Yamaha SY85 Owner's Manual

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Summary of Contents

Page 1 - - Feature Reference

YAMAHASY85 Music SynthesizerOwner’s Manual 2- Feature Reference -

Page 2

9From this display you can use either the data entry dial or the [-1] and [+1]keys to directly select any of the 8 available functions, then press the

Page 3 - CONTENTS

99Atk (Attack rate)Range: 0 … 63Controls: [CS5], [-1] [+1], DialSets the attack rate for the selected envelope. “63” produces the fastestattack, while

Page 4 - Drum Voice Edit Mode

100The simplified filter parameters provided here have been specifically created forfast, efficient filter programming.For full filter parameters see

Page 5 - Utility Mode

101Reso (Resonance)Range: 0 … 99Controls: [CS7], [-1] [+1], DialDetermines the degree of filter resonance.This parameter has a similar effect to the “

Page 6 - Wave Edit Mode

102Here, the main LFO parameters are simplified and concentrated in a single screenfor quick, easy programming.For full LFO parameters see page 78.Typ

Page 7

103The SY85 features a complex, high-performance effect system that can be pro-grammed easily via the parameters presented here and in the following s

Page 8 - PROCEDURE

1046: EFFECT PARAMETER[VOICE] → [QUICK EDIT] → [MENU] → 6:Effect Param → [ENTER/YES]This screen provides access to the four main parameters each for

Page 9 - ■ Mode Selection

105The SY85 features a dual-processor effect system that includes 90 top-qualitydigital effects. Two different effects can be connected in series or p

Page 10 - GENERAL EDITING PROCEDURE

106The balance between the direct sound of the voice and the effect sound is adelicate thing. Even slight changes can make a big different to the fina

Page 11

107Out1 DryRange: 0 … 100Controls: [CS8], [-1] [+1], DialThis parameter and the “Out1 Wet” parameter, above, work together tobalance the effect (“wet”

Page 12

108Depending on the selected effects the SY85 effect system can have up to fourseparate output levels that are adjusted by the parameters provided in

Page 13

10 Selecting & Editing ParametersMost SY85 edit screens contain several parameters that can be selected andedited. In most cases you can simply o

Page 14 - PERFORMANCE EDIT MODE

109VOICE EDIT MODE / EFFECT EDIT4: EFFECT 1 PARAMETERS5: EFFECT 2 PARAMETERS[VOICE] → [EFFECT EDIT] → [MENU] → 4:EF1 Parameter → [ENTER/YES]→ 5:EF2

Page 15 - 1: VOICE NUMBER

110The SY85 [CS1] and [CS2] sliders can be assigned to control different effectparameters in real time while playing in the voice or performance modes

Page 16

111Max (Maximum parameter value)Range: 0 … 100Controls: [CS5], [-1] [+1], DialSets the upper limit of the [CS1] or [CS2] control range. A setting of“1

Page 17

1127: EFFECT LFO[VOICE] → [EFFECT EDIT] → [MENU] → 7:Control LFO → [ENTER/YES]All of the modulation-type effects — chorus, flanging, etc. — require LF

Page 18 - Fine (Fine tuning)

113EFFECT DATA COPY[VOICE] → [EFFECT EDIT] → [COPY]This function facilitates voice effect editing by allowing the effect parametersfrom any other son

Page 19 - 5: NOTE LIMIT

114EFFECT SIGNAL FLOW DISPLAY[VOICE] → [EFFECT EDIT] → [SHIFT] + [F1] ~ [F3]VOICE EDIT MODE / EFFECT EDITThis function provides a graphic indication

Page 20 - Hi (High note limit)

1151: VOICE EDIT RECALL[VOICE] → [JOB] → [MENU] → 1:Recall → [ENTER/YES]If you’re dissatisfied with the results of edits you’ve made to a voice, or ha

Page 21 - 6: VELOCITY LIMIT

1162: VOICE INITIALIZE[VOICE] → [JOB] → [MENU] → 2:Initialize → [ENTER/YES]When you want to program a totally new voice “from scratch,” rather than ed

Page 22 - Hi (High velocity limit)

117VOICE COMPARE[SHIFT] + [STORE]The voice compare function makes it possible to compare the sound of a voicebeing edited with the same voice prior to

Page 23 - 7: CS ENABLE

118VOICE STORE[STORE]When you’re satsfied with a new voice you’ve created in the voice edit mode, usethe store function described below to store the n

Page 24 - LAYER DATA COPY

11 Controller Assignment DisplayIt is possible to assign a wide range of parameters to be controlled by the[CS1] through [CS4] sliders when playing i

Page 26 - PERFORMANCE NAME

1201: KEY PARAMETERS 1[VOICE] → [EDIT] → [MENU] → 1:Key Param1 → [ENTER/YES]DRUM VOICE EDIT MODE / DRUM KEY EDITKey NumberRange: C1 … C5Controls: [CS

Page 27 - LAYER VOICE EDIT MENU

121DRUM VOICE EDIT MODE / DRUM KEY EDITTuneRange: -63 … +63Controls: [CS7], [-1] [+1], DialAllows upward or downward pitch adjustment of the current

Page 28 - → [ENTER/YES]

1222: KEY PARAMETERS 2[VOICE] → [EDIT] → [MENU] → 2:Key Param2 → [ENTER/YES]Key NumberRange: C1 … C5Controls: [CS1], [-1] [+1], Dial, KeyboardSelects

Page 29 - RR (Release rate)

123DRUM VOICE EDIT MODE / DRUM KEY EDIT3: TOTAL LEVEL[VOICE] → [EDIT] → [MENU] → 3:Total Level → [ENTER/YES]This parameter sets the overall volume of

Page 30 - → [ENTER/YES]

1244: DRUM VOICE NAME[VOICE] → [EDIT] → [MENU] → 4:Name → [ENTER/YES]Your original drum voices should naturally have original names. This function ca

Page 31 - Reso (Filter resonance)

125DRUM KEY DATA COPY[VOICE] → [EDIT] → [COPY]This function facilitates drum voice editing by allowing the data from one drumkey (the “source” key) to

Page 32 - 3: CONTROLLER CONDITIONS

1261: EFFECT TYPE[VOICE] → [QUICK EDIT] → [MENU] → 1:Effect Type → [ENTER/YES]The SY85 features a complex, high-performance effect system that can be

Page 33

1272: EFFECT SEND LEVEL[VOICE] → [QUICK EDIT] → [MENU] → 2:Effect Send → [ENTER/YES]The ability to set different effect send levels for each drum key

Page 34 - 4: OTHER CONDITIONS

1281: MODE, TYPE[VOICE] → [EFFECT EDIT] → [MENU] → 1:Mode Type → [ENTER/YES]The SY85 features a dual-processor effect system that includes 90 top-qual

Page 36

1292: KEY SEND SELECT & LEVEL[VOICE] → [EFFECT EDIT] → [MENU] → 2:Send → [ENTER/YES]The parameters provided here determine to which of the SY85 e

Page 37

130Send (Send level)Range: 0 … 127Controls: [CS7], [-1] [+1], DialThis parameter adjusts the amount of direct voice signal that is sent to theeffect p

Page 38

131DRUM VOICE EDIT MODE / EFFECT EDIT3: KEY DRY OUTPUT SELECT[VOICE] → [EFFECT EDIT] → [MENU] → 3:Key Dry Out Select → [ENTER/YES]These parameters

Page 39

132 DRUM VOICE EDIT MODE / EFFECT EDITDepending on the selected effects the SY85 effect system can have up to fourseparate output levels that are adj

Page 40 - Kscl (Send key scaling)

1335: WET:DRY BALANCE[VOICE] → [EFFECT EDIT] → [MENU] → 5:Wet:Dry Balance → [ENTER/YES]The balance between the direct sound of the voice and the effe

Page 41 - 3: LAYER DRY OUTPUT SELECT

1346: SEND & EFFECT 2 MIX LEVEL[VOICE] → [EFFECT EDIT] → [MENU] → 6:Mix Level → [ENTER/YES]DRUM VOICE EDIT MODE / EFFECT EDITThese parameters det

Page 42

135DRUM VOICE EDIT MODE / EFFECT EDIT7: EFFECT 1 PARAMETERS8: EFFECT 2 PARAMETERS[VOICE] → [EFFECT EDIT] → [MENU] → 7:EF1 Parameter → [ENTER/YES]→ 8

Page 43

1369: CONTROL PARAMETERS[VOICE] → [EFFECT EDIT] → [MENU] → 2:Key Param2 → [ENTER/YES]DRUM VOICE EDIT MODE / DRUM KEY EDITThe SY85 [CS1] and [CS2] sl

Page 44

137Max (Maximum parameter value)Range: 0 … 100Controls: [CS5], [-1] [+1], DialSets the upper limit of the [CS1] or [CS2] control range. A setting of“1

