear Panel 8
- Audio Connections 8
- MIDI Connections 8
- USB Connection 8
- Pedal Connections 8
- Getting Started 9
- A. 1” to “d.50”. As 10
- Slots and Memory 11
- A”, “b”, “C” or “d” 12
- 1” to “8” 12
- Morphing 13
- The Morphs 13
- Editing Morphs 14
- Morph Programming Latch 14
- Mutator, Randomize & Like 15
- 1 Hold Shift and press Like 16
- Panel Reference 17
- Slot A - D 18
- Octave Shift 18
- Shift/Exit 18
- Pitch Stick 18
- Arpeggiator 19
- Voice Mode 19
- Vibrato 19
- Modulation Envelope 20
- Oscillators 21
- Oscillator Configuration 22
- Amp Envelope 23
- 12 dB/Oct 24
- 24 dB/Oct 24
- Division Description 25
- Note Trig (Nord Lead A1R) 26
- Master Clock 27
- Synced Delay repeats 28
- Sync the LFO 28
- Across the Slots 28
- Sound Menu Kbd Sync 28
- Nord Sound Manager 29
- The Menus 30
- MIDI Menu 31
- Sound Menu 31
- Nord Lead A1 MIDI operation 32
- Lead A1 MIDI IN MIDI OUT 32
- Message types 33
- MIDI Dumps 33
- MIDI Controller list 34
- MIDI Implementation Chart 35
- Appendix 36
- Display Messages 37
- , 20, 26 38
- FCC Information (U.S.A.) 39
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