Yamaha MU15 Specifications

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Summary of Contents

Page 1 - February 2004

desktop SOUNDBEAMusers manualVersion 1February 2004

Page 2

Windows XPREPLACING THE DEFAULT WINDOWS XP DRIVERSThe Windows XP operating system contains drivers that work with theDesktop Soundbeam. However, the S

Page 3

2. Double click the “System” Control Panel.3. Select the “Hardware” tab.Desktop Soundbeam Manual Page 11

Page 4 - Rear Panel Connections

Desktop Soundbeam Manual Page 124. Click the “Device Manager” button.5. Click on the ‘+’ next to ‘Universal Serial Bus Controllers’.

Page 5

Desktop Soundbeam Manual Page 136. Check to see if the heading ‘USB Composite Device’ appears.7. Double-click on the ‘USB Composite Device’.8. Sele

Page 6 - Installing The Software

Desktop Soundbeam Manual Page 149. When the Hardware Update Wizard appears, select “Install from aspecific location (Advanced)” and click “Next”.10

Page 7 - Installing the interface

Desktop Soundbeam Manual Page 1511. On the next screen select the Soundbeam 2DT USB Driver and click“Next”.12. A warning that the driver has not pa

Page 8 - Windows 2000

Desktop Soundbeam Manual Page 1613. Windows will copy files and then two things will occur in quick succes-sion:a) The Update Device Driver Wizard

Page 9

A LIGHTNING TOURof the controls

Page 10 - Windows XP

Main application interface

Page 11 - 3. Select the “Hardware” tab

A LIGHTNING TOUR of the controlsThe main screen of the application contains the most often used functions in one visiblearea, in the following exercis

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Page 2. ContentsPage 4. Desktop Soundbeam what you need to startPage 6. Installing The SoftwarePage 7. Installing The InterfacePage 17. A Lighting Tou

Page 13

And finally try selecting Enable, this will either transmit the notes or other MIDI data thatis contained within the pitch sequence to the selected

Page 14

The Maximum Range of Soundbeam is the furthest distance from the within whichinterruptions of the Beam will be detected. It can be set to any distanc

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And the Sensor will now send pulses to - and listen to echoes from - interruptions of the Beam upto 3 m away.Now, try walking towards the Sensor from,

Page 16

Finally, Reduce the Maximum Range setting to 1.00m. This is a Range - a length ofBeam -It is also possible to select a Minimum Range which defines t

Page 17 - A LIGHTNING TOUR

The Active Area of the Beam - within which interruptions will be detected and used tosend MIDI messages articulating musical notes - is the area betw

Page 18 - Main application interface

DivisionsDivisions are the numbers of sections (from 1 to 64) into which the Beam or Switch canbe divided. Each division c

Page 19

Now put the divisions setting back to 16.TIPIf you wish to increment the number of divisions in smaller steps try usingthe Left and Right arrow butto

Page 20

Divisions OffsetDivisions Offset – defines the note (or chord) of the selected Pitch Sequence fromwhich to start the Pitch Sequence i

Page 22

If we now adjust the Divisions Offset Slider to 1we will now play from Division 1 (C0) thru to Division 16 (Eb1). (see diagram below)If the Divisions

Page 23 - This is a Range - a length of

Page 58. Organise Set-upsPage 60. Tools MenuTo Record a Pitch SequenceRecord events from the Sensor via the Sensor Event RecorderDefine a User Defined

Page 24 - Inactive Area

TransposeThis enables the whole Pitch Sequence - the sequence of notes which is heard when you moveyour hand backwards and f

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Next change the Transpose setting to “-26”. The screen will show and the whole PitchSequence will sound 2 octaves and a tone below the original pitch.

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Trigger ModesThe Trigger Modes are the different ways of starting and stopping the notes sounded byinterruptions of the Beam. You will find a full des

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Now select Polysustain trigger modeIn Poly Sustain Mode - if you are using sounds which can be sustained indefinitely(e.g. organ, choir, bowed strings

Page 28

This has the same effect as Retrigger - as you move your hand in the Beam towardsand away from the Sensor, again you articulate a series of notes, but

Page 29

Trigger Modes are the various ways in which sounds generated by movements in theBeams, or activated by Switches, can be made to start, stop and, in so

Page 30

Poly SustainPoly Sustain - the same as Single Shot, but each note resulting from each fresh inter-ruption of the Beam continues to sound building up a

Page 31

Cyclic TriggerCyclic Trigger - the same as Single Shot, but each note resulting from each freshinterruption of the Beam continues until the next note

Page 32 - Trigger Modes

Gated Single ShotGated Single Shot - the same as Single Shot, except that each note is sustained for aspecific period - as set in the Gate Time Window

Page 33 - Polysustain

Desktop Soundbeam Manual Page 39Polyphony SettingIn Soundbeam and other electronic instruments, polyphony means the number of musicalnotes which ca