Page 45

13810: CONTROL LFO[VOICE] → [EFFECT EDIT] → [MENU] → 10:Control LFO → [ENTER/YES]All of the modulation-type effects — chorus, flanging, etc. — require

Page 46

PERFORMANCE EDIT MODE

Page 47

139EFFECT DATA COPY[VOICE] → [EFFECT EDIT] → [COPY]This function facilitates drum voice effect editing by allowing the effect param-eters from any ot

Page 48

140 DRUM VOICE EDIT MODE / EFFECT EDITEFFECT SIGNAL FLOW DISPLAY[VOICE] → [EFFECT EDIT] → [SHIFT] + [F1] ~ [F3]This function provides a graphic indic

Page 49

141DRUM VOICE EDIT MODE / JOB1: KEY DATA INITIALIZE[VOICE] → [JOB] → [MENU] → 1:Key Data Initialize → [ENTER/YES]When you want to program a single

Page 50

142 DRUM VOICE EDIT MODE / JOBThis function makes it simple to re-arrange you drum key layout by directlyexchanging the data between any two specifed

Page 51 - 1: LAYER CONTROLLER SYNC

143DRUM VOICE EDIT MODE / JOB3: DRUM VOICE EDIT RECALL[VOICE] → [JOB] → [MENU] → 3:Recall → [ENTER/YES]If you’re dissatisfied with the results of edi

Page 52 - 2: LAYER EXCHANGE

1444: DRUM VOICE INITIALIZE[VOICE] → [JOB] → [MENU] → 2:Initialize → [ENTER/YES]When you want to program a totally new drum voice “from scratch,” rath

Page 53 - 3: PERFORMANCE EDIT RECALL

145DRUM VOICE COMPARE[SHIFT] + [STORE]The drum voice compare function makes it possible to compare the sound of adrum voice being edited with the same

Page 54 - 4: PERFORMANCE INITIALIZE

146DRUM VOICE STORE[STORE]When you’re satisfied with a new drum voice you’ve created in the drum voiceedit mode, use the store function described belo

Page 56 - PERFORMANCE STORE

148 SONG EDIT MODE / MULTI EDITEach SY85 “song” has an independent “multi setup” that can have up to 16voices assigned to “instruments” 1 through 16.

Page 57

141: VOICE NUMBER[PERFORMANCE] → [EDIT] → [MENU] → 1:Layer → [ENTER/YES] → [ENTER/YES] →→ [MENU] → 1:Voice Number → [ENTER/YES]SY85 performance combin

Page 58 - VOICE EDIT MODE

149For optimum balance between the instruments in a multi setup, this screen allowsthe volume of each voice to be adjusted individually.2: VOLUME[SONG

Page 59 - OSCILLATOR

150 SONG EDIT MODE / MULTI EDITIn a multi setup, interesting stereo effects can be produced by placing the outputfrom different voices at different l

Page 60 - Rvs (Reverse)

151SONG EDIT MODE / MULTI EDITThe ability to individually adjust the effect send level for each voice in a multisetup allows the optimum amount of ef

Page 61 - 1: AEG LEVEL & RATE

152 SONG EDIT MODE / MULTI EDITIndividually shifts the pitch of each active voice up or down in semitone steps.5: NOTE SHIFT[SONG] → [MULTI EDIT] →

Page 62 - 2:Amplitude EG

153SONG EDIT MODE / MULTI EDITAllows slight upward or downward pitch adjustment of each active voice. Morethan just simple tuning, the tune parameter

Page 63 - Range: -127 ... +127

154 SONG EDIT MODE / MULTI EDITThe SY85 features a complex, high-performance effect system that can be pro-grammed easily via the parameters presente

Page 64 - 3: SENSITIVITY

155SONG EDIT MODE / MULTI EDITYour original songs should naturally have original names. This function can beused to assign a name of up to 8 characte

Page 65 - AEG DATA COPY

156 SONG EDIT MODE / MULTI EDITWhen you want to program a totally new multi setup “from scratch,” rather thanediting an existing setup, use this func

Page 66 - 1:TYPE, CUTOFF FREQUENCY

157SONG EDIT MODE / TRACK EDITTRACK EDIT[SONG] → [TRACK EDIT] → [A]~[H]The track edit mode has two sub-modes — change and insert — which willbe desc

Page 67 - Type (Filter type)

158 SONG EDIT MODE / TRACK EDIT THE CHANGE MODE (Tracks 1 … 8)Change edit (“CHG”) allows note, control change, program change, pitch bend,and aftert

Page 68 - ● “BEF” Type

15PERFORMANCE EDIT MODE / 1:Layer2: VOLUMEFor optimum balance between the voices in a performance combination, thisscreen allows the volume of each v

Page 69 - CTRL (Filter control)

159SONG EDIT MODE / TRACK EDIT● NotesNote events appear with three parameters:• The note itself, edited by [CS5]. Range: 0 (C-2) … 111 (D#7). The not

Page 70 - 2: CUTOFF SCALING

160● Program ChangeSONG EDIT MODE / TRACK EDITPitch change events appear with a single parameter: the new pitch bendvalue, edited via [CS6]. Range: -

Page 71 - 3: FEG LEVEL & RATE

161SONG EDIT MODE / TRACK EDIT● The Meas, Beat, and Clock ParametersThese three parameters are common to all the displays described above. Inaddition

Page 72 - RS (Rate scaling)

162 SONG EDIT MODE / TRACK EDITThis initial display allows any existing rhythm part to be selected via [CS2](001 … 999), the event located at that pa

Page 73 - 4: FILTER SENSITIVITY

163SONG EDIT MODE / TRACK EDIT• tmp (Tempo change)This event indicates a tempo change to occur over a specified number ofbeats. The numbers above the

Page 74 - FILTER DATA COPY

164 SONG EDIT MODE / TRACK EDIT● [F6]: “DEL” = Rhythm Track DeleteF1CS1F2CS2F3CS3F4CS4F5CS5F6CS6F7CS7F8CS8This function is used to delete a part from

Page 75 - 1: LEVEL & RATE

165SONG EDIT MODE / TRACK EDITPress [ENTER/YES] again to confirm that you want to go ahead with thecopy operation (which will overwite existing parts

Page 76 - RS (Pitch EG rate scaling)

166 SONG EDIT MODE / SONG EFFECTThe SY85 features a dual-processor effect system that includes 90 top-qualitydigital effects. Two different effects c

Page 77 - 2: RANGE, SENSITIVITY

167SONG EDIT MODE / SONG EFFECTThe parameters provided here determine to which of the SY85 effect stages theoutput from the voice assigned to each la

Page 78 - PITCH EG DATA COPY

168 SONG EDIT MODE / SONG EFFECTCS6 (EFFECT 1) CS7 (EFFECT 2)1./. (a and b off) 2./. (a and b off)1a/. (a on, b off) 2a/. (a on, b off)1a/b (a and

Page 79 - Pmod (Pitch modulation depth)

163: PAN[PERFORMANCE] → [EDIT] → [MENU] → 1:Layer → [ENTER/YES] → [ENTER/YES] →→ [MENU] → 3:Pan → [ENTER/YES]In multi-layer performance combinations,

Page 80 - Dely (Delay)

169SONG EDIT MODE / SONG EFFECT3: INST DRY OUTPUT SELECT[SONG] → [EFFECT EDIT] → [MENU] → 3:Inst Dry Out Select → [ENTER/YES]Inst (Instrument)Range:

Page 81 - 2: LFO SPEED SENSITIVITY

170 SONG EDIT MODE / SONG EFFECTDepending on the selected effects the SY85 effect system can have up to fourseparate output levels that are adjusted

Page 82 - LFO DATA COPY

171SONG EDIT MODE / SONG EFFECTThe balance between the direct sound of the voice and the effect sound is adelicate thing. Even slight changes can mak

Page 83 - 1: PITCH BEND RANGE

172 SONG EDIT MODE / SONG EFFECTThese parameters determine the mix level between each effect send and the outputof the preceding effect stage. Refer

Page 84 - 2: MODULATION WHEEL DEPTH

173SONG EDIT MODE / SONG EFFECT7: EFFECT 1 PARAMETERS8: EFFECT 2 PARAMETERS[SONG] → [EFFECT EDIT] → [MENU] → 7:EF1 Parameter → [ENTER/YES]→ 8:EF2 Pa

Page 85 - Coff (Cutoff frequency depth)

174 SONG EDIT MODE / SONG EFFECTThe parameters provided in this screen determine which effect parameters are tobe controlled by the minimum and maxim

Page 86 - 3: FOOT CONTROLLER DEPTH

175SONG EDIT MODE / SONG EFFECTMax (Maximum parameter value)Range: 0 … 100Controls: [CS5], [-1] [+1], DialSets the upper limit of the [CS1] or [CS2]

Page 87

176 SONG EDIT MODE / SONG EFFECTAll of the modulation-type effects — chorus, flanging, etc. — require LFO con-trol. The SY85 has an independent effec

Page 88 - 4: AFTER TOUCH DEPTH

177SONG EDIT MODE / SONG EFFECTThis function facilitates song editing by allowing the effect parameters from anyother song, voice, or performance com

Page 89 - PtBs (Pitch bias depth)

178 SONG EDIT MODE / SONG EFFECTEFFECT SIGNAL FLOW DISPLAY[PERFORMANCE] → [EFFECT EDIT] → [SHIFT] + [F1] ~ [F3]This function provides a graphic indic

Page 90 - 5: CS3 PARAMETER EDIT

17PERFORMANCE EDIT MODE / 1:Layer4: TUNEMore than just simple tuning, the note shift and fine tune parameters make itpossible to create harmony and v

Page 91

179SONG EDIT MODE / SONG JOBONE, ALLRange: ONE, ALLControls: [F1], [F2]Press [F1] if you want to clear the currently selected song, or [F2] if youwan

Page 92 - 6: CS4 PARAMETER EDIT

180 SONG EDIT MODE / SONG JOBCopies all song data from one song to any other. This can be handy if you wantto make minor changes to an existing song

Page 93 - Min (Minimum parameter value)

181SONG EDIT MODE / SONG JOBIndicates the amount of memory available for song recording.This job is not available when the rhythm track (track 9) is

Page 94 - CONTROLLER DATA COPY

182 SONG EDIT MODE / RHYTHM TRACK SONG JOBDeletes all data from the rhythm track.This job appears in place of the “MEMORY STATUS” job, described on t

Page 95 - VOICE TOTAL LEVEL

183SONG EDIT MODE / SONG JOBCombines the data from two different tracks and copies the result to a third track.This job is not available when the rhy

Page 96 - VOICE NAME

184 SONG EDIT MODE / SONG JOBThe illustrations here are not available.

Page 97 - QUICK EDIT

185SONG EDIT MODE / SONG JOBDeletes all data from the specified track.This job is not available when the rhythm track (track 9) is selected.5: DELETE

Page 98

186 SONG EDIT MODE / SONG JOBAligns notes in the specified track to the nearest specified beat.This job is not available when the rhythm track (track

Page 99 - 2: AMPLITUDE EG

187SONG EDIT MODE / SONG JOBQuantization is generally used to tighten up sloppy timing. Use it judi-ciously, however, because timing that is too perf

Page 100 - Velo (Velocity sensitivity)

188 SONG EDIT MODE / SONG JOBCopies a specified measure or range of measures from one track to the specifiedmeasure in another track.This job is not

Page 101 - 3: FILTER

185: NOTE LIMIT[PERFORMANCE] → [EDIT] → [MENU] → 1:Layer → [ENTER/YES] → [ENTER/YES] →→ [MENU] → 5:Note Limit → [ENTER/YES]The low and high note limit

Page 102 - Vel (Velocity sensitivity)

189SONG EDIT MODE / SONG JOBThe illustrations here are not available.

Page 103 - Type (LFO modulation type)

190 SONG EDIT MODE / SONG JOBDeletes the specified measure or range of measures from all tracks.This job is not available when the rhythm track (trac

Page 104 - 5: EFFECT TYPE

191SONG EDIT MODE / SONG JOBInserts a specified measure or range of measures from all tracks before any otherspecified measure.This job is not availa

Page 105 - 6: EFFECT PARAMETER

192 SONG EDIT MODE / SONG JOBErases all note and event data from the specified measure or range of measures inthe specified track.This job is not ava

Page 106 - 1: MODE, TYPE

193SONG EDIT MODE / SONG JOBAllows pitch bend, after touch, program change, or control change events (data) tobe removed from a specified measure or

Page 107 - 2: SEND, MIX, WET:DRY

194 SONG EDIT MODE / SONG JOB● Control Change NumbersIf you choose to remove control change events — modulation wheel, breathcontroller, volume, etc.

Page 108 - Out1 Dry

195SONG EDIT MODE / SONG JOBMoves all notes and events in the specified track and range of measures forwardor backward by the specified number of “cl

Page 109 - 3: OUTPUT LEVEL

196 SONG EDIT MODE / SONG JOBTransposes all notes in the specified track and range of measures up or down bythe specified “offset” in semitones.This

Page 110 - 5: EFFECT 2 PARAMETERS

197SONG EDIT MODE / SONG JOBShifts all occurences of the specified note in the specified track and range ofmeasures to any other note.This job is not

Page 111 - 6: CONTROL PARAMETERS

198 SONG EDIT MODE / SONG JOBIncreases or decreases the velocity values of all notes in the specified track andrange of measures.This job is not avai

Page 112 - Max (Maximum parameter value)

GENERAL EDITING PROCEDUREPATTERN EDIT MODESONG EDIT MODEDRUM VOICE EDIT MODEVOICE EDIT MODEPERFORMANCE EDIT MODEUTILITY MODEWAVE EDIT MODEAPPENDIX

Page 113 - 7: EFFECT LFO

19PERFORMANCE EDIT MODE / 1:LayerHi (High note limit)Range: C-2 … G8Controls: [CS2], [CS4], [CS6], [CS8], [-1] [+1], Dial,[SHIFT]+keyboardIndividuall

Page 114 - EFFECT DATA COPY

199SONG EDIT MODE / SONG JOBIncreases or decreases the gate times (length) of all notes in the specified trackand range of measures.This job is not a

Page 115 - EFFECT SIGNAL FLOW DISPLAY

200 SONG EDIT MODE / SONG JOBProduces a crescendo or decrescendo across the specified range of measures in theselected track by gradually increasing

Page 117 - 2: VOICE INITIALIZE

202 PATTERN EDIT MODE / PATTERN JOBCopies all pattern data from one pattern to any other. This can be handy if youwant to make minor changes to an ex

Page 118 - VOICE COMPARE

203PATTERN EDIT MODE / PATTERN JOBEntirely clears all patterns, a single pattern, or one instrument (key) from a se-lected pattern.2: CLEAR PATTERN[P

Page 119 - VOICE STORE

204Allows a specified instrument (key) in one or all patterns to be changed to anyother. This makes it possible to change all occurences of one instru

Page 120 - DRUM VOICE EDIT MODE

2054: VELOCITY MODIFY[PATTERN] → [JOB] → [MENU] → 4:Velocity Modify → [ENTER/YES]PATTERN EDIT MODE / PATTERN JOBInceases or decreases the velocity va

Page 121 - 1: KEY PARAMETERS 1

206Ofst (Offset)Range: -99 … +99Controls: [CS8], [-1] [+1], DialPress [F1] if you want to modify the velocity values of an instrument inone pattern, o

Page 122

207This function can be used to assign a name of up to 8 characters to the currentpattern.PATTERN NAME[PATTERN] → [NAME]PATTERN EDIT MODE / PATTERN N

Page 124 - 3: TOTAL LEVEL

206: VELOCITY LIMIT[PERFORMANCE] → [EDIT] → [MENU] → 1:Layer → [ENTER/YES] → [ENTER/YES] →→ [MENU] → 6:VelocityLimit → [ENTER/YES]The high and low vel

Page 126 - DRUM KEY DATA COPY

210 UTILITY MODE / SYNTH SETUPThis screen includes several parameters that affect overall operation of the SY85.1: SYSTEM[UTILITY] → [SYNTH SETUP] →

Page 127 - 1: EFFECT TYPE

211UTILITY MODE / SYNTH SETUPLocalRange: off, onControls: [CS8], [-1] [+1], Dial,“Local control” refers to the fact that, normally, the SY85 keyboard

Page 128 - 2: EFFECT SEND LEVEL

212 UTILITY MODE / SYNTH SETUPThe MIDI channel parameters provided here are essential to ensure proper com-munication between the SY85 and other MIDI

Page 129

213UTILITY MODE / SYNTH SETUPMore MIDI parameters that determine how the SY85 responds to external MIDIcontrol.3: MIDI 2 (OTHER PARAMETERS)[UTILITY]

Page 130 - Switch 1a, 1b/2a, 2b

214 UTILITY MODE / SYNTH SETUPWhen “tbl” (table) is selected, transmission conforms to the program changetable (see “4: PROGRAM CHANGE TABLE,” below)

Page 131 - Send (Send level)

215UTILITY MODE / SYNTH SETUPThese parameters make it possible to specify what MIDI program change numberis transmitted via the MIDI OUT connector wh

Page 132 - 3: KEY DRY OUTPUT SELECT

216 UTILITY MODE / SYNTH SETUPThge SY85 offers a range of keyboard velocity curves that produce subtly differ-ent responses to keyboard dynamics. Cho

Page 133 - 4: OUTPUT LEVEL

217UTILITY MODE / SEQUENCER SETUPThe parametrers provided in this screen determine how the sequencer’s metronomefunctions, and whether sequencer oper