Page 34 - Gated Retrigger

Desktop Soundbeam What you need to startDesktop Soundbeam is a software and USB hardware application that runs on IBMcompatible PC. You must ens

Page 35 - Trigger Mode Descriptions

MIDI Control Chains A BSoundbeam Desktop enables the simultaneous control of two real time MIDIController Messages.This is selected via MIDI Controlle

Page 36 - Re-Trigger Sustain

Air FaderThe changing position of an interruption of the Beam relative to the Sensor - acts as avirtual fader on the MIDI Controller it is being sent

Page 37 - Latching

We have set Control Chain A to the Following:Enable: EnabledControl: Source SpeedController: Note VelocityMinimum:127Depth:100Reverse: EnabledBecause

Page 38 - Gated Re-Trigger

MIDI ControllersController selects the destination for settings from Control Source, Minimum and Depthsettings.Controller ContentionsIf the user selec

Page 39 - Polyphony Setting

MIDI SetupMIDI Setup This is used to access settings for a number of different possibilities - forassigning MIDI Program a

Page 40 - MIDI Control Chains A B

Bank Hi Bank LoBank Hi Bank Lo enables in combination with MIDI Program Number for the user toselect alternative Banks of sounds. These messages are c

Page 41 - Air Fader

Output DeviceOutput device enables the sum of all the current settings for either the 4 Beams and 8Switches to the sent to a corresponding MIDI Output

Page 42

MenusTheir are several other Menus within the Desktop Soundbeam application, they aredescribed below.FILELoad Set-UpLoa

Page 43 - MIDI Controllers

SaveEnables a user to save any changes to a current file, there are a number of PresetSet-up files these are locked “Read Only” files. If you wish to

Page 44 - MIDI musical instrument

Save Channel AsSave Channel enables the user to save the settings for the currently Selected Sensor.This option is useful if you already have a settin

Page 46 - Output Channel

Export Set-UpAs Set-up files and Pitch Sequence files are saved as separate files .The Export Set-up function enables the user to save any custom made

Page 47 - Open as Read only

MIDIMIDI Port SettingsEnables the user to select the MIDI input Port to enable the following functions:• To Route MIDI Data for recording to the Pitch

Page 48 - Load Channel As

Selecting MIDI Input ChannelClick on the MIDI Receive Channel Drop down list to select one of the 16 available MIDIChannels. Click on OK to save the S

Page 49 - Import Set-Up

This is useful when you wish to control a third party MIDI software directly from theSoundbeam MIDI output port. For example if we wanted to control R

Page 50 - Export Set-Up

Controller ResetController Reset enables the automatic reset of a MIDI Controller Used within theMIDI Control Chains. Click on Controller Reset to se

Page 51 - Selecting MIDI Input Port

Selecting Automatically reset all MIDI Controllers used within either MIDI ControlChains A B will reset any MIDI Controller to their coresponding defa

Page 52 - Interface MIDI Loopback

System Exclusive File ImportEnables the user to Import a MIDI System Exclusive filefor transmission to their Sound Module or Keyboard.System Exclusive

Page 53

The user can now choose thedestination port for the SystemExclusive file to be transmitted to. Theoption to send the file immediately,using the Send N

Page 54 - Controller Reset

Organise Set-upsThe Organise Set-ups panel enables the user to do the following. To arrange in orderfrom the number of available set-ups into a order

Page 55

Desktop Soundbeam Manual Page 59The remote select MIDI Input Program Change checkbox enables or disables MIDIProgram Change messages to load the Set-

Page 56 - Loading a File

Installing The SoftwareInsert the Desktop Soundbeam installation CD into your CD Drive. The installationprogram should start automatically. Follow the

Page 57

Tools MenuThe tools Menu enables the user to access thefollowing functions.• To Record a Pitch Sequence• Record events from the Sensor via theSensor E

Page 58 - Organise Set-ups

To Record a Pitch SequenceFirst ensure you have selected the correct MIDI Input port to record MIDI data from, andhave connected your MIDI Output from

Page 59

To Record a Pitch Sequence via the KeyboardAnother option is to use your computer keyboard to record a pitch sequence, this wayyou do not need to conn

Page 60 - Tools Menu

Now Select the type of Division werequire, as we are recording noteinformation then select Note asthe division type. Now type in viayour Computer keyb

Page 61 - To Record a Pitch Sequence

Congratulations! you have recorded your first Pitch Sequence. Now lets save the pitchsequence we have just created. In trhe Pitch Sequence File Box ty

Page 62 - Now Select Division one

To Load a User Pitch SequenceOpen the Pitch Sequence Recorder Panel, select the Load Pitch Sequence Icon ,thisIconlocates the Folder Containing y

Page 63

Randomise Pitch SequenceThe Randomise Pitch Sequence function enables you to randomise two types of eventfor the selected Pitch Sequence.•

Page 64

Pitch Sequence Division TypesThere are 3 types of MIDI Data that can be placed into a Pitch Sequence Division,they are• Notes• Program Change• System