Page 134 - 5: WET:DRY BALANCE

218 UTILITY MODE / SEQUENCER SETUPMIDI CtrlRange: off, onControls: [CS8], [-1] [+1], DialEnables or disables reception and transmission of MIDI start

Page 135 - Send 1b, 2a, 2b (Send level)

21PERFORMANCE EDIT MODE / 1:LayerHi (High velocity limit)Range: 1 … 127Controls: [CS2], [CS4], [CS6], [CS8], [-1] [+1], Dial,[SHIFT]+keyboardSets the

Page 136 - 8: EFFECT 2 PARAMETERS

219UTILITY MODE / SEQUENCER SETUPSince you might want to use the SY85 sequencer to record material from anexternal MIDI device rather than the instr

Page 137 - 9: CONTROL PARAMETERS

220 UTILITY MODE / SEQUENCER SETUPDetermine the velocity values of three accent types that can be entered in thesong/pattern step record mode and in

Page 138

221UTILITY MODE / SEQUENCER SETUPThese parameters allow repeat playback of a single song, sequential playback ofseveral songs, or repeat playback of

Page 139 - 10: CONTROL LFO

222 UTILITY MODE / MIDIInitiates MIDI bulk transmission of the selected voice, multi-play, and/or systemdata.BULK DUMP[UTILITY] → [MIDI]F1CS1F2CS2F3C

Page 140

223UTILITY MODE / CARD1: CARD ALL LOAD/SAVE[UTILITY] → [CARD] → [MENU] → 1:ALL Load/Save → [ENTER/YES]Before executing a load or save operation, chec

Page 141

224 UTILITY MODE / CARDNew memory cards, or cards that have been formatted for use with a differentinstrument or device, will have to be formatted sp

Page 142 - 1: KEY DATA INITIALIZE

225UTILITY MODE / DISK1: DISK ALL LOAD/SAVE2: DISK ALL LOAD/SAVE SYNTH3: DISK ALL LOAD/SAVE SEQ4: DISK NSEQ LOAD/SAVE5: DISK OTHER LOAD/SAVE[UTILITY]

Page 143 - 2: KEY DATA EXCHANGE

226 UTILITY MODE / DISK● 3: Load or Save All Sequencer DataF1CS1F2CS2F3CS3F4CS4F5CS5F6CS6F7CS7F8CS8● 4: Load or Save 1 NSEQ FileF1CS1F2CS2F3CS3F4CS4F

Page 144 - 3: DRUM VOICE EDIT RECALL

227UTILITY MODE / DISKPress the [F1] key to highlight “LOAD” on the display if you want to loaddata from the disk into the SY85 internal memory, or p

Page 145 - 4: DRUM VOICE INITIALIZE

228 UTILITY MODE / DISKThe MDR (MIDI Data Recorder) utilities allow MIDI bulk dump data to betransferred between different MIDI devices via the SY85,

Page 146 - DRUM VOICE COMPARE

227: CS ENABLE[PERFORMANCE] → [EDIT] → [MENU] → 1:Layer → [ENTER/YES] → [ENTER/YES] →→ [MENU] → 7:CS Enable → [ENTER/YES]The CS3 and CS4 sliders can b

Page 147 - DRUM VOICE STORE

229UTILITY MODE / DISK● 1: MDR IN/OUTThis utility allows MIDI bulk data to be received from an external device andstored in the SY85 internal memory,

Page 148 - SONG EDIT MODE

230 UTILITY MODE / DISK● 2: MDR SAVE/LOADThis utility is used to move MDR data between the internal memory and disk. ASAVE operation saves MDR data f

Page 149 - 1: VOICE SELECT

231UTILITY MODE / DISKThese utilities allow disk files to be renamed or deleted.7: RENAME/DELETE[UTILITY] → [DISK] → [MENU] → 7:Rename, Delete → [ENT

Page 150 - 2: VOLUME

232 UTILITY MODE / DISKThe disk backup utility makes it simple to create backup disks of important data.Engaging the disk backup utility required an

Page 151 - SONG EDIT MODE / MULTI EDIT

233UTILITY MODE / DISKThis display appears while the data is being saved to the destination disk,then “Completed!” will appear briefly when the data

Page 152 - 4: EFFECT SEND LEVEL

234 UTILITY MODE / DISKThis display shows the amount of remaining disk space in kilobytes. A newlyformatted disk has a free area of approximately 713

Page 153 - 5: NOTE SHIFT

235UTILITY MODE / DISKThe disk format utility must be used to format new floppy disks, or disks thathave been formatted for use with other equipment,

Page 156 - 8: SONG NAME

238 WAVE EDIT MODEUnlike the other SY85 modes, the WAVE mode is not directly accessed via themode matrix. To access the WAVE mode, press the [UTILITY]

Page 157 - 9: SONG INITIALIZE

23PERFORMANCE EDIT MODE / 1:LayerLAYER DATA COPY[PERFORMANCE] → [EDIT] → [MENU] → 1:Layer → [ENTER/YES] → [COPY]This function facilitates performance

Page 158 - TRACK EDIT

239WAVE EDIT MODE / WAVESpecifies the number of the waveform to be edited using the WAVE EDIT func-tions, and the number of the waveform to which a s

Page 159 - SONG EDIT MODE / TRACK EDIT

240 WAVE EDIT MODE / EDIT1: WAVE ASSIGN2: WAVE NAME[SHIFT]+[UTILITY] → [SYNTH SETUP] → [MENU] → 1:Waveform → [ENTER/YES] →→ [ENTER/YES] → [MENU]

Page 160 - ● Control Change

241From/ToRange: 00 … 63Controls: [CS4]/[CS5], [-1] [+1], DialPress [F1] to turn wave assignment on. If wave assignment is turned off, “---” appears i

Page 161 - ● Pitch Bend

242 WAVE EDIT MODE / EDIT[A]: A → B → C[B]: D → E → F[C]: G → H → I[D]: J → K → L[E]: M → N → O[F]: P → Q → R[G]: S → T → U[H]: V → W → X[1]: Y → Z →

Page 162

243WAVE EDIT MODE / SAMPLE EDIT1: SAMPLE KEY MAP2: SAMPLE DATAAfter pressing the [SYNTH SETUP] SUB MODE key (actually the [EDIT] key inthe WAVE mode)

Page 163 - ■ RHYTHM TRACK EDIT

244 WAVE EDIT MODE / SAMPLE EDITOrg (Original note)Range: C-2 … C8Controls: [CS3], [-1] [+1], Dial, KeyboardThis parameter specifies the “original no

Page 164

245WAVE EDIT MODE / SAMPLE EDIT● 2: SAMPLE DATAIf not already selected, press the PAGE [ ] key to select this screen.These functions allow the volume

Page 165

246 WAVE EDIT MODE / SAMPLE EDITLoopRange: FOne, FLp, BOne, BLpControls: [CS5], [-1] [+1], DialSelects the type of loop to be used for playback of th

Page 166

247This function erases and initializes all wave memory, the specified type of wavememory, or a single specified sample.WAVE INITIALIZE[SHIFT]+[UTILIT

Page 167

248 WAVE EDIT MODE / MIDI SAMPLE DUMPThis function initiates reception of MIDI Sample Dump data from an externalMIDI device. Both the MIDI IN and OUT

Page 168 - 2: SEND SELECT & LEVEL

24 PERFORMANCE EDIT MODE / 2:VolumeThis parameter sets the overall volume of the current performance combination inrelation to the others, making it

Page 169 - Levl (Send level)

249WAVE EDIT MODE / MIDI SAMPLE DUMPThis function initiates transmission of MIDI Sample Dump data to an externalMIDI device.2: SAMPLE DUMP TRANSMIT[S

Page 170 - 3: INST DRY OUTPUT SELECT

250 WAVE EDIT MODE / CARDLoads all samples from a pre-programmed card plugged into the WAVEFORMcard slot.WAVE CARD LOAD[SHIFT]+[UTILITY] → [CARD]F1CS

Page 171

251WAVE EDIT MODE / DISKThese utilities allow sample data to be saved to or loaded from a 3.5" floppy diskinserted in the SY85 disk drive.Use on

Page 172

252 WAVE EDIT MODEPress and hold the [SHIFT] key at any time while in the WAVE mode to call thewave memory status display. This display shows the amou

Page 173

Effects ... 254 Wave memory expansion... 285 Initial data & Blank char

Page 174

254 APPENDIX / EFFECTSThe SY85 features a sophisticated effect system that affords extraordinarysound-shaping potential. It includes two separate eff

Page 175

255APPENDIX / EFFECTSThe “Cascade” effects actually include two effects connected in a cascadeconfiguration. Effect number 33 (Flg → Rev), for exampl

Page 176

256 APPENDIX / EFFECTS Effect Signal Flow Diagrams — Voice ModeThe following diagrams illustrate effect signal flow with different effectmode and ef

Page 177

257APPENDIX / EFFECTS● EFFECT MODE = serial. EFFECT 1 = single. EFFECT 2 = dual.● EFFECT MODE = serial. EFFECT 1 = cascade. EFFECT 2 = single.(⊗ = ef

Page 178

258 APPENDIX / EFFECTS● EFFECT MODE = serial. EFFECT 1 = cascade. EFFECT 2 = cascade.(⊗ = effect parameter number 8)● EFFECT MODE = serial. EFFECT 1

Page 179

25PERFORMANCE EDIT MODE / 3:NameYour original performance combinations should naturally have original names.This function can be used to assign a nam

Page 180 - 1: CLEAR SONG

259APPENDIX / EFFECTS● EFFECT MODE = serial. EFFECT 1 = dual. EFFECT 2 = cascade.(⊗ = effect parameter number 8)● EFFECT MODE = serial. EFFECT 1 = du

Page 181 - 2: COPY SONG

260 APPENDIX / EFFECTS● EFFECT MODE = parallel. EFFECT 1 = single. EFFECT 2 = single.● EFFECT MODE = parallel. EFFECT 1 = single. EFFECT 2 = cascade.

Page 182 - 3: MEMORY STATUS

261APPENDIX / EFFECTS● EFFECT MODE = parallel. EFFECT 1 = cascade. EFFECT 2 = single.(⊗ = effect parameter number 8)● EFFECT MODE = parallel. EFFECT

Page 183 - 3: CLEAR RHYTHM TRACK

262 APPENDIX / EFFECTS● EFFECT MODE = parallel. EFFECT 1 = cascade. EFFECT 2 = dual.(⊗ = effect parameter number 8)● EFFECT MODE = parallel. EFFECT 1

Page 184 - 4: TRACK MIXDOWN

263APPENDIX / EFFECTS● EFFECT MODE = parallel. EFFECT 1 = dual. EFFECT 2 = dual.The illustrations here are not available.

Page 185 - SONG EDIT MODE / SONG JOB

264 APPENDIX / EFFECTS Effect Signal Flow Diagrams — Drum Voice, Performance,and Song ModesThe following diagrams illustrate effect signal flow with

Page 186 - 5: DELETE TRACK

265APPENDIX / EFFECTS● EFFECT MODE = serial. EFFECT 1 = single. EFFECT 2 = single.● EFFECT MODE = serial. EFFECT 1 = single. EFFECT 2 = cascade.(⊗ =

Page 187 - 6: QUANTIZE

266 APPENDIX / EFFECTS● EFFECT MODE = serial. EFFECT 1 = single. EFFECT 2 = dual.● EFFECT MODE = serial. EFFECT 1 = cascade. EFFECT 2 = single.(⊗ = e

Page 188 - 187SONG EDIT MODE / SONG JOB

267APPENDIX / EFFECTS● EFFECT MODE = serial. EFFECT 1 = dual. EFFECT 2 = single.● EFFECT MODE = serial. EFFECT 1 = cascade. EFFECT 2 = cascade.(⊗ = e

Page 189 - 7: COPY MEASURE

268 APPENDIX / EFFECTS● EFFECT MODE = serial. EFFECT 1 = cascade. EFFECT 2 = dual.(⊗ = effect parameter number 8)● EFFECT MODE = serial. EFFECT 1 = d

Page 190 - 189SONG EDIT MODE / SONG JOB

26The Layer Voice Edit menu allows you to access any of the voice edit parametersfor the voice assigned to the currently selected performance layer, w

Page 191 - 8: DELETE MEASURE

269APPENDIX / EFFECTS● EFFECT MODE = serial. EFFECT 1 = dual. EFFECT 2 = dual.● EFFECT MODE = parallel. EFFECT 1 = single. EFFECT 2 = single.The illu

Page 192 - 9: INSERT MEASURE

270 APPENDIX / EFFECTS● EFFECT MODE = parallel. EFFECT 1 = single. EFFECT 2 = cascade.(⊗ = effect parameter number 8)● EFFECT MODE = parallel. EFFECT

Page 193 - 10: ERASE MEASURE

271APPENDIX / EFFECTS● EFFECT MODE = parallel. EFFECT 1 = cascade. EFFECT 2 = single.(⊗ = effect parameter number 8)● EFFECT MODE = parallel. EFFECT

Page 194 - 11: REMOVE EVENT

272 APPENDIX / EFFECTS● EFFECT MODE = parallel. EFFECT 1 = cascade. EFFECT 2 = cascade.(⊗ = effect parameter number 8)● EFFECT MODE = parallel. EFFEC

Page 195 - ● Control Change Numbers

273APPENDIX / EFFECTS● EFFECT MODE = parallel. EFFECT 1 = dual. EFFECT 2 = cascade.(⊗ = effect parameter number 8)● EFFECT MODE = parallel. EFFECT 1

Page 196 - 12: CLOCK MOVE

274 APPENDIX / EFFECTS The Effects & Their Parameters* Parameters with “ ” in the QE column are editable in the Quick Edit modes.“Single” Ef

Page 197 - Range: -99 … +99

275APPENDIX / EFFECTS• 15 : Gate Rev., 16 : Revrs GateNo. PARAMETER RANGE QE1 Type A, B2 Room Size 0.1 ~ 20.03 Liveness 0 ~ 104 Diffusion 0 ~ 105 I

Page 198 - 14: NOTE SHIFT

276 APPENDIX / EFFECTS• 24 : EG FlangerNo. PARAMETER RANGE QE1 Atck Time [ms] 2.0ms ~ 22.0s2 Atck Level [%] 0 ~ 100%3 Rlse Time [ms] 2.0ms ~ 22.0

Page 199

277APPENDIX / EFFECTS“Cascade” Effects• 32 : Echo → RevNo. PARAMETER RANGE QE1 Lch Dly [ms] 0 ~ 200ms2 L FB Gain [%] -99 ~ +99%3 Rch Dly [ms] 0

Page 200

278 APPENDIX / EFFECTS• 37 : Pit → RevNo. PARAMETER RANGE QE1 L Pitch -24 ~ +242 L Fine -100 ~ +1003 R Pitch -24 ~ +244 R Fine -100 ~ +1005 Rev.

Page 201 - 17: CRESCENDO

27PERFORMANCE EDIT MODE / QUICK EDITThese parameters allow the amplitude envelopes of the voices assigned to eachlayer to be modified to some degree.

Page 202 - PATTERN EDIT MODE

279APPENDIX / EFFECTS• 45 : Pit → DlyNo. PARAMETER RANGE QE1 L Pitch -24 ~ +242 L Fine -100 ~ +1003 R Pitch -24 ~ +244 R Fine -100 ~ +1005 Lch D

Page 203 - 1: COPY PATTERN

280 APPENDIX / EFFECTS• 53 : EQ → DlyNo. PARAMETER RANGE QE1 Low Freq [kHz] 32Hz ~ 2.0kHz2 Low Gain [dB] -12 ~ +12dB3 High Frq [kHz] 500Hz ~ 1

Page 204 - 2: CLEAR PATTERN

281APPENDIX / EFFECTS“Dual” Effects• 62 : Echo & RevNo. PARAMETER RANGE QE1 Lch Dly [ms] 0 ~ 200ms2 L FB Gain [%] -99 ~ +99%3 Rch Dly [ms] 0

Page 205 - 3: INSTRUMENT CHANGE

282 APPENDIX / EFFECTS• 67 : Pit & RevNo. PARAMETER RANGE QE1 L Pitch -24 ~ +242 L Fine -100 ~ +1003 R Pitch -24 ~ +244 R Fine -100 ~ +1005 R

Page 206 - 4: VELOCITY MODIFY

283APPENDIX / EFFECTS• 75 : Sym & DlyNo. PARAMETER RANGE QE1 Mod. Freq [Hz] 0.1 ~ 40.0Hz2 Mod. Depth [%] 0 ~ 100%3— —4 High Gain [dB] -12 ~

Page 207

284 APPENDIX / EFFECTS• 85 : Cho & ChoNo. PARAMETER RANGE QE1 Mod. Freq [Hz] 0.1 ~ 40.0Hz2 PM Depth [%] 0 ~ 100%3 AM Depth [%] 0 ~ 100%4 High

Page 208 - PATTERN NAME

285APPENDIX / WAVE MEMORY EXPANSIONThe SY85 comes with 512 kilobytes of internal wave RAM memory forstorage of wave data loaded from floppy disk or v

Page 209

286 APPENDIX / WAVE MEMORY EXPANSIONCAUTION Memory InstallationMemory Installation can erase internal memory!Be sure to safe all internal data to di

Page 210 - UTILITY MODE

287APPENDIX / WAVE MEMORY EXPANSION5INSTALLING SYEMB06 MODULES: A RAM card adapter (provided)is required to install SYEMB06 modules. Assemble the SYE