Page 65 - Load Pitch Sequence Icon

The 1st Division in ourPitch Sequence should now con-tain an empty Division. Now SelectProgram Change as a Division Type.Program Change Division Type

Page 66 - Invert Pitch Sequence

Now Select Save, you will be prompted with a warning,Select Yes to over write the existing pitch sequence. You have now created a pitch Se-quence Cont

Page 67 - Pitch Sequence Division Types

Installing the interfaceDesktop Soundbeam Manual Page 7Installing the InterfaceConnect the USB cable to the rear panel of the Desktop S

Page 69

On interruption of the 1st Division furthest away from the sensor will transmit MIDIProgram number of 1 Acoustic Grand Piano.Movements along the beam

Page 70

On interrupting the 24th Division closest to the sensor will transmit the MIDI pro-gram number of 90 Warm Pad.Desktop Soundbeam Manual Page 72

Page 71

Desktop Soundbeam Manual Page 73

Page 72

System Exclusive Division TypeSystem Exclusive MIDI Messages are custom MIDI messages that correspond to aparticular Musical Instrument Manufacturer.

Page 73

Sensor Events RecorderThe Sensor Events Recorder enables you to record the output from each separatesensor. This can be saved as a comma separated

Page 74

The vertical axis displays the position ofthe object interrupting the Sensor. Thehorizontal position displays the timeduration, this is also indicated

Page 75 - Sensor Events Recorder

User Defined ControllersUser defined Controller Panel enables the user to define their own Variable SystemExclusive Message.To open the panel selec

Page 76 - Manual Page 76

Firstly input the Controller name as ‘Yamaha XG Reverb Time’ into the Controller Namewindow.we now need to define and enter our System Exclusive MIDI

Page 77

The next step is to define our variable parameter Minimum and Maximum parametersas this data is given normally in Hexadecimal numbering we will input

Page 78

Desktop Soundbeam Manual Page 8Windows MillenniumAfter you have turned on the desktop Soundbeam’s interface, the FoundNew Hardware Wizard will repo

Page 79

The new User Defined Controller has now been added to our usable list of controllersfor use within the MIDI Control Chains. The controller is availabl

Page 80

SENSOR MonitorThe Sensor Monitor displays information about the interruption and position of any ofthe four ultrasonic sensor inputs or th

Page 81 - SENSOR Monitor

Set-Up Macro SettingsPatch Macro Settings Panel enables the user to set the following sensor controls.• Global Transpose all sensors• Global Transpose

Page 82 - Set-Up Macro Settings

Global TransposeGlobal Transpose transposes all PitchSequences assinged to the 4 Beamsand 8 Switch inputs within the currentSet-up. Global Transpositi

Page 83 - Cross Sensor Global Transpose

Cross Sensor TransposeCross Sensor Transposition enables the interruption of one sensor’s Pitch Sequenceto Transpose the Pitch Sequence assigned to on

Page 84 - Cross Sensor Transpose

Desktop Soundbeam Manual Page 85MIDI File ReplayMIDI File Replay enables the user to load a MIDI File in either 0 or 1 format.Then using any Sensor t

Page 85 - Selecting a file

Desktop Soundbeam Manual Page 86Select the MIDI FIle you wishto replay, select thr openbutton to load the MIDI File.The Name of the MIDI File willapp

Page 86

Desktop Soundbeam Manual Page 87The MIDI Output PortSelector connects the MIDI fileplayback to any available MIDI portinstalled on your computer.

Page 87 - The MIDI Output Port

Desktop Soundbeam Manual Page 88 MIDI MIXERThe MIDI Mixer enables the user adjust the audio mix between any Sensor.To open the MIDI

Page 88 - MIDI MIXER

• The Volume level• Pan Position• Reverberation Level• Chorus LevelVolume ControlThe Volume Control Varies two simultaneous MIDI Controllers, they are

Page 89 - The Default Level is 40

After the installation of the sotware switch on your Desktop Soundbeaminterface, the Found New Hardware Wizard will report it has detectedSoundbeam 2

Page 90 - MIDI Mixer

Chorus LevelThis varies MIDI Controller No93 the default level is 000.Master FaderThe Master Fader controls the output level of the Sum of all Beams a

Page 91

Desktop Soundbeam Manual Page 91For example if Beam 1 is allocated to MIDI Channel 1, we then allocate to Beam 2the same MIDI Channel. The Controls f

Page 92 - Beam Lock

Configure ProgramTo Open the Configure Program Panel click to to open Configure Program Panel.The Configure Program Panel.Lets the user configure the

Page 93 - Short cuts Menus

Desktop Soundbeam Manual Page 93Short cuts MenusThe Icon Short-cuts enable the user to select the most commonly used featureswithout utilising the dr

Page 94 - The Desktop Soundbeam

Desktop Soundbeam Manual Page 94The Desktop SoundbeamThe Desktop Soundbeam was deigned forEdward and Judy WilliamsbyAdam Fullerton: Interface Firmwa

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