Page 211 - 1: SYSTEM

288 APPENDIX / WAVE MEMORY EXPANSION7INSTALLING SIMM MODULES: The right panel accomodates compat-ible SIMM memory modules. Two SIMM modules (1 megaby

Page 212 - UTILITY MODE / SYNTH SETUP

28 PERFORMANCE EDIT MODE / QUICK EDITRR (Release rate)Range: -63 … +63Controls: [CS6], [-1] [+1], DialModifies the “RR” parameter of the voice amplit

Page 213 - DevNo (Device number)

289APPENDIX / INITIAL DATA & BLANK CHARTA :C :B :D :Quick EditAEG R1R2, R3R4RRVel. SenseLFO SpeedDepthFilter CutoffResonanceVel. SenseCon- ATtrol

Page 214 - 3: MIDI 2 (OTHER PARAMETERS)

290 APPENDIX / INITIAL DATA & BLANK CHART● INITIAL NORMAL VOICE “InitVce”Mode normal / fixedPhase DelayRandom Vel.Key ScalePmod Amod FmodOscillat

Page 215

291APPENDIX / INITIAL DATA & BLANK CHARTMode off / serial / parallelEffectEffect 1Param.Effect 2Param.Control 1Control 2Effect LFOType: :Output L

Page 216 - 4: PROGRAM CHANGE TABLE

292 APPENDIX / INITIAL DATA & BLANK CHART● INITIAL DRUM VOICE “DR PTN”Voice NameTotal Level Vol Lo LimitEffect SendKey ParametersWaveform Vol. Ns

Page 217 - 5: VELOCITY

293APPENDIX / INITIAL DATA & BLANK CHARTType: :Output Level a Output Level b Wet : Dry :Waveform Vol. Nsft Tune Pan AltGNoteF3F#3G3G#3A3A#3B3C4C#

Page 218 - 1: CLICK CONDITION

294 APPENDIX / INITIAL DATA & BLANK CHART● INITIAL DRUM VOICE “DR Zones”Voice NameTotal Level Vol Lo LimitEffect SendKey ParametersWaveform Vol.

Page 219 - MIDI Ctrl

295APPENDIX / INITIAL DATA & BLANK CHARTWaveform Vol. Nsft Tune Pan AltGNoteF3F#3G3G#3A3A#3B3C4C#4D4D#4E4F4F#4G4G#4A4A#4B4C5Gate Rvs EF1ababababa

Page 220 - 2: RECORD CONDITION

296 APPENDIX / INITIAL DATA & BLANK CHART● INITIAL DRUM VOICE “DR GMIDI”Voice NameTotal Level Vol Lo LimitEffect SendKey ParametersWaveform Vol.

Page 221 - 3: ACCENT VELOCITY

297APPENDIX / INITIAL DATA & BLANK CHARTP630 25 2.5+30 0Waveform Vol. Nsft Tune Pan AltGNoteF3F#3G3G#3A3A#3B3C4C#4D4D#4E4F4F#4G4G#4A4A#4B4C5Gate

Page 222 - 4: SONG CHAIN

298 APPENDIX / INITIAL DATA & BLANK CHART● INITIAL DRUM VOICE “DR Efect”Voice NameTotal Level Vol Lo LimitEffect SendWaveform Vol. Nsft Tune Pan

Page 223 - BULK DUMP

2CONTENTSGENERAL EDITING PROCEDURE Mode Selection ...8 Selecting Specific Edit Functions ... 8

Page 224 - 1: CARD ALL LOAD/SAVE

29PERFORMANCE EDIT MODE / QUICK EDITThese parameters allow the main LFO and filter parameters of the voices assignedto each layer to be modified to s

Page 225 - 2: CARD FORMAT

299APPENDIX / INITIAL DATA & BLANK CHARTWaveform Vol. Nsft Tune Pan AltGNoteF3F#3G3G#3A3A#3B3C4C#4D4D#4E4F4F#4G4G#4A4A#4B4C5Gate Rvs EF1ababababa

Page 226 - 5: DISK OTHER LOAD/SAVE

300 APPENDIX / INITIAL DATA & BLANK CHART● INITIAL MULTI “InitSong”1 :5 :9 :13 :2 :6 :10 :14 :3 :7 :11 :15 :4 :8 :12 :16 :111a1b2a2bD1D2221a1b2a2

Page 227 - ● 4: Load or Save 1 NSEQ File

301APPENDIX / INITIAL DATA & BLANK CHART● SYSTEM SETUPA2C2E2G2A3C3E3G3A4C4E4G4A5C5E5G5A6C6E6G6A8C8E8G8B1D1F1H1B3D3F3H3B4D4F4H4B5D5F5H5B6D6F6H6B7D

Page 228 - 227UTILITY MODE / DISK

302 APPENDIX / INITIAL DATA & BLANK CHART● INITIAL PERFORMANCE LIST (1)The illustrations here are not available.

Page 229 - 228 UTILITY MODE / DISK

303APPENDIX / INITIAL DATA & BLANK CHARTThe illustrations here are not available.

Page 230 - ● 1: MDR IN/OUT

304 APPENDIX / INITIAL DATA & BLANK CHART● INITIAL PERFORMANCE LIST (2)The illustrations here are not available.

Page 231 - ● 2: MDR SAVE/LOAD

305APPENDIX / INITIAL DATA & BLANK CHARTThe illustrations here are not available.

Page 232 - 7: RENAME/DELETE

306 APPENDIX / INITIAL DATA & BLANK CHART● INITIAL VOICE LIST (1)The illustrations here are not available.

Page 233 - 8: BACKUP DISK

307APPENDIX / INITIAL DATA & BLANK CHART● INITIAL VOICE LIST (2)The illustrations here are not available.

Page 234 - 233UTILITY MODE / DISK

308 APPENDIX / INITIAL DATA & BLANK CHART● INITIAL VOICE LIST (3)The illustrations here are not available.

Page 235 - 9: DISK STATUS

30 PERFORMANCE EDIT MODE / QUICK EDITCoff (Filter cutoff frequency)Range: -127 … +127Controls: [CS6], [-1] [+1], DialModifies the filter cutoff frequ

Page 236 - 10: DISK FORMAT

309APPENDIX / INITIAL DATA & BLANK CHART● INITIAL VOICE LIST (4)The illustrations here are not available.

Page 237

310 APPENDIX / INITIAL DATA & BLANK CHART● WAVE LISTWave No. Group Wave Name1 Piano Piano2 Keyboard HardEp3 HardEpLp4 SoftEp5 SoftEpLp6 SynthEp7

Page 238 - WAVE EDIT MODE

311APPENDIX / INITIAL DATA & BLANK CHARTA :C :B :D :Quick EditAEG R1R2, R3R4RRVel. SenseLFO SpeedDepthFilter CutoffResonanceVel. SenseCon- ATtrol

Page 239 - 238 WAVE EDIT MODE

312 APPENDIX / INITIAL DATA & BLANK CHART● BLANK CHART — VOICEMode normal / fixedPhase DelayRandom Vel.Key ScalePmod Amod FmodOscillatorWaveformF

Page 240 - WAVE NUMBER SELECT

313APPENDIX / INITIAL DATA & BLANK CHARTMode off / serial / parallelEffectEffect 1Param.Effect 2Param.Control 1Control 2Effect LFOType: :Output L

Page 241 - 2: WAVE NAME

314 APPENDIX / INITIAL DATA & BLANK CHART● BLANK CHART — DRUM VOICEVoice NameTotal Level Vol Lo LimitEffect SendKey ParametersWaveform Vol. Nsft

Page 242 - ● 2: WAVE NAME

315APPENDIX / INITIAL DATA & BLANK CHARTType: :Output Level a Output Level b Wet : Dry :Waveform Vol. Nsft Tune Pan AltGNoteF3F#3G3G#3A3A#3B3C4C#

Page 243 - 242 WAVE EDIT MODE / EDIT

316 APPENDIX / INITIAL DATA & BLANK CHART● BLANK CHART — MULTI1 :5 :9 :13 :2 :6 :10 :14 :3 :7 :11 :15 :4 :8 :12 :16 :Inst NumberInstVolumePanNote

Page 244 - 2: SAMPLE DATA

317APPENDIX / INITIAL DATA & BLANK CHART● BLANK CHART — SYSTEM SETUPA2C2E2G2A3C3E3G3A4C4E4G4A5C5E5G5A6C6E6G6A8C8E8G8B1D1F1H1B3D3F3H3B4D4F4H4B5D5F

Page 245 - Org (Original note)

318 APPENDIX / About the Standard MIDI File FormatThe Standard MIDI File Format is a standard which has recently been implemented by a number of soft

Page 246 - Vol (Volume)

31PERFORMANCE EDIT MODE / QUICK EDITThese parameters determine how the performance layers are affected by keyboardaftertouch response, the modulation

Page 247 - Typ (Loop type)

319SPECIFICATIONSKeyboard 61 keys, initial and after-touch response.Tone Generator Systems AWM2 (2nd-generation Advanced Wave Memory), 30-note polyph

Page 248 - WAVE INITIALIZE

320● MIDIERROR MESSAGEWhen the SY85 attempted to receive or transmit a large amountof MIDI data, its handling capacity was exceeded.An error occ

Page 249 - 1: SAMPLE DUMP RECEIVE

321● DiskThe disk is not correctly inserted into the disk drive.During the backup operation, the original and backup disks wereinserted in the w

Page 250 - 2: SAMPLE DUMP TRANSMIT

322● SampleSince the sample memory is full, further loading ofsample data is not possible.Not enough volatile memory.Wave memory allocation setti

Page 251 - WAVE CARD LOAD

323APPENDIX / ERROR MESSAGES

Page 252 - WAVE DISK LOAD/SAVE 1 SAMPLE

324TROUBLE SHOOTINGThe SY85 is a very versatile instrument with many features and functions that affect operation. Inmany cases, what appears to be a

Page 253 - WAVE MEMORY STATUS DISPLAY

325● Voice Mode ProblemsSymptom Possible CauseNo SoundWrong pitch.Unstable/indefinite pitch.• Is the pitch envelope generator set properly? If the

Page 254 - APPENDIX

326INDEXAAccent velocity ... 220Additional MIDI control ... 46, 111, 137AEG data c

Page 255 - 254 APPENDIX / EFFECTS

327Effect parameter ...36, 45, 104, 110, 136, 174Effect send level... 151Effect signal flow di

Page 256 - 255APPENDIX / EFFECTS

328 APPENDIX / INDEXLow and high limits ... 246Low note limit ...

Page 257 - 256 APPENDIX / EFFECTS

32 PERFORMANCE EDIT MODE / QUICK EDITAT>MW (Aftertouch ➔ modulation wheel)Range: off, onControls: [CS7], [-1] [+1], DialWhen this parameter is tur

Page 258 - 257APPENDIX / EFFECTS

329APPENDIX / INDEXReverse... 59, 122Rhythm track copy ...

Page 259 - 258 APPENDIX / EFFECTS

SY04MIDDLE & SOUTH AMERICAMEXICOYamaha De Mexico S.A. De C.V.,Departamento de ventasJavier Rojo Gomez No.1149, Col. Gpe DelMoral, Deleg. Iztapalap

Page 260 - 259APPENDIX / EFFECTS

33PERFORMANCE EDIT MODE / QUICK EDITOther parameters that can be individually set for each performance layer areprovided in this screen: sustain enab

Page 261 - 260 APPENDIX / EFFECTS

34 PERFORMANCE EDIT MODE / QUICK EDITFixNote (Oscillator fix note number)Range: C-2 … G8Controls: [CS7], [-1] [+1], DialSets the frequency (note) at

Page 262 - 261APPENDIX / EFFECTS

35PERFORMANCE EDIT MODE / QUICK EDITThe SY85 features a complex, high-performance effect system that can be pro-grammed easily via the parameters pre

Page 263 - 262 APPENDIX / EFFECTS

36 PERFORMANCE EDIT MODE / QUICK EDIT6: EFFECT PARAMETER[PERFORMANCE] → [QUICK EDIT] → [MENU] → 6:Effect Param → [ENTER/YES]This screen provides acc

Page 264 - 263APPENDIX / EFFECTS

37PERFORMANCE EDIT MODE / EFFECT EDIT1: MODE, TYPE[PERFORMANCE] → [EFFECT EDIT] → [MENU] → 1:Mode, Type → [ENTER/YES]The SY85 features a dual-process

Page 265 - 264 APPENDIX / EFFECTS

38 PERFORMANCE EDIT MODE / EFFECT EDITThe parameters provided here determine to which of the SY85 effect stages theoutput from the voice assigned to

Page 266 - 265APPENDIX / EFFECTS

32: LFO Speed Sensitivity ...80LFO Data Copy ...816: Controller1: Pitch Bend Range ...

Page 267 - 266 APPENDIX / EFFECTS

39PERFORMANCE EDIT MODE / EFFECT EDITSend (Send level)Range: 0 … 127Controls: [CS6], [-1] [+1], DialThis parameter adjusts the amount of direct voice

Page 268 - 267APPENDIX / EFFECTS

40These parameters determine turn the “dry lines” (i.e. the signal paths which by-passes each effect processor) on or off, determining whether any dry

Page 269 - 268 APPENDIX / EFFECTS

41PERFORMANCE EDIT MODE / EFFECT EDITDepending on the selected effects the SY85 effect system can have up to fourseparate output levels that are adju

Page 270 - 269APPENDIX / EFFECTS

42 PERFORMANCE EDIT MODE / EFFECT EDIT5: WET:DRY BALANCE[PERFORMANCE] → [EFFECT EDIT] → [MENU] → 5:Wet:Dry Balance → [ENTER/YES]The balance between

Page 271 - 270 APPENDIX / EFFECTS

43PERFORMANCE EDIT MODE / EFFECT EDITThese parameters determine the mix level between each effect send and the outputof the preceding effect stage. R

Page 272 - 271APPENDIX / EFFECTS

44 PERFORMANCE EDIT MODE / EFFECT EDIT7: EFFECT 1 PARAMETERS8: EFFECT 2 PARAMETERS[PERFORMANCE] → [EFFECT EDIT] → [MENU] → 7:EF1 Parameter → [ENTER/

Page 273 - 272 APPENDIX / EFFECTS

45PERFORMANCE EDIT MODE / EFFECT EDITThe SY85 [CS1] and [CS2] sliders can be assigned to control different effectparameters in real time while playin

Page 274 - 273APPENDIX / EFFECTS

46 PERFORMANCE EDIT MODE / EFFECT EDITMax (Maximum parameter value)Range: 0 … 100Controls: [CS5], [-1] [+1], DialSets the upper limit of the [CS1] or

Page 275 - 274 APPENDIX / EFFECTS

47PERFORMANCE EDIT MODE / EFFECT EDITAll of the modulation-type effects — chorus, flanging, etc. — require LFO con-trol. The SY85 has an independent

Page 276 - 275APPENDIX / EFFECTS

48 PERFORMANCE EDIT MODE / EFFECT EDIT[PERFORMANCE] → [EFFECT EDIT] → [COPY]This function facilitates performance effect editing by allowing the effe

Page 277 - 276 APPENDIX / EFFECTS

4Song Edit Mode Multi Edit1: Voice Select ... 1482: Volume ... 14

Page 278 - 277APPENDIX / EFFECTS

49PERFORMANCE EDIT MODE / EFFECT EDITEFFECT SIGNAL FLOW DISPLAY[PERFORMANCE] → [EFFECT EDIT] → [SHIFT] + [F1] ~ [F3]This function provides a graphic

Page 279 - 278 APPENDIX / EFFECTS

50 PERFORMANCE EDIT MODE / JOB1: LAYER CONTROLLER SYNC[PERFORMANCE] → [JOB] → [MENU] → 1:Layer Controller Sync → [ENTER/YES]This function changes the

Page 280 - 279APPENDIX / EFFECTS

51PERFORMANCE EDIT MODE / JOB2: LAYER EXCHANGE[PERFORMANCE] → [JOB] → [MENU] → 2:Layer Exchange → [ENTER/YES]This function can be used to eliminate t

Page 281 - 280 APPENDIX / EFFECTS

52 PERFORMANCE EDIT MODE / JOB3: PERFORMANCE EDIT RECALL[PERFORMANCE] → [JOB] → [MENU] → 3:Recall → [ENTER/YES]If you’re dissatisfied with the result

Page 282 - 281APPENDIX / EFFECTS

53PERFORMANCE EDIT MODE / JOB4: PERFORMANCE INITIALIZE[PERFORMANCE] → [JOB] → [MENU] → 4:Initialize → [ENTER/YES]When you want to program a totally n

Page 283 - 282 APPENDIX / EFFECTS

54 PERFORMANCE EDIT MODE / COMPAREPERFORMANCE COMPARE[SHIFT] + [STORE]The performance compare function makes it possible to compare the sound of aper

Page 284 - 283APPENDIX / EFFECTS

55PERFORMANCE STORE[STORE]When you’re satsfied with a new performance combination you’ve created in theperformance edit mode, use the store function d

Page 287 - ■ Memory Installation

58F1CS1F2CS2F3CS3F4CS4F5CS5F6CS6F7CS7F8CS8This screen contains 6 parameters that determine the fundamental sound of thevoice being edited — including

Page 288

5 Card1: Card All Load/Save... 2232: Card Format... 224 Disk1: Disk All Load/Save...

Page 289 - Keyboard

59VOICE EDIT MODE / 1:OscillatorPlease note that this parameter is used to individually tune the currentvoice. Overall tuning control is provided by

Page 290

601: AEG LEVEL & RATE[VOICE] → [EDIT] → [MENU] → 2:Amlitude EG → [ENTER/YES] → [ENTER/YES] →→ [MENU] → 1:Level&Rate → [ENTER/YES]The SY85’s ma

Page 291

61The envelope begins at zero level, reaches maximum level at the rate deter-mined by the R1 parameter, moves to L2 (Level 2) at R2 (Rate 2), moves on

Page 292

622: LEVEL SCALING[VOICE] → [EDIT] → [MENU] → 2:Amlitude EG → [ENTER/YES] → [ENTER/YES] →→ [MENU] → 2:Level Scaling → [ENTER/YES]Point 1 … 4Range: C-

Page 293 - ● INITIAL DRUM VOICE “DR PTN”

633: SENSITIVITYThe parameters provided here determine how the amplitude envelope generatorresponds to changes in keyboard velocity and range.[VOICE]

Page 294

64AEG DATA COPY[VOICE] → [EDIT] → [MENU] → 2:Amplitude EG → [ENTER/YES] → [ENTER/YES] → [COPY]This function facilitates voice editing by allowing the

Page 295

651:TYPE, CUTOFF FREQUENCY[VOICE] → [EDIT] → [MENU] → 3:Filter → [ENTER/YES] → [ENTER/YES] →→ [MENU] → 1:Cutoff Frequency → [ENTER/YES]The SY85 featur

Page 296

66Type (Filter type)Range: THRU, LPF, LPF12, HPF, BPF, BEFControls: [CS5], [-1] [+1], DialDetermines the type of filter response used.The “THRU” (THRO

Page 297

67● “BPF” TypeThe “BPF” (Band Pass Filter) setting produces a filter response that allowsonly a band of frequencies centered at the cutoff frequency (

Page 298

68Reso (Resonance)Range: 0 … 99Controls: [CS7], [-1] [+1], DialDetermines the degree of filter resonance when the “LPF” filter type isselected (“--” a

Page 300

692: CUTOFF SCALING[VOICE] → [EDIT] → [MENU] → 3:Filter → [ENTER/YES] → [ENTER/YES] →→ [MENU] → 2:Cutoff Scaling → [ENTER/YES]Cutoff scaling produces

Page 301 - ● INITIAL MULTI “InitSong”

703: FEG LEVEL & RATE[VOICE] → [EDIT] → [MENU] → 3:Filter → [ENTER/YES] → [ENTER/YES] →→ [MENU] → 3:FEG Level&Rate → [ENTER/YES]The filter env

Page 302 - ● SYSTEM SETUP

71values produce lower cutoff frequencies. “0” level values produce the normalcutoff frequency as determined by the cutoff parameter (See “Cutoff” on

Page 303

724: FILTER SENSITIVITYThese parameters determine how the filter envelope generator is affected bykeyboard dynamics.Type (Velocity sensitivity type)Ra

Page 304

73FILTER DATA COPY[VOICE] → [EDIT] → [MENU] → 3:Filter → [ENTER/YES]→ [ENTER/YES]→ [COPY]This function facilitates voice editing by allowing the filte

Page 305

741: LEVEL & RATE[VOICE] → [EDIT] → [MENU] → 4:Pitch EG → [ENTER/YES] → [ENTER/YES] →→ [MENU] → 1:Level&Rate → [ENTER/YES]In addition to the a

Page 306

75LoopRange: off, onControls: [CS3], [-1] [+1], DialWhen the Loop parameter is set to “on” the pitch EG cycle repeats fromthe beginning (L0) to the L3

Page 307 - ● INITIAL VOICE LIST (1)

762: RANGE, SENSITIVITYThese parameters determined the overall range of the pitch EG, and how it isaffected by variations in keyboard velocity.RangeRa

Page 308 - ● INITIAL VOICE LIST (2)

77This function facilitates voice editing by allowing the pitch EG parameters fromany other voice (the “source” voice) to be copied to the current voi

Page 309 - ● INITIAL VOICE LIST (3)

781: LFOThese parameters define the operation of the SY85’s main LFO (Low FrequencyOscillator). The main LFO controls amplitude, pitch, frequency, and

Page 310 - ● INITIAL VOICE LIST (4)

GENERAL EDITINGPROCEDURE Mode Selection ... 8 Selecting Specific Edit Functions ... 8 Selecting

Page 311 - ● WAVE LIST

79Amod (Amplitude modulation depth)Range: 0 … 127Controls: [CS5], [-1] [+1], DialSets the maximum amount of amplitude modulation that can be applied t

Page 312 - ● BLANK CHART — PERFORMANCE

802: LFO SPEED SENSITIVITYThe speed of the SY85 LFO can be varied randomly, and according to variationsin keyboard velocity and range. Such variations

Page 313 - ● BLANK CHART — VOICE

81This function facilitates voice editing by allowing the LFO parameters from anyother voice (the “source” voice) to be copied to the current voice. Y

Page 314

821: PITCH BEND RANGE[VOICE] → [EDIT] → [MENU] → 6:Controller → [ENTER/YES] → [ENTER/YES] →→ [MENU] → 1:Pitch Bend Range → [ENTER/YES]This screen incl

Page 315 - ● BLANK CHART — DRUM VOICE

832: MODULATION WHEEL DEPTH[VOICE] → [EDIT] → [MENU] → 6:Controller → [ENTER/YES] → [ENTER/YES] →→ [MENU] → 2:MW Depth → [ENTER/YES]The modulation whe

Page 316

84Fmod (Frequency modulation depth)Range: 0 … 127Controls: [CS6], [-1] [+1], DialSets the maximum depth of filter cutoff frequency modulation (wah-wah

Page 317 - ● BLANK CHART — MULTI

853: FOOT CONTROLLER DEPTHThe SY85 allows modulation control via a foot controller connected to th rear-panel FOOT CONTROLLER jack as well as the modu

Page 318 - ● BLANK CHART — SYSTEM SETUP

86Fmod (Frequency modulation depth)Range: 0 … 127Controls: [CS6], [-1] [+1], DialSets the maximum depth of filter cutoff frequency modulation (wah-wah

Page 319

874: AFTER TOUCH DEPTH[VOICE] → [EDIT] → [MENU] → 6:Controller → [ENTER/YES] → [ENTER/YES] →→ [MENU] → 4:AT Depth → [ENTER/YES]For truly “intimate” mo

Page 320 - SPECIFICATIONS

88Fmod (Frequency modulation depth)Range: 0 … 127Controls: [CS5], [-1] [+1], DialSets the maximum depth of filter cutoff frequency modulation (wah-wah

Page 321 - ERROR MESSAGE

8The SY85 makes editing easy by providing a consistent, logical controlinterface via which parameters can be located and edited. Once you’ve learnedth

Page 322 - ● Battery

895: CS3 PARAMETER EDITThe [CS3] and [CS4] sliders can be assigned to control a wide range of voiceparameters in real time while playing the SY85. The

Page 323 - ● Sample

90 VOICE EDIT MODE / 6:ControllerCS3 PARAMETER LIST (40 … 75)40: “LFO_Wave ”41: “LFO_Phase”42: “LFO_SpdVel”43: “LFO_SpdRnd”44: “AEG_Rate1 ”45: “AEG

Page 324 - 323APPENDIX / ERROR MESSAGES

916: CS4 PARAMETER EDITThe [CS3] and [CS4] sliders can be assigned to control a wide range of voiceparameters in real time while playing the SY85. The

Page 325 - TROUBLE SHOOTING

92 VOICE EDIT MODE / 6:ControllerCS4 PARAMETER LIST (40 … 75)40: “LFO_Wave ”41: “LFO_Phase”42: “LFO_SpdVel”43: “LFO_SpdRnd”44: “AEG_Rate1 ”45: “AEG

Page 326 - ● Other Problems

93This function allows the controller parameters from any other voice (the “source”voice) to be copied to the current voice. You can copy a controller

Page 327 - APPENDIX / INDEX

94The ability to independently adjust the volume of each voice makes it possible tomatch levels for smooth transition when switching between voices.To

Page 328

95Your original voices should naturally have original names. This function can beused to assign a name of up to 8 characters to the current voice.VOIC

Page 329 - 328 APPENDIX / INDEX

96These parameters provide a fast, easy way to select a new wave for the currentvoice, and instantly set the main amplitude envelope generator paramet

Page 330 - 329APPENDIX / INDEX

97NumberRange: P001 … P244, I00 … I63, C00 … C63Controls: MEMORY, [CS5], [-1] [+1], DialSelects the wave (AWM waveform) to be used in the current voic

Page 331

98Rather than having to set numerous level and rate values via the full-edit ampli-tude EG parameters, these parameters let you select from a range of

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